Friday, December 19, 2025
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Joaquin Phoenix vs. Kelly Ripa: Morning Interview is a Classic as Joaquin Denies Doing Yoga and Fudges on Engagement

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The clip isn’t up yet but when it is look for a classic two segment verbal arm wrestle between Kelly Ripa and Joaquin Phoenix. West coasters, don’t miss this. Kelly is one tough cookie, and she did her best to host Joaquin, one of the most difficult interview subjects in the world.

Ripa gamely tried to find out if Phoenix is really engaged to his yoga instructor. But he fudged that answer. So she asked if he does yoga. He had to admit that he doesn’t. Knowing Joaquin he made the whole thing up to some poor interviewer just to take the piss, as the Brits say. He was pulling someone’s leg.

Joaquin also parried with Ripa on other subjects. Michael Strahan actually got up and hugged him at one point. Kelly said she thought Joaquin’s character in “Inherent Vice” was on an acid trip, which the actor denied. Kelly, like everyone else in the world, has no idea what this movie is about. Mostly Joaquin asked when the commercial break was coming. Sue Patricola must have been in green room, popping Xanax or having a Cosmo. The Joaquin Phoenix Show is in town, baby.

“Downton Abbey” Cast Says American Fans are Much More Enthuastic Than Brits

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There’s nothing like trying to get a public commitment for money out of a producer in front of a crowd of fans. That’s what happened last night at the Hudson Theater when the “Downton Abbey” cast took the stage for a Q&A following the screening of 40 minutes from episode 1 of the new season.

A fan asked that since there are American characters in the show, wasn’t it time they came to New York for a visit? Producer Gareth Neame quite agreed. He said it would only cost $10 million, and maybe PBS could help them out. The rabid audience, mostly composed of well dressed women, began cheering as if they were at a Beatles concert. Neame must have gotten a couple of discouraging looks from the PBS execs who were in the room because he said, “Am I in trouble?” Indeed.

Later Hugh Bonneville, who plays clueless Robert, Earl of Grantham, told me after the Q&A: “I’m sure if PBS found $200 million to bring our budget here that would be great,” he laughed. “I think we can safely say it’s a British show with American sensibilities and we’ll keep it in Britain.”

Natalie Morales was supposed to moderate the Q&A, but she was suddenly unavailable. So Jenna Bush Hager , the cheerful if ill prepared daughter of George W. and Laura Bush, substituted. Cast members Hugh Bonneville, Laura Carmichael (Lady Edith), Robert James-Collier (Thomas), Phyllis Logan (Mrs. Hughes), Lesley Nicol (Mrs. Patmore), executive producer Gareth Neame and historical advisor Alastair Bruce got the grilling.

Bush-Hager introduced the cast gushing about what a big fan of the show her mother, Laura Bush is. “My mom heard I got the screeners and asked, ‘When can I get it?’ I said, “Sorry, maybe for Christmas but for now it’s all mine,” Jenna said.

Before the Q&A the audience was treated to most of the first episode of season five, and we learned a lot but can’t divulge it. Suffice to say, Lady Mary discusses premarital sex with Anna, Lady Edith pines for her child, and Maggie Smith’s Violet starts a social chess game with Penelope Wilton’s Mrs. Crawley.

One thing we learned: the cast feels American fans are much more enthusiastic than the Brits in showing their love for the show. “Here people constantly tell you much they love,” said the dashing James-Collier. “In the UK they’ll cross the street to tell you what they don’t like.”

Afterwards audience members in the orchestra mingled with the “Downton Abbey” actors, who posed for endless selfies and acted not the least bit aristocratic or aloof.

I asked Phyllis Logan, who plays dowdy Mrs. Hughes and couldn’t look anything less like her in a glitzy gold top and sexy short skirt, her hair long and loose, — a key question: if she ever got jealous of the other actresses like Michelle Dockery who get to wear gorgeous outfits?

“I don’t really,” she told me. “I’m happy to have two outfits and maybe a third one to go out with because they’re changing their clothes constantly,” she told me of the upstairs contingent. “They have to go to dress fitting every other weak. I have two outfits that’s it.” She added, “Some of the pieces are so delicate and complex. They have to dress you and stitch you into them and stuff. No I’m happy with my two outfits,” she laughed.

Hugh Bonneville told me, “You saw a nice taste of episode one of season five. It sets up all the characters and the adventures ahead and I think you’ve got a great season ahead of you.” I told him I felt a little sorry for his character, Robert, the clueless Lord of the Manor. He seems so out of step for the future. “I don’t think anybody should feel too sorry for Robert. He always bounces back. He may be a little displaced at the moment and there’s some trouble over the horizon in the gorgeous form of Richard E. Grant but one would like to think that the ship finally corrects its steering.”

Does he have plans to see Kate and William while they’re in Manhattan? Don’t all these aristocrats hang out together? He answered just like a diplomatic Earl: “No. Strangely, I left them off my guest list off of tonight’s party. This is their first visit to New York as I understand and they’re having a few days here and they’re having a great time and it’s wonderful,” he said. “They’re the real deal and we’re just this humble shadow of things but we’re having a great time visiting as well.”

As a parting gift, guests received “Downtown Abbey” coasters and packets of English breakfast tea.

photo c2014 Showbiz411

Paul McCartney Releases New Single on 34th Anniversary of John Lennon Murder

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Paul McCartney has a new song, written for a video game. It’s released today. Tonight is the 34th anniversary of John Lennon’s murder at the hands of repugnant mental case Mark David Chapman.

The song is called “Hope for the Future.” Not a great song, but always good to hear Paul’s voice.

And here’s John:
RIP

Broadway Press Agent Bans WSJ Critic Who Admits to Leaving Shows at Intermission

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A few days ago Wall Street Journal theater critic wrote in a column that she often ‘Bolted” from shows she didn’t like during intermission. Hello!?  Is she insane? When I think of all the shows I hated and saw through. Joanne– How about Coram Boy? Or On a Clear Day? The shows she skipped were all great, too– and that’s what doesn’t make sense. It’s Only a Play, Pippin, The Last Ship, Kinky Boots–I think the Wall  Street Journal should re-review those shows ASAP.

Now Rick Miramontez, the great press agent, has banned Joanne Kaufman from his shows. This is what he wrote today on his blog:

 

 

Dear Editor:

Those of us who happen to love theater and happen to live in New York City are lucky enough to have access to the greatest stage scene in the world. I have been representing plays and musicals for more than three decades, and in my role as press agent I have handed out tens-of-thousands of free tickets to members of the media. While the general public plunks down hard-earned money for the pleasure and privilege of witnessing the world’s greatest stage talents flaunt their craft on Broadway, members of the press corps are traditionally given pairs of “press tickets,” gratis. The face value that any given production gives away to the media during designated press performances around the time of its opening is somewhere in the vicinity of $200,000. The hope, of course, is that those free tickets will yield coverage, and that coverage will convince the general public to plunk down said hard-earned money. But there is no agreement, tacit or otherwise, between the productions I represent and the members of the media I invite that coverage will be forthcoming. There is, however, a tacit agreement that these works will be considered, thoughtfully and seriously, in their entirety by those who accept the tickets.

So when your columnist, Joanne Kaufman, penned her piece entitled “Confessions of a Broadway Bolter,” in which she boasts about the sheer number of times she skips out of the theater at intermission (trying, she tells us, not to get “spotted and caught out by the press agent who provided me with the tickets in the first place”) I couldn’t help but feel a bit like a chump for having accommodated the woman so many times over the years. Certainly every audience member, paid or comped, has the right to form whatever opinions they might about any production they see, but I don’t think it’s too much to expect those who attend on press tickets stay for the duration. Would a fine art writer only peer at half a canvas before deciding she’s bored and it’s time to move on? Does a music reporter think he can make an informed decision on an album if he only listens to a couple of tracks? Why would we accept such sheer laziness from our theatrical press?

“Joltin’ Joanne” Kaufman makes it sound like an unbearable hardship to have to sit through the entirety of a Broadway show. As the overwhelming majority of her colleagues manage to sit through (and often rave about) the very shows she bolts from, I have to think that this is less a reflection of the quality of the works and simply indicative of a woman who loathes the art form. It seems to me that a theater reporter who hates theater would be well served to find another beat.

Well, let me be the first of what I hope will be many press agents to unburden Joltin’ Joanne from her hardship. She will never be invited to another show by my office. If she deems a show of ours worthy enough for her (fleeting) attention, she is more than welcome to call us to arrange tickets – but she had better have a credit card handy.

Sincerely,

Rick Miramontez

President, O&M Co.

 

Sundance Premieres Include Ewan McGregor as Jesus, Plus Scientology, Viola Davis, And A New Noah Baumbach

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Park City is going to be brimming with hollow eyed  Scientologists trying to get into see Alex Gibney’s “Going Clear.” Sundance will be like a zombie movie. Cool. What happens when they get wet? Lots of good stuff here.

 

PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year.

Brooklyn / United Kingdom (Director: John Crowley, Screenwriter: Nick Hornby, based on the book by Colm Tóibín) — 1950s Ireland: Eilis must confront a terrible dilemma — a heartbreaking choice between two men and two countries, between duty and true love. Cast: Saoirse Ronan, Domhnall Gleeson, Emory Cohen, Julie Walters, Jim Broadbent.

Digging for Fire / U.S.A. (Director: Joe Swanberg, Screenwriters: Jake Johnson, Joe Swanberg) — The discovery of a bone and a gun sends a husband and wife on separate adventures over the course of a weekend. Cast: Jake Johnson, Rosemarie Dewitt, Orlando Bloom, Brie Larson, Sam Rockwell, Anna Kendrick.

Don Verdean / U.S.A. (Director: Jared Hess, Screenwriters: Jared Hess, Jerusha Hess) — Biblical archaeologist Don Verdean is hired by a local church pastor to find faith-promoting relics in the Holy Land. But after a fruitless expedition he is forced to get creative in this comedy of faith and fraud. Cast: Sam Rockwell, Jemaine Clement, Amy Ryan, Danny McBride, Leslie Bibb, Will Forte.

End of the Tour / U.S.A. (Director: James Ponsoldt, Screenwriter: Donald Margulies) — This story of the five-day 1996 interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace explores the tenuous yet intense relationship that develops between journalist and subject. The two men bob and weave, sharing laughs and also concealing and revealing their hidden vulnerabilities. Cast: Jesse Eisenberg, Jason Segel, Anna Chlumsky, Joan Cusack, Mamie Gummer, Ron Livingston.

Experimenter / U.S.A. (Director and screenwriter: Michael Almereyda) — Experimenter is based on the true story of famed social psychologist Stanley Milgram, who in 1961 conducted a series of radical behavior experiments that tested ordinary humans’ willingness to obey authority by using electric shock. We follow Milgram from meeting his wife through his controversial experiments that sparked public outcry. Cast: Peter Sarsgaard, Winona Ryder, Jim Gaffigan, Kellan Lutz, Taryn Manning, John Leguizamo.

Grandma / U.S.A. (Director and screenwriter: Paul Weitz) — Self-described misanthrope Elle Reid has her protective bubble burst when her 18-year-old granddaughter, Sage, shows up needing help. The two of them go on a day-long journey that causes Elle to come to terms with her past and Sage to confront her future. Cast: Lily Tomlin, Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox, Sam Elliott.

I Am Michael / U.S.A. (Director: Justin Kelly, Screenwriters: Justin Kelly, Stacey Miller) — The controversial true story of a gay activist who rejects his homosexuality and becomes a Christian pastor. Cast: James Franco, Zachary Quinto, Emma Roberts.

I’ll See You in My Dreams / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch) — A sudden loss disrupts Carol’s orderly life, propelling her into the dating world for the first time in 20 years. Finally living in the present tense, she finds herself swept up in not one, but two unexpected relationships that challenge her assumptions about what it means to grow old. Cast: Blythe Danner, Martin Starr, Sam Elliott, Malin Akerman, June Squibb, Rhea Perlman.

Last Days in the Desert / U.S.A. (Director and screenwriter: Rodrigo Garcia) — Ewan McGregor is Jesus — and the Devil — in an imagined chapter from his 40 days of fasting and praying in the desert. On his way out of the wilderness, Jesus struggles with the Devil over the fate of a family in crisis, setting himself up for a dramatic test. Cast: Ewan McGregor, Ciarán Hinds, Ayelet Zurer, Tye Sheridan.

Lila & Eve / U.S.A. (Director: Charles Stone III, Screenwriter: Patrick Gilfillan) — Lila, a grief-stricken mother reeling from her son’s murder, attends a support group where she meets Eve, who urges her to take matters into her own hands to track down her son’s killers. They soon embark on a journey of revenge, but also recovery. Cast: Viola Davis, Jennifer Lopez, Shea Whigham, Julius Tennon, Ron Caldwell, Aml Ameen.

Mississippi Grind / U.S.A. (Directors and screenwriters: Ryan Fleck, Anna Boden) — Gerry is a talented poker player whose habit is getting the best of him. He convinces younger player Curtis to join him on a road trip, and they begin gambling their way towards a high-stakes game in New Orleans. During their journey, true motivations are revealed, and the two bond. Cast: Ryan Reynolds, Ben Mendelsohn, Sienna Miller, Analeigh Tipton, Alfre Woodard, Robin Weigert.

Mistress America / U.S.A. (Director: Noah Baumbach, Screenwriters: Noah Baumbach, Greta Gerwig) — Tracy, a lonely college freshman in New York, is rescued from her solitude by her soon-to-be stepsister Brooke, an adventurous gal about town who entangles her in alluringly mad schemes. Mistress America is a comedy about dream-chasing, score-settling, makeshift families, and cat-stealing. Cast: Greta Gerwig, Lola Kirke.

Seoul Searching / U.S.A., Korea (Director and screenwriter: Benson Lee) — Seoul Searching is a comedy set in the ’80s about a group of foreign-born Korean teenagers who meet at a Seoul summer camp to learn what it means to be Korean. The three boys, from the U.S., Mexico, and Germany, then meet three girls who rock their world. Cast: Justin Chon, Jessika Van, In-pyo Cha, Teo Yoo, Esteban Ahn, Byul Kang.

Sleeping With Other People / U.S.A. (Director and screenwriter: Leslye Headland) — Jake and Lainey impulsively lose their virginity to each other in college. When their paths cross twelve years later in NYC, they realize they both have become serial cheaters. Bonding over their chronic infidelity, they form a platonic friendship to support each other in their quests for healthy romantic relationships. Cast: Jason Sudeikis, Alison Brie, Adam Scott, Amanda Peet, Jason Mantzoukas, Natasha Lyonne.

Ten Thousand Saints / U.S.A. (Directors: Robert Pulcini, Shari Springer Berman, Screenwriters: Shari Springer Berman, Robert Pulcini) — Based on the acclaimed novel, Ten Thousand Saints follows three lost kids and their equally lost parents as they come of age in New York’s East Village in the era of CBGB, yuppies, and the tinderbox of gentrification that exploded into the Tompkins Square Park Riot of 1988. Cast: Ethan Hawke, Asa Butterfield, Emily Mortimer, Julianne Nicholson, Hailee Steinfeld, Emile Hirsch.

Zipper / U.S.A. (Director: Mora Stephens, Screenwriters: Mora Stephens, Joel Viertel) — Sam Ellis is a man on the rise — a hot-shot federal prosecutor on the cusp of a bright political future. But what was meant to be a one-time experience with an escort turns into a growing addiction — a new demon threatening to destroy his life, family, and career. Cast: Patrick Wilson, Lena Headey, Richar Dreyfuss, Ray Winstone, John Cho, Dianna Agron.

DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries. Each is a world premiere.

Beaver Trilogy Part IV / U.S.A. (Director: Brad Besser) — A chance meeting in a parking lot in 1979 between filmmaker Trent Harris and a young man from Beaver, Utah, inspired the creation of an underground film that is now known as Beaver Trilogy. But the film itself is only part of the story.

The Black Panthers: Vanguard of the Revolution / U.S.A. (Director: Stanley Nelson) — This feature-length documentary tells of the rise and fall of the Black Panther Party, one of the 20th century’s most alluring and controversial organizations that captivated the world’s attention for nearly 50 years.

DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon / U.S.A. (Director: Douglas Tirola) — Three Harvard graduates start the first national humor magazine for adults, launching the careers of some of Hollywood’s most legendary talent. But success and excess among its brilliant and subversive contributors begins to challenge its existence.

Fresh Dressed / U.S.A. (Director: Sacha Jenkins) — The history of hip-hop fashion from its birth in the South Bronx to its rise as a billion-dollar global industry, Fresh Dressed is supported by rich archival materials, in-depth interviews with individuals crucial to the evolution, and the outsiders who study and admire them.

Going Clear: Scientology and the Prison of Belief / U.S.A. (Director: Alex Gibney) — Going Clear intimately profiles eight former members of the Church of Scientology, shining a light on how they attract true believers and the things they do in the name of religion.

In Football We Trust / U.S.A. (Directors: Tony Vainuku, Erika Cohn) — Four young Polynesian football players struggle to overcome gang violence and poverty as they enter the high-stakes world of recruiting, competitive athletics and family pressures.

The Hunting Ground / U.S.A. (Director: Kirby Dick) — From the makers of The Invisible War comes a startling exposé of rape crimes on U.S. campuses, their institutional cover-ups, and brutal social toll. Weaving together verite footage and first-person testimonies, the film follows survivors as they pursue their education and justice — despite harsh retaliation, harassment, and pushback.

Kurt Cobain: Montage of Heck / U.S.A. (Director and screenwriter: Brett Morgen) — Kurt Cobain, lead singer, guitarist, and songwriter of Nirvana, remains an icon 20 years after his death. Kurt Cobain: Montage of Heck is a raw and visceral journey through Cobain’s life and his career with Nirvana through the lens of his home movies, recordings, artwork, photography, and journals.

The Mask You Live In / U.S.A. (Director: Jennifer Siebel Newsom) — Is there a “boy crisis” in America? Is our male population suffering due to our emphasis on power, dominance, and aggression? The Mask You Live In explores how our narrow definition of masculinity is harming our boys, men, and society at large and unveils what we can do about it.

Most Likely to Succeed / U.S.A. (Director: Greg Whiteley) — Our current education system is attempting to teach and test skills, that even when mastered, leaves graduates woefully unprepared for the 21st century. This feature-length documentary examines what sort of educational environment is most likely to prepare students for a world changing exponentially.

Prophet’s Prey / U.S.A. (Director: Amy Berg) — When Warren Jeffs rose to prophet of the Fundamentalist Church of Jesus Christ of Latter Day Saints, he bridged the gap between sister wives and ecclesiastically justified rape, befuddling the moral compass of his entire congregation.

Tig / U.S.A. (Directors: Kristina Goolsby, Ashley York, Screenwriter: Jennifer Arnold) — This documentary explores comedian Tig Notaro’s extraordinary journey as her life unfolds in grand and unexpected ways, all while she is battling a life-threatening illness and falling in love.

What Happened, Miss Simone? / U.S.A. (Director: Liz Garbus) — Classically trained pianist, dive-bar chanteuse, black power icon, and legendary recording artist Nina Simone lived a life of brutal honesty, musical genius, and tortured melancholy. This astonishing epic interweaves never-before-heard recordings and rare footage, creating an unforgettable portrait of one of our least understood, most beloved artists. DAY ONE FILM

SPECIAL EVENTS
One-of-a-kind moments highlighting new independent works that add to the unique Festival experience. An evolving section, this year includes episodic work, short films and live performance.

Animals. / U.S.A. (Directors and screenwriters: Phil Matarese, Mike Luciano) — Animals. is an independently produced animated series that focuses on the downtrodden creatures native to Earth’s least habitable environment: New York City. Whether it’s lovelorn rats, gender-questioning pigeons, or aging bed bugs in the midst of a mid-life crisis, the awkward small talk, moral ambiguity, and existential woes of non-human urbanites prove startlingly similar to our own. Cast: Phil Matarese, Mike Luciano, Mark Duplass, Katie Aselton, Nick Kroll, Rob Corddry. World Premiere. FOLLOWED BY A CONVERSATION with the creative team of Animals.: Mark Duplass, Phil Matarese and Mike Luciano. They will discuss how their unique project came to light as well as the changing landscape of episodic storytelling in the digital era.

The Jinx: The Life and Deaths of Robert Durst / U.S.A. (Director: Andrew Jarecki, Screenwriters: Andrew Jarecki, Marc Smerling, Zac Stuart-Pontier) — Robert Durst, scion of New York’s billionaire real estate family, has been accused of three murders but never convicted. Brilliant, reclusive, and the subject of relentless media scrutiny, he’s never spoken publicly–until now. During interviews with Andrew Jarecki, Durst reveals secrets that have baffled authorities for 30 years. Cast: Robert Durst, Andrew Jarecki, Marc Smerling, Zac Stuart-Pontier, Dick DeGuerin, Cody Cazalas. World Premiere

Misery Loves Comedy / U.S.A. (Director: Kevin Pollak, Screenwriters: Kevin Pollak, John Varhous) — Do you have to be miserable to be funny? Children cry, “Hey, look at me,” but who turns that into a profession? Over 50 funny people, like Tom Hanks, Larry David, Jimmy Fallon, Judd Apatow, and Amy Schumer share pain-filled insights from a life in pursuit of laughter. Cast: Tom Hanks, Larry David, Amy Schumer, Jimmy Fallon, Judd Apatow, Jim Gaffigan. World Premiere

The Sundance Institute Short Film Challenge — An international shorts program designed to spark global conversation highlighting human ingenuity and imaginative solutions real people are creating to overcome challenges like extreme hunger and poverty. Filmmakers include Sundance Institute alumni Gael Garcia Bernal, Heidi Ewing, Rachel Grady, Diego Luna, Marialy Rivas, and six storytellers from around the world. Presented with the Bill & Melinda Gates Foundation.

The Way of the Rain / U.S.A. (Creative Director: Sibylle Szaggars Redford, Collaborators: Will Calhoun, Dave Eggar, Chuck Palmer, Desmond Richardson, Ron Saint Germain, Steve Cohen, Floyd Thomas McBee III) — A live multidisciplinary performance art inspired by the annual monsoon rains that sustain life on the fragile high desert plateaus of the southwest. Conceived by environmental artist Sibylle Szaggars Redford and world-renowned artistic collaborators, this unique work comes to life through paintings, music, dance, film, light and spoken word. Special Guest Appearances: Sussan Deyhim, Marc Roberge, Complexions Contemporary Ballet, Robert Redford. LIVE PERFORMANCE

American Film Institute Best 10 Films: Boyhood, Imitation, Whiplash, Foxcatcher– No Theory

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AFI Top 10: Does not include “Theory of Everything.” That’s a surprise, but I can see it. The movie falls apart. The performances are more than the film. No “Most Violent Year”– even though the National Board of Idiots picked it. I think this is a very good list, and good work on the part of the AFI. If this group of 10 went to the Oscars, I’d be happy.

American Sniper

Birdman

Boyhood

Foxcatcher

The Imitation Game

Interstellar

Into the Woods

Nightcrawler

Selma

Unbroken

Whiplash

AFI Top 10 TV shows:

more surprising is that 8 of them are on cable or other media. Only “How to Get Away with Murder” is on ABC. “Jane the Virgin” is on the barely existent CW Network.  No “House of Cards” or “Good Wife” or “Downton Abbey” (oh wait, that’s British).

The Americans

Fargo

Game of Thrones

How to Get Away with Murderr

Jane the Virgin

The Knick

Man Men

Orange is the New Black

Silicon Valley

Transparent

Spielberg, Gaga, Streep, Hanks, Usher: Backstage at Possibly the ‘Last’ Kennedy Center Honors

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Stephen Colbert may have been prophetic last night as emcee of the Kennedy Center honors. Was this the last show of its kind? Possibly, as producer George Stevens Jr. was shabbily ousted after 37 years of producing the classiest TV show this side of the Tony Awards.

Colbert opined: “This is the only awards show that doesn’t have Taylor Swift. Tay-tay-don’t play play here.”

Who knows? Maybe next year the Kennedy Center will drop its salute to accomplished musicians, actors, dancers, and comedians to something like “People Under 25  with Good Marketing Campaigns.”

When I was invited to Stevens’ annual brunch at the Mandarin Oriental Hotel I didn’t know it would be his last one. No one did. This classy exclusive affair was just like the rest of the weekend including events I didn’t go to– including  a State Department dinner and a cocktail reception at the White House.

And then there was show night, with an array of stars and performers that was quite dizzying. For Al Green, Stevens lined up Jennifer Hudson, Usher, Earth Wind & Fire, and superstar legend soul singers Sam Moore (of Sam & Dave) and Mavis Staples (of the Staples Singers). The latter duo absolutely threw the audience into a funk frenzy with their rendition of “Take Me to The River.”

When Moore, 79, did a spin on stage as if it were 1966, the place went wild. Hudson and Usher may have also learned something last night– if they sang properly written classics, they’d have more hits. Singing “Simply Beautiful” and “Let’s Stay Together,” respectively, these younger pop stars got ovations. And their voices were showcased, for a change.

Spielberg and wife Kate Capshaw were just a few of the A list guests I ran into during the night. Even though to you latis Kristofferson has very bad short term memory loss, he’s still absolutely charming. “I know you,” he said, and we reminisced. I told him, “I’m going to talk  to you later about Janis Joplin. You remember her, don’t you?” I asked. He smiled widely. “If I do, I’m not telling you!” he said, and laughed.

Opera great sat right behind Meryl Streep– fifth row, on the aisle. They’re like the Mount Rushmore of the arts.

I asked Tom Hanks- – after his coronation, what next? “Self loathing and dread sets in,” he quipped.

Sting’s Big Kennedy Center Surprise: “The Last Ship” Cast Buses Down to DC After Sunday Matinee

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What do you want to do at the end of a long week performing in a Broadway musical, finishing the 8th show on Sunday matinee at 6pm? Why not hop on a bus and drive like lightning to Washington DC to appear on stage at the Kennedy Center?

That’s what the entire cast of “The Last Ship” did yesterday. All of them including all the principals came off the Sunday matinee and got down to DC to surprise Sting at his Kennedy Center honors show. They just made it, too, arriving in time to close the show in a rousing rendition of Sting’s Police hit “Message in A Bottle” led by Bruno Mars, Bruce Springsteen, Herbie Hancock, Esperanza Spaulding and Lady Gaga– each of whom had performed a Sting song as part of the celebration.

Indeed, Bruno Mars– whose own hit “Locked out of  Heaven” sounds suspiciously like the whole Police catalog rolled into one single– had just done a super medley of “So Lonely” and “Roxanne” as a sort of good-natured payback in recognition of his appropriation.

Sting really got the royal treatment at last night’s show. His toast was given by none other than Meryl Streep, America’s unofficial cultural royalty and previous Kennedy Center inductee. She gave a rousing speech endorsing “The Last Ship” and recalling a love scene she’d had with Sting years ago in the movie “Plenty.”

“That was hard work,” she joked.

Five of Sting’s six kids were at the show (the 6th is in college), as well as two little grandchildren and beautiful wife Trudie Styler. Almost the entire proceedings were a surprise to the 63 year old rocker, including watching President Obama mouth the words to “Roxanne” while Bruno Mars sang it.

“This is a long way to come for a fellow from Wallsend,” Sting said to me at one point, referring to his hometown in Newcastle, England, the setting for “The Last Ship.” He begins appearing in the show starting tomorrow night for 4 weeks.

Kennedy Center Honors Uproar as Beloved Producer George Stevens Jr. Is Ousted After 37 Years

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The Kennedy Center Honors aren’t really known for scandals. But last night during the taping of this year’s edition–honoring Sting, Tom Hanks, Lily Tomlin, Patricia McBride and Al Green– we got a doozy. Speaking to the audience at the beginning of the second act following intermission, famed producer George Stevens Jr. sent out a shockwave. He announced that after 37 years he’d been ousted by the new management. This was his final show. It was a complete surprise to almost all of his staff and to everyone in the audience.

Stevens is a beloved figure in Hollywood and Washington. Last year he received a Lifetime Achievement Academy Award. He is the original and only producer of the Kennedy Center Honors, a show that’s won many Emmy Awards and has stood out as a last beacon of light for the arts and culture as show business has become eroded by fake awards shows and the like. His son, Michael, who has produced the show with him for years, was expected to take over one day soon.

But it’s not to be. And the situation is not only a shock this morning at the Kennedy Center but all over Washington. I am told that Stevens has been negotiating quietly with Kennedy Center president David Rubenstein, who run the Carlyle Group, the largest hedge fund maybe in the world. Sources say Rubenstein just wanted to “clean house” and bring in his own producer who would make the KCH glitzier, “more like the Grammy Awards.” Stevens, I am told, has been given two weeks to clear out of his offices. There is also an issue over a royalty on the show as Stevens created it. Sources say Rubenstein is even fighting that.

The irony of course is that last night’s show, which will be broadcast on CBS on December 30th, was one of the best if maybe not the best. It was packed with stars, lots of showstopping classic musical highlights, and the usual impeccable production. After the show I ran into Rubenstein at the post- dinner, where he was busy going from table to table doing spin on what had just happened. He told me he had no idea that Stevens was going to make his announcement — which was tearful and emotional– the way he did. I asked Rubenstein why he was replacing Stevens and who would be his successor. He responded just that “it was time” and he’d be talking to new producers. But people I spoke to suggested that he already had a replacement.

More to come…

 

Kennedy Center Honors: Springsteen Toasts Sting, Surprise Performers Gather in DC

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The annual Kennedy Center honors are underway in Washington DC where Sting, Lily Tomlin, Tom Hanks, Al Green and Patricia McBride will be celebrated tonight in a big ceremony and concert. Last night, the five honorees received their awards and medals of honor at an ultra exclusive dinner at the State Department, hosted by opera legend Jessye Norman. Bruce Springsteen evidently gave a spectacular speech about long time friend Sting. Kennedy Center Honors impresario George Stevens Jr toasted Hanks. Green received his kudos from legendary Soul Man Sam Moore. Lily Tomlin was saluted by Bill Irwin. There were also remarks by Kennedy Center honchos David Rubenstein and Deborah Rutter.

Meantime, using social media to break the unofficial surprise, Lady Gaga and Bruno Mars let it out that they’d be at the show tonight. Springsteen (with wife Patti Scialfa) and Moore have been seen around the Mandarin Oriental Hotel, the show’s headquarters. There are rumors about Jennifer Hudson as well as Earth, Wind and Fire performing. Melanie Griffith is also said to be in DC. She co-starred with Sting in “Stormy Monday,” a lost gem of a film circa 1980s. Jane Fonda was spotted around the hotel, too. She would be there for Lily Tomlin, her “9 to 5” co-star.

The Kennedy Center Honors airs December 30th on CBS.