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Exclusive: Grateful Dead Documentary is Now a Four Hour Mini-Series Set for Fall Reveal

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As Grateful Dead fans know, their songs– their live jams– can be very, very long. Their rare standard hit– like “Truckin”– was edited to radio length.

So we shouldn’t be surprised that the official Dead documentary, announced two years ago, has expanded its boundaries.

Still untitled, I’m told the film directed by Amir Bar Lev is now a four hour  mini series. We may be seeing it at the Toronto Film Festival.

Originally intended as a modest project, the Dead film grew and grew like a good jam. Now everyone who was ever attached to the group has been included, all the members and families and musicians. The archival footage is said to be amazing.

One thing we won’t see is testimonials from outsiders, not even Phish or Dave Matthews or even Bob Dylan. It’s just going to be the essential Dead, which should please fans and purists.

Eric Eisner, Nicholas Koskoff and Justin Kreutzmann are the main producers. Martin Scorsese’s  Sikelia Productions is executive producer.

More to come..

 

Ratings: Billboard Music Awards Lowest Since 2012, Lose Millions of Viewers

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You could feel it while it was happening. The Billboard Music Awards crashed and burned last night. They went went from 11.1 million viewers last year to 8.87 million last night. They lost a full million just in the key demo.

What did they expect? The show began with a huge dollop of a big mess with Britney Spears. The co-hosts talked about themselves. There was the complete feeling that this was an infomercial with no redeeming features.

The women in particular made the show look like it was live from a strip club. Justin Bieber made no effort at all. The so called winners were all pre-arranged and it was not hidden.

None of the acts by the way got a bump in sales. On iTunes, everything is pretty much as it was prior to the show. No outstanding performances.

Madonna’s tribute to Prince? Eh. She’s not a great singer, but I did feel that her heart was in it. The show could have done a lot better. And Stevie Wonder, god bless him, was used by the producers. Stevie is such a mensch, he’s game to help out anywhere. But he shouldn’t have done it.

PS The worst– the endless presenters from ABC shows. Give me a break.

 

Billboard Music Awards Play the Race Card: “The Oscars of Music Except with Black Nominees”

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The Billboard Music Awards? Why, Ludacris says they’re the “Oscars of music except with black nominees.” Oh yes, both shows air on ABC. It was a nice way to kick off a three hour crap fest full of lip synching.

Britney Spears? A Zombie wind up doll who clearly doesn’t sing.

Madonna’s tribute to her “collaborator” Prince? Well meaning, but lacking soul. It would be as if Justin Bieber saluted Stevie Wonder.

And Bieber? Like Britney, kept the live vocals to a minimum. Mostly pre-recorded. At least he kept his clothes on.

Some great moments? Rihanna. Oh boy. The GoGos– sang live, it was the realest part of the show.

Pink: sang live before she was hoisted into the air, but what a performance! Nice to have her back.

Shawn Mendes: He’s trying to be real. Keep it up.

ABC stuffed the show with presenters from their various shows, all of whom had nothing to with music. What you get with this show is no sense of a music business or world, no community, just a jukebox of unmemorable top 40. Singers with voices (Ariana Grande) are forced to sing pedestrian throwaway jingles. There was very little emotion or real feeling, with the exception of Celine Dion (who’s still belting it out) and Kesha, who’s become her own movement.

Last year’s show drew 11.1 million viewers. Let’s see how this one did– tomorrow.

 

O.J. Simpson Steroid Doctor Blamed by TV’s “Biggest Losers” For Weight Gain, Illness, Depression

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EXCLUSIVE The doctor who helped get O.J. Simpson acquitted of double murder in 1995 is in hot water today. Contestants from “The Biggest Loser” on NBC are accusing Dr. Rob Huizenga of doling out over the counter drugs to help them lose massive amounts of weight.

In an excellent NY Post story by Maureen Callahan, Dr. H– as he is called– is cited by former contestants for contributing to their weight gain after the show, physical and mental illness.

Huizenga denied the charges to the Post. But what the Post doesn’t realize is that Rob Huizenga is the doctor hired by Robert Shapiro to help O.J. Simpson after the murders of Nicole Simpson and Ronald Goldman in 1994. (He’s also the doctor Charlie Sheen says he’s using for his HIV treatment.)

Huizenga was then an expert in steroid addiction who’d published a book about working with the L.A. Raiders including tales of NFL football players who struggled with drugs.

I wrote about him extensively during the Simpson trial in New York magazine. But Marcia Clark and her team of geniuses never asked Huizenga about Simpson and steroids when he was on the stand.

Ten years later, I interviewed Huizenga about the Simpson trial. He told me that since no one asked him while he was on the stand, he certainly wasn’t offering any information. He concluded: “Some guilty people are set free.”

Here’s the full text from my 2004 story:

“My take, and what I say now, is that Simpson was innocent in the trial,” Huizenga told me, referring to the criminal trial in which a jury acquitted Simpson. A civil jury later held him responsible for the murders. “That doesn’t mean he did or didn’t do it. Let’s face it, the evidence is completely suspicious. Some guilty people are set free.”

Huizenga saw Simpson once on the morning of June 15 at Shapiro’s request. “Shapiro said to me, ‘Take every test. Let the chips fall where they may.’” The doctor saw Simpson again on June 17, two hours before the infamous Bronco chase commenced, and later in prison. At the time, the notoriety was scary, he said. “I got hundreds of letters saying ‘You’ll die for representing this man’ — which I didn’t — to ‘You’re the best person in the world.’ It was eye opening.”

But what was most alarming, Huizenga told me, was how prosecutors treated him. His direct questioning by the state was from Deputy District Attorney Brian Kelberg, who worked for Marcia Clark.

“I told them that Simpson appeared to be limping when he came into my office. Instead of asking me about that, they said, ‘He wasn’t limping, you’re lying, we have tape of him from two months before.’ It’s odd that the prosecutors didn’t even bother to ask about the sequelae,” he said, tossing some much-needed Latin into our conversation. In other words: Clark’s team never asked why Simpson had been limping, or what would have brought him to that point.

Huizenga is not wrong to question that moment in his testimony 10 years later. On the stand he told Kelberg that Simpson walked into his office three days after the murders “like Tarzan’s grandfather.” Instead of exploring how Simpson could have come to be in that condition, Kelberg replied: “…perhaps Mr. Simpson was faking a limp in your office?”

“They assumed I was lying,” Huizenga said to me. “They didn’t ask me if it was possible that he’d been in the greatest fight of his life just a few days before.”

“I was dumbfounded by their approach,” Huizenga said. “And they’ve become celebrities since then.” He continued: “But they were set on a course. They wanted to prove I was stupid instead of saying, ‘You’re an honest person, what happened here?’”

Huizenga testified in the trial that he tested Simpson for several drugs, among them anabolic steroids. All the tests came back negative. The FBI lab had tested Simpson a couple of days earlier for the same drugs, without the steroid component. During the trial, a Harvard forensic psychiatrist with a connection to the case conjectured to me that Simpson might have killed his ex-wife Nicole and Ron Goldman in some kind of steroid rage. Huizenga says now that it’s unlikely based on the tests.

“Of course, the original tests had much higher detectable limits. We set ours much lower. Look at all the pictures that were taken. They were all from my office. All the cuts on his hands, none of that would have been known without us. They” — he said, referring to the police and FBI — “did a terrible job.”

 

Fail: Billboard Awards Choose Madonna Instead of Real Prince Artists for TV Tribute

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The Billboard Music Awards– contrived in recent years — have done something really crazy. They’ve chosen Madonna to perform a tribute to Prince tonight on TV instead of real artists associated with Prince like Sheila E., The Time, Chaka Khan, Judith Hill, etc.

Why Madonna? She never covered a Prince song, and probably hadn’t seen him in 20 years. Is it because of Michael Jackson, Prince and herself, she’s the only one who’s still alive?

On top of this, songwriter Linda Perry, who slagged off Diane Warren and Lady Gaga early in the Oscar season, appeared on “The Talk” and said all those real Prince artists weren’t relevant anymore.

Good grief. So Prince will get a very white tribute from someone who had nothing to do with him. It’s like having Celine Dion salute James Brown.

Here’s Sheila E.’s response. Sheila Escovedo (who by the way is the biological aunt of Nicole Richie) had a massive hit called “The Glamorous Life,” written with Prince. They toured together for years and were close friends.

And the Billboard awards are remiss in not having Chaka Khan perform “I Feel for You” or the Bangles sing “Manic Monday.”

Exclusive: John Sayles Will Direct and Write “Django Lives” with Franco Nero

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Django lives, and he’s still played by Franco Nero.

I can tell you that John Sayles, one of my all time favorite directors, has agreed to direct “Django Lives.” It was announced last October that he’d write the screenplay.

“Django Lives” has nothing to do with Quentin Tarantino’s “Django Unchained.” This film will be the third to star Franco Nero as the title character. It’s set 50 years after the first movie. Django is now a horse handler and an extra on the set of D.W. Griffith’s “Birth of a Nation.”

Louis Black, Carolyn Pfeiffer, David Hollander and Nancy P. Sanders are the producers.

Sayles, of course, has a long list of great films including “Lone Star,” “Passion Fish,” “Return of the Secaucus 7,” “Matewan,” “Eight Men Out” and “Silver City.” Hard to believe, but he’ll be 66 years old this September when he starts shooting “Django Lives.” He’s due a lot of lifetime awards already and some real recognition as an outstanding filmmaker. I can’t wait to see this one.

Cannes Prizes Un Certain Regard: “Captain Fantastic” Wins Best Director, “Olli Maki” is Best FIlm

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Here’s the list from the Un Certain Regard section of Cannes. Congrats to Matt Ross, who won Best Director for “Captain Fantastic.” This movie will be a break out in the US when it’s released July 8th.


PRIZE OF UN CERTAIN REGARD

HYMYILEVÄ MIES

(THE HAPPIEST DAY IN THE LIFE OF OLLI MÄKI)

DE JUHO KUOSMANEN

JURY PRIZE

FUCHI NI TATSU

(HARMONIUM)

DE FUKADA KÔJI

PRIZE FOR BEST DIRECTOR

MATT ROSS

POUR CAPTAIN FANTASTIC


PRIZE FOR BEST SCREENPLAY

DELPHINE COULIN, MURIEL COULIN

POUR VOIR DU PAYS (THE STOPOVER)

UN CERTAIN REGARD SPECIAL PRIZE

LA TORTUE ROUGE

(THE RED TURTLE)

DE MICHAEL DUDOK DE WIT

Cannes Ends In a Blaze of Anger, Weirdness, Unintentional Laughs, Disappointment and Mel Gibson

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Rule number 1: you do not stay til the end of a film festival. By the 8th day, the party is just about over. Anywhere. And so it was with Cannes 2016, which started with Woody Allen and Steven Spielberg, and ended with Sean Penn and Mel Gibson. The writing was on the wall.

The last movies at Cannes 2016 were pretty awful to not so bad, plus the reviled Mel Gibson showed up. Almost everyone had left by then.

The final film I saw was Xavier Dolan’s “It’s Only The End of the World.” A hilariously awful family melodrama, in French, made in Canada, and starring a bunch of A listers: Marion Cotillard (terrible, not her fault), Vincent Cassel (terrible, his fault), Nathalie Baye (very good, out of spite), Gaspard Ulliel (a mannequin with a deep dimple). The latter played Yves St. Laurent in an unwatchable movie two years ago.

In Dolan’s film, Ulliel, playing Louis, who may be a hit playwright somewhere (LOL), comes home to die. He’s 32 and pretty so you assume it’s AIDS. No one ever says what it is, but from Ulliel’s expressions I assumed it was constipation. The whole film is shot in closeups like a bad soap opera. Everyone is in articulate. Cotillard is relegated to sputtering. The music swells and plays much too loudly all the time. Cassell has no idea what’s going on, so he screams and throws things. Dolan should not direct another movie.

The best part was in the lobby afterwards, as some French critics said they liked it. But they also eat brains in France, so you can’t always trust them.

Sean Penn’s “The Last Face” was totally reviled yesterday. My friend called it “refugee porn.” The question is: who will bail this movie out? Netflix? Amazon? Harvey Weinstein did it for Penn in “This Must Be the Place,” a terrible Cannes entry a few years ago. He’s not going to do it again.

Then came Nicolas Winding Refn’s “Neon Demon” which as described variously as “disgusting and gross.” It features lesbian necrophilia, which is always a crowd pleaser. Olivier Assayas’s “Personal Shopper” with Kristen Stewart– no one liked it. Trust me on this.

This morning Paul Verhoeven unveiled “Elle,” which fared only slightly better.

The really interesting good films which I will discuss later this weekend: Andrea Arnold’s “American Honey,” Jim Jarmusch’s “Paterson,” Matt Ross’s “Captain Fantastic.” Not so sure: Jeff Nichols’ underachieving “Loving.”

Mel Gibson? He came at the end for a reason. The Americans were by and large gone. He can entertain the French and whoever’s left with his beard and anti-Semitic jokes.

Box Office: “Nice Guys” Finish Last as Crowe-Gosling Are Swamped by “Angry Birds,” “Neighbors 2”

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“Nice Guys” finish last. Warner Bros. sorta kinda brought the Russell Crowe- Ryan Gosling 70s buddy movie to Cannes. Then they sorta kinda had nothing to do with it. Now they face the consequences. “Nice Guys” made $3.9 million last night and will go under $12 million for the weekend. (Wait for Tuesday revisions, not Sunday claims.)

The whole time I was in Cannes no one said a word about the movie or how to publicize it. If I hadn’t run into Russell Crowe at the Vanity Fair party, I wouldn’t even have known he was in town. So much for that.

The winners for Friday night and the weekend are “Angry Birds” (number 1 last night with $11 mil) and “Neighbors 2.” Little money was spent on the latter. No one came to Cannes. The total for the weekend is a projected $25 million, or more than twice as “Nice.” It’s also half of the first “Neighbors,” but the Seth Rogen-Zac Efron comedies don’t look too expensive. There will definitely be a third one, and no one will remember any of them.

“Angry Birds” had a pre-Cannes lift off, a splashy promotion that I wrote about on the day before the festival started with Josh Gad and Omar Sy. Sony benefited from the built in audience from the app game.

Waiting for “Money Monster” numbers. They’ve made $20 million through Thursday. So one week, and they’ve got enough to pay George Clooney and maybe Julia Roberts. Jodie Foster didn’t come for free. And then there’s everything else. They may be calling it “Money Pit” by the end of the month.

Exclusive: amFAR Celebrity AIDS Charity $11 Million in the Red from 2014 Fundraising Events

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The Cannes amFAR event is getting a lot of press– for its celebrities like Katy Perry (who performed and may have been paid) and Orlando Bloom, for Leonardo DiCaprio flying on private planes to accept an environmental award, for a socialite planting an unwanted kiss on Uma Thurman.

The event takes place at one of the most expensive resorts in the world– The Hotel duCap in Antibes. The amFAR staff swans around Cannes for two weeks in chauffeur driven cars. The events consultant lunches at the duCap like it’s his second home. The buffet costs around $100.

So what happens to all the money? According to amFAR’s federal tax filing for 2014, they lost over $11 million on their fundraising events. A big chunk of it was lost on the Cannes gala. They paid the duCap $1.3 million in rental fees. Another $1.2 million went to entertainment. Over $3.7 million was shelled out all together. There must a better use for that money– like money for AIDS drugs.

Plus, don’t forget there’s millions in staff salaries. CEO Kevin Frost gets over $550,000 just for starters.

Amfar 2014-133163817-0b89a553-9.pdf_-_2016-05-21_09.30.48