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My Invitation to the Rock and Roll Hall of Fame Show Has Arrived– And the Ticket is Only Three Thousand Dollars

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Very excited!

My invitation to the Rock and Roll Hall of Fame show has arrived. Steve Miller, Deep Purple, Chicago and some other people are being inducted. The show takes place on Tuesday, April 8, 2016 at the Barclays Center in Brooklyn.

Only one problem: Gold Tickets, the least expensive offered, are $3,000. This includes on-site pre-concert cocktail reception and dinner, arena seating in prime locations, and…open bar! You will NOT Meet Bruce Springsteen or Paul McCartney. (I added that part in.)

I guess it’s a bargain. The top tickets go to people who want to be Chairman’s Sponsor. For One Hundred Thousand Dollars you get ten tickets and a table on the floor, access to rehearsals etc. o also get FOUR (Not ten) tickets to the exclusive private Chairman’s Club Dinner Thursday evening with the inductees. You CANNOT ask Chicago what “25 or 6 to 4” means.

The Platinum table is only $50,000. You still get the ten tickets, but only two for the Chairman’s thing. Someone from Deep Purple teaches your group the air guitar riff for “Smoke on the Water.”

A Gold table is just $30,000. Again, ten tickets. But the table is in Bed-Stuy. No Chairman’s party, but Peter Wolf will re-enact the “Centerfold” video for you at a girl’s college in Vermont.

Seriously.

Did you know that Tom Jones isn’t in the Rock and Roll Hall of Fame? Neither is Chubby Checker, nor Carly Simon, the Moody Blues, Bryan Ferry and Roxy Music or…

I’ll tell you what. I’m keeping the three thousand dollars, staying home and watching “The Pompatus of Love.” Just don’t call me Maurice.

“Hail, Caesar!” Coen Brothers Screening Brings an A List Jury of Their Peers: Brian DePalma, Wes Anderson, Noah Baumbach, Jake Paltrow

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There was no official star studded premiere in New York for Joel and Ethan Coen’s “Hail, Caesar!”

But the “all media” screening on Tuesday night yielded quite a powerful foursome in the row. This jury of the Coens’ peers included Brian DePalma, Wes Anderson, Noah Baumbach, and Jake Paltrow sitting together. They went mostly unnoticed, but it’s hard to miss Wes’s hair. And Brian DePalma is not someone you see everyday at a press screening.

Reviews will be divided on “Hail, Caesar!” We’re going to hear tomorrow from our Leah Sydney about the more official premiere in Los Angeles on Monday night, which was unaccompanied by a party. Universal has not sent out positive signals on this one.

But I have to tell you that Coens fans, and fans of movies about old Hollywood, are going to love this movie. The screenplay is very funny. And the performances are excellent. Josh Brolin is outstanding as Mannix, the head of the movie studio. George Clooney is very funny as the movie star who’s been kidnapped off the set. There is a very deft performance from Scarlett Johansson and Ralph Fiennes, among others. Tilda Swinton plays twin gossip columnists, and she is sublime.

Indeed, there are several movies within movies and some eye popping set pieces, such as an Esther Williams-type water ballet and a spectacular musical sequence with Channing Tatum.

Most interesting was Alden Ehrenreich, who kind of steals the film as a movie cowboy-rodeo rider who’s being promoted to leading man status. Ehrenreich is the star of Warren Beatty’s untitled, and still unscheduled Howard Hughes movie. “Hail, Caesar!” shows that Beatty has a good eye for new talent. Now I’m really curious to see what Ehrenreich did for Beatty– considering he shot Beatty’s movie first.

Before a pile on is possible for “Hail, Caesar!” I really caution everyone to let it be digested. The Coens have never been well-subjected to snap judgements.

Feud Between Michael Jackson and Jermaine Jackson Outlined in Record Exec L.A. Reid’s New Book

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Epic Records chief L.A. Reid’s memoir, “Sing to Me,” is out today and has a lot of great stories. At last we get the truth about a lot of artists including Whitney Houston and Michael Jackson.

Reid’s chapter on trying to produce a record for Jermaine Jackson in the mid 1980s is hilarious and sad. He and Babyface (Kenny Edmonds) had signed Jermaine to LaFace Records and were about to record the tracks. Jermaine moved his family to Atlanta and though that, in the shadow of “Thriller” and “Bad,” he might get his own moment.

Not so fast. Out of the blue, Reid and Edmonds received a call from Michael, asking them to drop everything and come to Los Angeles to work with him. The pair flew out, telling Jermaine he’d have to wait until they returned from a business trip. Michael, Reid writes, tied them up for two weeks and not much came from it. When Jermaine discovered where they were, he was furious and demanded to be let out of his LaFace contract. Reid told Michael how upset Jermaine was. Michael’s answer: “He’ll get over it.”

Back in Atlanta, Reid and Edmonds calmed Jermaine down. They made their record including a single, “Word to the Badd,” in which Jermaine raked Michael over the coals for his shoddy treatment of his brother. The single was picked up instantly by all the top radio stations. Reid received a call from Michael.

“You have to stop this,” he said. “You’re the head of the label. You have to kill this. This isn’t good.”

Reid writes: It wasn’t my fight and I wasn’t going to referee a fight between the Jackson brothers. I told him that it didn’t matter if I agreed with him, the matter was between him and his brother and I couldn’t help. Jermaine was insistent that his record be released. Apparently Michael and Jermaine held a meeting at their mother’s home at Havenhurst. I wasn’t there and I don’t know what happened, but when they came out of the meeting Jermaine called me. “We resolved it,” he said. “The record stays out.” Then Michael called back. “Jermaine and I had our conversation,” he said, “but I’m telling you, you really need to stop this. This is not good.” Two days later, the record disappeared off the air, as if it had never been there in the first place. I don’t know what Michael did, I don’t know if Michael did anything, but it went away in a flash.”

Reid’s recollection, by the way, jibes with Michael’s late press agent, Bob Jones. He wrote in his book that Michael did everything he could to kill his siblings’ chances of success.

And that’s just the beginning. The book is full of good stuff. Well worth the $15 books I plunked down!

Tony Winner James Corden, of Late Late Show, Is Hosting the Tony Awards This Year– Hooray!

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Great news. James Corden is hosting the Tony Awards this year. Well, of course he is. Corden, himself a Tony winner, already hosts CBS’s “Late Late Show.”

Whew! Last year’s show with Alan Cumming and Kristen Chenoweth was… challenging, let’s say. And only entertaining maybe for people worked on Broadway.

Corden is smart and hilarious and so much fun to watch late night. He’s also a great entertainer. So now we know June 12th will be a good night on CBS. Maybe the ratings will follow. Don’t forget, “Hamilton” is winning just about everything. You know Corden will some kind of parody.

Indeed, with “Hamilton,” “The Color Purple,” “Fiddler on the Roof,” and “On Your Feet” in good shape, the planning shouldn’t be too hard. And there are 21 new plays and musicals opening soon for Tony eligibility.

Grammy Awards: Lady Gaga To Perform David Bowie Tribute on February 15th Show

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David Bowie will get the memorial tribute treatment from Lady Gaga on this year’s Grammy Awards. She’ll be accompanied by producer Nile Rodgers, who produced Bowie’s biggest album, “Let’s Dance.”

Executive producer Ken Ehrlich says in a statement: “We had already booked Lady Gaga on this year’s show, but when David passed — almost in a single moment — we knew we had to change direction. We immediately spoke and agreed that she should be the one to honor David. She’s perfect for it. So I reached out to Nile [Rodgers] and, before long, we were on our way to creating what we believe will not only make a great GRAMMY Moment, but one befitting of David.”

Ehrlich is right– Gaga is the best choice. Not only can she play and sing all the music like crazy, she has the outfits! Should be amazing. Grammys air on Monday, February 15th on CBS.

Next up: who will sing for Natalie Cole, Glenn Frey and Paul Kantner.

Watch Lady Gaga Perform “Til it Happens to You” at the Producers Guild Awards

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Here’s the exclusive video clip of Lady Gaga’s amazing performance of “Til it Happens to You.” The song from “The Hunting Ground” is nominated for Best Song this year.

Vanity Fair’s Hollywood Actresses Cover Is Just Right, with Range of Ages and Colors

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So happy to see the new Hollywood issue of Vanity Fair.

The fold out cover features famed actresses who cover a range of ages and colors. They are also, smart, sexy, and talented. Photos are by the equally amazing Annie Leibovitz.

Jane Fonda, Helen Mirren, Charlotte Rampling, and Diane Keaton look phenomenal. Their resumes speak for themselves!

Viola Davis, Lupita Nyongo, and Gugu Mbatha-Raw are gorgeous, award winners, and here to stay.

Jennifer Lawrence, Alicia Vikander, Cate Blanchett, Rachel Weisz, Saorise Ronan, and Brie Larson are also the Next Generation.

If all of these women show up at the annual Vanity Fair party on Oscar night, there will be pandemonium for sure. Kudos to VF for managing to get this group together in any fashion. (MIA: Kate Winslet, but I’m sure we’ll see her soon. Next year– Penelope, Salma, and who knows?)

P.S. No one can say Diane Keaton hasn’t stuck with her look. And it’s timeless.

Amazing photographs inside, too!

“Grease” Is the Word: TV Musical Soundtrack a Hit on iTunes as Ratings Are Huge

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Yes, “Grease” is the word. The soundtrack to last night’s live musical “Grease” on Fox has jumped onto iTunes at number 5. It’s right there with Rihanna, Charlie Puth, Adele, and Sia.

The songs are mostly 40 years old, with one new tune written for Carly Rae Jepsen.

Meanwhile, the TV ratings were huge. The total number of viewers was over 12 million, with a 4.3 share in the key demo of 18 to 49. It was easily the most watched show of Sunday night.

The live presentation was filled with music pop icons who don’t necessarily come from Broadway, but were perfect for a one off TV show.  Only Aaron Tveit had real Broadway cred, but the public loves Hudgens and Julianne Hough, Mario Lopez and Carly Rae Jepsen — and it worked!

Hudgens had a major star turn singing “There Are Worse Things I Could Do.” The show was dedicated to the memory of her father, who passed away the night before the broadcast.

The Pope Goes Hollywood: Pope Francis to Appear in First Feature Film, “Beyond the Sun”

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Pope Francis is rockin’ it again. His Holiness has agreed to appear in his first feature film, called “Beyond the Sun.” He will play Himself. It’s the first time a Pope has appeared in a feature film.

Ironically, the movie– for children of all cultures– will be funded with Bacardi money. AMBI Films is owned by Lady Monika Bacard. She will fully finance the project with her partner, Andrea Iervolino.  Co-producers are Graciela Rodriguez and Gabriel Leybu. Rodriguez wrote the screenplay based on her own concept. 

Graciela Rodriguez wrote the film’s screenplay based on her own concept.

All profits will go to two charities–   El Almendro and Los Hogares de Cristo (located in Argentina) which support Pope Francis’ social and spiritual message within the film. These organizations help aid at-risk children and young adults in need. 

From the press release: “Beyond the Sun” is a family adventure story where children from different cultures emulate the apostles while searching for Jesus in the world around them. The film will be uplifting and is intended to spiritually engage and encourage audiences of all ages to transmit Jesus words, to understand them and integrate them to live a better life, make good choices and help others.

 

Review: “People vs. OJ Simpson” Is a Well Made Fantasy About the Lawyers, Not the Victims or Even OJ

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I just finished watching six hours of “The People vs. OJ Simpson.” (It begins this week on F/X.) You must understand, I covered the OJ Simpson criminal trial from several days after the murders in June 1994 until the day of the verdict in October 1995, for New York Magazine. (It was a tough deal because my editor, Kurt Anderson, thought the story was beneath us– he said so– and thought no reader of New York would be interested in it.)

During those months I wrote the Intelligencer column with Pat Wechsler, I visited the Simpson courtroom as much as I could. I also wrote at least one story a week about it, often more. One of my stories, about Kato Kaelin selling a book for a million dollars during the trial– after the preliminary hearing judge ordered all witnesses not to speak to the press– caused such a sensation that Marcia Clark had to turn him into a hostile witness on the stand. Clark was shocked by this revelation when we published it. The reality was, she had no idea what was going on in the Simpson circus, and was outplayed. She either couldn’t keep up with the cast of characters and their shenanigans or didn’t want to. It was her undoing.

Venality and stupidity were all around her. She had no idea what the defense attorneys were capable of doing pr-wise, or what skillful manipulators they were. She was clueless, and Chris Darden even more so. Plus Judge Ito was basically an idiot. I reported on January 30, 1995 that Larry King, his daughter, and his producer, grand-standed in Ito’s courtroom for 38 minutes. While everyone waited, King got a private meeting in chambers with Ito. WTF? as they say. When Larry et al emerged from chambers, he proceeded to shake hands with the defense lawyers. He tried to shake hands with OJ but was stopped by a court officer. The trial was completely tainted.

This is not in the mini series. Neither is the fact that by the end of January 1995, as the trial began, Simpson published a book called “I Want to Tell You,” essentially defending himself. That’s just skipped over, as is the Kaelin book revelation. And errors include Clark, not Darden, examining Rosa Lopez, the maid who worked in the house next to Simpson’s, about details of the night of the murder. This is one of those kinda-sorta factual movies.

Some quick thoughts about everything else: “The People vs. OJ Simpson” is beautifully made. Sarah Paulson is so brilliant as Marcia Clark she will win an Emmy Award. Even I’m sympathetic to Clark, watching Paulson play her, and I thought Clark was a dope. Cuba Gooding Jr., Courtney B. Vance, David Schwimmer, Nathan Lane, Sterling K. Brown, Bruce Greenwood, Robert Morse as Dominick Dunne, Connie Britton as sleazy Faye Resnick– there isn’t a flawed performance in the first six hours. As much as I write about John Travolta’s crazy personal life and Scientology, hear this– his Robert Shapiro is brilliant. Brilliant.

But there’s something vitally wrong here. Ryan Murphy’s series is about the lawyers. It’s told from their perspective. Some of it is made up or changed to dramatize the story and make Clark sympathetic. (I love that when Darden visits her in her office late at night, the soundtrack is R&B, Otis Redding, Average White Band. This is to indicate “soul”.) There are big elements missing, however. The victims are totally absent– Nicole Brown and Ron Goldman are secondary to their own murders. OJ himself is under developed. I give credit to Cuba Gooding, Jr. because the writers are not that interested in Simpson, per se. This movie is not about him. Weird, huh?

Indeed, so much of what really happened during the course of the nine month trial is missing that it kind of cuts against the quality of the series. This is the writers’- and Ryan Murphy’s– take on the trial. Now, maybe in episodes 7 through 10 it changes. But what I’ve seen shows that the source material was limited. And way too much time is spent building up to the trial, which doesn’t really start until episode 5.

So sure, that’s entertainment. But it’s not history, and it’s very inaccurate. A lot of people key to the story simply aren’t there, starting with OJ’s loyal secretary, Cathy Randa, as well as the avaricious Brown family, Ron Shipp, or a half dozen key players. (There is so far no mention of the defense team’s private investigators.) Instead, we get Robert Kardashian (played so well by David Schwimmer) having lunch with his kids because we know (wink wink) they’ve become fame whores in current time. (Really, who cares?) We see Faye Resnick meeting for the first time with sleaze ball publisher Michael Viner. (Again, really?)

Maybe the real story of O.J. Simpson will come out in the ESPN documentary later this spring. Maybe this series will right itself in the last four episodes. But I doubt it will. So, enjoy it for the acting and the production values. But remember, this is a “fictionalized” account of something we still don’t have a handle on.

from what I wrote in New York Magazine, January 30, 1995:

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