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Box Office: “Fault” Falls Short, But Still Takes Tom Cruise for a Ride

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“The Fault in Our Stars” was a big hit over the weekend but not quite what everyone thought it would be. After a huge Friday night– $26.1 million– there was a tremendous fall off in ticket sales. Most films exponentially take in three times’ their Friday sales. But “Fault” finished with $48.2 million for three days. That first night included the $8 million previews from Thursday plus inflated ticket prices. Still, considering the movie cost $12 million — $20 million altogether, “Fault” is a winner on all fronts.

None of this was good news for Tom Cruise. “Edge of Tomorrow,” directed by Doug Liman, and a very cool movie at that, could not compete. The days of teenage girls weeping and swooning over Cruise are kinda over. The sci fi action thriller barely mustered $29.1 million for the weekend. Considering “Edge” has a pricetag of $200 million, that figure isn’t encouraging. Internationally, “Edge” isn’t doing much better. The foreign take is now $60 million.But again, Cruise’s big territories– South Korea, Russia, and Australia– haven’t seen the film.

 

OJ Flashback: Defense Doctor Says “Some Guilty People Are Set Free”

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Twenty years ago this Thursday morning– June 12, 1994– Ronald Goldman and Nicole Brown Simpson were found murdered in Brentwood, a posh suburb of Los Angeles. I covered the case for New York magazine, and later wrote about it again on Foxnews.com. Here’s a flashback to June 3, 2004, when Dr. Rob Huizenga, hired to be Simpson’s doctor, finally shed light on his involvement and testimony.

From 2004:

In the first interview he’s given since O.J. Simpson’s trial for double murder in 1994, Dr. Robert Huizenga — Simpson’s personal physician at the time and a witness for the defense in the “Trial of the Century” — spoke with me yesterday about the case. The respected Los Angeles doctor and author had surprising things to say on the eve of the 10th anniversary of the unsolved murders of Nicole Brown Simpson and Ronald Goldman.

Huizenga was brought into the case by attorney Robert Shapiro a couple of days after the murders. It was also after Simpson had already been examined by police doctors and had his blood taken for testing. Indeed, Huizenga — who’d just written a book about the affect of anabolic steroids on professional football players — suddenly replaced Simpson’s regular doctor, a rheumatologist, at Shapiro’s request.

“My take, and what I say now, is that Simpson was innocent in the trial,” Huizenga told me, referring to the criminal trial in which a jury acquitted Simpson. A civil jury later held him responsible for the murders. “That doesn’t mean he did or didn’t do it. Let’s face it, the evidence is completely suspicious. Some guilty people are set free.”

Huizenga saw Simpson once on the morning of June 15 at Shapiro’s request. “Shapiro said to me, ‘Take every test. Let the chips fall where they may.'” The doctor saw Simpson again on June 17, two hours before the infamous Bronco chase commenced, and later in prison. At the time, the notoriety was scary, he said. “I got hundreds of letters saying ‘You’ll die for representing this man’ — which I didn’t — to ‘You’re the best person in the world.’ It was eye opening.”

But what was most alarming, Huizenga told me, was how prosecutors treated him. His direct questioning by the state was from Deputy District Attorney Brian Kelberg, who worked for Marcia Clark.

“I told them that Simpson appeared to be limping when he came into my office. Instead of asking me about that, they said, ‘He wasn’t limping, you’re lying, we have tape of him from two months before.’ It’s odd that the prosecutors didn’t even bother to ask about the sequelae,” he said, tossing some much-needed Latin into our conversation. In other words: Clark’s team never asked why Simpson had been limping, or what would have brought him to that point.

Huizenga is not wrong to question that moment in his testimony 10 years later. On the stand he told Kelberg that Simpson walked into his office three days after the murders “like Tarzan’s grandfather.” Instead of exploring how Simpson could have come to be in that condition, Kelberg replied: “…perhaps Mr. Simpson was faking a limp in your office?”

“They assumed I was lying,” Huizenga said to me. “They didn’t ask me if it was possible that he’d been in the greatest fight of his life just a few days before.”

“I was dumbfounded by their approach,” Huizenga said. “And they’ve become celebrities since then.” He continued: “But they were set on a course. They wanted to prove I was stupid instead of saying, ‘You’re an honest person, what happened here?'”

Huizenga testified in the trial that he tested Simpson for several drugs, among them anabolic steroids. All the tests came back negative. The FBI lab had tested Simpson a couple of days earlier for the same drugs, without the steroid component. During the trial, a Harvard forensic psychiatrist with a connection to the case conjectured to me that Simpson might have killed his ex-wife Nicole and Ron Goldman in some kind of steroid rage. Huizenga says now that it’s unlikely based on the tests.

“Of course, the original tests had much higher detectable limits. We set ours much lower. Look at all the pictures that were taken. They were all from my office. All the cuts on his hands, none of that would have been known without us. They” — he said, referring to the police and FBI — “did a terrible job.”

Early in the trial year, Simpson’s pal Al Cowlings dictated tapes for a book he was going to publish about Simpson dating up through the trial. Cowlings, I reported then, said that in the Bronco Simpson exhibited a massive amount of sweating, and recalled that he looked like someone who was going through steroid withdrawal.

Huizenga reminded me that in mid-July 1994, once Simpson was in prison, he underwent exploratory surgery for cancer. “What we found was that he had a lymph node under his armpit, and that he was sweating profusely. Ironically, the jail doctor who examined him said he hadn’t seen any lymph nodes. But they were the kind associated with rheumatoid arthritis, and that would have caused the sweating.”

Nevertheless, Huizenga did testify that Simpson had abruptly stopped using a drug called sulfasalazine for his rheumatoid arthritis about a month before the murders. This jibed with an interview I had in 1995 with Christian Reichardt, chiropractor boyfriend of Faye Resnick, who’d convinced Simpson to give up his medications in favor of a vitamin drink he’d concocted. Could withdrawal from sulfasalazine have caused Simpson to fly into rages? It’s unlikely. But at the trial, under direct examination by defense attorney Shapiro, Huizenga volunteered the following:

“He [O.J. Simpson] received multiple cortisone injections, which is — certainly was done in the past, I think all would agree, far too freely and may have certain sequelae downstream.”

There’s that word sequelae again. During later cross examination, it’s interesting to note that Kelberg never bothered to ask Huizenga about the cortisone injections, or what side effects they had. He never asked about the sequelae, sticking instead to a lengthy and boring discussion of cuts.

If only Kelberg had asked. Looking back at Huizenga’s testimony, it’s clear that he was doing everything he could to send out clues to the hapless prosecution, anything, that is, short of just blurting out his thoughts in open court. If only they’d been smart enough or paid closer attention.

Clint Eastwood Sends Up His Own Movie Singing Career in “Jersey Boys”

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Everyone is very excited about Clint Eastwood’s “Jersey Boys” adaptation opening June 25th. Eastwood taking on the music of the Four Seasons? Well, Clint writes jazz scores. But has he ever sung in a movie? The answer is Yes, and Eastwood sends up his warbling from the 1969 movie musical “Paint Your Wagon” in “Jersey Boys.” (It turns out it’s from “Rawhide” on TV circa 1963.)

Last night at a junket screening, “Jersey Boys” went through the roof. “The audience loved it,” says a spy. “It takes about 10 minutes to get going, and then it’s wonderful.”

In one scene, a television is playing in the background. It’s the early 60s. It’s a little inside joke, but it shows the usually dour Eastwood has a good sense of humor about himself.

Here’s Clint from “Rawhide.” Kids, don’t try this at home:

Exclusive: Madonna Leaving Clues About Surprise Single/Video a la Beyonce?

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EXCLUSIVE: Here’s a good rumor, with a little substantiation: Madonna may be planning a surprise single and video this month a la Beyonce. She may also be leaving clues out in the open. For one thing, Madge has been working with contemporary producer superstar Avicii (aka Swedish deejay Tim Bergling) on new music. She needs him since her “MDNA” album was pretty much a disaster. (Remember those days? Yikes.)

Now comes word that famed photographer Mark Seliger and his video team (Barney Miller and Monica Monique) are casting for a video shoot on Wednesday on New York’s Lower East Side. Seliger/Miller and Monica worked on Avicii’s big hit “Wake Me Up.”

Plus the list of characters for the video shoot, for a song called “Stranger,” sounds like typical Madonna: rollerskaters, bodybuilders, breakdancers, a drag queen a la Ru Paul, and a “leather boy” who “must be comfortable without a shirt.”

Avicii’s brand of neo-disco, like Daft Punk’s, is in right now. And it sounds like an updated version of Madonna from her heyday.

There had been a rustle of activity at the end of May that Madonna had a surprise album called “Rebel Heart” and maybe a single called “Unapologetic.” (“Rebel Heart” was the name of Bebe Buell’s bestselling memoir of life in fashion and rock and roll.)  A snippet of instrumental music was teased on Soundcloud via Billboard, too.

Everyone in the music biz is jealous of Beyonce’s surprise album drop last December. So a Madonna album out of the blue is a possibility. But as one record label head observed to the other day, Beyonce’s “Visual” album had 17 new videos. It wasn’t slap dash. So we’ll wait and see if “Stranger” is Madonna’s answer.

PS Madonna should look at what just happened with Mariah Carey as a lesson. Artists of a “certain age” are not selling like they used to. Madonna already took a hit on “MDNA.” “Rebel Heart” could easily face the same fate.

West Memphis 3 Movie, with 2 Oscar Winners and 24 Producers, Vanishes

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“Devil’s Knot” is missing.

The narrative feature film about the saga of the West Memphis 3 has disappeared completely. Directed by Atom Egoyan, “Devil’s Knot” starred two Best Actor/Actress winners– Colin Firth and Reese Witherspoon. It also boasts no fewer than 24 producers and executive producers– possibly a record.

According to various movie websites, “Devil’s Knot” opened in limited release on May 9th. That’s a month ago. But there is no listing for it on boxofficemojo.com. On the Internet Movie Database, there is no evidence of any money made at the box office. The film was un-rated. No numbers means the distributor never reported them because they were so embarrassingly low.

The DVD will be released on Tuesday, it turns out. That was fast. And mysterious.

“Devil’s Knot” premiered in September 2012 at the Toronto Film Festival. Bad reviews? An understatement. “Devil’s Knot” rated a charitable 23% on Rotten Tomatoes.That’s not so bad. Adam Sandler’s movies get lower numbers.

The people involved knew nothing about a much publicized case. They even didn’t know how to dramatize the four “Paradise Lost” documentaries made by Joe Berlinger. The film was a total mistake, and a waste of time.

No one wanted to release it. That job fell to Image Entertainment, also releasing “All Cheerleaders Die” this year. They are somewhere below “B” movies, around “D”.

The $15 million budget is a complete write off for scandal-plagued Worldview Entertainment. One of their principals, Christopher Woodrow, listed as an executive producer on the film, resigned from the company last week under a dark cloud of rumors of personal malfeasance.

Tom Cruise Conquered at Box Office By “Fault in Our Stars” Tearjerker

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It’s not like the $10.65 million made last night by Tom Cruise’s “Edge of Tomorrow” is so bad. But Cruise and company were literally swamped by the melodramatic tearjerker “The Fault in Our Stars.” The latter movie made $26.1 million on its opening night including $8 million from Thursday showings.

“Edge” just barely edged out Angelina Jolie in “Maleficent” which made $10.14 million on Friday night, starting its second weekend. “Maleficent” would have the edge today-Saturday- from a young audience. So it could be that Cruise ends the weekend at number 3.

“Fault” has a built in audience of teenage girls and young women who want to come and cry their eyes out. The first night had to be big big big. Will it sustain? Will any men go? That’s the question now. Estimates are $50 mil for the weekend.

Broadway Update: “After Midnight” Will Close on June 29th, Other Shows to Follow

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UPDATE JUNE 14TH: I wrote the following piece last Saturday. Now comes word that “After Midnight” will shutter on June 29th. What a shame, what a great show. Patti Labelle was guest starring this week. Gladys Knight and Natalie Cole were scheduled for this summer, and appeared on the Tonys to promote it. Broadway is a cruel place sometimes.

 

JUNE 7: Tomorrow, Sunday, the Tony Awards at 8pm on CBS: you will see lots of great stuff from this season, and some teases for the fall season and beyond including Sting’s important new musical “The Last Ship” and the musical stage version of the hit film “Finding Neverland.”

Radio City will be filled with the music of the Brill Building, the clever invention of “A Gentleman’s Guide to Love and Murder,” and Woody Allen’s breezy “Bullets Over Broadway.”

But a lot of shows will start shutting down right after the Tonys. By August 1st, the theater district is going to full of empty theaters.

“Of Mice and Men” closes July 27th. They’re already deep discounting tickets. Bryan Cranston in “All the Way” will wrap up as expected, as well as the all-star “A Raisin in the Sun.” “Casa Valentina” is a limited run, so its slight showing won’t matter.

A number of older shows, though, may call it a day. First of all, “Rocky” is not long for this world. They played at 63% last week. Without major Tonys, “Rocky” may be knocked out by Labor Day.

The dreadful “If/Then” is also starting to fray. After huge initial numbers, the grinding, shrieking Idina Menzel showcase is at 84%. Again, no Tonys means it will be harder to sustain.

Tyne Daly in “Mothers and Sons” will exit right after the Tonys. Last week the show took in just under $160,000. Soon the actors will have to pay the audience. A valiant effort, but to no avail.

Older shows “Rock of Ages” and “Once” are on the ropes. Newer shows “Violet” and “The Realistic Jones” are in peril. And if the producers of “Pippin” don’t do something, they too could be in trouble. I hope not. But they need a marketing plan, tout suite.

Broadway is not for the faint of heart when it comes to producing a show. But the good news is, new shows are always around the corner– or trying out in another city. Barry Levinson and Sheryl Crow’s long-awaited “Diner” is finally going to do a run in Arlington, Virginia this fall. If it sticks this time, we may see it in the spring.

 

Jane Fonda Hailed in Hollywood as A Legend: “More Important to Stay Interested than Interesting”

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Of all the luminaries who spoke for and showed up for Jane Fonda’s American Film Institute Lifetime Achievement Award last night, the most moving came from two different parts of the double Oscar winner’s life: her son, actor Troy Garity, and famed Vietnam vet Ron Kovic, who wrote “Born on the Fourth of July.”

Garity, keeping back tears, spoke poignantly about being the son of “Hanoi Jane.” He joked, “My firs 13 birthday parties were Hollywood fundraisers.” Garity was joined by his wife, Simone, and his older sister Vanessa. Also speaking on behalf of the Fonda family was Jane’s famous actor brother Peter Fonda, who toasted her from his table on the floor of the Dolby Theater with recollections of their Oscar winner Hollywood icon dad, Henry Fonda.

Kovic, a surprise speaker from the stage in his wheelchair, reminisced about protesting  the Vietnam war with Fonda in the 1970s. “I love you, Jane,” he said.

Fonda, glowingly beautiful at age 76 in a Vera Wang gown, told the crowd: “It’s more important to stay interested than interesting.” She bemoaned the fact that she hadn’t asked more questions of the legends she acted with when she had the chance. She said the only younger star who ever asked her questions was Meryl Streep, on the set of “Julia” in 1977.

In his opening remarks of the night, AFI head Bob Gazzale told the glittering crowd that Fonda had picketed the annual AFI dinner at least twice. Once was over American involvement in Vietnam. Another time, she and Shirley MacLaine protested the lack of women in key Hollywood roles. Gazzale pointed out that led directly to the AFI changing its policies.

The crowd dressed in formal attire could not have been more star oriented. Michael Douglas (who gave Fonda the award) was joined by wife Catherine Zeta Jones. Among the presenters was Sir Howard Stringer, Sally Field, Sandra Bullock, Lily Tomlin, Meryl Streep, Cameron Diaz, Jeff Daniels, Eva Longoria, Eve Ensler and comedian Wanda Sykes– who made some unpublishable jokes about the cause of Michael Douglas’s throat cancer and HPV. Sykes was also dressed like “Barbarella.” Much of what she said will be cut from the televised version.

HBO brought a contingent from “The Newsroom,” in which Fonda stars, including Jeff Daniels, Emily Mortimer (with actor husband Alessandro Nivola), Sam Waterston, Rosario Dawson, Alison Pill and Marcia Gay Harden. Other guests included director David O. Russell, married actors William H. Macy and Felicity Huffman, and Morgan Freeman, Corey Stoll, Kathryn Hahn, Diane Lane, Samantha Mathis, Dylan McDermott, plus cinematographer Haskell Wexler and Fonda’s great friends, producer Paula Weinstein and actresses Melanie Griffith and Rosanna Arquette.

Last year’s AFI recipient, Mel Brooks, vowed humorously not to return, but did anyway. He told me that because of the new “Star Wars” movies, he was thinking of actually making “Spaceballs 2: The Search for the Money,” the never made but much wanted sequel to “Spaceballs.”

Fonda was seated at the main table with significant other, famed record producer Richard Perry. Perry had some of his own guests from the music world including Clive Davis and Arnold Stiefel, longtime manager of Rod Stewart, and great songwriter Carole Bayer Sager (with husband Bob Daly, former Warner Bros chief and AFI leader). Also at their table: Jackie Collins and indefatigable philanthropist Barbara Davis.

Streep’s speech is one I hope they keep intact for the TV broadcast. She remembered her work on “Julia,” her very first film, and how Fonda– hilariously– taught her how to hit her mark and stand under the right light. She thanked Jane for her “generous heart” and “presentness.”

In fact, before Meryl Streep was The Greatest American Actress, that distinction was owned by Jane Fonda, winner of two Best Actress Oscars– for “Klute” and “Coming Home,” with several more nominations.

A terrific after party nearly ended on a sour note as Hollywood regular Robert Wolders, boyfriend of Fonda’s step mother Shirlee, fell off a raised platform and hit his head. Fonda and daughter Vanessa rushed to his aide as paramedics swooped in. Luckily, Wolders recovered well enough to sit up after the Fondas’ ministrations.

 

Hillary Clinton’s Ghost Writer Once Fronted Band as “Lord Rockingham”

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As we await the publication of Hillary Clinton’s “Hard Choices” next Tuesday, here’s a little more about her ghostwriter, Ted Widmer. Like Bill Clinton, Widmer has a musical background. He was once part of the stunningly unsuccessful Boston rock band called the Upper Crust. The group actually played gigs and appeared on Conan O’Brien’s NBC show. Widmer was called Dr.Lord Rockingham during his 1995-97 term. (Correction thanks to some sharp readers!)

The group soldiered on without Widmer, putting out CDs and a DVD called “Horse & Buggery.” The premise was that they dressed like 18th century French aristocrats, wore the requisite white wigs, and spoke with English accents. This is our youth! Widmer emailed me: “…that was a lifetime ago — the early 90s. Was fun though.”

Not as much fun, I’m sure, as writing and researching “Hard Choices.”

 

 

Irony: Tom Cruise Makes a Good Movie and No One Wants to See It?

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Here’s a weird irony that was unexpected: Tom Cruise has made a good movie but it seems like no one wants to see it.

“Edge of Tomorrow” opens tomorrow, directed by Doug Liman, and it’s pretty good. In fact, it’s the best thing Tom Cruise has been in, in a long time. When you think of “Oblivion” and “Valkyrie” and endless “Mission Impossible” movies– I mean, really, Cruise’s original non franchise films that really worked are “Jerry Maguire”– 1996!–and “Minority Report” (2005).

“Edge” is around 90% on Rotten Tomatoes– getting great reviews. But the early international release appears to be a dud- $26 million so far including the UK. Of course it hasn’t opened yet in South Korea, where Tom is strong, or Russia and China. And “Edge” hasn’t been seen yet in Australia- there are a few Aussie actors in the pic so that may help.

But word is that tracking in the US is soft, and that “Edge” may have a disappointing launch. How funny– well, not haha funny– would that be? Cruise finally comes through and everyone shrugs. I sure hope it doesn’t work out that way. We’ll have to wait and see.