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Broadway: Helen Mirren vs. Carey Mulligan for Tony Award Best Actress, Different Plays, Same Director

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I don’t know how this is going to work, exactly. Much awarded and beloved director Stephen Daldry (The Reader, Billy Elliott, etc) is bringing two British productions to Broadway next spring. One is an original play by Peter Morgan– The Audience. The other is a revival– Skylight by David Hare. He directed both of them in the West End, at different times, and now he’s got them opening here at the same time.

Here’s the sticky wicket: each play has a lead actress who will compete against the other for the Tony Award for Best Actress. Helen Mirren plays Queen Elizabeth II in “The Audience.” Carey Mulligan plays an ex lover trying to get on with her life in “Skylight.” Each is a sensational performance. How awkward. What will Daldry do? What will Tony voters do?

“The Audience” also features Geoffrey Beevers, Michael Elwyn, Richard McCabe, and Rufus Wright as four of the 9 prime ministers who get audiences with the Queen. Five American actors will be hired for the other roles including a woman to play Margaret Thatcher. I wonder where Kate Nelligan is. She’d be perfect. John McMartin is likely practicing a British accent as we speak.

This Broadway season is turning into quite a drama. Jeremy Gerard says today that he thinks Jeremy Jordan won’t be playing the lead when “Finding Neverland” comes to the Lunt Fontanne next winter. I think he’s right– it will be a star. Neil Patrick Harris is probably over at Harvey Weinstein’s house right now, doing magic tricks for his kids.

Paul McCartney Tribute Album Features Eclectic Cast Including Bob Dylan, KISS, Def Leppard, Cat Stevens

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One day there had to be a Paul McCartney tribute album.  “The Art of McCartney” is here, with a very eclectic roster of artists contributing takes on McCartney or Lennon & McCartney songs. Alice Cooper sings “Eleanor Rigby.” Why? Why not? Some sound promising– Chrissie Hynde on “Let it Be” should be grand. But Bee Gee Barry Gibb is allowed to revisit “Sgt. Pepper” with “When I’m 64.” The Bee Gees mangled these songs once before in a terrible, forgotten movie.

Someone named Ralph Sall got the idea to find all kinds of people, many of whom have nothing to do with McCartney or the Beatles, in a kind of everything but the kitchen sink approach. He convinced McCartney to do this, and used his band to record the vocalists. Some we’ve never heard of. But Alice Cooper of all people has two tracks. Owl City? Yikes. Jamie Cullum?  But this is why cherry picking on digital services can be useful.

This is the best part: there are at least five different versions of this thing including a box setwith vinyl and CDs that seems like it retails for around $300. There are gatefolds, illustrated books, and all kinds of extras including a USB in the shape of a Hofner guitar. No one said “no” once during this project.

Meantime, there is no properly curated McCartney box set of his own material, or hit covers of Beatle songs, or a good re-release of “Red Rose Speedway.” But for some reason “Venus and Mars” and “Wings at the Speed of Sound” are coming out, separately, as remastered gift sets. The former I’ll gladly pick up for fun. The latter features “Silly Love Songs,” which I am surprised Ralph Sall restrained himself from including on “The Art of McCartney.”

1. Maybe I’m Amazed – Billy Joel

2. Things We Said Today – Bob Dylan

3. Band On The Run – Heart

4. Junior’s Farm – Steve Miller

5. The Long and Winding Road – Yusuf / Cat Stevens

6. My Love – Harry Connick, Jr.

7. Wanderlust – Brian Wilson

8. Bluebird – Corinne Bailey Rae

9. Yesterday – Willie Nelson

10. Junk – Jeff Lynne

11. When I’m 64 – Barry Gibb

12. Every Night – Jamie Cullum

13. Venus and Mars/ Rock Show – KISS

14. Let Me Roll It – Paul Rodgers

15. Helter Skelter – Roger Daltrey

16. Helen Wheels – Def Leppard

17. Hello Goodbye – The Cure ft James McCartney

18. Live And Let Die – Billy Joel

19. Let It Be – Chrissie Hynde

20. Jet – Robin Zander & Rick Nielsen of Cheap Trick

21. Hi Hi Hi – Joe Elliott

22. Letting Go – Heart

23. Hey Jude – Steve Miller

24. Listen To What The Man Said – Owl City

25. Got To Get You Into My Life – Perry Farrell

26. Drive My Car – Dion

27. Lady Madonna – Allen Toussaint

28. Let ‘Em In – Dr. John

29. So Bad – Smokey Robinson

30. No More Lonely Nights – The Airborne Toxic Event

31. Eleanor Rigby – Alice Cooper

32. Come And Get It – Toots Hibbert with Sly & Robbie

33. On The Way – B. B. King

34. Birthday – Sammy Hagar 

The limited edition vinyl boxset and deluxe boxset features the following eight extra tracks; 

1. C Moon – Robert Smith

2. Can’t Buy Me Love – Booker T. Jones

3. P.S. I Love You – Ronnie Spector

4. All My Loving – Darlene Love

5. For No One – Ian McCulloch

6. Put It There – Peter, Bjorn & John

7. Run Devil Run – Wanda Jackson

8. Smile Away – Alice Cooper

 

Watch: Aretha Franklin Gets Standing Ovation from Letterman Audience With Knockout Performance

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Aretha Franklin, Queen of Soul to all of us, knocked out David Letterman and his audience tonight. She got a standing ovation after the audience literally clapped in time through her soaring rendition of “Rolling in the Deep.” I was lucky to be invited there, all afternoon, from soundcheck til the taping. It was quite the experience hearing Aretha Franklin sing live twice in the Ed Sullivan Theater. And contrary to some nutjob blogger looking for clickbait at the Washington Post, Ms. Franklin does not use Auto Tune. (She is not Britney Spears or JLO, you twit.) I wish the Letterman people would let me post the soundcheck, which was as good if not better than the air performance.

Franklin’s back up singers were historic too. She had Cissy Houston with her, 81 years old, the original Sweet Inspiration. Cissy sang back up on all of Aretha’s hits in the 1966-69 Jerry Wexler era, especially on “Ain’t No Way.” Then there was Vaneese Thomas, daughter of Rufus, sister of Carla, a recording artist in her own right. Rev. C. L. Franklin married Vaneese’s parents to each other. Let’s not leave out Fonzie Thornton, premiere singer, originally with Chic and Luther Vandross, of the great “unsung” singers in the world.

It’s so cold in Letterman’s studio that Aretha wore a hooded sweatshirt to rehearsal. She went through “Rolling in the Deep” twice, astonishing everyone in the room. The single is available today on amazon, and iTunes. She swoops and dives and climbs through her still amazing range wringing sounds out of that song no one has heard before. Auto Tune, my ass. To have watched Aretha Franklin sing live all these years is to know she does nothing the same way twice, she is totally spontaneous. and sort of magical.

For Letterman, by the way, Aretha called in her famous conductor H. B. Barnum, as well as many famed musicians including bass player extraordinaire Jerry Jermott aka The Groovemaster. After the show, Letterman guitarist Felicia Collins had a moment of nirvana with Aretha and with Jerry. Everything was live, it was just brilliant.

Aretha’s new album, “Classic Diva Songs,” is available today on vinyl, and will drop as a CD on October 21st. Start the soul clapping now!

 

Broadway: Harvey Weinstein Will Open “Finding Neverland” in April for Tony Awards

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Harvey Weinstein is bringing “Finding Neverland” to Broadway next spring. The April 8th opening will be right in time for the Tony Awards. Diane Paulus’s directed musical based on the Marc Forster Oscar nominated movie just concluded a hit run in Cambridge, Mass. at the ART. Now comes the hard work of tweaking and streamlining and getting the show ready for prime time, as it were. Music is by British pop superstar and composer Gary Barlow.

The entry of “Finding Neverland” into the Tony sweepstakes is intriguing. Sting’s “The Last Ship” will be up against it, as well “An American in Paris,” which is just playing now in Paris, France. There are also revivals of “On the Town” and “On the Twentieth Century” plus at last the musical of “Dr. Zhivago” written by Lucy Simon (“Secret Garden”). So get ready. April is a minute away!

Exclusive: Listen to Aretha Franklin’s Soaring Version of “Rolling in the Deep”

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Aretha Franklin has covered a lot of songs in her time and made them her own. “I Say a Little Prayer” (Dionne Warwick), “Bridge Over Troubled Water” (Simon & Garfunkel), even, technically, “Respect” (Otis Redding). Here is her soaring, soulful version of Adele’s “Rolling in the Deep.” Play it loud, baby. aretha album coverAretha rocks. And yes, that’s a little bit of “Ain’t No Mountain High Enough” mixed in for good measure.

The Queen of Soul debuts the record tonight on Letterman. The whole album– “Aretha Sings the Great Diva Classics”– comes out tomorrow on vinyl officially to make the Grammy deadline of September 30th. The CD and digital are October 21st.

You can already download “Rolling in the Deep” by purchasing the album in advance for $7.99 on amazon.com or iTunes.

I want to hear this on my car radio. Clear Channel, I’m just sayin’….

James Earl Jones, 83, is the Beating Heart of Broadway’s “You Can’t Take It With You”

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James Earl Jones is only 83 years young. He’s the beating heart at the center of Broadway’s revival of Kaufman and Hart’s “You Can’t Take it With You.” The play, written in 1936 and last revived fondly and hilariously in the 1980s with Jason Robards, Eddie Albert (who took over for Robards), Colleen Dewhurst, James Coco and Elizabeth Wilson, remains a laugh fest- sophisticated and corny at the same time. I have a strong feeling this is going to turn out to be the hit production of the fall among plays. Just you wait. Scott Ellis has taken what is a complicated piece to stage– lots of characters, split second comic movement– and made it run like a vintage Rolex.

JEJ is just one factor, and what a great idea to have him play “Grandpa”–Martin vander Hoff– the patriarch of the extended eccentric Sycamore family and friends. Just as brilliant is Tony nominee Kristine Nielsen from “Vanya and Sonya…” as Penelope Sycamore, Martin’s daughter, who runs her household with ditzy benign neglect. Kristine Nielsen is a genius, folks. Watch her start a line and finish it. In between, she does three other things physically preparing for the line to end. It’s like watching a crazy architect.

The rest of the cast is superb. Aussie Rose Byrne, who’s got a big movie and TV career going, makes her Broadway debut with incredible confidence and poise. She’s Alice, the Marilyn Munster as it were of the Sycamores– Alice is the only one who goes out in the world every day in New York, has a job, a life, and is “normal.” She knows her family is “off,” but she loves them. Byrne starts what should be a nice theater career.

Then there’s Annaleigh Ashford, from “Homeland” on TV and “Kinky Boots” on Broadway, as Alice’s married but way gone sister Essie. Hilarious. Fran Kranz, who was Bernard in Mike Nichols’ “Death of a Salesman” in 2012, and was recently hanged on the “Dallas”  TNT reboot, is a fine Tony Kirby, who woos Alice. Mark-Linn Baker plays counterpoint with Patrick Kerr as respectively Penny’s husband Paul and Mr. DePinna, who’s making fireworks in the basement. Broadway great Elizabeth Ashley waltzes into Act 3 as the Russian countess now waiting tables at Child’s restaurant in Times Square. Reg Rogers keeps the action going as Boris Kolenkov, Essie’s dance teacher.

Lots of stars in the audience– Glenn Close and John Lithgow, who will open soon down the street in “A Delicate Balance,” Tony winner Bobby Cannavale (who dates Rose Byrne), “Charlie’s Angels” star Jaclyn Smith (her lovely daughter dates Fran Kranz and has known him since they were in school), plus David Hyde Pierce and Billy Magnussen who came to cheer on Kristine from their “Vanya” days. Tony nominees Jefferson Mays and Bryce Pinkham from Tony winning “Gentlemen’s Guide to Love and Murder” came with wives and had terrible seats and no seats at the after party. (They didn’t complain.)

Moss Hart and George S. Kaufman had their heyday in the 30s and 40s but their comedies are timeless. You look at these charming people on David Rockwell’s gorgeously cluttered set and think that if they added a TV or a laptop the whole thing could be taking place right now. Get over to the Longacre and see what I mean. LOL, Kaufman and Hart would say now.

George Clooney Has a Real “Spy” Satellite Watching Sudanese War Lords Every Day; Syria Next?

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EXCLUSIVE Here’s something that’s kind of an open secret but has escaped our attention completely: George Clooney and friends have a satellite– an actual, real up-in-space satellite– that hovers over the Sudan taking pictures every day. The satellite gathers information about atrocities exacted by Sudanese war lords on its people–especially in Darfur. The pictures and videos are posted to a website run by Clooney’s charity.

Now that People magazine and Hello in the UK have forked over millions for the exclusive to Clooney’s wedding this weekend to Amal Alamuddin, the Oscar winning actor can use the money to support the satellite. According to reports about his romance with Amal, the two had discussed shortly after meeting last year putting a satellite up over Syria to watch that vicious government.

Many thoughts arise including: if George Clooney can do this over Sudan and Syria, why isn’t the U.S. government watching the rest of the world this way? And, can anyone with money do this? (For example, can I launch a spy satellite over Hollywood?)

Clooney, producer Jerry Weintraub, actors Don Cheadle and Matt Damon started a charity a few years ago called Not On Our Watch. It was intended to raise money to help the people of Darfur. Clooney has been heroic in his efforts to help the Sudanese.

Four years ago he launched Satellite Sentinel. He’s talked about it vaguely, and there are occasionally press releases about it. I guess no one reads them since no major media except Time, in 2010, has written much about it or the depth of the program. Last year Clooney wrote an essay about Darfur for The Daily Beast and never mentioned it. Satellite Sentinel was described as “an initiative focused on preventing mass atrocities.”

Meanwhile, Not On Our Watch has quietly continued to help fund Satellite Sentinel. In 2012, according to the group’s Form 990, that amounted to almost $2 million. Clooney is the CEO and runs it along with activist John Prendergast.

When Clooney and Prendergast started the project, Google was heavily involved in helping them. The company that runs the satellites– called Digital Globe– was key to setting up Google Maps. (I don’t think we know a fraction of what Google is doing all day; it’s not just search engines.)

From the Satellite Sentinel website: “The project works like this: DigitalGlobe satellites passing over Sudan and South Sudan capture imagery of possible threats to civilians, detect bombed and razed villages, or note other evidence of pending mass violence. Experts at DigitalGlobe work with the Enough Project to analyze imagery and information from sources on the ground to produce reports.”

Redford has Sundance, Sting has the Rainforest, Bono has Africa, but no celebrity, as far as I can tell, has a satellite. Strangely, the subject never came up once last year when Clooney was helping to promote “Gravity,” a movie about outer space. When his character went sailing out among the stars, he might have passed Clooney’s Sudan satellite. Maybe it got a picture of him.

Watch this video which so far has just 1,087 views:

George Clooney Gets Married Without Brad Pitt or Angelina Jolie, Sandra Bullock as Guests

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You may have heard: George Clooney got married today in Venice. He married beautiful lawyer Amal Alamuddin, and congratulations to them both.

The star studded wedding seems not to have included Brad Pitt and Angelina Jolie. Tabloids insisted all summer that Brad would be best man. That honor likely went to either George’s dad, Nick, or best friend Grant Heslov. Also MIA was producer Jerry Weintraub and some of the other “Ocean’s” movie cast mates as well as Sandra Bullock. Maybe they’ll turn up later in photos.

Brad and Angelina are filming “By the Sea” in nearby Malta, an island off the coast of Italy. Pitt has appeared in four movies with Clooney. Sandra Bullock, Clooney’s acting partner in “Gravity,” is shooting a film in the U.S.

Guests ranged from real Clooney friends like actor Richard Kind and Matt Damon to business associates like CAA agent Bryan Lourd, Anna Wintour of Vogue magazine and Stefano Tonchi of W Magazine.

Celebrities included Bono, Bill Murray, John Krasinski and Emily Blunt, and Cindy Crawford and husband Rande Gerber. Will Bono sing at the reception? I just hope he makes a toast and someone records it. No one gives a speech like Bono.

“Gone Girl” Cast Parties Behind Bodyguards At New York Film Festival Opening

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“Gone Girl”? Gone event. The New York Film Festival opening at the newish Tavern on the Green was pretty much of a bust last night. For the first time in the fest’s history, the cast and crew of the opening night night partied in a private room while the rest of the invitees were locked out. Security guards blocked the entrances to the VIP event and no one at the main party ever saw Ben Affleck, the cast, or director David Fincher.

The joke, of course, was that lots of A list people who expected to mix and mingle with the “Gone Girl” gang were stuck outside — and literally outside. That’s because the new Tavern on the Green has much less indoor space than the old one thanks to the removal of the famed Crystal Room. Tavern has been reduced in size and glamor quite remarkably. It’s like someone snuffed out all of its joie de vivre. What a shame.

Meantime, many of the movie execs, press, New York Film Fest guests and so on debated the whole issue of “the book vs. the movie” as Gillian Flynn’s novel has so many fans. They were busy explaining the “Gone Girl” story to those of us who were underwhelmed by Fincher’s often over the top take on what is being described as a manifesto about marriage.

“This will be a tough sell,” declared one veteran actor. “It’s not a slam dunk at the box office.” The set up of “Gone Girl”: Nick Dunne (Ben Affleck) comes home to find his wife (Rosamund Pike) is missing. It looks like there’s been a scuffle at their lovely suburban home. Nick looks around but he doesn’t try to call his wife’s cell phone, or call her friends, or her family. He just calls the police, they arrive, and look around. An orange cat follows them around.

The investigation Amy’s disappearance could make the film “Chasing Amy,” an early Affleck film. Eventually it’s concluded, or decided, that Amy must be dead. Nick doesn’t shed any tears because he’s been having an affair with a 20 year old college girl. Also, his twin sister didn’t like Amy. They bring in her parents; her father is played by Miles Drentell from “thirtysomething.”

There’s a plot twist, of course. I can’t give it away. If you’ve read the book, you know what I mean. And then things go way over the top. There’s a lot of mustache twirling. Some of the acting, like Neil Patrick Harris’s, gets very “General Hospital.” And then there’s a shocking act of violence that requires buckets of Max Factor blood.

I disagree with the veteran actor. “Gone Girl,” like “The Fault in our Stars,” should be a $100 million movie thanks to the book’s huge readership. The first two weekends should be big. Oscar buzz? I’m not sure. But “Gone Girl” seems like it’s perfect for the Golden Globes.

Jeremy Renner Wears a Wedding Ring, Says His “Bourne” Is on Hold

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Photo c2014Showbiz411
EXCLUSIVE Jeremy Renner wore a silver ring on his finger at the press conference for his new political thriller, “Kill the Messenger,” which opens Oct. 10. The next day he announced to ABC News that he married the mother of his new baby girl.

Questions of a personal nature are discouraged by publicists at these dos and the ring didn’t look like a traditional wedding ring.

Talk was all about the movie at the Ritz Carlton Hotel, where Renner discussed the best role he’s had since Kathryn Bigelow’s “Hurt Locker.” Renner sats as real-life controversial investigative journalist Gary Webb, whose 1990’s articles for the San Jose Mercury News documented the C.I.A.’s link to Central American cocaine smugglers. The peddled drugs funded contra rebels in Nicaragua and also devastated LA’s black ghettos. First celebrated for his groundbreaking articles, the reporter was later discredited and dragged through the mud by competing and media giants the New York Times, Washington Post and especially the L.A. Times. (Soon his story was soon overshadowed by the goings on with Bill Clinton and Monica Lewinsky.)

At the press event, Renner, who is also a producer of the film, talked to journalists for 30 minutes. As serious as he was, he also showed he has a sense of humor about fame and the negative offshoots, like the nude photographs circulating of him on the Internet.

I asked Renner if I could take his photograph.

“Yes, you need a picture?” he asked me. Everyone giggled.” Those on the Internet are much better than the one you’re gonna take,” Renner told me. “Just sayin.”

Back to the film, which is based on Webb’s 1998 book, “Dark Alliance,” in which Webb defended his articles, and the 2004 biography of Webb by Nick Schou, which gives the movie’s title. The film, which is sympathetic to Webb, should help reinstate his reputation and embarrass the appropriate people.

Although there’s an embargo on reviews before the film opens Oct. 10, I will say only that though it’s based on a story that happened several decades ago, it feels timely and fresh in light of how whistleblowers are vilified and the current administration has limited press access. The film is so powerful and exciting that by the film’s coda, which reminds us Web died after he shot himself in the head twice, I was so stunned by this largely forgotten story that it took me five minutes before I could get out of my seat.

Renner, who grew up in Modesto, California, seventy miles from where Webb filed his reports, explained why he was so passionate about the project.

“I got a really great script by Peter Landesman and then discovering it was a true story made it important to bring it to the big screen, so Mike (Cuesta), now ok, we can really consider actually doing this and the more I researched, the more I studied, the more I realized, wait a second, this all happened like seventy miles from where I grew up and I know nothing about it,” he said. “Some of the downstream sort of effects, what he uncovered, and thought that, you know, it’s something I had to do. Not wanted to do but had to do.”

The actor said he little contact with Webb’s family, who shared home videos of their father/husband going about doing mundane things. “It’s not my place to dig up old feelings or new feelings or fresh feelings. I didn’t want to do that so that I can go play him in a movie. It’s not my place, so out of respect for the family, I hid from them, if you will.”

He met them later. “It was amazing! It was lovely. It was awkward. It was cathartic. It was beautiful. It was encouraging. They were gracious and loving and I still talk to them and can’t wait to see them again at the premiere. They were very happy with the way the movie turned out.”

Asked about upcoming projects, Renner mentioned hot films in the pipeline.
He told reporters “The Bourne Legacy” sequel seems to be on hold now that Justin Lin will direct the first two episodes of “True Detective” later this fall.

Paul Greengrass and Matt Damon “are thinking of getting it going again, which is awesome because I think that leads to maybe us doing one together in the future, which would be my hope.”

For the past three weeks he’s been shooting the Tom Cruise starrer, “Mission Impossible: 5,” where he reprises his role as William Brandt. The action picked up in Morocco he said, and they will continue shooting in London.

“We have four and ½ months to go and we’re doing a lot of writing as we go and, yeah, there’s some good set pieces and seems to be some good twists and turns. We’ve got a great cast. Alec Baldwin is amazing. And again some more good bad guys there. It’s going to be cool. We’ve got the boys back together, Ving Rhames, Simon Pegg, and Tom, myself, it’s cool. Alec Baldwin is tremendous.”

“The American Hustler” actor also hinted to what was ahead for his character Hawkeye in the upcoming “Avengers: Age of Ultron.”

“It was fun to finally kind of discover who Clint Barton is a little bit and got some good secrets revealed and I think what was great about the first Avengers is exponentially expressed in this one. The action to making fun of itself and there’s a lot more time spent with the Avengers together versus being separated in the first one. We’ve got some great new goodies and some good baddies.”

Renner said he’d like the Avengers to cross paths with the Marvel characters from “Guardians of he Galaxy.”

> “I think it would be awesome. I think of course that’s the hopes of the puppeteers behind Marvel but we’ll see.”

>> As for television, which he doesn’t much watch, Renner said he’s open to doing a “True Detective” like project, which doesn’t tie him up for more than a season.

Meanwhile he’s contemplating his next movie as a producer and has a project in mind but has to line up a director and wait until there’s a window of time he’s free, especially from obligations to Marvel.

As for his success, which the 43-year-old actor said was completely unexpected, he noted, “As each day goes along, rolls along, it feels right and when it doesn’t feel right then I go do something else.”

“It also feels right and it feels good to be sitting here and talking about a movie versus like having to not talk about a movie like Avengers, where you can’t say anything.”

Promoting the first Avengers he said was frustrating. “Oh God, I wanted to kill myself. I was a major spoiler cause I couldn’t talk about that, that I was a bad guy,” he said. “I’m like, God, all I could say is, yeah, I shoot a bow and arrow. I had to put my head down and stopped talking and let Scarlet Johansson do the rest. It was so frustrating, so it’s nice to actually sit and talk about a movie and there’s something to talk about and have a discussion about. I can do roundtables all day, especially with journalists talking about a movie about journalism and media. It’s great.”