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UPDATE: Heather Graham Still Doesn’t Recall Starring in 2000 Miramax Film “Committed” with Casey Affleck, Luke Wilson

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updated today MONDAY FEB 19 2018 Heather Graham is still talking about Harvey Weinstein– this time on Marc Maron’s podcast. She seems to have totally erased “Committed” from her memory– she didn’t sleep with Harvey Weinstein, no one attacked her. It’s a cute film. She was the STAR of the movie. Head scratcher here…

from October 11, 2017 The rush to have a story about Harvey Weinstein is giving some people selective amnesia.

Heather Graham has written a first person account of almost being propositioned by Weinstein. The piece appears in Variety.

Heather says that because she didn’t play ball, so to speak, she didn’t get a job. She says: “I was never hired for one of his films.”

But Heather must be suffering from some memory disorder. She starred with Luke Wilson and Casey Affleck in the 2000 Miramax comedy called “Committed.” It was good a little film. I remember seeing it at the Sundance Film Festival.

Nevertheless, “Committed” never took off and was sent to DVD.

In the Variety piece, Graham says it was in the early 2000s that Weinstein told her he had basically an arrangement with his wife and wanted to put her in movies.

Well, he did put her in a movie. And Graham filmed it in 1998. Let’s refresh her memory with this trailer:

 

Miley Cyrus Career Suicide at 24? New Album Sells Just 33K Copies, Four Years After Mega Hit Opened with 270K

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Miley Cyrus? She’s still just 24 years old. Four years ago, in October 2013, she sold 270,000 copies in her debut week of the “Bangerz” album. The album had hit singles “We Can’t Stop”
and “Wrecking Ball.” Two months earlier she’d twerked with Robin Thicke on the MTV Video Music Awards. Her Hannah Montana persona was gone.

This past Friday, Miley released her first official studio album since “Bangerz.” “Younger Now” sold 33.500 copies on CD and paid download. If you add in streaming, she sold another 14,000 copies. Basically, “Younger Now” is DOA.

Cyrus went from rated R– a hard R– to rated G– in just four years. Well, one year really since the “Bangerz” period went on for three years. She smoked pot, posed naked for lots of photos, announced she was sexually fluid, broke up with her movie star fiance, Liam Hemsworth. She released a free album of experimental music, too. It was an early 20s free fall.

But now Miley is back, doing a severe 180 degree turn in the last few months. She’s back with Liam, singing with Dolly Parton, touring with her father. She may be “younger now” but Miley has also banged up her recording career. It’s not that she’s no good– she has an amazing voice. But the actual 1 million people who bought “Bangerz” are gone. What might have been a superstar sales career is gone.

What’s next? She’ll have to go pure country if she wants to sell records for the rest of her twenties. Otherwise, Miley will have to get out the wrecking ball. I hope she kept it.

Ronan Farrow’s Working on a Take out of Harvey Weinstein, Who Coincidentally Has Released Many Hit Woody Allen Films

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Having been scooped by the New York Times, Ronan Farrow is now about to drop an exclusive on Harvey Weinstein in The New Yorker. The media world is standing by.

Ronan had a failed daytime show on MSNBC last year. When that ended he was sent over to NBC’s Today show. I’m told he pitched the Weinstein story to NBC and they rejected it. So he went to The New Yorker and they bit despite the fact he has just about no magazine credits at all. But when he went to MSNBC he had no broadcasting credits either. Hmmm…

Every part of this is strange and points to conflicts of interest. Strange: Ronan’s biological dad is New Yorker favorite Woody Allen, whom Ronan hates and tries to destroy at every turn. Is The New Yorker trying to tell Woody something? Seems like a betrayal, no?

Then there’s the conflict of interest: That father whom Ronan hates. Harvey Weinstein has had a lot of success with Woody Allen films over the years. He released “Bullets Over Broadway” and “Mighty Aphrodite” at Miramax. They were each big hits. Dianne Wiest won on Oscar for the former film. Mira Sorvino won for the latter. Harvey also released “Vicki Cristina Barcelona” at the Weinstein Company. Penelope Cruz won an Oscar for that one.

Weinstein has also released “Everyone Says I Love You,” which has become a kind of template for modern movie and TV musicals (See “La La Land”) and “Celebrity.”

So what’s in it for Ronan Farrow re Harvey Weinstein? It’s pretty obvious. He’s a good target by association. Now that Amazon has become Woody’s studio, we’re not going to see Ronan attacking Jeff Bezos. But Weinstein looks like a good punching bag until Farrow can figure out his next move.

PS Ronan is going to cast himself as defender of women against the casting couch. I suppose it’s lucky his real father wasn’t Frank Sinatra after all!

Greta Gerwig Brings Her Buzzed About Movie “Lady Bird” to New York: It’s NOT About the Former First Lady

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Looking Grace Kelly elegant in a strapless Ralph Lauren gown, on the red carpet actress now director Greta Gerwig made time to speak to everyone at the Saturday night premiere of her film “Lady Bird.” Also attending from the film, Beanie Feldstein, Kathryn Newton, Tracy Letts and Lois Smith attended. (Sadly not at the screening were cast members Saoirse Ronan, Laurie Metcalf, Lucas Hedges and Timothée Chalamet.)
Set in 2002 Sacramento, Ronan plays an angst-riddled Catholic high school senior who sets her heart on attending an East Coast college in search of culture. This despite a controlling but loving mother (played fiercely and warmly by the terrific Laurie Metcalf) who reminds her she has neither the grades nor the money. What irritates her mother most of all, is her daughter, named Christine, insists people call her Lady Bird. (Tracy Letts plays her doting father, a depressive who just lost his job.)
Lady Bird does typically teenage stuff, like hanging out with her pal Julie (a hilarious Beanie Feldstein, Jonah Hill’s baby sister), and getting her heart broken (played by Chalamet and Hedges). But the heart of the story is Lady Bird’s relationship with her mother, and though they argue and bicker constantly their attachment is deep.
At the film’s press conference, Gerwig told journalists that Metcalf intuitively knew the role. “She didn’t need to expend a lot of time going on about the character. She just said, ‘I think that this is something I need to do. And sometimes things come into your life at the right moment’ And she said publicly at the time, ‘I have currently a 17-year old child who is trying to kill me.’”
On the red carpet I asked Gerwig about the movie’s title. When the film was first announced many people thought it was about LBJ’s wife, Lady Bird Johnson.
“I know, I know,” she laughed. “I don’t know where the name Lady Bird came from in fact. It was something that came to me without me consciously summoning it. It just was one of those things I was writing, and I was struggling, and then I just put everything aside and I put at the top of the page, ‘Why won’t you call me Lady Bird? You promised that you would?’ And I thought, ‘Who’s this character?’ I mean who’s a person who forces people to call her another name? And so I just followed that name, and I followed who that person was. Then I later realized there’s a nursery rhyme, a Mother Goose rhyme, ‘Ladybird, ladybird, fly away home. Your house is on fire and your children are gone,’ and I thought, oh, my brain must have made some connection without me knowing it, something about childhood and references to fairy tales and mothers and nursery rhymes, so who knows? That’s how the creative process works. You can’t control it,” she laughted.
Later during the Q&A after the screening Gerwig said the working title of the movie was “Mothers and Daughters,” and that she kept focusing on that. “I decided to take away anything that felt like it didn’t circle back to that,” but “ I didn’t want to literally spend the whole time of the movie just on the mother and daughter.”
The guy who takes Lady Bird’s virginity, Kyle, is played by currently hot actor Timothée Chalamet, who is getting buzz worthy notice for Luca Guadagnino’s coming-of-age drama “Call Me By Your Name” which also screened at the NYFF.  Gerwig said he initially didn’t understand the guy and if he was supposed to be dumb. “The dreamboat, that guy,” laughed Gerwig, “so I told him, no, he’s not supposed to be dumb, just set in his ways. I showed him some of  Eric Rohmer’s movies about young men talking at young women about their ideas.”
Because Gerwig is from Sacramento — the movie opens with a Joan Didion quote about the California capital — everyone has been asking the director if it is auto-biographical.
“The story is its own and the characters are their own,” Gerwig said. “There’s a core of truth that is connected to who I am and my experiences. And certainly Sacramento is my home town and those locations mean a lot to me and there are things about it that are deeply part of me. But the stories itself and the characters itself are fiction, and the character of Lady Bird actually just naming herself, I never called myself by that name. I just always called myself Greta Gerwig, rule follower,” she joked.
After the screening, which received a terrific reception from the packed audience, guests moved across the street to Shun Lee West for the after party, where the director was joined by boyfriend Noah Baumbach, who’s got his own hit film, “The Meyerowitz Stories,” playing at the New York Film Festival.
photo by Paula Schwartz c2017Showbiz411

Annette Bening, Diane Kruger Come to Hamptons with New Films on Solid Path to Oscar Nods

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Sunday at the Hamptons Film Festival brought an abundance of possible Best Actress nominees.

First Annette Bening arrived– with Jamie Bell– with their “Film Stars Don’t Die In Liverpool.” Bening is sensational as 50s film star Gloria Grahame, an Oscar winner herself but a sort of B version of Marilyn Monroe. “Liverpool” is a true story of Grahame’s later in life fling with a sexy young guy (that’s Jamie Bell), whose Liverpool family took care of her.

Both Bening and Bell are knockouts. Bening throws her name once again into the Best Actress pool, which is filling up with names like Judi Dench and Emma Stone. She’s been there before, and should have been there last year with “20th Century Women” if A24 hadn’t concentrated only on “Moonlight.” “Liverpool” comes from Sony Pictures Classics, which steered Cate Blanchett to Best Actress not long ago with “Blue Jasmine.”

peter, diane, mariskaAnd then Diane Kruger arrived with “In the Fade,” which Germany has entered into the Foreign Film race. Kruger won Best Actress in Cannes with Fatih Akin’s intense drama about neo Nazi terrorism. Kruger plays Katja, who is seeking justice for her murdered son and husband. She is simply outstanding in what turns out to be a courtroom drama wrapped in a political thriller. It’s the role of a lifetime for Kruger, who is best known for her own stand out performances in “Inglorious Basterds” and “Farewell My Queen.”

After last night’s screening, “Law & Order SVU” star Mariska Hargitay and actor husband Peter Hermann, who was raised in Germany, stopped backstage for photos and kudos. Hargitay, who’s played hard as nails cop Olivia Benson for almost 20 years, was in tears. She said, laughing: “I don’t know why, I see this in my job every day. But she was amazing.”

It’s quite possible we’ll see both Annette and Diane on Oscar night. They are top of the list for possible nominees.

Anna Rose King, Daughter of Late “Oprah” Syndicator, Is More than “Good Enough” to Become an Indie Film Darling

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Anna Rose King is the beautiful (gotta say it), smart, and talented daughter of the late Roger King. You may remember seeing the production company name KingWorld on everything from “Oprah” to “Dr. Phil” to “Wheel of Fortune,” “Inside Edition,” and so on. Roger King and his brothers were the kings of TV syndication. Unfortunately Roger died ten years ago at the age of 63.

Luckily, his other legacy is a daughter who can act, direct and write. Anna Rose’s first feature, “Good Enough,” debuts today (Tuesday) on every digital platform from iTunes to Amazon and so on. When I was summoned to see “Good Enough” last week, I really thought, oh this is going to be terrible. But “Good Enough” is more than good enough. If Anna Rose had gone to Sundance or Tribeca, she’d be the darling of indie films right now.

But she’s her father’s daughter. “The deals were all bad,” she said. “And the movie would have died after a week in LA and NY and no one would have seen it. This made more sense.”

Breezy, quirky, and very fully realized, “Good Enough” is the story of a daughter trying to discover her dead father’s roots. It is totally fiction. Anna Rose knew Roger King very well. But Lorna, a flight attendant, never knew her divorced dad at all. So she goes looking for his long lost brother, crisscrossing the country. It’s a very amusing and touching journey. I don’t want to spoil the result, but it’s well worth being patient for the payoff.

Is Anna Rose King an heiress? I have no idea. But she graduated from NYU Film School and made her movie on the cheap. She shot “Good Enough” guerilla style. “I dressed up in my flight attendant uniform and we just shot in JFK and LaGuardia. La Guardia was really easy,” she told me. “Everyone’s filming something!”

Tonight “Good Enough” gets a Virtual Premiere down at the NYU Production Lab at 16 Washington Place beginning at 6:30pm. According to a release:  The entire production lab will be divided into different viewing areas reminiscent of the inside of an airplane. There will be a first class, economy, a cockpit and a Kodak Sky Lounge! Guests will be able to watch the downloaded film on Kodak Ektra’s – their new professional-quality, photography-first smartphones – all while wearing headphones (provided), similar to what a silent disco might look like. Each viewing area will serve a different purpose, whether viewers prefer to watch from a Kodak smartphone, their own phone, or tv screens displayed throughout the room. Babe Sparkling Rose and popcorn will be provided as well as other food and drinks. Viewers will be encouraged to use social media using the #GOODENOUGHMOVIE hashtag – and we will have various influencers going live on the @GoodEnoughMovie Instagram account to promote the virtual premiere concept throughout the nation.

And “Good Enough” is not a one off release. Anna Rose King is here to stay. She has many irons in the fire. And that’s a really good thing.

 

Harvey Weinstein Revelations Have Caused Field Day for Name Calling, Mud Slinging and Hypocrisy

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The revelations about Harvey Weinstein– horrible but nothing on the scale of Donald Trump or Bill Cosby– have caused mayhem on Twitter and elsewhere for show biz types. Mudslinging and hypocrisy are out of control.

Hypocrisy: Sharon Waxman of “The Wrap,” who’s never had an original thought in her head, said she “had” the story in 2004 at the New York Times. She says the Times killed it. Unfortunately, Waxman’s former editor, the highly respected Jonathan Landman, says that is simply not true.

The Times, which broke the story of Weinstein’s sexual misconduct, addressed the whole issue of Waxman today themselves.

Waxman ran afoul of Weinstein back in 2004 on another issue. I wrote about here. She interviewed him for a story on Quentin Tarantino that was supposed to be in a collection about directors. Instead, she used the quote in a Times story about Disney’s relationship with Miramax. That was a no-no.

Waxman, by the way, if she did have the goods on Weinstein as a predator, didn’t mind taking Harvey’s money for ads for The Wrap, noshing on his hors d’ouevres at parties, or doing business in general with him. Here’s a nice picture of Weinstein Company CEO David Glasser with Waxman at an event:

waxman and glasser

More hypocrisy: Someone has to give Mika Brzezinski a shot of reality. She’s made the whole story about herself. All weekend she kept tweeting that she had a three book deal with Weinstein Books but she couldn’t go through with it unless Harvey was fired. Really, Mika? No one wanted those books. Harvey took them because you were a TV news anchor. No one cares. And no one cared: those books were already published by Weinstein and/or Hachette over the last few years. They sit at the bottom of amazon’s inventory.

Hamptons: Julie Andrews Royal Welcome, Big Sick Surprise, Sam Rockwell Rocks “Three Billboards”

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The 25th annual Hamptons International Film Festival offered a wild day on Saturday: a visit with royalty, a revelation about The Big Sick, and Sam Rockwell rocking a crazy great movie. What else could you want?

The  royalty was Julie Andrews, who was feted with a Lifetime Achievement Award at East Hampton’s Guild Hall after a screening of her late husband Blake Edwards’ “Victor/Victoria” and on stage interview with Alec Baldwin.

(That’s right: if you’re interested in why Baldwin wasn’t playing Donald Trump last night on SNL it’s because he is here at the HIFF, presiding, interviewing, glad handing.)

Julie Andrews– now unbelievably 82 going on 40–is Hollywood royalty who summers in the Hamptons where her daughter Emma runs the famed Bay Street Theater in Sag Harbor. Mary Poppins, My Fair Lady, The Sound of Music– Julie might as well be a Windsor with gold statues. Gracious to a fault, she proved to be very articulate about her career, about Blake Edwards, filmmaking and show business during her Q&A. Later, at a reception at SilverCup Studios owner (and HIFF honcho) Stuart Suna’s East Hampton home, Dame Julie met and shook hands with all the guests, inquiring about their lives with the curiosity of a monarch who was at last meeting her subjects. In a word, she was delightful. A spoonful of sugar helps everything.

Earlier, at Nick and Toni’s– the great Hamptons eatery for celebs–Variety sponsored a huge buffet lunch for “10 to Watch,” which used to be called Rising Stars except now Sir Patrick Stewart was featured, and let’s face it, he has risen. But there were plenty of young actors and newer faces to meet including Kumail Nanjiani of “Big Sick” fame with his wife and co-writer Emily Gordon; Grace van Patten of “Meyerowitz Stories,” Timothee Chalamet of “Call Me By Your Name,” Hong Chau of “Downsizing,” Kiersey Clemons, Daveed Diggs, Daniel Kaluuya of “Get Out,” and Danielle McDonald of “Patti Cakes.” Value added: Sir Patrick brought his lovely wife, singer Sunny Ozell, who is charming.

The big reveal about The Big Sick? Kumail — who everyone loves on “Silicon Valley,” also– got to meet one of his favorite actors, Bob Balaban. And Kumail revealed that he and Emily– she was really in a coma 10 years ago by the way and now can happily laugh about it– are such fans of Balaban that they named a character for him “The Big Sick.” Jeremy Shamos plays “Bob Dalavan.” Balaban got a kick out of that, the Nanjiani’s were glowing with excitement.

What else? Sam Rockwell drove in for the premiere of his movie “Three Billboards Near Ebbing, Missouri,” written and directed by Martin McDonagh. Frances McDormand and Woody Harrelson co-star in this crazy, “Fargo”-esque semi violent comedy. This movie is great. Rockwell must get a Supporting Actor nomination. McDormand out-prickles herself. The Carter Burwell music marries Irish tinged themes with American country.

“Three Billboards” — I will tell you more soon, but someone asked Rockwell after the movie if there could be a sequel. His perfect answer: “Yes, and it could be called ‘Killing and Fucking.'” Everyone cheered.

 

“Blade Runner 2049” Update: $31 Mil Weekend Disappoints After Huge Build Up

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“Blade Runner 2049” will be one of the great disappointments of 2017. Weekend box office was just $31.5 million, about half of what it should have been.

What went wrong? The only thing I can say is, October is not an Oscar month. With an 89 on Rotten Tomatoes, falling slightly from a 98, I thought more would have been made of this stunning film. But there was no New York premiere, no NY hoopla, and in LA Warner Bros. waited so long for a premiere that they got knocked out by the tragedy in Las Vegas. So the west coast premiere went off the record with red carpet.

Also, just Monday morning quarterbacking, there might have been a week of the original “Blade Runner” in theaters or on platforms so the audience didn’t feel lost. A lot of people felt that if they didn’t know the first movie they wouldn’t get this one. So only hardcore fans went to see 2049.

What a shame. You don’t need to see the original to enjoy “2049.” You can go and enjoy it for what it is. Denis Villeneuve has made his own masterpiece, with a great performance by Ryan Gosling and and amazing cinematography by Roger Deakins.

Beautiful, Classic, Rave Reviewed “Blade Runner 2049” May Be Too Good for Mainstream Audience

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Who woulda thunk it? Denis Villeneuve’s brilliant “Blade Runner 2049” is not doing business the way we thought it would.

After a big Thursday night, “2049” had a weak Friday. Now predictions are a tepid weekend of $35 million.

The return of Harrison Ford, the really inspired performance of Ryan Gosling, and the gorgeous cinematography of Roger Deakins all together have not driven audiences in massive numbers to the theater.

I’m starting to think the audience just isn’t that smart anymore. Or the smart audience doesn’t want to leave their homes because they’re either too lazy or too accustomed to Netflix.

Either way, they are missing a truly mesmerizing, wonderful moment in cinema.

But it is possible that “2049,” which is long, and can be slow in places, is simply too much for an ADD audience. Villeneuve makes contemplative movies. You can’t check your email or text during them. You have to pay attention. For “2049” you don’t need to know too much backstory, by the way, so that’s no excuse. You just have to commit to a great filmic experience.

Will Roger Deakins win his Oscar this time? I think there’s a pretty good chance. There are frames and set pieces in “2049” that will take your breath away, I’m going back to see it in IMAX asap. For anyone who’s putting it off, go tonight. You will not be disappointed.