Thursday, December 18, 2025
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Scott Baio, Trump Celebrity Backer: Chachi Doesn’t Love Joanie, Has Little Sympathy for Erin Moran’s Death

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Scott Baio, not a rocket scientist but co-star of Erin Moran from “Happy Days” and “Joanie Loves Chachi,” doesn’t have much sympathy for the actress who died over the weekend. Reports now are that Moran was in stage 4 of some kind of cancer. Baio, famous for being a Trump celebrity supporter, pretty much kicked Moran to the curb on a radio show.

On WABC Radio’s “The Bernie and Sid Show,” Baio said: “I’m OK, a little shocked but not completely shocked that this happened. My thing is, I feel bad because her whole life, she was troubled, could never find what made her happy and content. For me, you do drugs or drink, you’re gonna die. I’m sorry if that’s cold, but God gave you a brain, gave you the will to live and thrive and you gotta take care of yourself.”

He added: “I’m saddened by what happened. I don’t know if it was drugs that killed her, I read one report said it might have been and I hope it… I don’t know what I hope. It’s what it is. What can you do?”

Unlike Ron Howard, Henry Winkler and the other cast members from “Happy Days”– all of whom mourned their friend– Baio came to bury Moran:

“I knew Erin well, over the last many years I have not spoken with her. She was just an insecure human being and fell into this world of drugs and alcohol. Again, I don’t know if that’s what killed her, I’m sure it was a culmination of years and years of doing it that might have had something to do with it. She just never found her way.”

“How do you help somebody that doesn’t want to help themselves? You try a couple of times and if they don’t want the help, I gotta go, sorry.”

Broadway: “Charlie and the Chocolate Factory” Universally Panned, Faces Few Awards, But Still Selling Tickets

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“Charlie and the Chocolate Factory” opened on Broadway last night to uniformly negative reviews. This is after the show was completely overhauled from its debut in London’s West End. Somehow, as an observer said, it got worse.

“CCF” probably has no shot at a Tony nomination for Best Musical, either. So far “Dear Evan Hansen” is well in the lead, followed by “Natasha, Pierre and the Great Comet of 1812,” “Come from Away,” “Groundhog Day,” and then maybe “Anastasia,” which opens tonight, or “Bandstand,” which opens later this week. There will be no golden ticket for Charlie.

And yet, the show is selling tickets. The name alone seems to be enough. While numbers for this past week won’t be out until this afternoon, “CCF” is doing more than a million bucks a week so far in previews. But who knows what it’s cost at this point?

Its appeal may be that it’s a family show, and no one cares what the reviewers think. And that could carry it for a year or more. You never know.

Caitlyn Jenner: Public Interest Fades as Diane Sawyer Ratings Tank, Book Sales Slow, TV Show Cancelled

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It was only a hot minute ago that everyone wanted to be in the Caitlyn Jenner phenom. She even made the cover of Vanity Fair. The former Olympic athlete Bruce Jenner was the media’s hottest commodity.

But fame is fleeting, and so are novelty acts. Public interest in Jenner seems to be evaporating faster than instant milk. First her reality show on the “E!” channel was cancelled. She was re-assigned back to the Kardashians’ circus of a show.

But things get worse: On Friday, Caitlyn’s interview on ABC with Diane Sawyer was a bust. The show was down 85% in adults 18-49 from the interview Sawyer did her in April 2015. They didn’t even finish first in the time slot on Friday night. Only 4.3 million people watched, down from 17 million two years ago exactly.

Meanwhile, Jenner’s book, “The Secrets of My Life,” is not flying off bookshelves. The book, which is officially published tomorrow, is ranked at 78 on amazon.com. In the Kindle store, it’s number 582.

Tonight, Jenner appears on Tucker Carlson’s new show on Fox News, the one replacing Bill O’Reilly. I do think the trans and LGBTQ audience has left her, considering Jenner’s backing of Donald Trump. She’s going to play to the Fox crowd, and they are certainly not forking over 20 bucks for a book by a gender-changed transsexual. The Fox crowd does not want to hear about genital re-assignment, trust me.

Happy Birthday, Barbra Streisand: Singer-Actress-Director-Activist Joins Club 75 along with Aretha Franklin, Paul McCartney, Carole King

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Happy Birthday, Barbra Streisand!

The formidable singer-actress-director-activist-collector turns 75 today. She joins a group that includes Paul McCartney, Carole King, and Aretha Franklin among others.

Who could have guessed in 1942 that so many music legends would be born? And born at such a difficult time, the beginning of World War II for America?

Streisand has boatloads of awards and the devotion of a zillion fans around the world. She’s just about to embark on another tour, this time bringing her back to Brooklyn and then to Long Island for the time ever.

The Way We Were
 

and almost 40 years later…

Streisand in her best movie, What’s Up Doc?

Pharrell Helps Raise $1.4 Million for the Humane Society, Along with Rachel Platten, A List Stars

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Pharrell made a lot of people “Happy” Saturday night at the The Humane Society of the United States annual “To the Rescue!” gala last night on the Paramount Lot. They had every reason to celebrate, last night’s event raised a record breaking $1.4 million due in part to Pharrell’s offer that anyone who donated $10,000 could come up and sing “Happy,” with him.  Needless to say, there were many takers.

The crowd was celebrity star-studded.  Elizabeth Banks presented Sen. Cory Booker with the Humanitarian of Year Award.  Always witty, Banks quipped, “unlike other elected officials, he uses his Twitter account (he has over three million followers,) to help actually help people and animals.”

Booker, fiercely dedicated to animal welfare, wowed the crowd inspiring in many hopes that he’ll run for President.  “I was taught by my Mom that who you are speaks so loudly I can’t hear what you say.  Our job is to get folk woke.  Unfortunately we know that with this administration we are losing some ground but I believe this story will have a happy ending.  Despair will not have the last word.” 

On videotape celebs including Morgan Freeman, Chelsea Handler, Kate Mara, Eva Longoria, Bill Maher who said, “thank you for all you do for animals so that they are treated with love and respect, even though they don’t vote,” all paid tribute.  Sarah Silverman quipped, “I’m plotzing about all you do.  I love you; you are my soul mate in vegetarianism and childhood chronic bedwetting.”

Moby, who called Booker our “Vegan God,” Diane Keaton, Alanna Stewart, Nigel Lythgoe, Black Sabbath’s Geezer Butler, Daisy Fuentes, songwriter Diane Warren, “Scandal’s” Bellamy Young, Melanie Griffith, James Caan, Jane Lynch, Ashley Olsen and many more joined this wonderful night.   Rooney Mara spoke about her and her sister Kate Mara’s longtime advocacy work and urged the audience to be “conscientious consumers.”

But there was a serious side, too:  The evening became even more poignant when the family of the late singer who was murdered, Christina Grimmie, she was devoted to the cause, accepted the Impact Award on her behalf.  Her good friend and gifted singer Rachel Platten beautifully sang a tribute. 

Kudos to USUS’s tireless CEO Wayne Pacelle, who danced with Pharrell to “Happy” at the end of the night, as well as Michelle Cho, Tara Loller, Josh Balk and so many more at HSUS and beyond for fighting this fight for our beloved animals. 

RIP Hollywood Manager Sandy Gallin: The Best Party I Ever Went to Was Hosted by Him

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I’ve been to a lot of parties– in New York, Hollywood, Europe, wherever. But the best Hollywood parties are the mythic ones, in a home, where stars let their hair down and the biggest celebrities are just like you and me.

Sandy Gallin, who passed away last week at age 76, hosted such a party in January 2010. In his second career as a superstar house flipper among the rich and famous in Hollywood, Sandy “dressed” houses, then “staged” them for sale. During Golden Globes week in 2010, that’s what he did. And he invited every famous person he knew for a picnic dinner.

How did I get there? It’s hard to remember. A friend knew a friend, and they said, invite him. I was invited, but told I couldn’t write about it. Seemed fair enough. It was an adventure. And during those awards show weeks in Hollywood, it’s nice to get out of the hotel-restaurant world, and sit down in a normal setting.

Where was the house? I could not tell you. It was in Beverly Hills. The nice part. The house was big, and white, and had great views. It was decorated beautifully, but it was very cozy. It was not like Joan Crawford’s house in “Feud” with marble floors and staircases. This was funky chic. The living room was all big white puffy, overstuffed couches and chairs. The dining room had a long rich looking dark wood table for 20. And people moved around unfettered.

I told Jackie Collins I wasn’t allowed to write about any of this. I asked her, Will you? She said, “I already have!”

Sandy Gallin knew everyone in Hollywood, and they all loved him. Elizabeth Taylor had been his close friend. He’d managed Michael Jackson. His Gallin/Morey company was responsible for tens of dozens of success stories. Jane Fonda credited him with putting her together with his client, Dolly Parton, and Lily Tomlin, for “9 to 5.” (Sandy, Dolly is the first to admit, put her over the top as a superstar and icon.) So the guest list, well, this was something to behold.

It’s the only time I have ever been in a room with Jane Fonda, Barbra Streisand, Anjelica Huston and Shirley MacLaine. They were all there, eating with plates on their laps in the living room. Jane was with record producer Richard Perry. Barbra was with James Brolin. Shirley was an entity to herself.  Sisters Jackie and Joan Collins were each there. Extraordinary.

At some point, Elton John came through the front door. I remember sitting with him on the top of the couch (where Jane and Shirley were actually sitting, eating). That was the night he told me he was going to make an album with Leon Russell, and that Russell had been such a huge influence on him. “The Union” was released 10 months later.

Not everyone was an actor. I do remember chatting with Nancy Meyers in the kitchen. Roger Birnbaum, of MGM, was in there, too. There were a lot of people like that, the great behind the scenes talents. The great songwriter Carole Bayer Sager was eating at the long dining table in the narrow dining room between the kitchen and the living room with her husband Bob Daly, who used to run Warner Bros. Bob’s Warner’s cohort Terry Semel was also in there, with his wife, Jane.

One memory: Arianna Huffington explaining to me that, essentially, no one who wrote for the Huffington Post was paid; they depended on that. “Paying for writing is not our model,” she said.

We went on house tours in small groups, guided by handsome young men. The funniest thing about the house was the bookcases. The rooms seemed to have shelves filled with color coded covers. One room was all white books, one was all blue, another all red. Jane Fonda noticed this. She pulled a book off the wall, and opened it. It was all empty pages. She shook her head, and we all laughed. The epitome of Hollywood.

In the middle of this was Sandy Gallin, our host, around whom this all revolved. None of these famous people would have been there if not for him. He had a calming effect on them, a lot like the late agent Ed Limato. Loyalty bound everyone together. This was unusual in a city in which almost no one is loyal. They all had stories about when they met Sandy, and so on. For the first time ever, at that party, I had the feeling Hollywood– at least the Hollywood of the great 1970s, which this group personified– was a community. It was lovely.

It was also a cold night. I do recall sitting by an ottoman near the front door, piled high with fur coats. I can’t say they were real fur. There was a discussion among the ladies about how they were ‘getting away’ with fake fur, too. Soon, the half dozen or great stars were air kissing goodbye and pouncing on the coats. “Joan, this is your coat,” Jackie Collins said, and Barbra Streisand may have said something similar to Shirley MacLaine. There was a simultaneous laugh. Everyone kissed Sandy goodbye, grateful for this moment in time.

Burt Reynolds “Comeback” Film “Dog Years” A Gem That Plays Smartly on Aging, Faded Fame, and Revival

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Adam Rifkin’s “Dog Years” unspooled last night at the Tribeca Film Festival last night. It’s a little gem of a film along the lines of last year’s “Grandma.” Only this time, instead of Lily Tomlin, the “comeback’ star is Burt Reynolds, now 81 years old (hard to believe) and reflecting on the subject of faded stardom after a life at the top of Hollywood.

“Dog Years” also features another octogenarian, although you’d be hard pressed to see her that way off camera: Kathleen Nolan, who’s 83, the first female president of the Screen Actors Guild, a popular and regular presence on TV starting with the late 1950s TV show “The Real McCoys.” “Dog Years” is her first acting job since 2008 and she hasn’t missed a beat. This turns out to be perfect casting in a very meta- movie, since Nolan and Reynolds once appeared together in an episode of “Gunsmoke.”

The meta part is that Rifkin has made a very clever turn for Reynolds– whom he obviously adores– in “Dog Years.” Reynolds plays a faded and forgotten movie star named Vic Edwards, who can barely walk without his cane and whose life as a playboy has been reduced to a lonely rattle through a big ranch house after putting his aged dog to sleep. It’s sort of “Sunset Boulevard.”

And then Vic gets an invite to a retrospective of his movies and a Lifetime Achievement Award from the International Nashville Film Festival, all expenses paid. Of course, it’s a rinky-dink set up, but brings Tennessee born Vic, whose real name is Marty Schulman, back to his home and a lot of memories. Set up with a driver (a hot mess well played by “Modern Family” actress Ariel Winter) Vic takes a stroll down memory lane via clips from the real Burt Reynolds’ movie career posing as Vic’s credits and even some clips from Burt’s famous appearances on the “Tonight” show with Johnny Carson.

Nolan comes in, in present day, as Martys’ first wife, now living in a Knoxville nursing home and suffering from Alzheimers. Rifkin lets her play a scene with Reynolds that’s most affecting and very touching in which Nolan utters almost no words and meet the challenge with grace.

Reynolds, who came to the screening last night, plays Vic with disarming clarity and charm. He has had his share of public troubles involved aging and finances over the last few years. He is not the big swinging star he once was– but you should remember that few at his age are. That’s the reason Gene Hackman retired, Jack Nicholson withdrew, and and so on. The theme of “Dog Years” is that ‘Aging is Not for Cowards.’ Vic Reynolds, the character, is living because he has no choice. Once the King of the World, he’s now limping through the supermarket using a cart as his walker, buying frozen dinners. It’s far cry from the days of, as he says, “banging everyone”– every pretty young thing– he worked with.

“Dog Years” is funny and poignant but Rifkin avoids cliches. The Nashville setting is refreshing, too. Reynolds, Nolan and Winter are all excellent, and there’s a terrific supporting cast that includes Clark Duke (last season of “The Office”) and Ellar Coltrane of “Boyhood” fame who has an easy way on screen.

“Dog Years,” which should find no trouble finding a distributor, also has value-added in lots of good music. Willie Nelson sings the closing credits song, written by Diane Warren, that should find a Best Song nomination later this year. And there are 11 more original and very catchy songs on the soundtrack by Jamie Floyd and John Martin, a pair of Nashville duo who record as Stranger Friends and just signed a deal with Sony/Red.

Spielberg’s Pentagon Papers Movie with Streep, Hanks Set for Oscar Release, But Will It Be “A Bright Shining Lie”?

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Fox/Amblin has set December 27th, 2017 — an Oscar date — for the release of Steven Spielberg’s Pentagon Papers movie. Tentatively titled “The Post,” the film stars Tom Hanks as Washington Post editor Ben Bradlee and Meryl Streep as the newspaper’s publisher Katherine Graham. Think “Lou Grant” on the big screen.

You know, I trust Steven Spielberg the way Mariah Carey’s fans love her. He is our premiere film maker. His last historical film, “Lincoln,” was a masterpiece. But there are a few questions here.

First, the Pentagon Papers were leaked by Daniel Ellsberg to the New York Times’s Neil Sheehan. The scoop appeared on the front page of the Times on June 13, 1971. It was a few days later that Ellsberg gave the Washington Post some of the papers, which they then published. Ultimately, the Times and the Post had to go to to the Supreme court to keep publishing, and they won. (I’m telling the abridged version here right now.)

Ellsberg was arrested, indicted for leaking, and went before a grand jury. But a mistrial was called after it was discovered that Nixon had his goons break into Ellsberg’s psychiatrist’s office to steal papers. (I note here that Ellsberg, unlike Edward Snowden, didn’t run and hide. Ellsberg was a hero.)

Sheehan, an acclaimed journalist, wrote a bestselling memoir about the US governement’s history with the Vietnam war called “A Bright Shining Lie.”

Over the years, there has been an HBO Movie based on the Sheehan book starring Bill Paxtona s Sheehan, and an FX Network movie based on the Pentagon Papers story starring James Spader as Ellsberg. In 2009 there was a very good documentary about Ellsberg called “The Most Dangerous Man in America.”

For the Spielberg movie there is scant information about casting. But certainly Ellsberg and Sheehan would have to be major characters. We’re crossing our fingers that they’ve got the right story. It’s very timely in this political climate of the president calling journalists purveyors of ‘fake news.’ Trump is Nixon reincarnated.

Box Office Bust of $100 Mil for Armenian Genocide Movie May Not Matter: Billionaire Backer Didn’t Care

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“The Promise” is pretty much of a box office bust. Terry George’s sweeping romance set against the Armenian genocide cost $100 million to make. It will take in around $4 million for the weekend at over 2,000 theaters. And it won’t matter one way or another.

Billionaire Kirk Kerkorian put up the money to make the film two years ago. Before production began he died at age 96. Kerkorian’s estate is valued at around $4 billion. They won’t miss $100 million. All the proceeds from “The Promise” are going to charity anyway.

At one time he owned MGM, so he knew the power of movies. He also knew that no one had made film about the Genocide, it was basically unrecorded in film history. With “The Promise,” he’s left a document for future generations. “The Promise” can be shown in schools as a teaching aide. With Christian Bale and Oscar Isaac as its stars, the film will always have a life on video. Box office failure won’t kill it.

At the premiere in New York this week, the theater and the restaurant following (Shun Lee West) were full of Armenian Americans who were very proud of the work. No one is prouder than producer Mike Medavoy, although famed art dealer Tony Shafrazi would qualify as a good ‘second.’ Shafrazi explained that “The Promise” had to exist because another film recently released and failed ($240,000 total box office), called “The Ottoman Lieutenant,” tried to white wash the Genocide. “Why would Ben Kingsley do that?” Shafrazi said, excitedly. “I can’t believe he didn’t know it.”

Indeed, as we can see now from what Erdogan is doing in Turkey, Kerkorian was a hero to get this movie made. Terry George had to film in Spain because he knew he’d never get footage out of Turkey. In fact, when I first announced the movie’s existence, I was asked to redact several points just in case George could get in and out, as he had done years before when making “Hotel Rwanda.” “The Promise” wasn’t easy to make, but it will last a long, long time.

 

Music: Kendrick Lamar Succeeds Drake as King of Streaming with The Whole Top 10

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Kendrick Lamar’s big hit right now is called “Humble.” But he can afford to shed a little of his humility right now. All 14 tracks from his new album are in the top 20 Streaming songs. He all 10 of the top 10, as well.

Kendrick’s album “Damn” is number 1 in sales and streaming, with a total of 610,417. About half of that was from streaming. Damn! This happened because  Lamar went through conventional channels, released “Damn” properly and with a plan. Kanye West could have had those numbers for “Life of Pablo,” but he went the route of crazy. Maybe he can learn from that for his next release.

“Damn” has something for everyone. It’s a straight up rap album first of all, with lots of “f” and “n” words. But it’s also got Rihanna and U2 as featured acts on two different tracks.

Meantime, on the streaming singles chart, Harry Styles’ “Sign of the Times” dropped to 33 from 12.

Otherwise, sales are up overall because of streaming. It’s all about streaming. And today is Record Store Day. In Manhattan, it’s a tall order to find a record store. In the “old” days, we had plenty of them– Bleecker Bob’s, Rocks in Your Head were in the indies. Tower was the main deal. It was Korvette’s when I was a kid.

Albums used to cost $5.98 at most. The vinyl was warped and scratched. The LPs were fun because of the covers, the booklets, etc. But when CDs came in I was thrilled. Now LPs cost between $20-$30 apiece. Are you kidding me? Really? It’s great that kids want the vinyl experience, but how could you possibly afford more than one LP? Insane. CDs are still a bargain, and they don’t skip.

PS This week Sylvia Moy died. She wrote or co-wrote most of Stevie Wonder’s hits and other Motown classics in the 60s. This was before Stevie recorded “Music of My Mind” and came into his own. Sylvia wrote “Ma Cherie Amour” and “I Was Made to Love Her,” among others. When I was in the Songwriters Hall of Fame we inducted her in 2006, and Stevie came and honored her. What a talent! Her legacy lives on.