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Songwriter Diane Warren Responds About Oscar Nommed Song: “A Special Collaboration Between Myself and Lady Gaga”

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Eight times Oscar nominated songwriter Diane Warren just took to Twitter — with a response to fellow songwriter Linda Perry’s recent odd statements. Perry told an unreliable website that Warren wrote her nominated “Til it Happens to You” by herself, and added Lady Gaga’s name to the byline to get attention. It made no sense.

Warren tweets:

“Til It Happens To You was written for The Hunting Ground, an incredibly powerful documentary about sexual assault on college campuses. The song is the result of a special collaboration between myself and Lady Gaga. As Lady Gaga and I have consistly said. Til it Happens To you was inspired by the countless survivors of abuse who need our support and love so they know they’re not alone.”

When the song first appeared in “The Hunting Ground,” I asked Diane about it. She told me then it was a total collaboration. Lady Gaga produced the track herself, tweaking and reworking it with Diane. It’s an incredibly powerful track, I think, and the best song of the year.

And Diane Warren doesn’t allow someone else’s name on a song unless they worked on it, trust me, kids. Perry may have sour grapes here– I don’t know.

Exclusive: Will Forte Show “Last Man on Earth” Lands 8 Year Old “Room” Star Jacob Tremblay

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Everyone wants to work with Jacob Tremblay, and he’s only eight years old.

After starring in “Room,” and getting the Critics Choice Award last night, young Jacob is bigger than the bear from “The Revenant.”

He’s already got three movies in the can. Now I’m told Jacob will appear in “The Last Man on Earth.” I’m told when the show picks up this spring, Jacob will play a young version of star Will Forte. This might be in flashbacks to Forte’s character’s youth, or who knows what.

The new half season should be pretty surreal anyway. Forte was seen at last night Critics Choice Awards with his exactly half his head and beard shaved.

(Watch) Amy Schumer Make a Dirty, Rude Offer to Lily Tomlin on Critics Choice Awards

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A&E put up this clip so they obviously think it’s appropriate. Amy Schumer told Lily Tomlin, “I would love to go down on you.” On the air. Hey, it’s all good. Poor Lily Tomlin. She lost to Schumer and had to hear that. I’m sure she took it in stride, because she is classy. Schumer is very funny, but sometimes it’s too much. Was this too much? You be the judge. Check it at 1:04.

Spike Lee, Winner of Lifetime Achievement Oscar this Year, Won’t Attend February Ceremony

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Spike Lee has posted this to Instagram. He will not attend the Oscars in February despite receiving an honorary award this year. He posted under the #Oscarsowhite hashtag

I don’t know why Spike has chosen to capitalize every single word in his statement. But, he has. Anyway. he says he’s “most appreciative” for his honorary Oscar but he and wife Tonya will not be attending this year’s ceremony because, basically, there are 20 white actors and four white directors, and so on.

I agree with Spike on some of this. “Straight Outta Compton” should have been a Best Picture nominee. F. Gary Gray did a magnificent job as its director. More could have been done to achieve having black actors nominated. And — this is from me– I’m personally tired of seeing movies in which all the actors are white when it doesn’t matter what color they are. Fine, wonderful black actors are being cut out of film opportunities. This has to stop, and it must be casting directors and producers who shoulder the responsibility.

Here is Spike’s message:

I Would Like To Thank President Cheryl Boone Isaacs And The Board Of Governors Of The Academy Of Motion Pictures Arts And Sciences For Awarding Me an Honorary Oscar This Past November. I Am Most Appreciative. However My Wife, Mrs. Tonya Lewis Lee And I Will Not Be Attending The Oscar Ceremony This Coming February. We Cannot Support It And Mean No Disrespect To My Friends, Host Chris Rock and Producer Reggie Hudlin, President Isaacs And The Academy. But, How Is It Possible For The 2nd Consecutive Year All 20 Contenders Under The Actor Category Are White? And Let’s Not Even Get Into The Other Branches. 40 White Actors In 2 Years And No Flava At All. We Can’t Act?! WTF!! It’s No Coincidence I’m Writing This As We Celebrate The 30th Anniversary Of Dr. Martin Luther King Jr’s Birthday. Dr. King Said “There Comes A Time When One Must Take A Position That Is Neither Safe, Nor Politic, Nor Popular But He Must Take It Because Conscience Tells Him It’s Right”. For Too Many Years When The Oscars Nominations Are Revealed, My Office Phone Rings Off The Hook With The Media Asking Me My Opinion About The Lack Of African-Americans And This Year Was No Different. For Once, (Maybe) I Would Like The Media To Ask All The White Nominees And Studio Heads How They Feel About Another All White Ballot. If Someone Has Addressed This And I Missed It Then I Stand Mistaken.

As I See It, The Academy Awards Is Not Where The “Real” Battle Is. It’s In The Executive Office Of The Hollywood Studios And TV And Cable Networks. This Is Where The Gate Keepers Decide What Gets Made And What Gets Jettisoned To “Turnaround” Or Scrap Heap. This Is What’s Important. The Gate Keepers. Those With “The Green Light” Vote. As The Great Actor Leslie Odom Jr. Sings And Dances In The Game Changing Broadway Musical HAMILTON, “I WANNA BE IN THE ROOM WHERE IT HAPPENS”. People, The Truth Is We Ain’t In Those Rooms And Until Minorities Are, The Oscar Nominees Will Remain Lilly White. (Cont’d)

#OscarsSoWhite… Again. I Would Like To Thank President Cheryl Boone Isaacs And The Board Of Governors Of The Academy Of Motion Pictures Arts And Sciences For Awarding Me an Honorary Oscar This Past November. I Am Most Appreciative. However My Wife, Mrs. Tonya Lewis Lee And I Will Not Be Attending The Oscar Ceremony This Coming February. We Cannot Support It And Mean No Disrespect To My Friends, Host Chris Rock and Producer Reggie Hudlin, President Isaacs And The Academy. But, How Is It Possible For The 2nd Consecutive Year All 20 Contenders Under The Actor Category Are White? And Let's Not Even Get Into The Other Branches. 40 White Actors In 2 Years And No Flava At All. We Can't Act?! WTF!! It's No Coincidence I'm Writing This As We Celebrate The 30th Anniversary Of Dr. Martin Luther King Jr's Birthday. Dr. King Said "There Comes A Time When One Must Take A Position That Is Neither Safe, Nor Politic, Nor Popular But He Must Take It Because Conscience Tells Him It's Right". For Too Many Years When The Oscars Nominations Are Revealed, My Office Phone Rings Off The Hook With The Media Asking Me My Opinion About The Lack Of African-Americans And This Year Was No Different. For Once, (Maybe) I Would Like The Media To Ask All The White Nominees And Studio Heads How They Feel About Another All White Ballot. If Someone Has Addressed This And I Missed It Then I Stand Mistaken. As I See It, The Academy Awards Is Not Where The "Real" Battle Is. It's In The Executive Office Of The Hollywood Studios And TV And Cable Networks. This Is Where The Gate Keepers Decide What Gets Made And What Gets Jettisoned To "Turnaround" Or Scrap Heap. This Is What's Important. The Gate Keepers. Those With "The Green Light" Vote. As The Great Actor Leslie Odom Jr. Sings And Dances In The Game Changing Broadway Musical HAMILTON, "I WANNA BE IN THE ROOM WHERE IT HAPPENS". People, The Truth Is We Ain't In Those Rooms And Until Minorities Are, The Oscar Nominees Will Remain Lilly White. (Cont'd)

A photo posted by Spike Lee (@officialspikelee) on

Critics Choice Awards Updates: “Spotlight,” Leo, Brie (Room), Big Short (Comedy), Bale, Schumer, Stallone, Vikander, Miller, “Inside Out”

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The Critics Choice Award used to be pretty normal and fairly relevant. This year they added TV awards that were really weird. Also, it was obvious all the nominees knew in advance who’d won– Leonardo DiCaprio sent a video acceptance speech. On Twitter, whoever runs the Social Media account posted the winners almost before they could be announced on stage. The movie winners were similar to the Golden Globes. Does it mean anything? Does it affect the Oscars? Who knows?

BEST PICTURE
Spotlight

BEST ACTOR
Leonardo diCaprio

BEST ACTRESS
Brie Larson

BEST COMEDY MOVIE
The Big Short

BEST ACTRESS COMEDY
Amy Schumer

BEST ACTOR COMEDY
Christian Bale

BEST ADAPTED SCREENPLAY
The Big Short

BEST ORIGINAL SCREENPLAY
Spotlight

BEST ACTING ENSEMBLE
Spotlight

BEST DIRECTOR
George Miller, “Mad Max”

BEST SUPPORTING ACTOR
Sylvester Stallone

BEST SCORE
Ennio Morricone, The Hateful Eight

BEST FOREIGN FILM
Son of Saul

BEST YOUNG ACTOR/ACTRESS
Jacob Tremblay

BEST ANIMATED FEATURE
Inside Out

BEST SONG
See You Again– Wiz Khalifa and Charlie Puth
“Fast and Furious 7”

BEST CINEMATOGRAPHY
Manny Morgenstern aka Chivo aka Emmanuel Lubezki

A LOT OF TECH THINGS
Mad Max

BEST SCI FI OR HORROR FILM
Ex Machina

BEST ACTION FILM
Mad Max
Actor in an Action Film– Tom Hardy
Actress– Charlize Theron

BEST STRUCTURED REALITY SHOW
Shark Tank – ABC

BEST GUEST ACTOR/ACTRESS IN A DRAMA SERIES
Margo Martindale
The Good Wife – CBS

BEST LIMITED TV SERIES OR SPECIAL
Fargo
BEST ACTOR IN A COMEDY SERIES
Jeffrey Tambor

BEST ACTRESS TV DRAMA
Carrie Coon, The Leftovers

BEST TV DRAMA
Mr. Robot

BEST ACTOR TV DRAMA
Rami Malek, Mr. Robot

Adam Driver & “Star Wars” Power “SNL” to Huge Ratings– Bigger than Trump Show

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“Saturday Night Live” aired an hour late last night because of the insane Cardinals-Packers game (congrats to Larry Fitzgerald).

But it didn’t matter. Because Adam Driver, aka Kylo Ren of “Star Wars”–hosted, and lampooned the biggest movie ever, the ratings soared. Last night’s show had the biggest draw (3.0) in the key demo 18-49 in over two years–since a Jimmy Fallon-Justin Timberlake episode in December 2013 according to tvbythenumbers.com.

It didn’t hurt that country superstar Chris Stapleton was the musical act.

Last night’s ratings beat Donald Trump’s hosting effort as well.

Driver was in a lot of the sketches, and was excellent throughout. But his best sketch was a dark short film about the Golden Globes.

Box Office Update: “Ride Along 2” Bests Leo & The Bear, Benghazi Bay Finishes Fourth– Star Wars Only Makes $25 Mil for Weekend

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SUNDAY update: “Ride Along 2” $34 mil, “Revenant” $29.5, “Star Wars” $25 mil, “13 Hours” $16 mil.

 

Friday box office: “Ride Along 2” has a 15 on Rotten Tomatoes, but that didn’t stop people from seeing it in droves. The Kevin Hart-Ice Cube comedy made $12 million last night and handily beat “The Revenant” and a now declining “Star Wars.”

Yes, more people saw Hart and Ice Cube goofing around than a bear mauling Leonardo DiCaprio.

“13 Hours,” Michael Bay’s Benghazi movie, finished fourth with a little less than $6 million. Today in the Washington Post the former CIA chief in charge of Benghazi challenged the movie’s veracity. Can’t say I’m shocked.

“Star Wars” is heading nicely to $2 billion worldwide including U.S.

“Joy” crossing $50 million this weekend. “Spotlight,” the most important movie of the year, crossing $30 million.

“Spotlight” is the Big Idea movie of the year and will have the most lasting impact. That’s what Best Picture means.

Somehow Martin Scorsese Made a Great Movie (Vinyl) While He Was Making Another Movie (Silence)

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OK, so I guess Marty Scorsese never sleeps! He somehow made “Vinyl,” a movie– I thought it was going to be a TV pilot, but it’s a feature film– while he was making “Silence” halfway around the world.

HBO knows they have a hit in “Vinyl,” which is also a 10 part series following the premiere movie. So last night, accommodating executive producer Mick Jagger’s Rolling Stones tour schedule, they held a rare A list event at the Ziegfeld and Cipriani to celebrate the show. “Vinyl” launches on Sunday, February 14th.

In a week when David Bowie died, “Vinyl” recaptures the Bowie heyday of glam rock and a bankrupt New York circa 1973. Scorsese and writer Terence Winter, I am happy to say, have nailed it. All the grit of the city and the dirty record business come alive in “Vinyl,” which feels like a story that falls in the Scorsese timeline between “GoodFellas” and “After Hours.”

Bobby Cannavale finally gets his Best Actor role, his Don Draper part, called Richie Finestra. Cannavale will waltz away with an Emmy next fall for playing Richie, owner of a struggling, failing small record company trying to stay afloat by selling itself to Polydor in Germany for millions. It’s a scam– his American Century Records is worth nothing– but the sale will make him and his execs rich and change their lives.

“Vinyl” is incredibly well cast, from Juno Temple as a label assistant on the fast track to Ray Romano (hilarious) as one of Richie’s guys. James Jagger, Mick’s son with Jerry Hall, makes an outstanding impression as a rocker snatched up by American Century. Bo Dietl, the retired New York cop who sometimes acts, also makes a big hit as Joe Corso, the radio guy who makes things “right.” Ditto Andrew Dice Clay, who’s sensational, and Max Casella.

I’ll tell you more about “Vinyl” and its incredible detail– someone did a lot of research because this thing reads with great verisimilitude– closer to its premiere.

At the party, loving every minute: “Sopranos” creator David Chase, “Sopranos” actors Vince Curatola, John Ventimiglia, Tony Sirico, and Lorraine Bracco; Steve Buscemi, of “Boardwalk Empire” fame, Marisa Tomei, Michael Stuhlbarg, Jason Sudeikis (his wife Olivia Wilde, plays Richie’s wife). as well as Bobby C’s ready to give birth girlfriend Rose Byrne. I also saw Valerie Simpson, Glenn Close, Maureen (Mrs. Steve) Van Zandt, New York radio legend Dennis Elsas, Atlantic Records chief Craig Kallman, May Pang, and the mighty Patti Smith, among others.

Scorsese told me he credits his cinematographer Rodrigo Prieto (Wolf of Wall Street, etc) for the look of “Vinyl,” but fans of this incredible director will see that “Vinyl” is sort of an instant mini-classic for him. The feel of it is quite unlike anything on television or any of its new ancillaries. It’s really brilliant movie making. I can’t wait to watch the 10 regular episodes, which, by the way, Scorsese oversaw.

Many “insider” laughs for local New Yorkers, too– about mayor Abe Beame, who nearly destroyed the city; and references to local Long Island rock band The Good Rats made me guffaw.  Scorsese also restaged the entire 1973 Mercer Arts Center collapse–quite an accomplishment.

PS Kudos to Jill Larson of “All My Children” fame. She was in Scorsese’s “Shutter Island” and is back as Juno Temple’s aunt here. Plus, our pal Radio Man appears in the opening scene. He was also in “Shutter Island.” Funny that “inmates” from that insane asylum now populate 1973 New York!

Christian Bale Leaves Michael Mann’s Ferrari Movie– I Said So Last Week and No One Believed Me

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Last week in an Uncasting story I reported that Christian Bale was going to leave Michael Mann’s “Ferrari” movie. The minute I published it, two publicists whom I trust called to say I was crazy and this was not happening. “Please change it, it’s not true,” they said. In a collegial moment, I acquiesced. You can still see the mess I made changing it remotely.

At the Golden Globes, I asked Christian Bale if he was making the Ferrari movie. “Absolutely!” he said. No question about it. He looked at me like I was crazy.

This afternoon, the official announcement– Bale is not playing Enzo Ferrari. LOL. Well, I tried. It’s hard to be a saint in the city, kids. Lynda Obst gave her memoir about Hollywood the best title ever– “Hello, He Lied.” So freakin’ true.

I should have stuck to my guns. I have an idea who will play Ferrari. I’ll let you know if it materializes. At this point you can call me race-ist.

Casting: Leslie Mann in for Aniston on “The Comedian,” Josh Gad in “Marshall”

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Exclusive: Leslie Mann is stepping into Taylor Hackford’s “The Comedian.” Mann replaces Jennifer Aniston, starring opposite Robert DeNiro. The best comic in the business, Jeff Ross, wrote the screenplay. Art Linson is producing. When I announced that Aniston was leaving, her fans wrote in like crazy about who’s to blame, etc. These things happen all the time. Scheduling, chemistry, karma, who knows. There is no blame. It just ‘is.’ Each are terrific comic actresses.

I told you last week Josh Gad was joining Reginald Hudlin’s “Marshall” opposite Chadwick Boseman. Today it was made official and websites reported it as “exclusive.” Anyway, Josh is actually playing my great uncle, Samuel Friedman, who really tried the Joseph Spell case in Greenwich, Connecticut back in the 1940s with a young Thurgood Marshall as advisor from the NAACP. It’s a great story, I’m glad it’s being made. Gad looks nothing at all like my uncle Sam, but he’s a good actor and I look forward to seeing Hudlin having a success with this.