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PopBack: Top 40 Radio Beaten by Golden Oldies as “Guardian of the Galaxy” 70s Mix Tapes Take Charts

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There’s trouble right now in Top 40 land. The oldsters are beating the kids on the radio, and on the charts.

On the charts: “Guardians of the Galaxy, Vol. 2,” soundtrack from the massive hit movie, is Number 1 on iTunes. Kids– or someone, maybe their parents– are downloading all the 70s hits like David Bowie’s “Moonage Dream,” Looking Glass’s “Brandy,” and the ooga chocka version of “Hooked on a Feeling.”

“GOTG2″ has knocked popster Harry Styles’ debut album to number 4. In between them” “GOTG1,” the first volume of 70s sets from the original movie.

What’s worse: in New York, the number 1 radio market, Classic Oldies station WCBS FM is number 1. It’s beating Z100, the formidable Top 40 station, by a mile. In fact, Z100, aka WHTZ-FM, is having a tough time right now. Ratings are down, down, down. The April ratings were 5.3, down from 5.9 in March. In neighboring Long Island, where Z100 is a force, ratings fell from 6.1 to 5.0 last month. These are substantial drops in audience.

Where are the kids? The fear is that they’re leaving terrestrial radio for places like satellite– meaning Sirius XM– and streaming– Spotify. Pandora, AppleMusic, etc.

Last month, Z100’s parent, I Heart Media, announced — frighteningly– that it might not be around in a year. They’re carrying way too much debt, payments are due, and audiences are in decline. And this is from a company that really is great at promotion. The rebranding from Clear Channel to IHeart literally everything is everywhere. There are IHeart conventions, awards shows, concerts, the Jingle Balls at Christmas time. If anything Z100 should be booming.

Meanwhile, adults (old people like me) — unattractive to advertisers, they say, but I think that’s wrong since we have the money– are buying nostalgia. Witness all the TV reboots, things like “Roseanne” coming back to ABC. and Netflix reviving show after show.

And: the 50th anniversary reissue of The Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band”– priced at $117.99– is about to be released May 26th. Pre-orders have put it in the top 20 on Amazon for weeks. Just listen to it: how is it possible this was made in 1966? Everything today sounds inferior in every way.

Don’t discount oldies as Comfort Food for the ears, though. One theory I have: we are so freaked out by Trump and the chaos in Washington that singing along to old songs is an excellent way to calm down. Of course, in the actual 70s we were freaked out by Nixon. That’s why there was a huge 1950s early rock and roll revival during Vietnam and Watergate. “American Graffiti” kicked it off in 1972, and “Happy Days” followed soon after.

Cannes 2017 Rough Start as Will Smith Shills for Netflix in Movie Theatre vs. Home Screening Fight

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Cannes 2017 got off to a rough start today when the jury met the press. For some reason, Will Smith — not exactly a cineaste– is on the jury headed by Pedro Almodovar. At the press conference, immediately the subject of Netflix vs. Cannes came up– Netflix is showing two movies that won’t be in French cinema, only on their service. Because of this, next year all movies will have to be available in French theatres or they can’t compete at the festival.

Almodovar, of course, is for movies having theatrical releases. He’s an artist, after all. So when he was asked, that’s what he said.

But Smith has a $90 million movie called “Bright” coming to Netflix only, in December. So when he was asked, the star of recent flops like “Concussion” and “Seven Pounds” advocated for the streaming service. When he was asked, Smith said: “It’s two completely different forms of entertainment they go for. In my house Netflix has been nothing but an absolute benefit because they get to watch films that they never would have seen. Netflix bring a great connectivity to them to the world. There are movies that are not on a screen within 8,000 miles. And now they get to find those artists and they get to look them up online and they make contact. And there is this whole underground world of artists that gets born from that kind of connectivity. In my home it has done nothing but broaden my children’s cinematic global comprehension.”

Nothing like making friends on Day 1. Smith also indicated that he was worried about how long Cannes runs (10 days) and the number of films he has to see a day (3, at least) beginning at 8:30am.

This should be interesting!

TV: Shondaland at a Crossroads with “Scandal” Ending, “Catch” Cancelled, Launching Firefighter and Lawyer Shows

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Shonda Rhimes’s Shondaland is at a crossroads.

This week they announced that “Scandal” was coming to an end– something I told you in February.

Then ABC cancelled “The Catch,” a show no one watched or knew was on the air. Or why. Or what it was about.

That leaves Shondaland very unpopulated. They have “Grey’s Anatomy” in its 14th season which seems amazing considering no one watches it and most of the original cast is long gone.

“How to Get Away with Murder” continues with Oscar winner Viola Davis. But Davis probably is done with the show as she has movies to make and Broadway and doesn’t have time to figure out what the hell the plot is. (I cannot figure that show out. Can you?) Anyway, they’ve gotten away with murder, that’s for sure.

And then they announced their own “Chicago Fire”– which I’m calling “Seattle Fire.” Instead of trying to reinvent the wheel, Shondaland is taking a page from the Dick Wolf playbook. What’s next, “Seattle PD”? “Seattle Law”? In fact, probably. Because to stay alive, Shondaland will have to build “Grey’s Anatomy” out into some of kind of franchise business a la Wolf. (He’s a genius at this.)

Well, they’ve got “For the People,” about young prosecutors in Manhattan. My only hope for this re-tread is that Anna Deveare Smith and Vondie Curtis-Hall are in it. They’re gold.

Here’s the trailer:

 

Cannes News: Weinstein Company on Rebound with Michael Moore Film and Return of Much Praised Production Exec

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Cannes news from the Weinstein Company: Dylan Sellers is back as head of production. Sellers had previously been with Weinstein and oversaw such good films as “August: Osage County,” “Southpaw,” and “St. Vincent.” Sellers’ new title takes in production, acquisition and development. He’s already been attached to two movies for release this year with Oscar potential– “Untouchable” with Kevin Hart and Bryan Cranston, and “The Current War” with Benedict Cumberbatch and Michael Shannon.

Weinstein looks like it’s revving up again. Yesterday they announced they’re making a Donald Trump expose documentary with Michael Moore. The title “Fahrenheit 11/9” is a clever twist on the title of their Oscar winning “Fahrenheit 9/11.” This time the title refers to the day after last fall’s miserable election.

Moore has been quietly working on this film. His last one, “Where to Invade Next,” was excellent but botched in its release because Moore took it to former Weinstein associates who promised big but didn’t deliver. At the time, Neon Pictures didn’t even have a name or a logo. Now they do, but it seems like they may have fumbled the release of Laura Poitras’s “Risk,” about Julian Assange. It’s gone off like a dead firework. Too bad.

MSNBC-Lawrence O’Donnell: “The Last Word” is Not Over as HUGE Fan Response Comes to Rescue of Show

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We may not have heard “The Last Word,” as it turns out.

I’m told that late yesterday afternoon, MSNBC finally contacted Lawrence O’Donnell‘s agency, WME, to have some talks about renewing his contract.

The contract runs out in less than four weeks. The network, some posit, was stalling as a “tactic.” It didn’t work.

Fan response to the news that O’Donnell might be gone has been HUGE. From Twitter and Facebook to old fashioned calls to MSNBC‘s Phil Griffith and NBC’s Andy Lack, it’s been actually shocking. Not that I’m surprised.

But it turns out MSNBC’s viewers have made “The Last Word” a hit not just because of Rachel Maddow and hatred for Donald Trump, but because they actually enjoy O’Donnell’s reasoned and impassioned approach to the events of the day.

So there may be a happy ending to this bizarre situation.

It doesn’t hurt that Maddow is clearly pulling for O’Donnell. Last night she ended her show with a soft segue into his, having a nice mutual chat before O’Donnell took over just after 10pm. She basically called him a friend and reminded everyone they are part of a team. The whole thing was very Kumbaya and just swell. It was very menschy of her.

So stick around. It may all be worked out soon…

Harry Styles New Album Going in One Direction on Charts Since Friday: Down

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Ouch!

Where are all the One Direction fans? Harry Styles’ self titled album is going in exactly one direction since it was released on Friday: down.

Today, “Harry Styles” is at number 4 on iTunes after a three day run at number 1.

“Sign of the Times,” which was a bust upon release, had a flurry of movement after Harry’s “Today” show appearance. But it’s at number 7 right now. More importantly, none of the other tracks on the album are on the iTunes chart. With a Kendrick, Drake, Adele, Beyonce album, even a One Direction album, you’d see at least four or five tracks on the chart independent of the album. But none of them are moving.

Over at Spotify, “Sign of Times” is nearing 90 million streams. That sounds like a lot but it isn’t. On the Streaming Chart, “Sign” has languished around number 17 and never gotten higher.

Also on Spotify, “Sweet Creature” is up to 14 million sreams.  But the rest of the tracks are averaging at around 3.5 million streams. Very, very low.

Last week, on the Song Revenue chart, Harry earned just $65,000 from streams and downloads on “Sign of the Times.” The single was the 26th highest earner.

Radio is still waiting to kick in on “Harry Styles.” So far, it’s been a tough haul.

This week, Styles is on James Corden’s “Late Late Show” every night rather than Fallon, Kimmel, or Colbert.  This could be out of friendship with Corden (they’re Brits). But it also may point up disinterest from the earlier shows’ musical directors. Usually when you book the Today show and “SNL,” Fallon comes with it. Not this time.

 Here’s the clip from last night, which sounds remarkably like the record and all the other live shots:

 

Jimmy Kimmel Will Host the Oscars Again Next March, With Same Producers as Last Year

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Jimmy Kimmel will host the 90th Academy Awards next March on ABC. Kimmel hosted the show this past February, and had a nice success. Michael DeLuca and Jennifer Todd will repeat as producers. The show airs late this year– March 4th– because of the Olympics on NBC.

Oscar prognosticators are already predicting the winners and front runners, etc for next year even though no one’s seen any of the movies. But some of the names already in the mix are Steven Spielberg with Tom Hanks and Meryl Streep for “The Post,” Rooney Mara for “Mary Magdalene” from the director of “The Lion,” Christopher Nolan for “Dunkirk,” and so on. No one really knows a thing.

Kimmel’s hosting of the Oscars runs along party lines, so to speak. He’s on ABC. These days the hosts of awards shows are drawn from the networks they’re on. That’s the way it goes.

Meantime, Cheryl Boone Isaacs has stepped down from running the Academy after two progressive, innovative years. A number of people are running for the Academy board including actors like Rita Wilson. Hawk Koch, who preceded Isaacs, wants to return to the lead position, which I think is a good idea. No one asked me, however!

MSNBC-Lawrence O’Donnell Situation: “No Discussions” About Renewing Contract But He’ll Be on Tonight

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The MSNBC – Lawrence O’Donnell saga isn’t over til it’s over. But it’s over, as Yogi Berra might say.

“There have been no discussions” between the network and the talk show star according to my sources. “The story in Variety is false.” That story speculated that this was all a negotiating ploy. I’m told it’s not.

Fans of O’Donnell on Twitter and Facebook are asking, demanding and begging MSNBC to offer O’Donnell a new contract. So far, crickets.

Last night O’Donnell was in Boston interviewing John Kerry before a live audience. It was planned, I am told. Tonight O’Donnell will be back on “The Last Word” at 10pm following Rachel Maddow on MSNBC. Will he address the situation? I doubt it but you never know.

Meantime, ratings for “The Last Word” remain high.

Exclusive: Al Pacino will Play Joe Paterno in Barry Levinson HBO Movie

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Al Pacino and Barry Levinson will reunite with HBO for an untitled film about Joe Paterno and the Sandusky scandals at Penn State. The famed actor and director previously teamed with HBO for hit movies about Phil Spector and Dr. Jack Kevorkian. A previous incarnation of this film, called Happy Valley, was almost made for HBO with Brian DePalma directing. It was canceled in 2014. Production is set to begin in July.

Unfrozen: Idina Menzel Will Return to (Off) Broadway Next Summer But Not in a Musical

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Idina Menzel is coming back to Broadway– well, the Broadway area, but an off Broadway theater. But she won’t be singing. She’s going to Let that go.

Menzel is starring beginning May 31, 2018 in “Skintight,” a straight play with some gay themes.

Here’s the description: “Reeling from her ex-husband’s engagement to a much younger woman, Jodi Isaac (Menzel) turns to her famous fashion-designer dad for support. Instead, she finds him wrapped up in his West Village townhouse with Trey. Who’s 20. And not necessarily gay. But probably an adult film star. At least, according to Jodi’s son. Who’s also 20. And definitely gay. Skintight assays the nature of love, the power of attraction, and the ways in which a superficial culture persists in teaching its children that all that matters is what’s on the inside.”

Venue is the Roundabout Theater’s Laura Pels Theater. Writer is Joshua Harmon, who just brought us the quickly closed “Significant Other.”