Saturday, December 20, 2025
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LIVE from the Steve Martin AFI Tribute: Mel Brooks Dining on Matzoh Ball Soup While Stars Eat Fish

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Our Leah Sydney is having a ball at the American Film Institute dinner for Steve Martin right now in Hollywood at the Dolby Theater. But she reports that Mel Brooks, who was given the Lifetime Achievement Award two years ago– is having an actual ball–a matzoh ball.

Mel, who will toast Steve, asked for matzoh ball soup for dinner because he doesn’t like the fish they’re serving. Of course! Mel also confirmed for Leah that he and Susan Stroman will co-direct a new stage version of “Young Frankenstein” in London’s West End soon. (The story was first reported by Baz Bamigboye in the Daily Mail.) Mel is still figuring out whether he’ll do the long awaited sequel to “Spaceballs.”

Also at the AFI gala: Lorne Michaels, Amy Poehler, Tina Fey, Maya Rudolph, Jeff Garlin, Peter Asher, Steve Carell, Jack Black, Dan Aykroyd and Donna Dixon plus lot of execs including Disney’s Alan Horn and Warner’s Sue Kroll. Sir Howard Stringer already came out on stage with Steve Martin’s trademark arrow on his head.

Plus: Leah did speak to our beloved old pal Teri Garr– who has trouble speaking because of MS, but otherwise glows– and they talked about David Letterman. Teri says to tell everyone “I love Dave. I wish him well.”

Jeff Garlin told me over the phone that he’s sitting right behind Steve Martin. “I’ve never met him, but he’s the reason I’m an actor and a comedian. He’s been such a big influence on me.”

More later…

Confirmed: Adele is NOT the Singer of James Bond Movie Song for “Spectre”

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Everyone simmer down. I have confirmed that Adele is NOT the singer of theme song for “Spectre,” the new James Bond movie.

British tabs have been jumping up and down about Adele doing a repeat after “Skyfall” was such a hit.

But it’s not her. Adele is working on a new album for a fall release, and I’m sure it will be lovely. But the James Bond folks went for someone new.

The info is under lock and key. But I’m told that Sam Smith, this year’s Adele, is in the running. Who else could it be? It’s likely a male vocalist after the Adele hit, to keep things different. Josh Groban would be too operatic. Who else would be good? Bruno Mars would be an excellent choice. Adam Levine? Bond songs tend not to be choppy. They are anthemic. The worst ones were by Madonna, and by Alicia Keys. I think after “Skyfall,” the next Bond song will be melodic. Again, Smith or Mars are good choices.

But no Adele, sorry. On to new things !

One last look back:

 

Will There Be Love & Mercy for Beach Boys Movie? John Cusack-Paul Dano Film Opens Friday

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Friday brings William Pohlad’s “Love and Mercy,” about Brian Wilson’s extraordinary life as a composer and the leader of the Beach Boys. Will it be a hit? So far, Roadside Attractions has not been a stellar distributor. They killed J.C. Chandor’s excellent “All Is Lost.” The owners of the company don’t have a clue about what they’re doing, but that’s ok. The movie has an 89 percent on Rotten Tomatoes. I hope it takes off. Stars Paul Dano and John Cusack, as well as Elizabeth Banks, are just terrific. And the music never sounded better. “Love and Mercy” opens Friday in Los Angeles and New York.

Here’s what I wrote last September from the Toronto Film Festival:

William Pohlad is mostly known as a movie producer and wealthy Minnesotan whose family owns the Twins. Now he can add feature film director to his resume. He’s done a great job making “Love and Mercy,” a terrific biopic about the Beach Boys’ Brian Wilson. At last night’s premiere here in Toronto, Wilson and Pohlad and the film got a real standing ovation– actually two of them– because the film is so moving and well made.

“Love and Mercy” still needs some trimming. It’s got four opening sequences and gets a little muddled at the three quarter mark. But all that can be fixed easily. The good news is that Pohlad and screenwriter Oren Moverman have very smartly made a film on two tracks– Paul Dano plays Wilson circa 1966 as he’s discovering he’s really a musical genius that his father is abusive. And John Cusack plays Wilson around 1994-95, when he the brain addled artist was under the sway of a real life Rasputin named Dr. Eugene Landy. ( I met Wilson and Landy in 1994, and it was quite a scene.)

The other player in this film besides Dano and Cusack is Elizabeth Banks, who plays Wilson’s second wife, Melinda. The movie shows how Melinda helped rescue Brian from Landy’s grip. They’ve been married for 19 years. Banks simply glows throughout “Love and Mercy.” She, Dano, and Cusack do outstanding work here.

Brian and Melinda were in the audience last night at the Elgin. I don’t know how Brian Wilson could sit through this story– I really hope he napped or zoned out. The man who’s written so many astonishing compositions, pop classics, and so on has really suffered all his life. He started hearing “voices” in his head in 1963, according to the film. After experimenting with drugs, Wilson fell in with Landy who drugged him to keep him under his control. And still he outlived his two talented Beach Boy brothers, Dennis and Carl.

The movie, by the way, won’t help Wilson family relations. Beach Boy Mike Love, a cousin, always known as a creep, comes off just that way.

“Love and Mercy” is a hit. Brian Wilson has gotten a decent film document of his enormous cultural legacy.

Jason Alexander: “Seinfeld” DIDN’T Kill Susan Off Because They Hated the Actress

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Poor Jason Alexander. He told Howard Stern that “Seinfeld” killed George Costanza’s girlfriend, Susan, because no one liked the actress, Heidi Swedberg, who played her. It was kind of refreshing to hear someone tell the truth for a change. Of course, now all hell has broken loose because Swedberg is a human being and not a fictional character. Alexander is backtracking like crazy. So, let him. I’m sure he meant “Susan” and not her portrayer. Well, we all hated Susan. No one wept when she died licking poison envelopes.

Here’s Jason’s post on Twitter. By the way, the best Susan episode was when it turned out her father had had an affair with John Cheever, after Kramer burned down his cabin.

Oh dear God, leave Heidi alone


Ok folks, I feel officially awful. Yesterday on @Sternshow, I retold a story I had told years ago about my personal difficulties and insecurities in playing George against the Susan that Heidi Swedberg created. The impetus for telling this story was that Howard said, “Julia Louis Dreyfuss told me you all wanted to kill her”. So I told the story to try and clarify that no one wanted to kill Heidi.

And again I say, I and the cast really liked and like Heidi. She is a kind, lovely person who undoubtedly worked really hard to create Susan and that character was clearly what Larry and Jerry wanted her to be for George. I just felt I was on uncertain ground in how to play off that character and I was always concerned that it wasn’t working. And that’s what I would voice concern about. But because the scenes were playing the way they were, the relationship with George and Susan sustained a whole season. People clearly liked the interplay even though I believed I was “off”.

Larry and Jerry were not sure how that relationship would end. They didn’t really want George married but all the alternatives seemed predictable. They were always looking for an inventive end to the engagement. So when the comment was made about “killing”, no one was talking about the actress – they were talking about the character. And that made a creative lightbulb go off apparently.

But in telling this story, it sounds like we are putting a heavy burden on Heidi. I, personally, am not. Heidi would always ask if there was anything in the scenes she could do or if I had any thoughts. She was generous and gracious and I am so mad at myself for retelling this story in any way that would diminish her. If I had had more maturity or more security in my own work, I surely would have taken her query and possibly tried to adjust the scenes with her. She surely offered. But, I didn’t have that maturity or security. And, Larry and Jerry would probably have killed me as it was all playing exactly as they wanted. Clearly Susan and George were coming off just the way they wanted.

So, to all the press that is now running wild with this 15 year old story, please don’t pervert it. No one told Heidi to do anything different – and she surely would have, if asked. And no one that I am aware of, including myself, didn’t like her. And now with distance, I can look at those episodes and see that there was a fun relationship there between George and Susan. It works perfectly. I simply couldn’t see it or find it at the time.

To Heidi, I personally apologize. You are a sweetheart. I actually launched into this on Stern to defend you. But this is why I’m not a lawyer. Now everybody, calm down and just enjoy the reruns and think, “why did he think this wasn’t working? This is great.”

Box Office: “Entourage” Movie, Even with Bad Reviews, Beat “San Andreas” Last Night

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“Entourage,” my guilt pleasure movie of the week, is a hit. Last night Vinnie and the boys took in $5.4 million (including receipts from late Tuesday). They beat “San Andreas,” which had $3.9 million. It Warner Bros. v. Warner Bros, so they’re happy whatevuh, as they say. Melissa McCarthy’s “Spy” will knock them both off this week, and then “Jurassic World” is on the way.

But for this weekend, “Entourage” may finish second to “Spy” if it builds. Reviews were terrible– Tony Scott in the New York Times just went for it– but the movie is a lot of fun, you don’t need to know anything from the series, and if you can hide a flask, I recommend a nice G&T to wash it all down.

Oh yeah: “Aloha” is already at number 7 mid week. This Friday should kill it off. But I’m going to try and see it anyway. You never know…

Will Ferrell-Kristen Wiig Lifetime Movie Had Different Title, Was Filmed Last Fall in Secret

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The Will Ferrell-Kristen Wiig Lifetime movie is real. It will air on Saturday, June 20th, which is also the longest day of the year. I can tell you exclusively that its original title was “Adopting Tara.” In Lifetime tradition, it’s been renamed “A Deadly Adoption.” A source tells me it was filmed last fall. “It was very hush hush. No one knew they were doing it.”

The back story was that while making “Anchorman 2,” Ferrell and Wiig joked about making a Lifetime movie as a joke. A goof, if you will. And it turned into something real. The date– June 20– has nothing to do with Lifetime’s anniversary.

Last night, a Hollywood Reporter writer spotted a billboard for the movie that also read “Sunday June 20.” Of course, it turns out the 20th is a Saturday. Would Lifetime really put up a billboard for the wrong date? No. It was done on purpose as part of the joke.

“A Deadly Adoption” is described as a thriller by Lifetime. It’s not exactly a satire of Lifetime movies, but I’m told the performances are “very intense.” The pictures on the billboard of Ferrell and Wiig actually look like a parody. If you’ve seen either of these actors on Jimmy Fallon or Letterman you know they can come on as inventions and never break character. This should be something. deadly adoption

“Seinfeld” Reunion Review: Jerry and “Elaine” (JLD) Get Themselves into a Real Life “Seinfeld” Episode

Ok. All day I’ve had a link to the new episode of Jerry Seinfeld’s “Comedians in Cars Getting Coffee” with Julia Louis Dreyfus. So weird. I watched the whole thing, about 15 minutes long, and posted a link. Now it seems all they’ve got on Crackle is a promo. But the link worked for at least a couple of hours.

So here’s my review: watch this when it comes back at 11:30 tonight. Jerry and “Elaine” are reunited. In a beautiful Austin Martin. It’s really as if they are real people who are still in touch, Jerry and “Elaine.” Jerry and Julia have an immediate rapport. They drive around Santa Monica and get in trouble. They pass Hilary Swank, driving an SUV in the opposite direction; she waves to them. Julia says, “I guess we really do live in Hollywood.”

They get tangled up on a side street with a woman in an SUV who realizes it’s them and won’t movie. Jerry says, “We’re having a Seinfeld reunion, and you’re not in it!”

The pair goes into a coffee place and immediately get into trouble a la “Seinfeld.” It’s very meta and weird that they actually find themselves in a “Seinfeld” episode the way fans of the show– like you and me– would say. They finish each other’s sentences. At one point, Jerry puts Julia on the phone with his real life wife, Jessica, and Julia thanks her, basically, for polishing Jerry up since the series went off the air.

The episode is time well spent. I think for “Seinfeld” fans, you’ll watch it over and over. JLD, whom I’ve interviewed a lot, is just as she is in person: delightful, sarcastic, very real. The reunion is very fulfilling. It’s actually about something: friendship.

 

Janet Jackson New Album is Like Vanity Recording, She’s Paying the Freight for Everything

Before you get too excited about Rhythm Nation Records, Janet Jackson’s new label with BMG, take a breath. Janet and her Qatari businessman husband Wissam al Mana are paying for everything. BMG is not a record label. They are a publishing company. The old BMG was a label, then it merged with Sony, and then it was consumed by Sony. It doesn’t exist anymore.

Again: The new BMG, still part of Bertlesmann in Germany, is a publishing company. Last year they acquired Vagrant Records. Vagramt’s CEO Jon Cohen, became executive vice president of recorded music and oversee records released through BMG’s “Artist Services operation.” In other words, he finds licensees. There’s nothing wrong with that. This is what many legacy artists do now– they finance their own records, and put them out through a distribution deal.

Do read today’s press release carefully: “The partnership with BMG makes Janet Jackson the biggest worldwide superstar yet to quit the traditional record label system for a so-called artist services deal, designed to put artists in the driving seat. Unlike a traditional record deal, under an artist services deal the artist retains ownership of their recordings and full oversight of all costs and revenues.”

Janet’s paying them, you see. There’s no money to be made in a new record, no matter how well it does. The way things are now, Janet will be lucky to sell 250,000 copies. It’s not about her. It’s about the market. Her audience has aged. They want to see her in concert, live, singing “What Have You Done For Me Lately?”

The audience will get its chance. Janet’s tour will be huge. The new record, which she will own, will be merchandise to sell at shows four weeks after its release. That’s because the window for selling a new record is just about a month. It’s really the first two weeks. That is, unless she comes up a with a single so amazing that it defies gravity.

But look at Mariah Carey. “Infinity” is a great single. It got some press. It had one big week. But it’s over. Mariah will use it as a marketing tool for her greatest hits album and her live shows. These days, Janet and Mariah can’t compete with Ariana Grande, Charlie with the Latin numerals, the Iggys, the Azaleas, or the other potted plants.

So good for BMG and good for Janet. She’s lucky she can afford to put out her own records. Most recording artists can’t.

Caitlyn Jenner is 10 Years Too Late to Influence Oscars: Felicity Huffman Had Oscar Nom for “Transamerica”

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The big talk today is that Bruce Jenner’s transition to Caitlyn will somehow help this fall’s Oscar movies with similar themes. But it’s 10 years too late for that. Felicity Huffman was nominated for Best Actress in 2006 for “Transamerica.” It might as well be Caitlyn’s story. A great movie. But the director Duncan Tucker never did another film. Maybe someone knows what happened to him. Huffman should be making movies now but she took off in “Desperate Housewives.” Now she’s starring in “American Crime Story,” for which she should get an Emmy nomination.

Tony Awards: Musical Numbers Will Include Josh Groban, Plus Shows Not Nommed Like “Finding Neverland”

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Sunday’s Tony Awards will include just about everything from this season — even performances from shows that are playing but not nominated like “Finding Neverland” and “Gigi.” Plus, Josh Groban, who has never been in a Broadway show, is in a big production number designed to attract young people, I guess. Sting is listed as a presenter, although he’s nominated for Best Score. He should be performing one of those songs from “The Last Ship.” That was the best score.

From the nominated shows:

A medley of “Life Is Like A Train,” “On the 20th Century,” “I’ve Got It All” and “Babette,” featuring 2015 Tony Nominee and Tony Awards co-host Kristin Chenoweth and the cast of On the Twentieth Century.
“Getting to Know You” and “Shall We Dance?” from The King and I, featuring 2015 Tony Nominees Kelli O’Hara, Ken Watanabe and Ruthie Ann Miles.
“Ring of Keys” from Fun Home, featuring 2015 Tony Nominees Sydney Lucas, Michael Cerveris and Beth Malone.
“A Musical” featuring 2015 Tony Nominees Brian d’Arcy James, Brad Oscar and the cast of Something Rotten!
A medley of “An American in Paris (pas de deux),” “’S Wonderful” and “I Got Rhythm,” featuring 2015 Tony Nominees Leanne Cope, Robert Fairchild, Brandon Uranowitz, Max von Essen and the cast of An American in Paris.
“Love and Love Alone” and “I Would Never Leave You,” featuring 2015 Tony Nominee Chita Rivera and the cast of The Visit.
A medley of “Lonely Town,” “New York, New York,” and “Times Square Ballet,” featuring 2015 Tony Nominee Tony Yazbeck and the cast of On the Town.

As well as:
“The Night They Invented Champagne” featuring Vanessa Hudgens, Corey Cott, 2015 Tony Nominee Victoria Clark and the cast of Gigi.
“Stronger” from Finding Neverland, featuring past Tony-nominees Matthew Morrison and Kelsey Grammer.
“Jenny’s Blues” from It Shoulda Been You, featuring Lisa Howard, Adam Heller and past Tony-winner Tyne Daly

Hosts Kristin Chenoweth and Alan Cumming will be joined by Bradley Cooper, Neil Patrick Harris, Jim Parsons, Amanda Seyfried, Ashley Tisdale, Bryan Cranston, Joe Manganiello, Kiefer Sutherland, Anna Chlumsky, Larry David, Jason Alexander, Misty Copeland, Sting, Corey Stoll, David Hyde Pierce, Debra Messing, Jennifer Nettles, Marg Helgenberger, Rita Wilson, Rose Byrne, Thomas Sadoski, Sutton Foster, Taye Diggs, Taylor Schilling, Bobby Cannavale and Tommy Tune.