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Bruce Springsteen Surprises Billy Joel Fans for 100th Garden Show: Flashback 10 Years to Bruce/Billy for Obama

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Bruce Springsteen surprised Billy Joel’s fans tonight for the latter singer’s 100th show at Madison Square Garden. Long Island met New Jersey, but not for the first time. That was back in 2008, when Bruce and Billy did a special show at the Hammerstein Ballroom to raise money for Barack Obama. I was there, and this was what I wrote:

 

For the first time that anyone could remember anywhere, Long Island pop got to take on New Jersey rock as Billy Joel and Bruce Springsteen put on a historic full length concert last night in Manhattan.

The reason was to raise money and awareness for Barack Obama’s presidential campaign. But for anyone who grew up in the tri state area, the evening meant so much more than that. The two rockers have had parallel careers. They’re about the same age, started at the same time, but occupied two different parts of the New York-New Jersey culture as homeboys.

The result was far from a typical political fundraiser. Instead, it became one of those rare rock concerts that people who were there may remember forever as one of the best of their lives. If we didn’t get to see Sinatra and Bennett, this was the closest thing to it for this generation.

Each singer had a family member on stage too. Springsteen’s wife, Patti Scialfa, played guitar — she was the only musician who wasn’t a member of Billy Joel’s band. And Billy brought his burgeoning pop star daughter, Alexa, who performed a sultry duet with him early in the show of Ray Charles’ “Baby Grand.” Joel also had his current wife, Katie Lee, the cookbook author, and his former wife, Christie Brinkley, Alexa’s mom, who brought her 12-year-old son, Jack.

And of course there were politicians: Nancy Pelosi and Claire McGaskill represented elected officials. Caroline Kennedy introduced the musicians and the reason for the evening. From a box in the Hammerstein Ballroom, Michele Obama watched the show until Barack was able to come over from the annual Al Smith dinner. With Michele was the triumvirate who put together this complicated night: movie mogul Harvey Weinstein, music exec John Sykes, and Vogue editor Anna Wintour.

The only other bold faced names I saw in the whole of the Hammerstein Ballroom were actors Ian McShane, of “Deadwood” fame, and actress Lynn Whitfield. Later, at the afterparty at Cipriani, I ran into New York Daily News publisher Mort Zuckerman, who was so wowed by the show that he only wanted to meet Springsteen.

But I’m jumping ahead. John Legend and India Arie opened the show, singing together brilliantly on a few numbers of Legends including his “Ordinary People.” Her vocals combined with his piano playing made for a socko introduction. But there was more to come, quickly.

Over a two hour period, Springsteen and Joel presented a well chosen list of their alternating hits. After he opened with “Promised Land” and “This Hard Land,” Springsteen gave the bottom for the evening, “I want my country back!” he declared. “I want America back.” Springsteen also warned the audience, joking, not to anticipate too high a standard from the performers. “Palinize your expectations,” he said, coining a new term that got roars of approval from the theater full of Democratic donors. Acting as his own roadie, he packed his guitar and mouth harp in a case, and ceded the stage to Joel, who opened with “I’ve Seen the Lights Go Out On Broadway” and the duet with Alexa.

From then on, though, the night belonged only to the two stars and Billy’s band. They launched into “10th Avenue Freezeout,” then Billy’s “Movin’ Out,” which was dedicated to the Republicans. For “Thunder Road,” Springsteen brought on Roy Bittan on keyboards to supplement Billy, who then sang “A Matter of Trust.” Through all of this, the two men traded verses, piano and guitar licks. The culmination of that was on Bruce’s magnificent “Spirit in the Night,” which had not been rehearsed. Billy told Springsteen to call out chords — “the audience will like that,” he told me later. So Bruce yelled out, “C Minor, C, A. minor” to Billy on the piano. Springsteen playfully inserted Billy’s name into lyrics for other characters, and the number turned out to be an exquisite jam session.

More songs: “Allentown” for Joel, Bruce’s “The Rising,” Billy’s “New York State of Mind” and “River of Dreams,” Bruce’s “Glory Days” and “Born to Run.” The show finally concluded with all four musicians and the band on Curtis Mayfield’s “People Get Ready” and Stevie Wonder’s “Signed Sealed Delivered.” By the time Barack Obama took the stage and gave a gorgeously crafted, eloquent speech, the musicians knew they’d done something quite significant musically, beyond the politics.

At Cipriani afterwards, there was much celebrating, and Harvey Weisntein recalled how he’d produced one of Springsteen’s very first college shows in upstate New York in the early 70s. Billy and Bruce each fessed up about how they’d studied the others’ music for the show. Billy was a little disappointed that Bruce hadn’t subbed in names of New Jersey newspaper for the line “The New York Times, the Daily News” in “New York State of Mind.”

“I told him he could say the Post, but he didn’t want to do that,” Joel said.

Lots of stuff went on backstage, including Christie Brinkley and daughter Alexa getting into a long talk with the Obamas before the senator’s speech. Alexa wound up using Bruce’s hairdryer before she went on stage, and Christie playfully mimed being Bruce with it. India Arie told me she was on her way to Atlanta to finish her new album with plenty of guest stars, including Stevie Wonder. She’s sorry to miss tonight’s Julia Fordham show at the Hiro Ballroom. The two dueted on a Fordham album, “Concrete Love,” a couple of years ago.

And what’s next for the two big stars of the night? Billy is going to go back on tour with Elton John, I’m told. Springsteen is working on what may be a new E Street Band album, a follow up to the super “Magic” of 2007. But really, the next tour should be Billy and Bruce. Or maybe they could run for prez and vice prez. I’d vote for them in a second.

Seymour Stein Out at Warner Music After 51 Years, The Man Who Gave Us Madonna, the Ramones, Pretenders, Talking Heads

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Legendary and beloved music man Seymour Stein is out at Warner Music after 51 years.

Seymour is a record business legend, still working as an international talent scout for Warner and their ADA collection of indie labels. He’s always been there. He started Sire Records 51 years ago, and brought the world Madonna, The Ramones, Pretenders, Talking Heads, Depeche Mode, Seal, so many others, as well my favorite– the great one off single, Plastic Bertrand’s “Ca Plan Pour Moi?”

The news that he’s leaving comes as a shock since Stein was just honored two nights ago in Los Angeles for his Special Merit Grammy Award. A story about his tribute was just posted to the Warner Music Group website. He’s also just published a bestselling memoir called, “Siren Song: My Life in Music.” It’s full of juicy tidbits from his earliest days, like when he ran the charts at Billboard magazine.

But this is where we are in the music business.

Like Clive Davis, Seymour Stein is the last of the great record execs, music mavens of all time. He carved out a place for himself when he launched Sire, one of the few dependable labels within the shaky Warner Music Group. He survived the 1995-96 flip when Warner was sold to business killer Edgar Bronfman, Jr. And he survived again when Bronfman finally cashed out and sold to Len Blavatnik’s ACCESS Group. (I’m surprised, frankly, that Blavatnik is letting Stein exit.)

But Warner Music is a shell of its old self even when it’s trying to rebound. The heyday is over. Stein said in his exit statement today that he was eager to get back to his “indie roots.”

He said: “I was very fortunate during my youth to learn from so many great indie label people, like Ahmet and Nesuhi Ertegun and Jerry Wexler at Atlantic, and my greatest mentor, Syd Nathan at King Records,” said Stein in his announcement. “I went on to work with so many other great indies around the world as Sire grew to become the legendary brand it is today. From the bottom of my heart, I want to thank all the amazing artists — far too many to name — who have called Sire home over the years.”

Stein has also been one of the few stabilizing voices at the Rock and Roll Hall of Fame, especially since the death of Ahmet Ertegun. Seymour has constantly stood up for early influencers, side man, R&B acts that Jann Wenner has ignored.

I am eager to hear Seymour’s next move. He’s young as springtime and one of the few connections to the industry’s heyday. Viva Seymour Stein!

Venice Film Festival Chooses Ryan Gosling-Damien Chazelle Neil Armstrong Story “First Man” as Opener

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Oscar season has begun.

The Venice Film Festival has chosen Damien Chazelle’s “First Man” as its opener. The film reunites Chazelle with Ryan Gosling as astronaut Neil Armstrong, the first man who walked on the moon.

“First Man” comes from Dreamworks/Universal and right now, without anyone seeing anything but a trailer, this film is the number 1 choice for Best Picture 2019. It follows in the footsteps of “Apollo 13,” another Best Picture. Plus Chazelle and Gosling were screwed over on “La La Land.”

Venice begins on August 29th, just as Telluride is starting, and a week before the Toronto Film Festival. We still have no news on those festivals, but the New York Film Festival has chosen “Roma,” a Spanish languae film by the great Alfonso Cuaron as its centerpiece film in October.

More announcements are coming, and fast. Can you believe we’re going to play this game one more time? Oh, yes, soup to nuts, and I mean nuts, here we go !

 

Oscars: Harvey Weinstein’s Gone But His Legacy as Awards Player Resonates with Moves at Netflix

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Harvey Weinstein may be gone from the movie biz. But his Oscar legacy lives on.

Lisa Taback, Oscar specialist, has decided to take her whole staff and move over to Netflix. Lisa was Harvey’s main Oscar guide for years, but cut loose from him a couple of years ago– well before his scandals emerged last October. Her shop is one of the top places studios go to to get extra Oscar vavoom. But Netflix is where the money is (ask Bruce Springsteen).

But Taback’s skills may be more for TV and the Emmys now as Netflix scored a record 112 nominations this year. Taback’s group is certainly going to be looking to reap big rewards in that department.

And Taback isn’t the only Weinstein alum out there who helped garner those huge numbers of wins and nominations at TWC and Miramax. Dani Weinstein and Brad Thompson moved last year to Focus Features, where they’re working that old magic this season on films like “Boy Erased.” At 20th Century Fox, former Miramax star Heather Phillips runs the show. There are plenty more former Harvey publicists out there, too, who know the ropes, Cynthia Swartz of Strategy PR with Michael Kupferberg. They’re all stars to us who type away!

Netflix Ponies Up for “Springsteen on Broadway,” Will Tape and Air Hit Show On Closing Night in December

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And the winner is… Netflix. Of course.

Netflix has announced it’s going to air Bruce Springsteen’s “Springsteen on Broadway” on December 15th, the same night the Boss closes his extraordinary run of 236 performances. “Springsteen on Broadway” began previews and opened in October 2017.

There was a lot of speculation about who would be the winner of this plum. HBO was the obvious choice. But Netflix is willing to spend more than anyone on anything right now, so they’re the unsurprising winner.

Springsteen has averaged $2.4 million a week since opening on Broadway and should continue that way right til the end. His manager, Jon Landau, produces the show. Without much overhead– there’s no set to speak of, and no other frills– Springsteen and Landau are basically renting the theater. Their expenses are minimal. So “SOB” has been a superb money maker. You can bet down the line there will be a DVD and CD release of the show.

If you can get in to see Bruce on Broadway, meantime, it’s well worth it, a once in a lifetime opportunity.

Oscars: This Year’s “Call Me By Your Name,” About Gay Conversion Therapy, Features YouTube Break Out Pop Star Troye Sivan

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Everyone’s looking for this year’s “Call Me By Your Name.” Well, Focus Features has it– “Boy Erased,” starring Lucas Hedges as a teen whose parents– Nicole Kidman and Russell Crowe– send him to gay conversion therapy. (No, Mike Pence will not be at the premiere.)

Featured in the film is Troye Sivan, the now 23 year old pop star who I wrote about– first – back in 2014. Sivan broke out as a YouTube star that year and literally willed himself to Hollywood.He’s had a bunch of hits since then, he’s written and recorded with other kids of his generation like Ariana Grande. In “Boy Erased,” he plays Hedges’ first love and he’s got a song in the movie that could be eligible for the Oscar.

I am really glad my nieces pointed him out to me when they were starting high school. Now they’ve graduated and are headed for college. But their real success so far was turning me on to Troye, and to Shawn Mendes. (We went to his first ever show.)

Review: Cher and Cher A-like: “Mamma Mia” is a Venue for Everyone’s Favorite Pop Diva

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Cher.  Cher and more Cher. The highlight of  “Mamma Mia! Here We Go Again” is Cher, the great pop diva and off the cuff Twitter political activist. But hey did you expect it wouldn’t be? And diva Cher doesn’t even make her grand entrance till the end of the film. Throw in the ever-adorable Meryl Streep, playing the now deceased Donna, and you get an energetic, entertaining film that finds its kitschy, campy footing in the second half. Directed and written by Ol Parker, the film knows exactly what it wants to be and doesn’t strive for anything more. 

The first hour is slower.  Even though Lily James of “Downton Abbey” fame (playing a young Donna) is game and talented, there are too many ABBA songs that are not recognizable and sing-along-able, which slows the energy down a bit. When the seasoned veterans —  Christine Baranski, Julie Walters, Stellan Skarsgard, Colin Firth, Pierce Brosnan —  all take the stage, well that’s when the fireworks literally begin.  And they are all just delicious, funny and get every move, quip, glance and moment right. 

The saga takes place in flashback; at the beginning it shows a deceased Donna (Meryl Streep) with her loyal beloved daughter, Sophie (an always terrific Amanda Seyfried,) mourning her.  Sophie just built a new hotel on the idyllic Greek island to honor her mother, which will be managed by an older hunk Fernando (Andy Garcia). One of her three dads, Sam (Pierce Brosnan) is on the island.  Her boyfriend Sky (Dominic Cooper) is away on business.  So when an unexpected storm ruins all the plans, the story begins. 

Cut to the young Donna’s original journey to this island that will eventually be her forever home. The film recounts the plot of the first movie and now delicately deals with how hippie-like Donna slept with three men in quick succession hence the whole premise of “Mamma Mia” i.e.  Who is the father of her baby (Sophie)? Will we ever find out? (Maybe not because the ABBA catalog is now exhausted.)

And yes, our Cher, Oscar winner who still dabbles in film, playing Donna’s colorful mother, makes her grand entrance and does the most sublime version of “Fernando” you will ever see.  She’s the grandest “Mamma” of them all.

Universal’s ‘Mamma Mia! Here We Go Again” opens July 20th

Sacha Baron Cohen’s Scathing Satire “Who is America?” Scores Just 327,000 Viewers

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Showtime didn’t do much to promote Sacha Baron Cohen‘s new show “Who is America?” And it shows. Just 327,000 people watched it on Sunday night.

The only real publicity the show had was on the Drudge Report, of all places. But there was no premiere, no screenings, no build up. Showtime relied on outrage and word of mouth. It didn’t work.

The show that followed, Stephen Colbert’s “Our Cartoon President,” had 186,000 viewers. I watched it, and loved it. But I had no idea what it was when it came on. I guess no one else did, too.

What is the Showtime strategy? They just don’t care about publicity or press. I don’t get it.

Cohen was trounced at 10pm.  “Mexico Life” was among the shows on cable that did five or six times the business. (1.9 million viewers). Something called “On the Case with PZ” on Discovery had 1.5 million. “History of Comedy” on CNN had 764K. That’s twice as many as Cohen’s show.

“Who is America?” should be appealing to the “Borat” and “Ali G” audience, as well as a young, hip demo. But Showtime can’t seem to reach these people. This happened last year with “Twin Peaks.” It was ignored. And “Billions,” one of the best shows on TV or cable, has equally low ratings and no love from the Emmy Awards. Frustrating!

Why wasn’t “Who is America?” on HBO? That’s what I’d like to know. It’s perfect for them. Maybe the Time Warner-ATT Merger made it too hot…

UPDATE: Showtime says “Who is America?” actually was seen by over 1 million people when include all platforms including several showings that were streamed and beamed and telegraphed. But basically, “Who is America?” didn’t make the top 25 cable shows on Sunday night. It was a bust.

 

 

Bette Midler’s “Hello, Dolly!” Return Still Has Tickets for Sale, 2nd Cash Grab Not As Successful

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Tonight, Bette Midler returns for a second cash grab at “Hello, Dolly!” on Broadway. She’ll close the show on August 25th.

Midler’s return comes not a minute too soon. Last week, “Hello! Dolly!” reached a weekly box office nadir of $777K with Bernadette Peters and Victor Garber (and their production was superior).

The Midler version was scoring $2 million a week during first run because crazy people were paying $500 and up to see her live. With Peters, ticket prices returned to normal.

But Midler’s return isn’t a total sell out this time around. Looking at Telecharge, there are still plenty of seats every night for this run. The orchestra seats are $600 premium seats. Not worth it. But there are plenty of mezzanine and balcony seats right through August 24th. They’re just fine, too. Bring binoculars, and a walking stick for the climb upstairs at the theater.

Producers must be counting on good walk up business. *The joke is, the audience will walk up and up and up.

For great seats, go see Donna Murphy on one of the four Tuesdays she fills in for Midler. There are loads of tickets available. Murphy, like Peters, is a Broadway superstar. It would be worth hearing her Dolly Levi.

Sad that producer Scott Rudin didn’t want to go on, maybe have a black Dolly the way the really legendary producer David Merrick did in the 60s with Pearl Bailey. Queen Latifah, Audra McDonald, R&B legend Gladys Knight– there were lots of choices. But the idea now is to get out with cash in hand. This was never about the art.

 

Groundbreaker: Vinessa Antoine Leaving “General Hospital” to Be First Female Black Star of a Canadian Drama Series

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Good and big news for Canadian TV viewers, maybe US as well: Vinessa Antoine is leaving “General Hospital” to star in a CBC series called “Diggstown.” Antoine was a massive find for “General Hospital”– smart, sexy, charismatic, and a really fine actress. She’s been on the show for 4 years but incredibly underused for the last two.

Interestingly, showrunner Floyd Kane told the Toronto Star in June that he was looking for the next Kerry Washington. His character, Marcie Diggs, will be the first ever black woman to lead a Canadian TV series. This is HUGE for Antoine, who should only have upward career trajectory for a long time to come.

Kane said: “I think it will push boundaries. Whatever preconceived notions some people may have about Blackness or Black women, and what that means to be a character on TV, we mean to challenge that.”

Antoine says on Twitter:  “There are so many people that God put into place who are directly and indirectly responsible for my time at GeneralHospital You know who you are. I thank you. I came into this world as an artist. My job is to create and inspire. I hope that I did that a little in playing JordanAshford. I believe that I have taken her as far as I can. To clarify, as negotiations for Diggstown were underway, although I am open to stay and play in Port Charles, I was told by my reps that GeneralHospital felt that my character would be off the canvas for too long for me to continue playing her. With that, we decided to mutually part ways. It’s time to make room for more women of color in prominent roles on television. I’m grateful to assist in that by starting this new chapter in my journey. I hope you’ll all come along. I feel blessed. Be well. xo”

Coincidentally, another very hot Black leading lady, Mishael Morgan, has just left “The Young and the Restless” after not getting a raise in five years. Who knows? She may have gone for the “Diggstown” role, too. I hope she does not succeed Antoine at “GH,” which could happen. Morgan deserves her own series, too, or something comparable. The soaps are being killed off by the networks. All their actors should aim high at this point. Next to exit “GH” should be Billy Miller, who looks like he’s been taken hostage.