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Janice Dickinson’s 2008 Memoir Quotes Cosby: “After All I’ve Done for You, This is All I Get?”

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Bill Cosby’s name appears at least 25 times in Janice Dickinson’s 2008 memoir called “No Lifeguard on Duty.” He pursues her, helps her, grooms her, invites her to a meeting to see if she can sing– she can’t. He knows it. It’s a ruse. This is a married family man. Her friend says, “He wants to sleep with you.”

In a hotel, he tries to close the deal. He says, “After all I’ve done for you?” In the book, Cosby gets angry when Dickinson backs off. Now in 2014 Dickinson says what followed was rape. She was told by her publisher not to mention it. Cosby’s lawyers threatened her. But what she left in does make sense.

Cosby answered the door in nothing but a white towel. He was fresh from the shower, too; his black skin was glistening. He hugged me, a little too enthusiastically; told me how much he’d missed me, and how nice it was to see me. I believed him. Liquor does that to a girl. “God, you’re beautiful.”

He kissed me, full on the lips, then went off to dress and we went downstairs, to dinner, where Cosby spent the next two hours talking about himself. It was An Evening with Bill Cosby. A Tribute to Bill Cosby. And suddenly I remembered something Andy Warhol once told me. It was his definition of an actor. He said, “An actor is a person whose eyes glaze over when the conversation is no longer about them.” And I thought, Well, then, Bill Cosby is an actor’s actor.

After dinner he asked me back to his room, and I went. But I stopped myself at the door. “I’m exhausted,” I said, begging off. His eyebrows went a little funny. “Exhausted?” he asked, and it was clear he was trying hard to keep his temper in check. “After all I’ve done for you, that’s what I get? I’m exhausted.” “Well, gee, Bill,” I stammered. “If I had known it was going to be like this—” He waved both hands in front of my face, silencing me. Then he gave me the dirtiest, meanest look in the world, stepped into his suite, and slammed the door in my face. Men.

 

UPDATE: New Hunger Games Film 33% Off on Opening Night from Last Year, Soundtrack Not Selling

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UPDATE FRIDAY MORNING NOV 21st: Overnight “Mockingjay Part 1” earned $17 million– 33% off of last year’s Thursday night opening for “Catching Fire.”  Not a good sign. And the teens around me are not clamoring to go tonight, as they did last year.

EARLIER: Are people — I mean, teens– tired of “The Hunger Games”? The new soundtrack to “Mockingjay Part 1” is curated by hot teen singer Lorde. Yet it’s listed atnumber 92 on amazon.com. On iTunes, “Mockingjay” is at number 14, even with the Lorde imprimatur. Hitsdailydouble..com is predicting sales of only 20-25,000 for its debut week. The last “Hunger Games” CD sold 55,000 copies– and that was just a year ago– in its first week.

FYI: The first “Hunger Games” CD sold 180,000 copies in its first week back in March 2012, and entered the charts at number 1.

Meantime, the movie itself is not catching fire with reviewers. On Fandango, “Mockingjay Part 1” rates an average of a 67 among reviewers. This may be a better indication than Rotten Tomatoes, where often negative reviews don’t correlate with “Fresh” or “Rotten” status. The consensus so far is that “Mockingjay” is well made but dull. It’s the first part of a book that most fans of the series agree doesn’t kick in until the end.

Of course no one doubts “Mockingjay Part 1” will have a big first weekend. But after that, it may not be so easy. Meantime, it’s interesting that Lions Gate had a premiere only in L.A., and just a stealth screening in New York at the very down-market AMC theater in Times Square. A good movie gets trumpeted with a Ziegfeld red carpet or something up at AMC Lincoln Square.

Broadway Legend Elaine Stritch Gets A List Send Off at Star Studded Memorial

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If Elaine Stritch had seen the crowd yesterday afternoon at the Al Hirschfeld Theater, she’d have had a whopping good laugh. Her memorial service was just terrific, and the audience wasn’t bad either. Sitting in the seats were Matthew Broderick, F. Murray Abraham, Cynthia Nixon, John Turturro, John Lithgow, David Hyde Pierce, Christine Baranski, Carol Kane, Tommy Tune, Lois Smith, Joy Behar, DA Pennebaker (who filmed Elaine twice–once in the landmark film about “Company” and the for HBO’s “At Liberty” with Chris Hegedus) and HBO’s Sheila Nevins. I may have missed a few people.

On stage: Nathan Lane, the incomparable Liz Smith, Christine Ebersole and Bernadette Peters each sang, Laura Benanti and Michael Feinstein sang, Hal Prince spoke, so did Holland Taylor. Liz revealed that Elaine left her a little money in her will “to take Barbara Walters out to lunch.” Nathan Lane, hilarious as usual, teared up twice and paused in his hysterical remembrances of Stritch. Betty Buckley recalled Elaine critiquing her show at Cafe Carlyle, out loud, while the show was going on. Alec Baldwin and Cherry Jones sent video tapes.

Here’s some video courtesy of Playbill. I knew Elaine Stritch for the last 15 years. She spoke at Elaine Kaufman’s memorial service and reminisced about being a bartender, briefly. She was one of a kind. We’ve lost a lot of people this year. Tough stuff. She will never be forgotten in part due to the documentary “Just Shoot Me” which is eligible for the Oscar this year.I hope it’s nominated.

Sir Bob Geldof Pulls off BandAid 30 with Bono, Chris Martin, One Direction and More (Watch)

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The 30th anniversary of “Do They Know It’s Christmas?” will send proceeds to people suffering from Ebola. Sir Bob Geldof and Midge Ure are back. They even involved Adele’s producer Paul Epworth but they couldn’t get the “Rolling in the Deep” singer to participate. Still, they have Bono, Seal, Sinead O’ Connor, Chris Martin, Angelique Kidjo, One Direction, Ed Sheeran, Emeli Sande, Ellie Goulding and a bunch of UK pop stars. All done in 36 hours and obviously before Bono took his bike spill and Zayn Malik got a stomach virus.

Cumberbitch Alert: Alan Turing Movie “The Imitation Game” Gets the Cover of Time Magazine

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The whole story of Morten Tyldum’s “The Imitation Game,” the Oscar buzzed feature about British mathematician Alan Turing, gets the cover of Time magazine this week. This movie also premiered last night to rapturous applause.  Benedict Cumberbatch leads a  knock out cast into the Oscar race in a film that so far everyone who’s seen it loves. I mean, loves. I will have more in the AM about the film’s premiere Monday night as well as a lunch earlier in the day at the Four Seasons. Suffice to say,  Keira Knightley could run for office and win if she wanted to. “The Imitation Game” has the Best Ensemble of any cast this season. At lunch, Walter Isaacson asked her about being the only woman in a big cast of men. Keira replied: “I’m always the only woman, so it was no different than usual.” Lucky guys.

MORE TUESDAY MORNING: Benedict Cumberbatch gets a HUGE Oscar push when he appears later this week on the cover of TIME Magazine with a rare Enigma Machine. The machine had be to be brought down to Los Angeles last week from the Computer History Museum in Mountainview, California. It has has never left the museum, but former TIME editor in chief Walter Isaacson, whose book “The Innovators” includes Turing, made it happen.

The TIME cover was the talk of last night’s star studded premiere at the Ziegfeld Theater and later at Tavern on the Green, where Cumberbatch introduced his fiancee Sophie Hunter. He told me earlier at the Four Seasons lunch: “I’ve found my own Cumber-bitch and I’m going to marry her!” Ben’s legions of female fans are known as Cumber-bitches, or Cumber-babes, as it were. Erudite and soft spoken, Cumberbatch really is the modern Olivier. He’s a perfect pitch man for “The Imitation Game,” too. He can sell the movie and talk about Turing effortlessly. The Academy loves him, too. He’s definitely a front runner for Best Actor.

The lunch also featured Keira, Matthew Goode– who will be joining “Downton Abbey” as Lady Mary’s latest suitor, Charles Dance, Matthew Beard, director Tyldum, Mark Strong, and Allen Leech– the latter of course is Branson on “Downtown Abbey.” Leech has dropped quite a few pounds since I saw him in Toronto in September. He looks about ten years younger. “I had to do it!” he told me. “You should see what they feed us!”  We talked about “Downton Abbey” going on to its 6th season. I said it will probably go to a 7th or 8th. “How will we do it?” Leech wondered. “I’d have to age. Maggie Smith keeps joking her character must be 179 years old by now!” He imitated Dame Maggie perfectly.

I ran into another soap opera star at Tavern on the Green– Susan Lucci, with husband Helmut Huber. Susan is a doll, always fun. She climbed out of the Prospect Park debacle of “All My Children” and has two TV shows– “Devious Maids” and her show on the ID channel about criminal re-enactments. She’s a survivor! Also at the party: Bette Midler’s Yale trained actress daughter Sophie von Hasselburg, who’s just finishing a run off Broadway. What a great young lady— really poised, full of personality, very attractive, and head on straight about fame. She’s a star in the making!

REVIEW: Standing Ovation For Oprah Winfrey-Brad Pitt Produced MLK Movie “Selma”

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The Oprah Winfrey and Brad Pitt produced “Selma” received two thunderous standing ovations tonight at its first New York screening. Ava DuVernay’s extraordinary film about Martin Luther King’s history making civil rights March leaps right into the top tier of this year’s Oscar race.  David Oyelowo gives the performance of a lifetime as King, defining him on film finally after all these years. Watching “Selma” you really feel like all the plays, movies Tv shows, songs– every theater piece about King– all of it culminates in this film.

I am not kidding when I say they were standing ovations, either. There’s a lump in your throat at the of “Selma,” a movie that wisely takes a a snapshot of King’s life from the moment he wins the Nobel Peace Prize in 1964 through the Selma march in 1965. It’s during this time that he successful forces Lyndon Johnson to create and pass the Voters Rights Act. Tom Wilkinson is effortlessly good as a cantankerous LBJ who realizes his legacy could be destroyed by racist Alabama governor George Wallace (a perfectly slimy Tim Roth).

There’s really wonderful supporting work from Carmen Ejogo as Coretta Scott King, Alessandro Nivola as John Doar (who just passed away in real life), both Lorraine Toussaint and Oprah Winfrey, and extended cameos from Martin Sheen and Cuba Gooding Jr.

Cinematographer Bradford Young (who also has “Pawn Sacrifice” and “A Most Violent Year”) gives “Selma” a convincing feel in muted colors that blossom toward the end of the movie. The version we saw last night also featured the theme song, written and recorded by Jay Z and John Legend. It’s a winner.

I met Ava Duvernay about ten years ago. She was Jennifer Hudson’s publicist. But she wanted to be a director. She made a great little indie film called “Middle of Nowhere.” She picked up “Selma” after Lee Daniels post-“The Butler” decided not do it. She’d better thank him in her speeches. Quite an accomplishment. And the movie got the seal of approval from Richard Valeriani, former NBC correspondent, who covered the Selma march. He told me she got it right.

On a related subject, listen to this:

 

Watch: Giorgio Moroder of Donna Summer, Blondie Fame First Video in 30 Years

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Giorgio Moroder is back! His new single– out now on Sony International and RCA — is called “74 is the New 24.” The album, still untitled, comes out next year. All the electronic dance music you love today started with Moroder on Donna Summer’s hits, and Blondie’s “Call Me.” Here’s the first single:

Also Check out Julia Fordham’s new jazz rendition of “Call Me” at www.juliafordham.com

Guess What? One Direction Grows Up– New Album “Four” Is Pure Pop For Now People

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Sorry, I borrowed Nick Lowe’s famous album title from the late 70s. But “Four,” the new One Direction album, comes out this morning. Your teenager has already downloaded it. “Four” should be bigger than Taylor Swift’s “1989.” It’s a real pop album, produced with an adult sound for kids. It was a wise move. Do these guys write the songs or play instruments? It doesn’t matter.They have the right people, and they made a great pop record. I’m enjoying listening to it on Spotify this morning. Good for them!

The songs are short and to the point. They all have different co-writers. Teddy Geiger, who should be aa pop star himself, co wrote what will be a massive hit single called “Where Do Broken Hearts Go?” Ed Sheeran co-wrote “18,” which we’ll be hearing constantly on pop radio. I particular liked “Fools Gold,” written by Maureen McDonald aka MoZella. (I guess Carole King would be called C-King if she were writing today.)

“Four” is produced by Julian Bunetta and John Ryan. They will think of this as their own “All That You Can’t Leave Behind,” the U2 album that sounds like 12 hit singles. even in the song “Night Changes” with what sounds like a little tribute to David Bowie, they made lemonade from what could have been lemons. Crazy but true. Not kidding. Over 40, give it a spin. “Four” is fun.

U2 Cancels Week Long Tonight Show Promo Because of Bono Cycling Accident–This Was Marketing Launch of 2015 Tour

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Whoops! After the success and debacle of the Apple episode with their new album. U2 was all set to stage a huge comeback this week. They were booked for five shows on Jimmy Fallon to promote “Songs of Innocence” in its deluxe package, releasing tomorrow. But this was also the marketing launch of the 2015 super tour. The Tonight show gig was supposed to whet appetites. Me, I was psyched.

But nope: the Fallon gigs are suspended. Bono, unfortunately, took a spill in Central Park on his bicycle. On the U2 website there is this message:

From Edge, Adam & Larry:
It looks like we will have to do our Tonight Show residency another time – we’re one man down. Bono has injured his arm in a cycling spill in Central Park and requires some surgery to repair it. We’re sure he’ll make a full recovery soon, so we’ll be back! Much thanks to Jimmy Fallon and everyone at the show for their understanding.
Yikes! First of all: Bono, get well soon. Second, adults should not be on bikes. I’m just sayin’. Take a spin class if you must. But after a certain age, sit in a nice, comfortable chair. Especially if you’re planning a week of nationally televised TV shows.

Aretha Franklin Exclusive: Former Biographer Has No Respect For Her in Book Betrayal

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No one is reading David Ritz’s unauthorized biography of Aretha Franklin called “Respect.” It sits in the book sales basement at number 6,000 on amazon.com. Why? The public smells a rat. They’re not shelling out good money for junk.

Franklin has every right to be mad. Fifteen years ago David Ritz helped her write an autobiography called “From these Roots.” Franklin had editorial control. In the end, she excised material she didn’t like from that book. Ritz resented it. He obviously planned his revenge.

Now Ritz has scooped up what was on the cutting room floor and made “Respect.” It’s a betrayal and a total violation of trust. You wonder, how could he do it? Does he have no conscience? As a journalist and a lover of R&B, I am horrified. He’s taken advantage of his former access. No one should ever again trust him  to do a memoir with them.

And then there’s a question of attribution. Almost everyone he quotes is dead. He offers no proof that he interviewed them. It’s even more unlikely that they said any of this stuff. For instance, Ritz wrote a whole about Ray Charles. But none of the Ray Charles info in “Respect” was in the Ray book. Suddenly a dead Ray Charles has a whole lot of new quotes about Aretha Franklin.

Aretha did tell a Detroit newspaper she was thinking about suing Ritz. It’s not worth it. In the end, no one is reading his book. It’s trash. She told me the other day: “The book is called Respect. And clearly no respect is intended by David Ritz….it is a twisted and distorted attempt to defame–and character assassinate–me, my father and family!!”

Franklin is concerned about Ritz’s suggestion that she’s jealous of other singers. “He suggests as well I was jealous of Diana Ross, Barbra Streisand,  and Gladys Knight– which is just plain crazy but consider the source!!!!”

I have to say, I was with Aretha when she and Streisand were together last year. It was a love fest. I have the pictures to prove it. She was equally proud of her sisters Carolyn and Erma, who wrote many of her hits. According to Ritz, there was constant festering jealousy among them. Simply not true.

Aretha is also not happy about Ritz’s descriptions of her father or his church. I don’t blame her. She won’t say it, but I will: it’s racist. It’s that simple.

“After 50 years of [my family] being in the public eye … there is no question people know who we were and what we stand for,” Aretha tells me. “Everyone he quotes is deceased and cannot defend themselves. And there blatant lies gospel luminary James Cleveland….and calling the church a sex circus! He’s horribly vindictive.”

So ignore the book. Dig Aretha Franklin’s new album and her single on “Rolling in the Deep.” The Queen of Soul is a national treasure. On December 12 th she’s getting the Billboard Women in Music Award, the latest in a string of awards and citations. David Ritz will be home, counting his remainders.

PS I will tell you that despite the idiosyncrasies of being one of the most famous performers in the world, Aretha Franklin is loyal to her friends and family and vice versa. Her annual New York  birthday party goes on for hours every March. Aretha throws it herself, and for her friends. It’s become like a national holiday for her inner circle. After a close read of “Respect,” I’m sorry that Ritz wasted so much time on negativity. There would have been so much to be gained by telling the real story of Aretha’s extraordinary struggle, literally, from her roots.