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Lady Gaga’s “Joanne” Is Number 1, But It’s a 47% Sales Drop from Last Album Even with Deep Discounting

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Lady Gaga’s “Joanne” is a great album. But half as many people who bought her last album, “ArtPOP,” wanted her new album this week. Or should I say, wanted to pay for it.

“Joanne” will wind up selling half as many CDs, streams and digital downloads as “ArtPOP” did three years ago. The older album sold 260,000 copies in its first week. “Joanne” came in at 160K total for the opening week. You can add in about 40,000 streams for a total including streaming of 199K according to hits dailydouble.com. But it’s a 47% drop since 2013, when there wasn’t much streaming at all.

And compare that to “Born this Way” — 440,000 copies first week including a controversial 99 cent discount sale on Amazon.

Still, “Joanne” — with a first day discount down to $3.99 on amazin– is an anemic number 1 for the week because sales are way down everywhere. It has nothing to do with the quality of the music. It has to do with a generation of music fans who are relying on free avenues to get their sounds.

Lady Gaga is not alone in her sales struggles. Three weeks ago, Solange Knowles debuted at number 1. Now she’s number 27.

At least she’s also doing better than legacy artists. Barry Gibb of the Bee Gees has a new album, and it’s sold fewer than 10,000 copies.

Gaga’s big problem is that she’s been unable to establish a hit single from “Joanne.” Her people threw three singles into the world and they came back like boomerangs. It’s not like she hasn’t worked hard– Gaga’s been on lots of TV and has been part of a pop-up “Dive Bar” campaign.

I hate to say it, but at 30, Gaga’s got a marketing problem. She gave up her wild looks and outfits for performing with 90 year old Tony Bennett. It was admirable artistically, and I loved it. But it turns out that whole episode may have cost her some audience who now think of her as an “older” artist.

The result is the absence of top 40 radio. It’s a very curious turn of events. Gaga records for the most powerful record company in the world–and they couldn’t get her on Z100. It’s not too late– and wouldn’t Gaga at the Jingle Ball at MSG be amazing? It could still happen.

“Justice League” News: Jeremy Irons, In Oscar Race for “Man Who Knew Infinity,” Spills the Beans on Batman’s Butler Alfred’s Crush

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Jeremy Irons is back in the Oscar race playing famed mathematician G.H. Hardy in Matthew Brown’s “The Man Who Knew Infinity.” Last night producers Ed and Annie Pressman– who worked with Jeremy when he won the Oscar for “Reversal of Fortune”– tossed Irons a swell dinner at Bagatelle in the Meatpacking district for about 50 of their closest pals. I sat between the young Princeton math whiz who consulted on the film and Tony winning composer Stephen Schwartz of “Wicked” fame.

(At the next table, by the way, was beautiful Devika Bhise, who co-stars in the movie. She is quickly becoming a star. Last winter I met her at Lynn Hirschberg’s It Girl lunch for W Magazine in Los Angeles. Attention casting directors: she lives in New York and could be the next Priyanka Chopra– or better.)

Across the table were Neil deGrasse Tyson aka “The Man Who Knows Everything” and his wife Alice.  I asked Alice what its like being married to the Man Who Knows Everything. She replied, “I know more.” Good answer. Later, I overheard DeGrasse Tyson quizzing the Princeton math whiz,  Manjul Bhargava, about prime numbers. It was like a scene out of “The Big Bang Theory.”

Lots of New York actors were also in attendance including Bob Dishy and his wife Judy Graubart, Rutanya Alda, and so on.

Before we get to “Infinity,” what about about the upcoming “Justice League” movie? Irons is back as Alfred, loyal butler to Bruce Wayne. Alfred, who used to serve martinis and dust the Batcave, has become a lot more active in recent Batman movies.

Jeremy said: “It’s the same Batcave as in Batman vs. Superman, we used the same set and costumes. There’s not a lot for Alfred to do because there are many superheroes this time. But I do have a thing for Wonder Woman. That’s clear.”

Does she return Alfred’s feelings, I asked?

“No, well, she doesn’t say much,” Irons said with a sigh. “None of them do.”

Irons really makes Hardy come alive in “Infinity,” and he’d be a neat Best Supporting Actor nominee.

What really shows is that he’s very convincing as Hardy while in real life Irons knows absolutely nothing about math. During a short Q&A during dinner with deGrasse Tyson, someone in the audience actually asked a math question. Irons, charming as ever, and accompanied by his little white dog called Smudge, blithely answered: “I don’t know, but I do know my martini is kicking in.”

Smart Alecs? Billy and Stephen Baldwin in Family Twitter Feud Over Presidential Election

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Alec Baldwin is already pretty outspoken. He’s also doing a hell of a job playing Donald Trump on “Saturday Night Live” this fall.

But in his own family there’s dissension over the election.

Brother Stephen, a conservative who also became zealously religious, recently Tweeted: “If my father were alive today (a veteran) He would be ashamed & disgusted of media biased & manipulation by people like @andersoncooper”

Billy Baldwin, Stephen and Alec’s liberal brother, replied: “If our father were alive today… he’d smack you in the side of the head for supporting Donald Trump.”

I know all three of these Baldwins, they are all nice guys. This is their problem. But still…

Stephen knocked Alec with this Tweet: “Sad monday for me @nbcsnl & Hollywood Democrats think partial birth abortion is funny ! Sad as I think of all my beautiful nieces & nephews”

And Alec replied: “I don’t recall @nbcsnl using the phrase “partial birth abortion.”

I don’t either.

Meantime, Alec got a little dig in on “SNL” playing Trump, announcing that he had the best Baldwin brother in his corner– Stephen.
PS No word yet from the remaining Baldwin brother, Daniel.

 

 

“Paramount is Back”: Studio Chief Brad Grey Shows Impressive Clip Reel Including Scorsese’s “Silence” and Denzel’s “Fences”

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“Paramount is back” is studio chief Brad Grey’s mantra, and he may be right. Grey unveiled a clip reel last night at the New York Viacom screening room of upcoming Paramount films– and it was impressive.

Acknowledging that lately Viacom had been in the news for reasons “other than films and TV,” Grey did something very important to restore confidence and show pride in his upcoming slate. (The “other” is the Sumner Redstone family and corporate soap opera, which can’t be of much interest to regular filmgoers.)

The clip reel included a small bit from Martin Scorsese’s passion project, “Silence,” that looked terrific. Grey told me Scorsese is “still editing” but we should see something soon of the finished film starring Liam Neeson, Andrew Garfield and Adam Driver.

Also in the reel was a longer clip from Denzel Washington’s much anticipated adaptation of August Wilson’s “Fences.” The clip left no doubt that Washington, Viola Davis, and the great (but lesser well known) Stephen Henderson are at the top of their respective games. “Fences” also boasts a really interesting look from Danish cinematographer Charlotte Bruus Christensen (“The Girl on the Train”).

There was also a funny scene from “Office Christmas Party” with Jennifer Aniston battling her brother, played by T.J. Miller from “Silicon Valley” that looked hilarious. Aniston can be very, very funny, and this looks promising. Kate McKinnon, now hotter than ever, and Jason Bateman, are also featured.

We also got to see Brad Pitt and Marion Cotillard in a bit of “Allied,” Robert Zemeckis’s World War II thriller that looks more complex than previously thought.

And, of course, there was a scene from “Arrival” — a movie I’ve written about here before– featuring Amy Adams. She’s really great in this mind blower of a brainy, sci-fi alien adventure.

Really intriguing: an advance look at Scarlett Johansson in “Ghost in the Shell,” directed by Rupert Sanders. The presentation certainly whetted appetites, and looks like this may be a surprise hit.

Grey has run Paramount steadily for the last several years– and he’s made it a much more inviting place than in the past, that’s for sure. The next year or so looks pretty exciting– and my guess is, he’ll really bring the 104 year old studio “back” and more!

 

 

 

Steely Dan’s Donald Fagen Wants to Make Peace with Bob Dylan: “We always talk about him”

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For me, one of the great remaining joys in life is seeing Steely Dan live. Go one further: seeing them play their seminal neo-jazz pop album “Aja” from 1977, now considered an all time classic.

I got my wish last night when “The Dan Who Knew Too Much” tour, in its 8th show (of 10) at the Beacon lifted off with the collection of songs that comprise that album including the title track, plus “Deacon Blues,” and the hits “Peg” and “Josie.” There is no more sophisticated band playing today and no compositions by a mainstream radio act that equal the songs of Donald Fagen and Walter Becker.

They started as a combo from Bard College in the late 60s (with Chevy Chase on drums), played state fairs as the backup band for Jay and the Americans, and then burst onto the scene in 1973 with cryptically worded jazz inflected singles like “Do it Again” and “Reeling in the Years.” After a long break from the early 80s to the mid 90s, they reformed and have never looked back. Steely Dan (named for a sex device William Burroughs’ “Naked Lunch”) has only grown, the songs were so well constructed that they’ve become richer, and the main duo have found a permanent group of musicians to help them recreate their inventions.

“When punk came in,” Fagen told me last night, “some people called it elevator music.” I am aghast. All you have to do is go  see “Oh Hello on Broadway,” the hilarious comedy with Nick Kroll and John Mullaney. Their characters adore Steely Dan, and the music is heard throughout the night. The Dan have aged very very well.

The band members– Jon Herington, Freddie Washington, Jim Beard, Keith Carlock, plus the horns Roger Rosenberg, Walt Weiskopf, Michael Leonhart, Jim Pugh, and the backup singers– Carolyn Leonhart, Cindi Mizelle and my new fave La Tanya Hall–crackle. Becker joins them on guitar solos. Fagen leads the group from his keyboard station down front. You have to watch them. No one is ever idle. They are a well oiled machine flexible enough to handle improvisations against the structure of the Becker-Fagen architecture. If there are mistakes, the audience doesn’t hear them.

Jazz, bebop, big band all still inform Steely Dan. Fagen made a few references last night to Cab Calloway, and the audience seemed to get them. (The audience is 95% white, male, gray, balding, some beards.) The band also played the Joe Tex song “(I Want to Do) Everything for You,” as Becker intro’d the band. But otherwise, the rotating set of songs is drawn from the 80 or so titles that make up the main Steely Dan canon. “Some of them are really hard,” Fagen told me backstage. (He wrote them.) “Glamour Profession,” he says, naming one and shakes his head. An old song, “Dirty Work,” revived on the “American Hustle” soundtrack, is now sung by the three backup ladies to get the sweet sound of the group’s one time lead singer David Palmer.

I report this as a fan boy who knows the lyrics and grew up in real time with Steely Dan. Jon Herington plays that ferociously famous solo guitar part from “Reelin’ in the Years” and it’s magic. You want to be him. Each horn player gets a magnificent solo. Becker himself is totally impressive wielding his axe, leading the organization through “Daddy Don’t Live in New York.” Washington brings the verisimilitude of the funk. And Fagen is like the Ed Sullivan of the gang, an unlikely rock star host who still shuns fame and errs on the literary. (He’s just published a book of anecdotes and bon mots called “Eminent Hipsters.)

We gossip a little while Fagen unwinds after the show listening to Sam & Dave, Wilson Pickett. There’s some gossip, and we reminisce about our late mutual friend, the legendary Phoebe Snow. Fagen tells me: “I’m so glad Bob Dylan hasn’t acknowledged the Nobel Prize. They don’t get it. He’s an artist.” He says Dylan may still be mad at him for quotes attributed to Fagen that weren’t too generous about Dylan’s aging voice. “He’s mad at me. He even mentioned us in a speech. Fagen says it came out the wrong way. “Just say, we love him, he’s Bob Dylan, we talk about him all the time.”

Steely Dan. Thanks.

First Word: Netflix’s $100 Million “The Crown” Will Fill Void Left by “Downton Abbey”

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If you’re still mourning the end of “Downton Abbey,” the word is Netflix’s 10 part series “The Crown” should fill that void.

Our Paula Schwartz caught the first two episodes over the weekend, and she is raving about it. That’s a good thing, too, since “The Crown” cost Netflix a whopping $100 million.

Award winning director Stephen Daldry (“Billy Elliott,” “The Reader”) is the man behind the production and he should know a thing or too about Queen Elizabeth II. He directed Helen Mirren as Her Highness on Broadway and in the West End in “The Audience.”

Peter Morgan wrote that play, as he did the movie “The Queen,” which was directed by Stephen Frears. Morgan wrote all 10 episodes of “The Crown.” These people know their royals!

Paula says: “The series humanizes the royal family, making them hugely sympathetic, although still dotty. At the same time putting them under a microscope, flaws and all, especially Philiip’s cluelessness and Princess Margaret’s wild child behavior….I like the little touches, like the royal kitchen with all the servants making elaborate meals while there are mice running around in the corners. Who knew?”

Paula adds: “Jared Harris as King George and John Lithgow as Winston Churchill are stand outs.”

More on “The Crown ” later this week, but it sounds like a huge pay off for Netflix and Ted Sarandos. All 10 episodes will be released on November 4th.

Watch Fox News’s Megyn Kelley Shred Donald Trump via Newt Gingrich on Live TV: Game On

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Megyn Kelley has had it. She shredded Donald Trump via Newt Gingrich on Fox News tonight. Watch this video. Either Megyn has been given the OK by the Murdoch boys or she’s on her way to another network. But this is a turning point for her, and a total repudiation of her old boss, Roger Ailes. Everyone is talking about this interview. Wild, wild stuff.

Box Office Tom Hanks-Ron Howard’s “Inferno” Racks Up $94.3 Million International Before US Open

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Tom Hanks and Ron Howard have cracked the Da Vinci Code again!

Their new Dan Brown movie, “Inferno,” racked up $94.3 million this past week around the world, one week before its US opening.

“Inferno” was most popular in Italy, Brazil and Russia. The thriller featuring Ben Foster, Irrfan Khan. Omar Sy and Felicity Jones hasn’t opened in China yet.

This was a smart move on Sony’s part since “Inferno” has a very weak 27% here on Rotten Tomatoes, and may not be so much of a blockbuster. But if they can clean up abroad before the October 28th American premiere ushers in a lot of negative reviews, American box office numbers will be irrelevant.

 

 

Jim Rash, of “Community” Fame, and Richard Kind to Co-Star with David Koechner in Jules Feiffer Comedy

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Jules Feiffer, you know, is 85 years old. But he’s young at heart and one of the most gifted writers ever. Now I can tell you there’s a whole cast for his new movie “Bernard and Huey,” to be directed by Dan Mirvish.

Jim Rash, who played Dean on “Community,” will be Bernard to David Koechner’s Huey. The rest of the cast includes Richard Kind, Nancy Travis, Mae Whitman, Bellamy Young and Sasha Alexander.

Producers are Dan Mirvish, Mike S. Ryan, Dana Altman, and Matthew Keene Smith.

Feiffer wrote “Bernard and Huey” for Showtime 30 years ago, but it was never produced. The story is based on characters from his wonderful comics in the Village Voice back when that newspaper mattered. Mirvish, by the way. is the co founder of the Slamdance Film Festival and director of many short films.

 

American Music Awards Add Sting, Lady Gaga, Bruno Mars as Performers: Show is Now Excellent Marketing Tool for Record Biz

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Sting is getting a Lifetime Achievement Award and putting on a show. Lady Gaga and Bruno Mars are performing. Timing is everything. and the American Music Awards have suddenly found a purpose. They aren’t the Grammys. But they are an excellent marketing tool for the music and record businesses.

The AMAs air live on ABC on November 20, and that’s the sweet spot for the end of the year holiday sales push. Lady Gaga’s album “Joanne” just came out on Friday and it’s already number 1. A month from now, “Joanne” should still be doing well but a little sales blast from the AMAs won’t hurt.

Sting’s first album of pop songs in over a decade, “57th and 9th,” hits stores and so on on November 11th. He’s already had a radio hit with “I Can’t Stop Thinking About You.” Showcasing some new songs on the 20th should give the album a second-week boost.

Bruno Mars has a singles hit right now with “24K.” His new album, of the same name, hits on November 18th– just two days before the AMAs. That exposure will only add to his numbers, so Bruno will be assured the number 1 album on the following Friday.

The genius in this is that the Grammys don’t want performers in February who were featured on AMAs in November. These three aren’t eligible anyway– their albums are all for the 2018 Grammys. So this is perfect. Who you won’t see singing on the AMAs– Adele, Beyonce, Drake– the three big stars vying for potential Grammys.  They may put in appearances on the AMAs but they’ll wait for February to show their stuff.

Anyway, Sting, Lady Gaga and Bruno Mars should bring big ratings for the AMAs.