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REVIEW Can it Be Done? Disney-Marvel Looks to Top Themselves After “Black Panther” with “Avengers: Infinity War”

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This winter has been a wild ride for Disney and Marvel: their “Black Panther” is now the third biggest movie of all time. It’s historic and a phenomenon. So now what?

Now what is “Avengers: Infinity War” which opens technically tomorrow night. This is the third “Avengers” movie with one more to come, but it’s also the umpteenth movie with a rotating cast of characters, some of which have had other movies like Iron Man, Spider Man, Thor, his brother Loki, Peter Quill and his guardians of the galaxy, and so on.

Nearly all the Marvel characters from the Disney movies are in “Infinity War” with the exception, notably, of Jeremy Renner’s Hawkeye and Samuel L. Jackson’s Nick Fury (kind of). Some are under used, like Anthony Mackie’s Falcon. This is a hard movie to describe because everyone wants to know what happens and no one wants to know what happens. The IMDB lists characters who aren’t even in the movie. So we walk a fine line.

I guess the main thing to know here is that Thanos is the villain, played so beautifully by Josh Brolin that I really started to like him despite his obvious shortcomings. Thanos is the Bashar al-Assad of Marvel movies. I don’t know if there’s an intentional political undercurrent, but you’re going to recognize it. He is psychotically interested in causing death.

The main Avengers are determined to repel him, and they include Robert Downey Jr as Iron Man, Chris Evans as Captain America, Chris Hemsworth as Thor, Elizabeth Olsen as Scarlet Witch (she really shines in this film), Zoe Saldana as Gamora (ditto), and Benedict Cumberbatch as Dr. Strange. To a lesser degree we do see Tom Holland as Spider Man, Scarlett Johansson as Black Widow, Chris Pratt and his gang from “Guardians,” and of course– because they are hot right now– Chadwick Boseman as T’Challa from “Black Panther” and Letitia Wright and Danira Gurai.

“Infinity War” is full of thrilling stuff as characters who do not know each other cross over, and mix it up. Tom Holland is fun as he meets other super heroes and asks if they’re using their real names or their aliases. The directors, the Russo Brothers, don’t have a lot of time for characters to work in their back stories or prior relationship because the action never stops– but that’s okay. By now we know a lot of it.

As we’re coming to the end of this series– maybe– and this is part 3 (kind of ) the Russos know we are getting rid of some people, seeking closure (kind of). So yes, characters do die. There seem to be two kinds of death– definite death, contained within the story structure, and seems real. Then there’s another kind of death, that feels implausible but happens nevertheless. You have to watch this movie to the very, very end, through the credits, and then some, and we are still left with questions. Lots of them. Luckily, in a year, we may get some answers.

At last night’s press screening, the audience was silent– SILENT– from about the last ten minutes, through the credits, and the usual Marvel end teaser. I mean, no one stood up, no one left. When everything was over, to the last drop, the ushering out was also like you could hear a pin drop. I don’t know what’s happened in the LA screenings. But “Infinity War” takes chances like no other super hero film. It’s a big roll of the dice. Will it be worth it? I have think so. But I’m curious about reactions.

Some last minute things: I just love Danai Gurira. I really want to see more of her on film. Also, not stressed by their own movies a lot of the guys seemed more relaxed– like Chris Evans and Chadwick Boseman. Benedict Cumberbatch is a tremendous actor– there are Cary Grant type roles for him somewhere. And I do wish I’d seen more of Falcon. Josh Brolin rocks.

Otherwise, “Infinity War” is an A, I’d give it a 90+ or whatever, and I’m looking forward to seeing it again.

Broadway: Outer Critics Go Big for “Angels in America,” “SpongeBob,” “Frozen,” “Mean Girls”

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 The Outer Critics Circle nominations came out today. The only omission really is “The Band’s Visit” which they awarded last year and should win the Tony this year for Best Musical. Otherwise, in a desultory season, these are the results.

Outer Critics Circle

2017-2018 Award Nominations

 

OUTSTANDING NEW BROADWAY PLAY

The Children

Farinelli and the King

Harry Potter and the Cursed Child

Junk

 

OUTSTANDING NEW BROADWAY MUSICAL

Escape to Margaritaville

Frozen

Mean Girls

Prince of Broadway

SpongeBob SquarePants

 

OUTSTANDING NEW OFF-BROADWAY PLAY

Admissions

Cost of Living

Hangmen

The Low Road

Mlima’s Tale

 

OUTSTANDING NEW OFF-BROADWAY MUSICAL

Cruel Intentions

Desperate Measures

Jerry Springer- The Opera

Miss You Like Hell

Woody Sez

 

OUTSTANDING BOOK OF A MUSICAL

(Broadway or Off-Broadway)

Tina Fey     Mean Girls

Quiara Alegría Hudes     Miss You Like Hell

Kyle Jarrow     SpongeBob SquarePants

Peter Kellogg     Desperate Measures

 

OUTSTANDING NEW SCORE

(Broadway or Off-Broadway)

Yolanda Adams, Steven Tyler & Joe Perry of Aerosmith,               Sara Bareilles, Jonathan Coulton, Alex Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, Lady Antebellum, Cyndi Lauper & Rob Hyman, John Legend, Panic! At the Disco, Plain White T’s, They Might Be Giants, T.I., Domani & Lil’C,      Jonathan Coulton, Tom Kitt                 SpongeBob SquarePants

David Friedman & Peter Kellogg          Desperate Measures

Imogen Heap                   Harry Potter and the Cursed Child

Quiara Alegría Hudes                             Miss You Like Hell

Kristen Anderson-Lopez & Robert Lopez              Frozen

OUTSTANDING REVIVAL OF A PLAY

(Broadway or Off-Broadway)

Angels in America

Jesus Hopped the ‘A’ Train

Lobby Hero

Three Tall Women

Travesties

 

OUTSTANDING REVIVAL OF A MUSICAL

(Broadway or Off-Broadway)

Carousel

My Fair Lady

Once on This Island

Pacific Overtures

 

OUTSTANDING DIRECTOR OF A PLAY

Jo Bonney     Cost of Living

Marianne Elliott     Angels in America

Patrick Marber     Travesties

Joe Mantello     Three Tall Women

John Tiffany     Harry Potter and the Cursed Child

 

OUTSTANDING DIRECTOR OF A MUSICAL

Michael Arden     Once on This Island

Bill Castellino     Desperate Measures

Tina Landau     SpongeBob SquarePants

Casey Nicholaw     Mean Girls

Bartlett Sher     My Fair Lady

 

OUTSTANDING CHOREOGRAPHER

Camille A. Brown     Once on This Island

Christopher Gattelli     My Fair Lady

Christopher Gattelli     SpongeBob SquarePants

Steven Hoggett     Harry Potter and the Cursed Child

Justin Peck     Carousel

 

OUTSTANDING SET DESIGN

(Play or Musical)

Miriam Buether     Three Tall Women

Myung Hee Cho     In the Body of the World

Christine Jones     Harry Potter and the Cursed Child

Michael Yeargan     My Fair Lady

David Zinn     SpongeBob SquarePants

 

OUTSTANDING COSTUME DESIGN

(Play or Musical)

Katrina Lindsay     Harry Potter and the Cursed Child

Clint Ramos     Once on This Island

Paloma Young     Time and the Conways

David Zinn     SpongeBob SquarePants

Catherine Zuber     My Fair Lady

 

OUTSTANDING LIGHTING DESIGN

(Play or Musical) Kevin Adams     SpongeBob SquarePants

Neil Austin     Harry Potter and the Cursed Child

Paule Constable     Angels in America

Paul Russell     Farinelli and the King

Lap Chi Chu     Mlima’s Tale

 

OUTSTANDING PROJECTION DESIGN

(Play or Musical) Tim Reid     1984

Finn Ross     Frozen

Finn Ross     In the Body of the World

Finn Ross & Adam Young     Mean Girls

Finn Ross & Ash Woodward     Harry Potter and the Cursed Child

 

OUTSTANDING SOUND DESIGN

(Play or Musical) Gareth Fry     Harry Potter and the Cursed Child

Kate Marvin     [Porto]

Fitz Patton     Napoli, Brooklyn

Marc Salzberg     My Fair Lady

Darron L. West     Mlima’s Tale

 

OUTSTANDING ORCHESTRATIONS

Jason Robert Brown     Prince of Broadway

Tom Kitt     SpongeBob SquarePants

AnnMarie Milazzo & Michael Starobin     Once on This Island

Jonathan Tunick     Carousel

Claire Van Kampen     Farinelli and the King

 

OUTSTANDING ACTOR IN A PLAY

Sean Carvajal     Jesus Hopped the ‘A’ Train

Andrew Garfield     Angels in America

Tom Hollander     Travesties

Gregg Mozgala     Cost of Living

Michael Urie     The Government Inspector

 

OUTSTANDING ACTRESS IN A PLAY

MaameYaa Boafo     School Girls; Or, the African Mean Girls Play

Jessica Hecht     Admissions

Glenda Jackson     Three Tall Women

Lauren Ridloff     Children of a Lesser God

Katy Sullivan     Cost of Living

 

OUTSTANDING ACTOR IN A MUSICAL

Harry Hadden-Paton     My Fair Lady

Joshua Henry     Carousel

David M. Lutken     Woody Sez

Conor Ryan     Desperate Measures

Ethan Slater     SpongeBob SquarePants

  

OUTSTANDING ACTRESS IN A MUSICAL

Lauren Ambrose     My Fair Lady

Erika Henningsen     Mean Girls

Hailey Kilgore     Once On This Island

Taylor Louderman     Mean Girls

Patti Murin     Frozen

 

OUTSTANDING FEATURED ACTOR IN A PLAY

Anthony Boyle     Harry Potter and the Cursed Child

Johnny Flynn     Hangmen

Nathan Lane     Angels in America

David Morse     The Iceman Cometh

Paul Sparks     At Home at the Zoo

 

OUTSTANDING FEATURED ACTRESS IN A PLAY

Jamie Brewer     Amy and the Orphans

Denise Gough     Angels in America

Harriet Harris     The Low Road

Laurie Metcalf     Three Tall Women

Mary Testa     The Government Inspector

 

OUTSTANDING FEATURED ACTOR IN A MUSICAL

Norbert Leo Butz     My Fair Lady

Alexander Gemignani     Carousel

Gavin Lee     SpongeBob SquarePants

Nick Wyman     Desperate Measures

Tony Yazbeck     Prince of Broadway

 

OUTSTANDING FEATURED ACTRESS IN A MUSICAL

Kerry Butler    Mean Girls

Lindsay Mendez     Carousel

Lauren Molina     Desperate Measures

Ashley Park     Mean Girls  

Emily Skinner     Prince of Broadway

 

OUTSTANDING SOLO PERFORMANCE

Billy Crudup     Harry Clarke

Eve Ensler     In the Body of the World

Alison Fraser     Squeamish

John Lithgow     Stories By Heart

Sharon Washington     Feeding the Dragon

 

JOHN GASSNER AWARD

(Presented for an American play, preferably by a new playwright)

Kate Benson     [Porto]

Jocelyn Bioh     School Girls; Or, the African Mean Girls Play

Lindsey Ferrentino     Amy and the Orphans

Meghan Kennedy     Napoli, Brooklyn

Dominique Morisseau     Pipeline


2017-18 Outer Critics Circle Nominating Committee

Simon Saltzman, Stanley L. Cohen, Patrick HoffmanJoseph Cervelli,  Aubrey Reuben, David Gordon & Harry Haun


 

Nominations Talley for 3 or more:

SpongeBob SquarePants – 11; Harry Potter and the Cursed Child – 10; My Fair Lady –9; Mean Girls – 8; Desperate Measures – 7; Angels in America – 6; Carousel – 6; Once On This Island – 6; Three Tall Women – 5; Cost of Living – 4; Frozen – 4; Prince of Broadway – 4; Farinelli and the King- 3; In the Body of the World- 3; Mlima’s Tale – 3; Miss You Like Hell – 3; Travesties – 3.

Spotify Bold Move to Fight Apple Music: Brand New Free Version of App “Something for Nothing”

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Spotify is throwing its weight into the free part of its service. Access to all music “something for nothing” is their goal to massive growth and to ward off Apple Music’s burgeoning threat to their leadership.The new features for free listening is designed toward a huge amount of personalization. Spotify will offer 40 hours a day of easily accessed free music. The hope, said execs at a morning press conference in New York, is that this plan will spur new subscribers to their premium service.

Spotify is also helping customers who have caps on data plans.  They’re optimizing usage to lower mobile data by at least 75 percent. They’re also simplifying the mobile interface.

The Spotify execs who made the presentation this morning were upbeat and positive. But the news wasn’t exactly what was expected. All week there had been buzz about a possible piece of Spotify hardware for the car or some kind of dedicated player. This news about “Freemium”– as they call it– is good for listeners, certainly.

But it raised a lot of questions that no one is prepared to address yet– as in how this will affect artists’ royalties, and what it really means for Spotify’s premium service. The execs feel this will spur users to pony up for the premium service. Troy Carter, director of Creator Content, said to one reporter (not me): “Come on, you know if you’re on a date you don’t want to hear those ads.” It got a laugh– because it’s true.

“Avengers: Infinity War” Premieres in LA, Screens for Press in NYC, and Disney-Marvel Braces for Reaction

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It’s a tense night in the movie world.

Disney-Marvel screened “The Avengers: Infinity War” for press in New York City.

In Hollywood, the studio threw a lavish premiere. The red carpet was underway as the NY audience was letting out.

There’s an embargo on social media reactions until 1:30am Eastern. Reviews are prohibited before 6pm Eastern on Tuesday. The movie starts showing to the public on Thursday night.

A lot is riding on “Infinity War” especially since it comes on the heels of “Black Panther,” now the 3rd biggest movie of all time and still attracting crowds.

The whole Disney-Marvel universe hinges on “Infinity Wars,” which cost around $250 million and includes most of the characters from the Marvel world including Iron Man, Spider Man, Captain America, Thor and their assorted pals and extended family.

Two years ago, the last movie in the extended series- “Captain America: Civil War”– made $1.1 billion worldwide with $400 million of that in the US. The last “Avengers” movie in 2015 made $1.4 billion worldwide. The next “Avengers” movie is set for May 3, 2019, which may not be soon enough for die hard fans.

Stay tuned for social media reaction…shhhhhh!

Cannes Exclusives: Jane Fonda Doc Gets Rare Spotlight, Lars von Trier Serial Killer Movie Gets Late Slot, Second Tuesday Will Feature “Star Wars,” Gotti, Hot American Movie

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Some news for Cannes 2018 is drifting in:

— Jane Fonda will get a rare spotlight with Cannes Classics. HBO is showing Susan Lacy’s documentary, “Jane,” and there should be quite a lot of excitement. Fonda is coming– she often comes to Cannes for one or two days for L’Oreal but this time it’s all about the smashing two time Oscar winner. This is now a hot hot ticket. Lacy is also coming, and HBO will throw its weight behind this showcase.

— Lars von Trier’s serial killer movie has gotten a spot out of competition in the second week on Monday, May 13th at 10pm. This will mean no press conference until the next for “The House that Jack Built.” But it does mean Uma Thurman, Matt Dillon, and Riley Keough will hit the red carpet with a bang. Can’t wait!

— David Robert Mitchell’s hotly anticipated “Under the Silver Lake” is said to be getting the slot after “Solo: A Star Wars Story” at 10pm on Tuesday, May 15th. Star Andrew Garfield is unlikely to be there– he’s on Broadway doing the exhausting “Angels in America” and by then he’ll be a Tony nominee. But Riley Keough– Elvis Presley’s granddaughter and a fine young actress– will obviously be there for the von Trier. She may be Cannes’s new young star of the season!

Kanye West: (Listen) Black Talk Radio Turns Against Him After He Voices Support for Trump, Right Wing Personality

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Kanye West is turning black talk radio against him– just as the rapper and wanna be fashion designer is trying to make a comeback.

The talk this morning on New York’s Hot 97 wasn’t good after Kanye said he still supports Donald Trump. He also Tweeted his support this weekend of right wing black personality Candace Owens. Kanye has obviously spent too much time in rich, white, Republican suburb Calabasas, California with the hideous Kardashian family.

This Tweet was a step too far even if he is bi-polar.

Listen to what went on:

LA’s Race to Erase MS: Nancy Davis Brings on the HQ Trivia Guy, Elle King, Flo Rida, $1.6 Mil Raised

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Nancy Davis never stops.  She simply doesn’t.  This tireless MS advocate and Center Without Walls founder told me  at her 25th Anniversary of the “Race to Erase MS” event at the Beverly Hilton that, “twenty five years ago when we started there was no known cause, no cure or drugs on the market.  There was basically no hope. Today there are 15 drugs on the market and an enormous of amount of hope. We are determined to find a cure. The whole landscape of MS has changed.” 

I asked if she would ever give up her quest?  “I’ll give up when we find a cure. Not until then.”   Nancy was accompanied by her respected entrepreneur husband Ken Rickel and their twin daughters Mariella and Isabella who are accomplished dancers and were in the fashion show that took place later on.

HQ Trivia game host Scott Rogowsky got the night started.  This is personal for him he told the crowd because his Mom Tobi has MS.  A Milan style “Alice + Olivia fashion” show followed. Then came the music and wow, it was like a slice of Clive Davis’s iconic pre-Grammy party.  Elle King rocked her “Ex’s and Oh’s” and then did a stupendous version of Tom Petty’s  “American Girl.” The lovely Siedah Garret sang the song she co-wrote for Michael Jackson, “Man in the Mirror,” and noted, “this song paid for my house, my car, everything.”  Randy Jackson introduced the rap music superstar Flo Rida, who literally brought down the house with his seven-song set that included his mega hits, “Right Round,” “In The Ayer,” “My House,” and “Wild Ones.” 

 The live auction included dinner with Ozzy, Sharon, Kelly and Jack at Sharon’s LA home.  The caveat on that?  All guests must complete a background check prior to the big night.  A Ferrari Portofino went for $250,000.   The silent auction included a walk on for “Curb Your Enthusiasm,” which sold for $16,000. Celebs such as Dave Winfield, Johnathon Schaech, Steven McQueen, Anne Heche, Ruby Modine, Byron Allen, Frances Fisher, Natalie Zea, Avril Lavigne, Nile Rodgers, Jack and Kelly Osborne and more all were bidding along with the VIP guests.

Other goings on included Joan Collins who sat with Nikki Haskell and the grande dame of them all Barbara Davis, Nancy’s Mom and one of the most well regarded philanthropists in the world.  Literally everyone in the room wanted to greet the powerhouse that is Barbara.  Indefatigable Nikki told me she was soon off to NY to go the premiere of the film “Studio 54” at Tribeca Film Festival. (The party is at the Museum of Sex, a real place, but it could also have been the nickname of Studio 54 back in the day!)

Aaron Paul told me that although a revival of “Breaking Bad,” is definitely not going to happen, he said that, “we were together the other week for a 10th Year Anniversary shoot for the cover of Entertainment Weekly.”  He then noted maybe he wasn’t supposed to tell me that, but then again  Aaron is one of the nicest and most talented guys in Hollywood.

At midnight, this  25th Anniversary spectacular event raised 1.6 million and was a night to remember. Bravo to Nancy Davis and all those involved in this worthy cause.  She is a genuine warrior.  She and her esteemed family are beacons in Hollywood. 

$68 Million “Harry Potter” Dazzles Broadway Like it Or Not, Breaks Curse at Former “Spider Man” Theater

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Seven years ago when it was called the Foxwoods Theater (briefly) the musical “Spider Man: Turn off the Dark” put a curse on the Lyric Theater. Actors flew around and fell, or hit pieces of the stage, and wound up in the hospital. An actress flew around and got stuck dangling over the audience. The $75 million show became notorious for accidents.

Restored to The Lyric, the theater had better luck tonight with a $68 million show, not a musical and not really a play but a theatrical experience that includes flying and all kinds of magnificent illusions and stunts that came off without a hitch– at least to the layman’s eye. “Harry Potter and the Cursed Child” is dazzling (if a little incoherent and way too long) but mostly no one got hurt.

Quite the opposite. Imported from the UK as part of the Harry Potter juggernaut, “Cursed Child” is a musical without songs. That is, in two parts totaling six hours, there are moments when the John Tiffany-Steven Hoggett directed enterprise feels like it’s coming to a song and then doesn’t. Instead, there’s music by Imogen Heap that begs for lyrics or someone to take the mic. But it’s a fake out and then we’re back to the action.

There is LOTS of action. If you love Harry Potter, know the books, movies, and ancillary materials, this is the show for you. If you don’t, you must do some homework and read the extensive notes in the Playbill before accepting this challenge. “Cursed Child” is basically the 9th and 10th movie from the 8th non existent book: it’s Rowling’s prequel and sequel to her series at the same time, recalling glorious moments from the past and simultaneously building a present and future for Potter-philes.

Set 22 years after the end of the last story, “Cursed Child” presents Harry, Ron and Hermione, and Draco Malfoy as adults with teenagers who are attending Hogwarts. Ron and Hermione are married. Ron’s sister Ginny is married to Harry. Draco’s wife has died, and he’s got a son who looks just like him. Who is the cursed child? It could be any of theirs, and maybe one another but I don’t want to give anything away.

Rowling has attempted to make “Cursed Child” an addition to the Potter canon of magic and wizardry and also be about family, fathers and sons, and fraught relations. She sets all that against time travel, and time warp travel, and a lot of other stuff that doesn’t come up around the usual dinner table including witches and monsters.

Some of it works, some of it doesn’t. A lot of it is repetitive and feels a little contrived to stretch this thing into two long Broadway tickets. The central drama is not really that compelling, and often you feel like you’re watching the theatrical version of a movie. If you want real drama, the kind that constitutes Best Play nominations, this year it’s all in revivals like “Angels in America” or “Three Tall Women” (which I found very depressing, but that’s another story).

The “Cursed Child” plays are resounding because of the exceptional production design. From top to bottom, “Cursed Child” is miraculous. This team, led by Christine Jones, Katrina Lindsay, Neil Austin, Gareth Fry, and Jamie Harrison deserves a special Tony. Their whole accomplishment is equal I would say to “War Horse.” It’s stunning. You won’t believe the rapid costume changes, the entrances and exits, and — to belabor a point– the sense of magic. It never stops.

Of course, the real credit goes to director John Tiffany, who keeps these “trains” running on time, and Steven Hoggett, who continues to be the genius of onstage group movement. There are 40 people in this cast, and there’s never a second that doesn’t seem as fluidly constructed as a ballet.

As far as the Tony Awards go, the only problem for this production is that it’s an ensemble piece. None of the actors can beat Andrew Garfield or Nathan Lane from “Angels in America” or Glenda Jackson from “Three Tall Women.” All of them are terrific, but I really loved Byron Jennings as Severus Snape. et al, and Geraldine Hughes as Professor McGonagall.

In the audience: lots of familiar faces including Emma Thompson, Liev Schreiber, James Monroe Inglehart, Bob Balaban with wife Lynn and daughter Hazel, Glenn Close, Cherry Jones, and “The Flash” himself, Ezra Miller, who so nice to kids in the theater and outside on the street who recognized him. Between shows we went over to famed Joe Allen to catch our respective breaths and brace ourselves for part two. Highly recommended! Plus, we ran into Colm Meaney (fresh from “The Iceman Cometh”), and Debra Monk (just finished a new Billy Crystal movie) among others. Talk about value added!

“A Quiet Place” Wins Another Weekend as Amy Schumer’s “I Feel Pretty” Collapses, Christian Film Rakes It In

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This week’s box office looks a lot like last week’s. “A Quiet Place” is number 1 with $22 million, beating “Rampage,” held over from last week. The only difference there is that “Rampage” is slowing down while “A Quiet Place” is doing better than ever.

The new movies this week didn’t fare so well. Amy Schumer’s “I Feel Pretty” really collapsed after Friday. The total for the weekend is $16 million. The comedy brought in $6 million on Friday and Saturday each but couldn’t do an equal multiple for Sunday. Not good. No one knows what this movie is. Schumer’s “Trainwreck” had a $30 mil opening, “Snatched” with Goldie Hawn was at $19 mil, so the trend is not up. Au revoir.

“Super Troopers 2,” lucky to be made at all, did $14 million. Who knows if the total interest in this has been exhausted? The original “Super Troopers” made just under $19 million total in 2002.

The biggest news on the chart is that “I Can Only Imagine,” a Christian based movie that only cost $7 million and you’ve never heard of it, is up to $80 million. It’s based on a Christian pop song and stars Dennis Quaid, with a cameo from the legendary Cloris Leachman. Go figure. There are only 23 reviews on Rotten Tomatoes. Sixteen liked it, seven didn’t, the latter were all regular reviewers. Doesn’t matter.

Farewell to BB King’s in Times Square: Greedy Landlord Forces Out Yet Another Live Venue in NYC

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I am really sorry to see that BB King’s in Times Square will close at the end of the month. Isn’t this what the Times Square redevelopment was supposed to be about? Great places to see live music or theater? What will become of this space, which is below ground? Maybe the old Times Square will return, with sex dungeons. And, of course, Sephora.

The list of great shows I saw at BB Kings goes on and on: Sly Stone’s botched return (twice), Ronnie Spector’s Christmas show, Darlene Love’s Christmas show, Dionne Warwick, the Raspberries reunion,the Dave Clark 5 fundraiser for Mike Smith, Sam Moore, Isaac Hayes. Oh my god, Al Green, November 2006, let the audience sing, handed out roses, hit the high notes like they were clay pigeons. I even took a bunch of friends for a Chuck Berry New Year’s Eve (they still haven’t forgiven me).

Years ago– I don’t know when– some promoter convinced Aretha Franklin’s bookers to put her in there. It was much smaller than any place Aretha had played in eons, but the ticket price was high. The show sold out. I asked the publicist to put me at the lip of the stage so that when Aretha– who doesn’t do sound check or rehearsal– stepped out, she’d see a friendly face. Just as I thought, she was introduced, the band was playing, and Aretha came forward, looked down and saw me. She took in the size of the room and said, without missing a beat, “Well, well, we haven’t played a room this small in some time, have we?” The crowd went wild and she gave, of course, a historic show.

In the winter of 2002, Miramax took over BB Kings for the premiere a movie I worked on called “Only the Strong Survive.” It was some night, with performances by Sam Moore, Wilson Pickett, Mary Wilson, Ann Peebles, Carla Thomas, and so on. It was magic. Kurt Vonnegut was in the audience, which was surreal. So was May Pang.

The number of places in Manhattan where you can see classic soul or rock, jazz, or country, cool stuff, hip stuff, where you know musicians will show up to play or hang with their pals has fast dissipated. The Bottom Line is gone. Roseland, RIP. Tramps, too. (CBGB is also gone, but that was a different kind of place.) We still have relatively newer spots like City Winery or the High Line, but the golden era of nightclubs has faded to fuzzy memory.

Losing BB Kings on 42nd Street– that’s bad. The street is full of crap, all chain restaurants you could find in your mall in Omaha. BB Kings was the gem of the block (apart from the two or three Broadway theaters). This is where you went for the Harlem brunch, or Breakfast with the Beatles. Legendary acts that have no place in the world of crap Bieber pop– Dave Mason, Average White Band, Oleta Adams–could shine in this showcase.

But hey, this is DeBlasio’s New York– empty storefronts everywhere, streets choked with traffic from private car services and other impediments, homeless people beyond Ed Koch’s imagination, and a Times Square that looks like the setting for “Mad Max Thunderdome” part 2. You can always go to Brooklyn if you don’t like it!