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Will Ferrell Director Adam McKay Bringing Archie, Jughead, Betty, Veronica to Broadway

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“Archie” is coming to Broadway. Here’s the press release:

Writer/Director Adam McKay (Anchorman, Talladega Nights, You’re Welcome America) and Funny Or Die have joined forces with Archie Comics, one of the most popular comics ever produced, to bring Archie, Betty, Veronica, Jughead and the Riverdale gang to Broadway in an all-new musical. McKay is slated to bring his singular brand of comedy to the musical, writing the book for the show, with a creative team and timing for a New York run to be announced at a later date.

Funny Or Die will serve as a presenting partner. CEO Jon Goldwater and CCO Roberto Aguirre-Sacasa will oversee for Archie Comics. The partnership was packaged by Triptyk Studios (An American in Paris, You’re Welcome America, Xanadu) who will reteam with their You’re Welcome America partners for the endeavor. Tara Smith, B. Swibel and Adam Westbrook will oversee development for the company and present on Broadway.

Adam McKay said, “Archie represents a bygone era of America. And like all bygone eras, there are elements we miss and elements that should be bygone. This will be a musical that deals with both those realities in a bright, colorful and slightly demented way.”

Jon Goldwater, Archie Comics CEO/Publisher, said, “We couldn’t be more excited to partner with Adam McKay and Funny Or Die to finally bring Archie to the stage. We’ve always thought that Archie was destined to be a big Broadway star – and now that moment has come! I’ve long admired Adam’s work and the pairing of Archie’s world with his brilliant humor and sensibility is the perfect fit. We look forward to developing this project together with this incredible team.”

Visit www.ArchieMusical.com for more information and to sign-up for updates. Follow the development of the Archie musical on all social media channels @ArchieMusical

Music Biz Skid As Top 20 Albums of the Week Sell a Total of 426,500 Copies

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The whole record industry is waiting for Friday and the release of a new album by country superstar Luke Bryan. His last album, released exactly two years ago, sold 2,450,000 copies by the end of its run.

Bryan is the only artist with a new album scheduled between now and Labor Day to have sold more than 500,000 copies of their last release.

This week, the total units sold adding up the whole top 20 albums was 426,500 copies. Total. Everything.

This means no one is buying CDs, and no one is paying for digital downloads. The number 1 album this past week, “Woman,” by Jill Scott, sold just under 58,000 copies. If you add in paid streaming, the number goes up to 61,357. So the streaming is nice, but it didn’t make a substantial difference.

The music business is in a deep ditch. The only two albums that are really still selling — by Taylor Swift and Ed Sheeran, respectively– were released last year.

All the hype of tabloids and invented gossip has realized very little in actual sales.

Ironically, Taylor Swift is really doing a booming business from streaming after writing her famous letter to AppleMusic and pulling her album “1989” off of Spotify. Last week, Taylor had around 25,000 paid streams from AppleMusic. She only sold 23,425 CDs and digital downloads. Call it Swift Justice, but Taylor’s protest benefited her greatly.

Things are not promising for the immediate future, however, as far as new releases. Five Finger Death Punch has that new album on September 4th. Their last release sold 510,000 copies. No one over 25 has ever heard of them.

On September 25th, Don Henley of the Eagles is releasing a country album. It’s his first solo release since 2000. That last album sold 1.1 million copies. But that was long before, gosh, the world turned upside down. Who knows what will happen when “Cass County” comes out?

I’m sorry to write such a sad story. It’s a buzz kill, isn’t it? The Grammy deadline will close on September 30th without any important new albums. In February, Taylor Swift will collect many statues for “1989,” an album that by then will have been in circulation for 15 months.

Is someone planning a surprise release? Justin Bieber won’t cut it. His records don’t sell and they don’t get a lot of radio play. He’s not a serious artist. I don’t even know who that would be at this point? A new Alicia Keys record might be good. John Mayer? Foo Fighters? Beyonce?

And what happened to the big stars of two years ago? Remember when Macklemore was a name you couldn’t get away from? Adele? Hello? Adele? Emile Sande?

The field is wide open for something unexpected and wonderful. We really need it. ASAP.

Lady Gaga’s Secret Song from Rape Documentary Poised for Oscar Nomination

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Lady Gaga has just finished up her Tony Bennett tour and project. So what’s next?

I can tell you: Gaga produced and recorded a secret song for Kirby Dick’s documentary “The Hunting Ground,” about campus rape. Seven time Oscar nominee Diane Warren wrote the song; the buzz is that this is the one that should give Warren– and Gaga– gold men. The film premiered at Sundance last January.

The song is called “Till It Happens to You.” Gaga, I’m told, produced it herself over a week long session last winter in Malibu. A pulsating anthem with a gorgeous hook, the song is heard at the end of the film. But so far the only people who’ve laid ears on it were the audience at Sundance, or anyone who caught the film during its stealth long run (in a maximum of 20 theaters) from February 27th through June 18th for Oscar qualification.

“The Hunting Ground” is going to be shown on CNN this fall, and then a push will be made for the Academy Awards. “Till it Happens to You” — which could fit a lot of scenarios and meanings besides rape– is being primed as Gaga’s next radio hit.

So far there are clips of “Till it Happens to You” drifting around the internet, but all of them are bootlegs and not the real thing. So we’ll have to wait until the movie shows on CNN and Gaga releases the official track. At that point, “Til it Happens to You” will become an Oscar favorite competing with the likes of Ellie Goulding’s James Bond single and Charlie Puth’s track from “Fast and Furious 7.”

Warren is certainly overdue for an Academy Award. Her past Oscar nominations date back to 1988’s “Nothing’s Going to Stop Us Now” from “Mannequin” all the way through “How Do I Live Without You” (1997–“Con Air”), Aerosmith’s “I Don’t Want to Miss A Thing” from “Armageddon” (1998) and last year’s “Grateful” from “Beyond the Lights.”

photo of Lady Gaga c2015 Showbiz411

Kristen Stewart in Woody Allen’s Next Cast, We Scooped Back on July 16

We announced Woody Allen’s new cast back on July 16th. Today, it was announced officially. Parker Posey is repeating from “Irrational Man.” Jesse Eisenberg and Kristen Stewart join Woody’s company. Bruce Willis and Blake Lively are also in the untitled comedy which will shoot this fall as Woody turns the youngest 80 I’ve ever seen.

Here’s the July 16th story. “Irrational Man” is in theaters now.

Meryl Streep: In Scene Cut from “Ricki” Oscar Winner Fell on Her Back and Kept Playing Guitar

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Stories from the red carpet at “Ricki and the Flash,” where everyone except Meryl Streep did press. Streep plays a ne’er do well rocker, Ricki, leader of a bar band called the Flash. They’re all real musicians and everything was recorded live.

Famed studio musician, 66 year-old Joe Vitale, who is the drummer in the Flash, said the process of portraying a band member was the same as for any of his other gigs. “I’m a musician for a living so it wasn’t very different for me. I’m not an actor and there’s always these cameras and lights but we basically showed up and rehearsed and started filming.” He told me they put in eight-hour days for three weeks.

As for what surprised him about Streep, Vitale said, “We already knew she could sing. But I was told she started learning guitar in April and we started in September. That’s not much time to learn a musical instrument. And she nailed it.”

He added of Streep, “Her timing, her intonation, her coordination, singing and playing at the same time. That’s not easy.”

When I asked if she could be a real rocker he told me she should keep her day job. “I think she could probably make a better living being an actor,” he laughed, “but she was having the time of her life and I think it shows in the film.”

The terrific playlist, Vitale told me, was something Streep and director Jonathan Demme put together, including tunes by Pink, Lady Gaga, and the Rolling Stones. The director “Demme “wanted to a cross section of as many weird artists as he could fit into the film,” Vitale laughed.

As for his favorite Meryl Streep scene, “She’s out in the crowd playing guitar, singing ‘Wooly Bully,’ I think. And she’s rocking and rolling and she comes back to the stage and she tripped and fell on her back and we’re like, ‘Oh, no!’ and she’s still playing the guitar and screaming. I was like, ‘You’re a pro,” he laughed.

Don’t look for that scene. “That’s not in the movie,” he told me. “I wish it was. It was so real. I’ve seen big stars I’ve worked with do that and they keep going. People think its part of the act.”

As for the believability of a film featuring rockers in their 60’s, Vitale told me, “We invented rock and roll. We’re not dead yet!”

Paul McCartney, Ringo Starr Stage Beatles Mini-Reunion at Intimate Hollywood Dinner

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What a week for Paul McCartney! He wowed the crowd at Lollapalooza with one of his three hour shows replete with Beatles and Wings hits on Friday. He even performed a proper version of the hit he wrote for Rihanna, “Four Five Seconds,” on acoustic guitar. What a treat!

So what to do for an encore? On Sunday night, McCartney and wife Nancy staged a Beatles reunion at an intimate dinner in West Hollywood. They joined brothers in law Ringo Starr and Joe Walsh, who are married to sisters Barbara and Marjorie Bach, for a sumptuous repast at Craig’s on Melrose.

It was the perfect place for Paul and Ringo since owner Craig Susser, who entertained Sylvester Stallone last night with wife Jennifer, as well as Nikki Haskell and Leba–Mrs. Neil-Sedaka, features a vegan menu as well as one for carnivores.

But wait– there’s more. Craig’s regulars Jane Fonda and Richard Perry showed up by accident and quickly joined in at the next table. It was a big reunion for Perry, who produced Starr’s classic “Ringo” album and its follow up “Goodnight Vienna” in the early 70s. Ringo and Perry scored a bunch of hits including “Photograph” and “You’re Sixteen.”

As a side note, Perry also convinced Paul and late wife Linda to sing background on Carly Simon’s “Night Owl” back then. And he gathered McCartney, John Lennon and George Harrison together for that “Ringo” album– the only record all the solo Beatles played on or contributed to after the group’s break up. Perry is said to be writing his memoirs, full of amazing stories about his star filled career producing people like Rod Stewart, the Pointer Sisters, and Diana Ross as well as Carly, Ringo, and Harry Nilsson.

Exclusive: John Legend Will Act, Sing in “Whiplash” Director’s Musical

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John Legend already has an Oscar for Best Song– he won it with Common for “Glory” this year from the movie “Selma.” He also some Grammy Awards. So now what?

Well, I’m told that John (real name John Stephens) will act and sing in Damien Chazelle’s new musical film “La La Land.” Chazelle just last year gave us the much loved indie hit “Whiplash,” which also had a musical theme.

Legend is writing songs now for his character to perform in the film alongside stars J.K. Simmons, Ryan Gosling and Emma Stone. This won’t be his actual acting debut– he appeared in the egregious “Soul Men” a few years ago. But let’s say this is his REAL debut in a good film. My guess is we’ll get a nice soundtrack from “La La Land” and John will be up for another Best Song Oscar.

I don’t say enough good things about John Legend in this space. He’s one of the few real talents to emerge from pop music in the last generation. This year he had two major, major hits with “Glory” and his song “All of Me.” Ten years from now, he, Rob Thomas, and Alicia Keys will be the survivors of their era because they are actual composers and singers.

One more thing: John, as you know, is married to the hippest hot model out there, Chrissy Teigen. Chrissy is about to debut in a new syndicated talk show a la The View with Tyra Banks called “The Fab.” Chrissy is going to be a breakout star on “The Fab”– she’s funny smart and obviously bee-yout–eeful.

Meryl Streep is Sort of Amazing in “Ricki and the Flash,” But Will People Get It?

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I hope that “Ricki and the Flash” isn’t the most misunderstood movie of the year. On the web, I’ve seen comments ranging all over the place largely because of the TV ads and the billboards. Jonathan Demme’s companion piece to “Rachel Getting Married” is not a broad comedy, or a musical comedy, or a mother-daughter weeper. It’s a really original dramedy about a woman stuck in time who didn’t want to be somewhere, so she left.

Ricki– her real name is Linda– had three kids with Pete (Kevin Kline) in Indianapolis. But she didn’t dig the domestic scene, and exited to do what she wanted– to be in a rock and roll band. We don’t get the whole back story but we pick up enough of it. She abandoned her family, has missed all birthdays and holidays, and was replaced by Pete’s second wife (Audra McDonald).

Ricki is not a rock star. She made one album and it kind of flopped. She lives in L.A. where she’s a cashier by day at a place like Whole Foods. At night she and her band, the Flash– featuring her sort of boyfriend played by Rick Springfield– play in a bar in Tarzana. They cover Tom Petty, Neil Young, and Bruce Springsteen. Sometimes they play a current hit, or a recent hit, if there are young people lurking about.

In “Rachel Getting Married,” directed by Demme and written by Jenny Lumet, Debra Winger played the mother who’d left the family and is now estranged. We never really get her story. Now Diablo Cody sort of picks up that thread and explores the idea of a runaway mom who wanted her own life.

What makes Ricki interesting: she is stuck in the 70s music wise, which makes sense. Also, fashion wise and she never changes her look– the braid, the blue eye make up, etc. She wears a bad leather motorcycle jacket. You do wonder how she and Kevin Kline ever came together in the first place but what’s nice is, he’s not judgmental after summoning her back to help their daughter (played by Streep’s real life kid, Mamie Gummer, with disarming sharpness).

This is a world class cast, with Kline, McDonald, Springfield and a neat turn by 89 year old Charlotte Rae, of “Different Strokes” TV fame and Broadway musical comedies of the 50s and 60s. Some of the story is formulaic by nature, but Demme doesn’t let that affect anyone. He keeps this superior group away from cliches.

Of course, in the end, it’s all about Meryl Streep. She’s sort of channeling Bonnie Raitt. All the music was recorded live, there’s no fakery. She’s a killer rock singer, and even plays some guitar. The tracks are eminently listenable. Ricki and the Flash are a great bar band, and that’s how they come off– unpolished, honest and fun. After all they’re led by Rick Springfield, famous for “Jessie’s Girl” and “General Hospital.” He’s the real deal.

It’s hard to write about Meryl anymore regarding awards– yes, she’ll get an Oscar nomination, who cares? It’s not about that. Think about more than that. She inhabits this character in a way that’s almost eery. Ricki is a loser mother, a feminist (who’s also a Republican, by the way), a bad wife, a competent musician who wants a life for herself while trying to explain her absence from the life she signed on to. Streep blows my mind because she finds this person and wears her like a motorcycle jacket. She knows every pocket, which zipper is broken, and where the cigarette burn happened. Extraordinary.

Just divest yourself of anything you thought about the ads or whatever, and go see “Ricki and the Flash” this weekend. It’s incredibly enjoyable.

Happy Birthday Tony Bennett! The Legendary Crooner Turns 89 Today

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It don’t mean a thing if it ain’t got that swing: Tony Bennett turns 89 today. He’s just finishing his long our with Lady Gaga after their hit album “Cheek to Cheek” set records. If you caught the tour– I saw them at Radio City in June– you know that Tony starts his 90th year like a pro. His voice is intact, a Wonder of the World. But also, Tony gets high marks for his unwavering commitment to social causes. He was there with Martin Luther King, and he’s still there today with his Frank Sinatra School in Queens and his foundation Exploring the Arts (exploringthearts.org).

All hail the timeless and legendary Tony Bennett!

Aretha Franklin Conquers Hollywood with Knockout Show, A List Audience

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It’s been a few years since Aretha Franklin’s come west for a big Los Angeles show. The audience at the Microsoft (formerly Nokia) Theater downtown at LA Live was sold out to the rafters and ready for the Queen of Soul. They got their money’s worth and more in a two hour show that featured a rare sequence of numbers with Aretha playing virtuoso piano and taking everyone to church.

The audience included Berry Gordy, Angela Bassett, Halle Berry, Shonda Rhimes, famed lyricists Alan and Marilyn Bergman, as well as Tika Sumpter and the cast of Tyler Perry’s show “The Have and Have Nots,” plus “Band of Gold” singer Freda Payne, her sister Sherrie (once a member of the Supremes) and Glodean White, widow of Barry White and once a member of his group Love Unlimited.

Ms. Franklin, looking svelte and moving on stage like it was 1968, kept the show swinging from Jackie Wilson’s “Higher and Higher” right through her closing numbers, “Freeway of Love” and “Respect.” During the two plus hours, Aretha — channeling her late father Rev. C.L. Franklin– creates a church like gospel segment based on her “Amazing Grace” album. This part of the show features the great Melvin Williams, who recently performed with her at the White House. It’s part and parcel of an Aretha Franklin show, that the religious and secular meet with such ebullience.

The synthesis of this comes with her take on Paul Simon’s “Bridge Over Troubled Water,” the show’s centerpiece. Aretha had a hit with “Bridge” after Simon & Garfunkel around 1973, and then Simon started using her gospelized arrangement. With Ms. Franklin as captain of the band, “Bridge” elevates to all new highs, a monumental and stunning effort.

She also treated the L.A. audience to more piano than usual, and it was about as wonderful as you can imagine. Aretha takes classical piano lessons but she is a natural musician, gifted in almost a genius like way when she hits the keyboards. She offered her lovely take on Ed Ames’s classic “My Cup Runneth Over,” a recent concert staple, which in the old days of vital radio would be released as a live single and hit number 1. She also played and sang on the Bergmans’ “How You Keep the Music Playing” and Lerner and Lowe’s’ “If Ever I Would Leave You” from “Camelot.” The range of composers is sort of staggering when you realize it’s Aretha leading the band. No other legendary vocalist does such a thing.

Her own hits? “Think,” “Chain of Fools,” “Natural Woman,” “Don’t Play that Song for Me,” “Giving Him Something He Can Feel,” and most seriously, “Ain’t No Way,” the other great anchor of the show, I think, an unheralded classic written by Aretha’s late sister Carolyn Franklin.

Musicians: HB Barnum conducted the orchestra as he has for over 40 years. Richard Gibbs played piano. Fonzie Thornton, Vaneese Thomas, Brenda White-King — all extraordinary.

Aretha et al move on to Santa Barbara, Oakland, and Las Vegas before returning to Detroit. She noted at the end of this magnificent night that she vowed never to come west again unless she flew in a plane. Well, she didn’t– she came in her custom tour bus. You never know if this is the last time. This is history in the making.