Thursday, December 18, 2025
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Exclusive: Idina Menzel Used a TelePrompter to Sing “If/Then” Song on Tony Awards

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There were lots of performances last night on the Tony Awards, all live, none lip synched. Everyone sang songs from the shows they’re in for 8 shows a week. Some people sang songs they’d never sung before, like Jennifer Hudson introducing a number from the still cooking “Finding Neverland.”

Only one performer used a TelePrompter, however. Idina Menzel read the words to the turgid “Always Starting Over” as they scrolled by in HUGE letters. I know, because I was sitting just to the side of the TelePrompter, which was otherwise used to cue presenters and remind them of what they were doing.

Of course, the screechy “Always Starting Over” isn’t a song as much as it’s a filibuster, a speech, a declamation, and a bore in my opinion. Maybe Idina can’t remember all those words. Maybe she’s too busy getting ready for her one woman show next Monday at Radio City, which she’s fitting in between performances of the dreadful “If/Then” to capitalize on her “Frozen” success.

Hyatt Heir’s $100 Mil Jazz Movie Is Back, Looking for Actresses with a “Fearless Acceptance of Full Nudity” And More

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Bolden!” is back. The $100 million plus movie about obscure jazz musician Buddy Bolden is going to be re-shot this fall. The “Citizen Kane” type producer-director-writer of this fiasco is Dan Pritzker, heir to the Hyatt Hotel chain.

He shot the entire movie, starring Anthony Mackie, seven years ago. But then he didn’t like it, and decided to re-shoot it.That was a problem, however, since Mackie has become a big star, and was busy doing other things. The actor declined an offer to return. Pritzker had to recast, so he hired Gary Carr, the unknown actor who played a jazz singer last season on “Downton Abbey.”

Now a source tells me the casting call for this fall’s re-do, and it comes with something I’ve never heard expressed quite this way before. All the women being sought must have “fearless acceptance of full nudity” and not only that. They must also have “fearless acceptance of simulated sex acts.”

The warning to casting agents, says my source: “Don’t submit anyone who’s uncomfortable with this.”

All this to depict the life of Buddy Bolden, who must be heaven telling Miles Davis, Charlie Parker, and Duke Ellington this story with great bemusement. I’m sure they’re getting a kick out of it, too. Apparently, in the new version of the film Buddy will have a a quartet of “ravenous women” who are loyal followers and sexual partners. (In real life, Buddy Bolden spent his post jazz years, 1907-31, in a sanitarium, where he suffered from alcoholism and schizophrenia.)

All of this is going to be directed toward Carr, who somehow doesn’t exude this voracious ladies’ man quality. But Pritzker obviously knows what he’s doing.

 

 

Tony Awards: Audra McDonald Wins 6th Tony, Carole King Gets with the Program

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What a night for the Tony Awards! Audra McDonald won her sixth statue, this time for Best Actress in a Play even though it was a Musical but it’s okay because everyone loves her.

“I’m a little out of it,” Audra said at the Plaza Hotel, where the big fancy Tony after party was hotter than ever this year. “If my daughter asked for keys to the car I’d say yes,” Audra said, laughing. Is she old enough to drive? “No, she’s only 13. But that’s the way I feel right now.” Husband Will Swenson, nominated for playing a very dark and intense Javert in “Les Miz” this season, took it all in stride.

And Audra? No more “Private Practice” type shows. “Hey I loved those people,” she said.

Meanwhile, the Tonys went pretty much as everyone thought, with “Gentleman’s Guide” winning Best Musical, “All the Way” getting Best Play, “Hedwig” receiving Revived Musical and “Raisin the Sun” earning best Revived Musical. All the actors except for McDonald were new to the winner’s circle if not Broadway itself: Jessie Mueller, Neil Patrick Harris, Bryan Cranston, Sophie Okonedo, James Monroe Iglehart, Lena Hall.

Not only were the winners talented but the runners up were all top notch too, like LaTanya Richardson, Tony Shalhoub, the guys from “Gentlemen’s”– Jefferson Mays and Bryce Pinkham, Nick Cordero, and so on.

Jessie Mueller won Best Actress in  Musical playing Carole King in “Beautiful.” Remember the whole story about Carole not coming to opening night, and saying she didn’t want to be involved? Uh, last night Carole got on stage and played the piano and sang with Jessie at Radio City. Now that the show’s a hit, she’s come around. Also on hand were the rarely mentioned ‘others’ from that show– Barry Mann and Cynthia Weil. They wrote “You’ve Lost That Lovin’ Feeling.”

I ran into the Manns on the red carpet, along with Patty Clarkson, Candy Spelling, Sting and Trudie Styler, and Rosie O’Donnell. Sting wowed the audience later with the title song from his musical “The Last Ship,” which starts previews in Chicago on Tuesday. Watch for it next year at the Tonys.

More from the Tonys in the AM…

 

Warren Beatty Wraps 74 Day Shoot on Howard Hughes Movie

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Good news: Oscar winner and legend Warren Beatty has wrapped principal photography on his Howard Hughes movie. Total shoot came to 74 days according to sources. The much anticipated film stars Beatty, Lily Collins and a big cast including Annette Bening, Taissa Farmiga, Candice Bergen, Matthew Broderick, Chase Crawford, and Martin Sheen. No one knows the exact plot line, but apparently it’s about Hughes’s late in life affair with a young girl (Collins, daughter of rocker Phil in real life).

I’m told that as fitting every Beatty project, “there were a lot of takes per scene.” Beatty also joked on set that shooting is done, but now starts a year of editing. Let’s hope not. If I were a betting man, I’d say the “Howard Hughes” movie would debut in Cannes, May 2015.

Beatty hasn’t made or been in a movie since he directed himself in “Town and Country” in 1991. What a shame, too. He missed 15 crucial years of face time. He was reportedly offered “Kill Bill Pt. 1” by Quentin Tarantino, but turned it down. Otherwise, he’s been busy raising kids and talking politics.

Crossing fingers, sending prayers, and good vibes…we need this movie to be good..What to do until then? Watch “Reds,” and “Heaven Can Wait” and “Shampoo” and “Bonnie and Clyde”…

Tom Cruise Finishes 3rd with “Edge” But It’s Actually A Pretty Good Opening for Him

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Tom Cruise did finish in third place this weekend with “Edge of Tomorrow.” But at $29.1 million, “Edge” is his second best opening weekend in 8 years. How do you like that?

Since 2006, only “Oblivion” has given Cruise a better opening weekend with $37 million. “Jack Reacher,” “Knight and Day,” and “Valkryie” all opened in equivalent numbers of theaters on three day weekends and did far worse. Indeed, all three were kind of stinkers. None of those releases made close to $100 million domestically, finishing in the 70s and 80s.

“Mission: Impossible-Ghost Protocol” can’t be counted because it had a weird platform distribution when it opened. For its first week it played in only 425 theaters.

“Edge” will likely hit in the $80-$90 million finish zone. That would be on a par for all Cruise movies that weren’t a “Mission” sequel or Steven Spielberg’s 2005 “War of the Worlds,” his biggest hit ever with $235 million domestic.

The next step for Cruise is to try and find a “Jerry Maguire”-like romcom or something where he’s not repelling off a building. One of the nice parts of “Edge” is that his character is a bit of a coward who has to be persuaded into action. This little character point made the movie eminently more interesting.

 

 

 

Tony Awards: Carole King Will Be There Tonight as “Beautiful” Could Win

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Carole King wouldn’t come to the opening night of “Beautiful,” a musical based on her life and classic songs. She finally did see the show, of course, after her absence became a news peg. She loved it, ‘natch. Tonight she’ll be in the audience at the Tony Awards at Radio City Music Hall, of course. There’s no doubt she’ll make it onto the stage if “Beautiful” wins Best Musical. At the very least, King should be pleased if any of the actors from the show win their categories, Jessie Mueller especially.

“Beautiful” is not a “new” musical like “A Gentleman’s Guide to Love and Murder.” But it is a great musical because of the songs. King wrote most of the hits in the show other than a few other classics by Barry Mann and Cynthia Weil. King’s songs from that era were largely collaborations with Gerry Goffin, her husband for almost a decade. They made such a great team that when the Beatles came to America they said they wanted to be like Goffin and King. They assumed King was a man.

As a composer and a musician, few can stand up to Carole King. She wrote the music. And while Goffin’s lyrics are soulful and touching, it’s the melodies that have kept her catalog going. King won the Gershwin prize a few years ago. She deserved it. And not just for those “Beautiful” hits and “Tapestry.” She has a whole batch of hits that aren’t even covered in the musical, and could be woven into their own show.

Box Office: “Fault” Falls Short, But Still Takes Tom Cruise for a Ride

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“The Fault in Our Stars” was a big hit over the weekend but not quite what everyone thought it would be. After a huge Friday night– $26.1 million– there was a tremendous fall off in ticket sales. Most films exponentially take in three times’ their Friday sales. But “Fault” finished with $48.2 million for three days. That first night included the $8 million previews from Thursday plus inflated ticket prices. Still, considering the movie cost $12 million — $20 million altogether, “Fault” is a winner on all fronts.

None of this was good news for Tom Cruise. “Edge of Tomorrow,” directed by Doug Liman, and a very cool movie at that, could not compete. The days of teenage girls weeping and swooning over Cruise are kinda over. The sci fi action thriller barely mustered $29.1 million for the weekend. Considering “Edge” has a pricetag of $200 million, that figure isn’t encouraging. Internationally, “Edge” isn’t doing much better. The foreign take is now $60 million.But again, Cruise’s big territories– South Korea, Russia, and Australia– haven’t seen the film.

 

OJ Flashback: Defense Doctor Says “Some Guilty People Are Set Free”

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Twenty years ago this Thursday morning– June 12, 1994– Ronald Goldman and Nicole Brown Simpson were found murdered in Brentwood, a posh suburb of Los Angeles. I covered the case for New York magazine, and later wrote about it again on Foxnews.com. Here’s a flashback to June 3, 2004, when Dr. Rob Huizenga, hired to be Simpson’s doctor, finally shed light on his involvement and testimony.

From 2004:

In the first interview he’s given since O.J. Simpson’s trial for double murder in 1994, Dr. Robert Huizenga — Simpson’s personal physician at the time and a witness for the defense in the “Trial of the Century” — spoke with me yesterday about the case. The respected Los Angeles doctor and author had surprising things to say on the eve of the 10th anniversary of the unsolved murders of Nicole Brown Simpson and Ronald Goldman.

Huizenga was brought into the case by attorney Robert Shapiro a couple of days after the murders. It was also after Simpson had already been examined by police doctors and had his blood taken for testing. Indeed, Huizenga — who’d just written a book about the affect of anabolic steroids on professional football players — suddenly replaced Simpson’s regular doctor, a rheumatologist, at Shapiro’s request.

“My take, and what I say now, is that Simpson was innocent in the trial,” Huizenga told me, referring to the criminal trial in which a jury acquitted Simpson. A civil jury later held him responsible for the murders. “That doesn’t mean he did or didn’t do it. Let’s face it, the evidence is completely suspicious. Some guilty people are set free.”

Huizenga saw Simpson once on the morning of June 15 at Shapiro’s request. “Shapiro said to me, ‘Take every test. Let the chips fall where they may.'” The doctor saw Simpson again on June 17, two hours before the infamous Bronco chase commenced, and later in prison. At the time, the notoriety was scary, he said. “I got hundreds of letters saying ‘You’ll die for representing this man’ — which I didn’t — to ‘You’re the best person in the world.’ It was eye opening.”

But what was most alarming, Huizenga told me, was how prosecutors treated him. His direct questioning by the state was from Deputy District Attorney Brian Kelberg, who worked for Marcia Clark.

“I told them that Simpson appeared to be limping when he came into my office. Instead of asking me about that, they said, ‘He wasn’t limping, you’re lying, we have tape of him from two months before.’ It’s odd that the prosecutors didn’t even bother to ask about the sequelae,” he said, tossing some much-needed Latin into our conversation. In other words: Clark’s team never asked why Simpson had been limping, or what would have brought him to that point.

Huizenga is not wrong to question that moment in his testimony 10 years later. On the stand he told Kelberg that Simpson walked into his office three days after the murders “like Tarzan’s grandfather.” Instead of exploring how Simpson could have come to be in that condition, Kelberg replied: “…perhaps Mr. Simpson was faking a limp in your office?”

“They assumed I was lying,” Huizenga said to me. “They didn’t ask me if it was possible that he’d been in the greatest fight of his life just a few days before.”

“I was dumbfounded by their approach,” Huizenga said. “And they’ve become celebrities since then.” He continued: “But they were set on a course. They wanted to prove I was stupid instead of saying, ‘You’re an honest person, what happened here?'”

Huizenga testified in the trial that he tested Simpson for several drugs, among them anabolic steroids. All the tests came back negative. The FBI lab had tested Simpson a couple of days earlier for the same drugs, without the steroid component. During the trial, a Harvard forensic psychiatrist with a connection to the case conjectured to me that Simpson might have killed his ex-wife Nicole and Ron Goldman in some kind of steroid rage. Huizenga says now that it’s unlikely based on the tests.

“Of course, the original tests had much higher detectable limits. We set ours much lower. Look at all the pictures that were taken. They were all from my office. All the cuts on his hands, none of that would have been known without us. They” — he said, referring to the police and FBI — “did a terrible job.”

Early in the trial year, Simpson’s pal Al Cowlings dictated tapes for a book he was going to publish about Simpson dating up through the trial. Cowlings, I reported then, said that in the Bronco Simpson exhibited a massive amount of sweating, and recalled that he looked like someone who was going through steroid withdrawal.

Huizenga reminded me that in mid-July 1994, once Simpson was in prison, he underwent exploratory surgery for cancer. “What we found was that he had a lymph node under his armpit, and that he was sweating profusely. Ironically, the jail doctor who examined him said he hadn’t seen any lymph nodes. But they were the kind associated with rheumatoid arthritis, and that would have caused the sweating.”

Nevertheless, Huizenga did testify that Simpson had abruptly stopped using a drug called sulfasalazine for his rheumatoid arthritis about a month before the murders. This jibed with an interview I had in 1995 with Christian Reichardt, chiropractor boyfriend of Faye Resnick, who’d convinced Simpson to give up his medications in favor of a vitamin drink he’d concocted. Could withdrawal from sulfasalazine have caused Simpson to fly into rages? It’s unlikely. But at the trial, under direct examination by defense attorney Shapiro, Huizenga volunteered the following:

“He [O.J. Simpson] received multiple cortisone injections, which is — certainly was done in the past, I think all would agree, far too freely and may have certain sequelae downstream.”

There’s that word sequelae again. During later cross examination, it’s interesting to note that Kelberg never bothered to ask Huizenga about the cortisone injections, or what side effects they had. He never asked about the sequelae, sticking instead to a lengthy and boring discussion of cuts.

If only Kelberg had asked. Looking back at Huizenga’s testimony, it’s clear that he was doing everything he could to send out clues to the hapless prosecution, anything, that is, short of just blurting out his thoughts in open court. If only they’d been smart enough or paid closer attention.

Clint Eastwood Sends Up His Own Movie Singing Career in “Jersey Boys”

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Everyone is very excited about Clint Eastwood’s “Jersey Boys” adaptation opening June 25th. Eastwood taking on the music of the Four Seasons? Well, Clint writes jazz scores. But has he ever sung in a movie? The answer is Yes, and Eastwood sends up his warbling from the 1969 movie musical “Paint Your Wagon” in “Jersey Boys.” (It turns out it’s from “Rawhide” on TV circa 1963.)

Last night at a junket screening, “Jersey Boys” went through the roof. “The audience loved it,” says a spy. “It takes about 10 minutes to get going, and then it’s wonderful.”

In one scene, a television is playing in the background. It’s the early 60s. It’s a little inside joke, but it shows the usually dour Eastwood has a good sense of humor about himself.

Here’s Clint from “Rawhide.” Kids, don’t try this at home:

Exclusive: Madonna Leaving Clues About Surprise Single/Video a la Beyonce?

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EXCLUSIVE: Here’s a good rumor, with a little substantiation: Madonna may be planning a surprise single and video this month a la Beyonce. She may also be leaving clues out in the open. For one thing, Madge has been working with contemporary producer superstar Avicii (aka Swedish deejay Tim Bergling) on new music. She needs him since her “MDNA” album was pretty much a disaster. (Remember those days? Yikes.)

Now comes word that famed photographer Mark Seliger and his video team (Barney Miller and Monica Monique) are casting for a video shoot on Wednesday on New York’s Lower East Side. Seliger/Miller and Monica worked on Avicii’s big hit “Wake Me Up.”

Plus the list of characters for the video shoot, for a song called “Stranger,” sounds like typical Madonna: rollerskaters, bodybuilders, breakdancers, a drag queen a la Ru Paul, and a “leather boy” who “must be comfortable without a shirt.”

Avicii’s brand of neo-disco, like Daft Punk’s, is in right now. And it sounds like an updated version of Madonna from her heyday.

There had been a rustle of activity at the end of May that Madonna had a surprise album called “Rebel Heart” and maybe a single called “Unapologetic.” (“Rebel Heart” was the name of Bebe Buell’s bestselling memoir of life in fashion and rock and roll.)  A snippet of instrumental music was teased on Soundcloud via Billboard, too.

Everyone in the music biz is jealous of Beyonce’s surprise album drop last December. So a Madonna album out of the blue is a possibility. But as one record label head observed to the other day, Beyonce’s “Visual” album had 17 new videos. It wasn’t slap dash. So we’ll wait and see if “Stranger” is Madonna’s answer.

PS Madonna should look at what just happened with Mariah Carey as a lesson. Artists of a “certain age” are not selling like they used to. Madonna already took a hit on “MDNA.” “Rebel Heart” could easily face the same fate.