Saturday, December 20, 2025
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Exclusive: “70s Show” Star Topher Grace Producing, Starring in Low Budget Film Musical

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Topher Grace is a puzzlement. Maybe he made a lot of money from “That 70s Show” on Fox; it was a long run. He does take odd projects now. His new one seems to be starring in and executive producing a low budget ($2 mil) musical for film.

The movie is called “One Shot,” and it’s set, I am told, to begin shooting in late November in Mexico City. Topher plays a failed Broadway star who now stage manages shows. His former girlfriend is the star of his new show, and he wants to get back with her. Many musical numbers, fantasy and real, take place. Greg Kinnear makes a cameo appearance.

An outfit called Dark Factory is the producer. Isaac Lentz, who comes from music videos and commercials, is the director. No one involved has anything to do with Broadway.

Hey. bueno suerte! Break a leg!

Broadway: Sting’s “Last Ship” Tightens Up for a Big Hit Sunday Launch

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“The Last Ship” is ready to sail. I stopped in to see a Tuesday night performance of Sting’s musical, directed by Joe Mantello, last night. I must say the show, which began in Chicago last June, seems ship shape and ready to launch. “The Last Ship” is the rare thing on Broadway these days: a totally original musical, a work of fiction created just for the stage. “If/Then” and “The Book of Mormon” are the only other such musical endeavors currently playing on the Great White Way.

This is no easy feat: “Beautiful” came with a score and the well known Brill Building story. “A Gentleman’s  Guide to Love and Murder” is based on a novel. Most of the other musicals are based on movies or books. The love story of Gideon and Meg, set against the end of the shipbuilding business in Northern England, is totally original.  The audience loves the show, and I give them credit: it’s one of the few stories they’ve never heard before. You’ve actually got to pay attention as it unfolds.

The good news is that the Neil Simon Theater looked about 90% full last night. A big busload of customers came from somewhere. There were a lot of Russians sitting next to me. In front of me, fans of the show sang along with the eminently hummable songs. The score is just amazing, even better sung by the cast, the chorus, with Rob Mathes conducting the big orchestra. The music is really exhilarating.

Getting ready for Sunday night’s opening, Mantello and co. have tweaked and streamlined. The show moves a nice pace, never slow, always engaging. I think Jimmy Nail, an authentic British performer  from Newcastle, is going to be a revelation to audiences here. The principals are all wonderful– I have a thing for Sally Ann Triplett. And Fred Applegate is just the heart and soul of the show.

So hoist the masts and dig up all the nautical cliches you can think of for Sunday night’s opening. And get your tickets now before the prices go up on Monday.

 

 

Bono Chart Bust: U2 Sells 23,142 Copies of New Album, Comes in at Number 12

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UPDATE: “Songs of Innocence,” the  new U2 album, did much less well than anyone thought. Hitsdailydouble says it sold 23,142 copies. That’s the deluxe edition, finishing at number 12 on the charts in its debut. This is after its September 9th launch on iTunes for free, which pushed 26 million people to press “download” from their Purchased queue.

This is what U2 hoped to avoid: a chart embarrassment. In the end, only 23,142 people wanted their CD enough to buy it. There was a hope that the number would be as high as 30,000. A couple of weeks ago they speculated that it would be 70,000. After all, there are bonus tracks and the booklet and the actual CD. There’s also a creepy cover.

U2 will still sell out its 2015 tour. Fans want to hear their hits. Radio is partially to blame for this mess. They simply won’t play new music from legacy artists. I wonder what would happen if the Beatles returned, or Led Zeppelin put out a new single. All pop radio wants is crap from over produced kids singing very loudly. And it’s unoriginal crap at that.

 

Filmmakers: Stephen Hawking “Basically Dies Every Couple of Years, Comes Back to Life and Goes Back to Work”

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World renown scientist and physicist Stephen Hawking, who has suffered from ALS for 50 years, lives a perilous existence. According to the people who’ve made “The Theory of Everything,” an extraordinary film with Oscar-buzzed performances, Hawking “basically dies every couple of years, comes back to life, and goes back to work.”

So says screenwriter Anthony McCarten, who adapted Hawking’s first wife’s book to make the movie. McCarten was part of a lunch panel at the Lotos Club today that featured stars Eddie Redmayne and Felicity Jones. Award winning director Stephen Daldry acted as moderator, filling in for “Theory” director James Marsh, who’s off shooting a new film.

McCarten, Redmayne, and Jones all spent a lot of time with Hawking and with first wife Jane, who wrote the book. They are deeply well versed in Hawking and his life long illness at this point, and quite articulate about it. Hawking has lived well beyond the two years that was predicted when he was diagnosed in school with ALS. The group says that every two years Hawking winds up in hospital, hooked to machines and nearly dies. “Somehow he comes out of it,” McCarten explained. “And then he talks about going on a lecture tour and back to work.”

One subject raised during the post lunch Q&A: about Hawking’s private life. He fathered children and has had two marriages. “Everything works,” Redmayne assured the diners and went on to explain Hawking’s ALS. “When he met him,” Eddie said, “he was only interested in Felicity. He’s quite the ladies man.”

Redmayne, meanwhile, turns out to be less of a player. He’s getting married in December to, essentially, his high school sweetheart. He and Hannah Bagshawe. She came to the lunch with Redmayne’s terrific parents, from London, and I am happy to report she’s a keeper. After a week long honeymoon over Christmas, Hannah will be at Eddie’s side for a long Oscar campaign. Lucky, lucky guy!

During the lunch, I asked McCarten about Hawking’s public pronouncements that there is no God. “Is there a God?” I asked. Producer Eric Fellner, sitting beside me, didn’t miss a beat. “Peggy Siegal,” he said, naming our host.

PS A Daily News reporter came to lunch at the austere Lotos Club wearing very skimpy shorts and loafers. A huge kerfuffle ensued because the club, rightly, refused his entrance. An overcoat was procured. But really, are these kids raised in space? Mort Zuckerman, buy your reporters some pants, please!

Mick Jagger Finally Admits He Moves Like James Brown, Not Like Jagger

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There are many interesting reveals in HBO’s new documentary about James Brown. The most pressing one is a completely revealing interview with Mick Jagger, one of the film’s producers. Filmmaker Alex Gibney has done a fine job with “Mister Dynamite.” He catches Jagger watching himself circa 1965 on TV after Brown has left the stage. Jagger can’t deny it: he is suddenly imitating Brown’s dance moves. Modern day Mick rolls his eyes. He admits that seeing Brown first at the Apollo and then at this show changed his whole career.

If only Michael Jackson were alive to say the same things.

Ironically, Brown himself learned a lot of his moves from Little Richard when he filled in for one of the heralded founders of rock and roll for a two week gig in the early 60s. I hope Little Richard, living down in Nashville, catches that. It should make him happy.

“Mister  Dynamite” is not the ultimate James Brown film. It excises nearly everything about the Godfather of Soul’s personal life, his drug use, jail sentences, and incidents of domestic abuse. It also bypasses his “Living in America” era mid 1980s and anything about how or why he died.

What the film does very well is explain Brown’s music, his career, its trajectory. Famed musicians who worked with him are interviewed, and we get a lot of info on these subjects. At last night’s screening at the Time Warner Center, the legendary trombonist Fred Wesley — a constant Brown collaborator in the 60s and 70s–when he was pretty young– made a rare appearance. I was thrilled to meet him. He’s interviewed at length by Gibney, and really puts some key pieces of the Brown jigsaw puzzle together.

Wesley, who should be in the Rock and Roll Hall of Fame, but isn’t, of course, gave thumbs up to “Mr. Dynamite.” He and Martha High, Brown’s equally famous back up singer for 30 years, each liked the doc more than the Jagger produced  “Get on Up” that came out earlier this summer. “It’s more truthful,” High told me.

Archival footage is excellent. But listen carefully to this film. It explains the relationship and evolution of jazz and swing to R&B and funk. “Mister Dynamite” should be shown in schools. This is a don’t-miss  HBO presentation.

Jamie Foxx Emcees Angel Ball, with Alicia Keys, Nile Rodgers Performing, Stars Aplenty

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Denise Rich’s annual Angel Ball for cancer research harkened back to its early days last night when stars were aplenty. Now called Gabrielle’s Angel Ball for Rich’s deceased daughter, the charity was a raucous fun affair at downtown Cipriani with a surprise performance by a very pregnant Alicia Keys, Jamie Foxx as emcee and later, also surprise performer with Ludacris, and Nile Rodgers accepting an award and playing his Chic hits.

Not only that: it was like an US Magazine fever dream, with Paris and Nikki Hilton, Kris Jenner, and Bethenny Frankel. You can’t believe they’re real, and they were in the same room. Crazy! Plus Sofia Vergara and Michelle Rodriguez gave Downtown Cipriani some Hollywood glitz.

But then again, so was the amazing Natalie Cole, who told me she’s off to Asia on a big tour before recording a new album. She looked splendid. Clive Davis commanded a big table, and was thrilled to see Alicia and Jamie– two of his artists– wow the crowd. Today Clive releases Aretha Franklin’s new album, already number 10 on amazon.com. Clive’s  new discovery, Avery Wilson, also won over the room.

Nice to see everyone in black tie, dancing like maniacs to hip hop chants. But it’s  for a good cause.  Gabrielle’s Angel Foundation has been extremely successful raising money for cancer researh that’s resulted in actual new drugs.

PS Alicia Keys’ famous producer husband, Swizz Beatz, had a very good session at Harvard’s summer business session. He tells me  he’s been asked back to speak to the group next semester. Alicia and Swizz are expecting a second child very soon. What is it? “A boy or a girl,” Swizz says. What a relief!

 

Interstellar Draws Stellar Crowd at Brad Grey’s Secret Screening and Dinner

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The “Interstellar” secret screening and dinner at the ’21’ Club drew a stellar crowd Sunday night, I am told by some of the invitees. Lorne Michaels didn’t make it, and Charlie Rose only came for dinner. But everyone else on Peggy Siegal’s guest list for Brad Grey’s event considered the night of Paramount importance. Director Chris Nolan, as well as stars Matthew McConaughey, Jessica Chastain and Anne Hathaway were there, ‘natch.

And the heavy hitters included an eclectic group: Oscar winning directors Steve McQueen and Ang Lee, Oscar winner Susan Sarandon, plus Chris Rock, Michael Shannon, Kevin Bacon and Kyra Sedgwick, Alison Williams, Laura Prepon, Jake Gyllenhaal, Tony Gilroy, Jon Bon Jovi, Darren Aronofsky, Noah Baumbach, Helena Christensen, Cynthia McFadden, and Robin Roberts.

Did they like it? Yeah, they liked it. What’s not to like? You always get nice ice cream sundaes at ’21’, too.

Taylor Swift’s Big Music Machine Churns Out a Third Anthem Week Before New Album

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What came first? Taylor Swift or her record label, called Big Machine? Because Swift, who’s still under 25, has become a Big Machine. Her new album, titled “1989” because that’s the year of her birth, comes out on October 27th. She’s already released two pop anthems constructed for mass acceptance.

Now a third one comes tomorrow. “Welcome to New York” is written by Ryan Tedder of OneRepublic  (with Taylor of course). The lead single, “Shake it Off,” was a Max Martin special and a  big hit. The second one, “Out of the Woods,” not so much, but interesting, written with Jack Antonoff. “1989” is going to be BIG– like 750,000 copies first week.

The Taylor Swift who wrote personal country songs is gone. We are now dealing with product. I’m not criticizing. She is fascinating. And more calculated than Lady Gaga. Taylor is headed to movies and Broadway, and even bigger things like that if they exist.

Here’s the preview, bland but so catchy, like a commercial.

Freddie Mercury-Queen Unauthorized Short Film Project Asks Public for Money on Crowdfunding

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A bunch of people who don’t have music rights or anything else are trying to make a “Bowfinger” type short film about Freddie Mercury and Queen. It’s called “The Show Must Go On” and seems to be based on the story of Mary Austin, Freddie’s long time close friend and beneficiary. Someone named Daniel Keith has been selected to play Freddie. The 30 minute film is set to shoot on November 15th.

This is not the long in the planning Freddie Mercury film that was once supposed to star Sacha Baron Cohen and now might star Ben Whishaw. Archways Pictures US is supposedly the producer. Their website touts films you’ve never heard of, with titles like “Sins of Lambs” and “Texxas Jam” (two x’s, yes).

They’ve announced their whole cast on Facebook.
Freddie Mercury – Daniel Keith
Mary Austin – Sabina Petra
Barbara Valentin – Nadine Van Asbeck
Roger Tayler* – Karl Hemmerle
John Deacon – Max Schloner
Mick Rock – Chris Norton
Reinhold Mack – Eric Baker
Ingrid Mack – Madeleine James
Rudy Dolezal – Michael De Quinzio
Winfield Kirschberger – Michael Leigh Cook

*spelling is their’s

Here’s their fund raising film:

Show Must Go On Fundraising from Archway Pictures on Vimeo.

And here’s Daniel Keith’s reel from YouTube:

The producers had put a notice earlier this month on Craigslist that apparently went unnoticed. It read:

On Saturday, Oct 4 from 12-6pm we are casting people for the upcoming short film about Freddie Mercury. Roles being auditioned for are everything from Mary Austin, David Bowie, Brian May to Freddie’s boyfriend, Jim Hutton. Production begins this November with a sizable cast and crew and period piece of 1970’s Munich. We need a casting person (with experience) to help us run the casting process and provide input and a casting assistant to manage people as they come and go. We’re asking for 6 hours of your time.

Being a short film all money is going into Red cameras, wardrobe, set design, lighting (i.e. production value). All crew members, producers, and director have agreed to donate their time. This is non-paying, however, we are offering IMdb.com credit.

How’s all this going to work? Crazy little thing called filmmaking!

Here’s the posted 1st make up try for Daniel Keith:

daniel keith's first make up test, via Facebook

Hugh Grant’s Possibly Last Movie Has No US Distributor, Flops in the UK

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Everything about “The Rewrite” sounds like it would work– if it had been released in 1998. Hugh Grant plays  a failed screenwriter who takes a college teaching job as a writing instructor in Binghamton, NY. Crusty “Juno”  stars Allison Janney and J.K. Simmons are his kindly superiors. Marisa Tomei, a two time Oscar nominee, is his love interest. Marc Lawrence, capable sitcom movie maker (“Miss Congeniality,” “Words and Music”) is the writer-director. What could go wrong?

Well, we might be looking for “The Rewrite” on VOD very shortly. The rom com has no US distributor. It does have some foreign distributors, so it has started rolling out abroad. In the UK it  took in a paltry $500K its first week ending October 10. A few other lucky countries will follow. But in the US, there’s no sign of it.

On Rotten Tomatoes, “The Rewrite” has a decent 71%. From its trailer it looks funny, but also like a great movie of the week. Castle Rock, Rob Reiner’s once-powerhouse company, made it. They’re probably still dealing with the financial disaster of Reiner’s summer flop “And So it Goes” ($30 mil budget, $4 mil box office).

The 90s are really over. Grant has just one more movie in the can, playing Mr. Waverly in the big screen version of “The Man from UNCLE.”  We won’t see that until next year. It was moved from its January release date. Grant says he may be giving up acting. I don’t get it. If he really wanted to revive his career and make good  films, he could. He obviously doesn’t care. As for Marisa Tomei, like George Costanza I support her 100%! She can do no wrong!