Thursday, December 18, 2025
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Grammys: John Legend & Common Will Perform “Selma” Song, Sam Smith, Usher Added

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The Grammy Awards are coming on February 8th, and the lineup looks good. LLCoolJ will host again (don’t know why– he’s blackmailing someone, obviously). But there’s plenty of good news: John Legend and Common will perform their Oscar nominated “Glory” from “Selma.” Other performers including Sam Smith, Usher, Miranda Lambert and Pharrell (he’d better do “Happy”).

Still waiting for more announcements. I’d guess that Tony Bennett and Lady Gaga, and maybe even Barbra Streisand, will on the show. Ken Ehrlich might even wrangle Bob Dylan, who’s getting the MusiCares Person of the Year Award on Friday before the Grammy show. We wait, and we see.

In other music news, Streisand scored her 31st Platinum album this week with her “Partners” duets album. It’s the Most everything– most for a female, most for anyone, etc. Bravo!

Pee Wee Herman is Back with New Feature Film “Big Holiday” for Netflix!

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Pee Wee Herman is back! Sources tell me Paul Reubens is rounding up his old crew and casting for new some friends in his first feature film in a long time. Netflix will be making and showing the film, another incursion by Ted Sarandos and co. into the world of movie theaters.

“Pee Wee’s Big Holiday” is produced by Judd Apatow, along with Paul Reubens. Executive Producers are Josh Church and Richard Vane. The movie is written by Reubens and Paul Rust, and directed by John Lee.

Some of the characters include Pepper and Freckles, described as pretty and tough girls in their late 20s – late 30s, who may also be bank robbers; Penny, an eccentric Katharine Hepburn type heiress. She’s described as “a bit of a throwback to old Connecticut money from the 30s or 40s and should have a big personality. And “Grizzly Bear”
a big bearded rugged Mountain man who has taken to the woods to live.

It’s a little interesting that Apatow, who is so fervent about Bill Cosby, has no issue with Reubens. But that can be debated later.

It’s been 30 years since “Pee Wee’s Big Adventure.” The sequel came out in 1988. Reubens has worked on and off for years, memorably on “Murphy Brown.” The time seems right to bring it all back, and a Netflix feature could lead to a series.

James Franco Eco Short Film “Future Relic” Turning into Feature with Juliette Lewis

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EXCLUSIVE Juliette Lewis, Ethan Suplee, Lukas Haas and Ronald Gutman will join James Franco in a feature film version of “Future Relic.” This is an expansion of a nine minute short film called “Future Relic,” written and directed by multidisciplinary artist Daniel Arsham. Producer is Courtney Andrealis.

In the film, which may or may have dialogue, the Earth’s climate in the near future has become dangerously unstable. Scientists attempt to save the world from imminent destruction with an experiment that works temporarily. Earth is saved, but the world becomes an increasingly inhospitable place for humans after elements of the experiment backfire.

Franco, no stranger to experimental films, had already made the short with Arsham.

Candice Bergen Steals the Show at Julianne Moore Tribute: “I haven’t seen Still Alice because at 68 years old it’s just too close”

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Candice Bergen stole the show Tuesday night at the Julianne Moore tribute for the Museum of the Moving Image in Manhattan. (The museum’s in Queens, the tribute was in Manhattan.) Bergen, a guest, was persuaded to introduce a clip and say a few words about Moore after she arrived at the dining hall.

In fine sarcastic Murphy Brown form, she took the stage and said she’d met Moore maybe three times, knew nothing about “Still Alice,” but admired Moore for the way she lived her life and raised her family. She added of the movie for which Moore is nominated for an Oscar “I haven’t seen Still Alice because at 68 years old it’s just too close.”

The other presenters did know Julianne Moore quite well, from husband Bart Freundlich to Steve Buscemi, Rebecca Miller, Chloe Grace Moretz, Ethan Hawke, Billy Crudup, Sarah Paulson, Ellen Barkin, Mark Ruffalo (on video), Sony Pictures Classics chief Michael Barker (now chairman of the Museum) and outgoing long time Museum chief Herb Schlosser. Moore gave a beautiful speech (more in the AM) in which she thanked the museum for staging her memorial service. “You’ve saved my family a lot of money,” she joked.

Moore also wore a beautiful sparkling Chanel dress, the height of elegance. She’s getting the Oscar, everyone’s thrilled, and it’s about time.

More later…

“Selma” Director Ava Duvernay on White House Screening: “Beyond Exquisite”

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“Selma” director Ava Duvernay posted this to Instagram earlier Tuesday. I’m reprinting it here. Duvernay, her family and the cast were welcomed on Friday to the White House by President and Mrs. Obama for a screening and a reception.

Here’s what Duvernay said:

“Here is a small note that they will never see, but I must post it anyway. Projecting a film that I made with my comrades in the White House for the President and the First Lady – for THIS President and First Lady – was as stunning an experience as I’ve ever known.

The first film to ever screen at the White House was “Birth of a Nation” or as it was previously titled “The Klansman.” That was in 1915. Last Friday, “Selma,” a film about justice and dignity, unspooled in that same place in 2015. It was a moment I don’t have to explain to most. A moment heavy with history and light with pure, pure joy all at once.

President Obama’s introduction of SELMA in the presidential screening room, the quality time he and the First Lady took with us before and after, the stories he shared with my editor and cinematographer, the praise she gave our dear cast, the handshake he gave my father, the hug she gave my mother, the laughter, the smiles, the extra time they gave us all long, long, long beyond when we were scheduled to go, the warmth, the respect, it was just beyond exquisite.

“I’m proud of you,” she said to me. “We’re proud of you,” he added. I’m proud too – of them, of us, of the film, of this moment in my life. Who knows what lies ahead. But what has already occurred is food and fuel and fire and freedom. To President Obama and First Lady Obama, it was a dream I never dreamt, a dream seared in my memory like a scar from a fight won. The kind you look at every now and then, and just nod and smile. I thank you. xo.”

Wow! “American Sniper” Four Day Take Was a Whopping $110.6 Million

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Clint Eastwood must be grinning from ear to ear. After a horrendous June with “Jersey Boys,” he’s bounced back just the way I knew he would. Clint’s “American Sniper” took in a whopping $110,636,235 from Friday through Monday– much more than anyone anticipated.

“Sniper” is suddenly a main contender for the Oscar for Best Picture. It’s made more money than any of the seven other films nominated. Actually it’s made more than all them rolled together.

Bradley Cooper is now a dark horse candidate for Best Actor. He could actually beat both Michael Keaton and Eddie Redmayne, who split the Golden Globes. Cooper can’t do much about it, though. He’s stuck on Broadway until February 21st in “The Elephant Man.”

“American Sniper” is absolutely resonating in both red and blue states and with audiences of all political standing. Even Michael Moore praised it after being misunderstood as criticizing it.

If you thought Clint might be done, guess again. He hasn’t chosen his next project yet, but we’ll see him in 2016, that’s for sure, with a new movie.

Joel and Ethan Coen to Head 68th Annual Cannes Film Festival Jury

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The Coen brothers, Joel and Ethan, are going to head up the 68th annual Cannes Film Festival jury. It’s amazing that they haven’t already done this. If this were a ‘real’ jury, you can guess what the strange outcome would be– guilty! Anyway, the Coens are among my favorite filmmakers. Their take on this year’s entries will be very interesting. I can’t wait to see who these choose for the rest of the panel!

Here’s the release:
For the first time in the history of the Festival de Cannes, not one but two leading figures will chair the Jury.
Indeed, American filmmakers Joel and Ethan Coen have accepted the invitation from President Pierre Lescure and General Delegate Thierry Frémaux to become the Presidents of the 68th edition of the Festival.

“We look forward to returning to Cannes this year”, Joel and Ethan Coen said from the Hail Caesar! film shoot with George Clooney, Christophe Lambert, Scarlett Johansson, Tilda Swinton, Josh Brolin and Channing Tatum. “We welcome as always the opportunity to watch movies there from all over the world. Cannes is a festival that has been important to us since the very beginning of our career. Presiding over the Jury is a special honour, since we have never heretofore been president of anything. We will issue further proclamations at the appropriate time.”

Johnny Depp Slags Jared Leto, Jamie Foxx, Zoe Deschanel, Russell Crowe, Bruce Willis For Trying to Be Working Musicians

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Johnny Depp– on the verge of having another gigantic disaster with “Mortdecai”– is not making any friends. In an interview with the Sydney Morning Herald, the rapidly unraveling actor slagged all his actor pals who’ve tried to have second careers as musicians. Think Russell Crowe, Bruce Willis, Zoe Deschanel, Jared Leto, Scarlett Johansson, Minnie Driver, Jennifer Lopez and so on. He presumably included Gwyneth Paltrow, is co-star, who has performed on “Glee” and other shows.

“That whole idea for me is a sickening thing, it’s always just made me sick,” Depp told reporters at press conference in Berlin.

“I’ve been very lucky to play on friends’ records and it’s still going. Music is still part of my life.

“But you won’t be hearing The Johnny Depp Band. That won’t ever exist.”

This is the same Johnny Depp who banned press from the after party for “The Rum Diary” because he wanted to take the stage with Keith Richards and rock out just for people who liked him.

Depp told reporters: “The kind of luxury now is, anybody with a certain amount of of success, if you have a kind of musical being, you can go out and start a band and capitalise on your work in other areas.”

“But I hate the idea, ‘come see me play the guitar because you’ve seen me in 12 movies’.”

Meantime, I’ve heard a lot from people around the movie “Into the Woods” asking why Depp missed most of the promotion– even though Meryl Streep and the entire cast participated in dozens of Q&A’s and screenings. “At one point, Meryl asked the studio to use Depp’s allotted private plane for the other actors since he wasn’t even participating,” says a source.

If “Mortdecai” bombs– all indications are there including no advance reviews–Depp may have to become a musician. Aside from “Pirates of the Caribbean” movies, his acting career has become a weird afterthought. See: “The Lone Ranger,” “The Tourist,” “Dark Shadows.”

Still Julianne: Moore, Honored by Museum of Moving Image for Being a Mensch, Always Gets it Right

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Julianne Moore is being honored Tuesday night by the Museum of the Moving Image. For what exactly? For being a mensch. Forget “Still Alice” or “Game Change” or “Boogie Nights,” “Short Cuts,” “Far From Heaven,” “The Hours,” “The Hunger Games” (yes, she’s in that too), or a dozen other movie roles. Julie (her real name) got her start on “As the World Turns” in the mid 1980s. She won the Daytime Emmy Award for playing twin cousins (shades of Patty Duke!).

The mensch part? In 2010, when “ATWT” ended its 54 year run, Julianne returned for a special episode that reunited her with her former colleagues. No actor who’s gone on to such a film career has ever been that gracious and respectful. The episode was a winner. And now Julianne Moore may win the Oscar. She will be the most successful soap actor, in those terms, to reach that achievement.–RF

Here’s Paula Schwartz on “Still Alice”:

 It’s definitely morbid and it’s not like a walk in the park,” Kristen Stewart
told journalists at a press conference recently at the Crosby Street Hotel for
“Still Alice,” starring Julianne Moore, as a Columbia linguistics professor with
early-onset Alzheimer’s disease. Moore, who won the Golden Globe, is the Oscar
frontrunner for the film, which opened Friday. “The Twilight” actress plays the
wild-child unlikely daughter who helps take care of her character as her illness
progresses. (Kate Bosworth plays her other daughter and a restrained Alec
Baldwin portrays her husband.)

Moore, Stewart, Bosworth, co-writer-director Wash Westmoreland; along with
Lisa Genova, who wrote the book “About Alice” on which the film is based, all
turned up to promote the film last week and field questions from the press.

“It’s not always about having fun and making people laugh and going to movies
to have a great time. They can say something and I think this movie does,”
Stewart said. “I knew for a fact, as soon as I knew that Julianne was playing
this part, I knew that she was going to do something important. I knew this
movie was being made so she could do that. It would say something and it was our
job to just pull her up.”

Early in the press conference, when Moore was asked about some of her iconic
film roles, she noted that when people remember things in her movies and quote
lines to her, her reaction is, “What’s that? Especially when you’re referencing
movies from 10 years ago. I barely remember 10 years ago.”

Before she took on the role Julianne Moore told journalists she had no
personal experience and knew no one who had Alzheimer’s, so she contacted health
care professionals, went to Mount Sinai, spoke to myriad psychiatrists,
caretakers and especially patients to learn everything she could. “I immersed
myself in it. People were happy and excited that we wanted to know and that we wanted to get it right,” Moore said. “Alzheimer’s (patients) don’t feel seen. I think a lot of the times people look the other way and it’s hard to live with that, you know? They feel that there’s some kind of a shame attached to
cognitive decline, whereas, it’s easier, most of them wish they had cancer. If
it’s cognitive there’s a great deal of shame involved so it was great to have
the experience of these people.”

Bosworth, who plays Moore’s other daughter in the film, said the story was
personal to her as her grandmother has the disease. “I take care of my
grandmother with my parents,” Bosworth said, pointing out that she liked the
comedic elements of the film, that it mirrors life where there are moments that
are “tragic” but also “absolutely hilarious.” She added, “I felt this was an
opportunity to shine a light on this disease, and being able to work with
Julianne, I really just wanted to sit and watch her do what she does and it was
really spectacular.”

Westmoreland added that despite the heavy subject matter he didn’t want the
movie to be depressing. He hoped the movie conveyed “the possible connection
people can make even in the most difficult times, ” and that he hoped the movie
“had something very colorful to say about what it means to be alive.”

Unlike other movies about the same subject, Westmoreland said the film’s
purpose was to focus inside Alice’s head and how she feels and deals with the
disease and the challenge was “how to create that terrible subjectivity so
you’re with her and you sort of grieve with her and go through all the tension
and disappointment and triumphs with her.”

The film’s backstory is as emotional and devastating as anything in the film.
In December 2011, Westmoreland and his husband Richard Glatzer, who is also the
co-writer-director, received a phone call from the producers asking them to look
at the novel for possible film adaptation. Earlier in the year Glatzer was
diagnosed with ALS. The irony is that ALS debilitates the body but leaves the
mind intact and Alzheimer’s does the opposite but both are incurable and eat
away at the sense of self and identity
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After the press conference the director told me it is his and Glatzer’s 20th
anniversary as a couple this year and that they’ve worked together since they
made the film “Quinceañera” in 2006.

I asked Westmoreland how he was doing coping with his husband’s illness.
“Thanks for asking. I’m doing fine,” he told me. “I have really good friends.
And they sort of formed this little support network and the movie itself is
tremendous for us and so I’d say I’m doing all right.”

I also congratulated him on Julianne Moore’s Golden Globe win and his
achievement in bringing a three dimensional woman to life on screen. “It’s so
exciting,” he said about Moore’s win and the possibility of her winning the
Oscar. As for Hollywood’s inability or refusal to create rich roles for women,
Westmoreland noted, “I think there is ageism and sexism and then the stories
about real people that have relevance and to me that’s what’s going to win at
the end, right?

I said I wasn’t so sure.

“Obviously it needs to happen more often. I believe society is going to
progress and more and there’s going to be more and more movies about more and
more different sections of our American population, not just about straight,
young white men.”

Madonna’s Rebel Heart– 19 Tracks But No “(Addicted to) The One That Got Away”

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Madonna has released the track listing for “Rebel Heart.” The album is a long one– 19 tracks, most of which were leaked, and then put on line by her. Missing is “(Addicted to ) The One That Got Away,” a song I thought would be a hit single. Many of these titles are already known, but with videos, and proper mixes, and the whole Madonna package, even the known songs will sound good.  How will Interscope and Madonna price a 19 track album? That should be interesting because “MDNA” was deep discounted and in some cases given away.

01. Living For Love
02. Devil Pray
03. Ghosttown
04. Unapologetic Bitch
05. Illuminati
06. Bitch I’m Madonna (feat. Nicki Minaj)
07. Hold Tight
08. Joan of Arc
09. Iconic (feat. Chance The Rapper & Mike Tyson)
10. HeartBreakCity
11. Body Shop
12. Holy Water
13. Inside Out
14. Wash All Over Me
15. Best Night
16. Veni Vedi Vici (feat. Nas)
17. S.E.X.
18. Messiah
19. Rebel Heart