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NY Daily News: Ex Publisher Mort Zuckerman’s Hidden Mental Decline Spelled the End of the Paper He Loved

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The New York Daily News was gutted today by its new owner, Tronc, formerly the Tribune Publishing Company. Half the staff was fired. But Tronc was never the real publisher. From 1993 until last year, Mort Zuckerman protected his passion project.

Mort Zuckerman loved the New York Daily News. If he were well, and still in charge, Mort would never have let the paper fall into the clutches of people like Tronc. But Mort– who I met in 1985 when I went to work for him at The Atlantic Monthly Press Publishing Company– has secretly suffered from a form of dementia for the last several years. No one talks about it, and when the News was sold to Tronc last year for $1 no one mentioned it.

Over the years when Mort owned the paper, his employees and critics complained about him– because that’s what you do when your boss is a real estate billionaire. Mort went through editors like water through his fingers. But the paper was a symbol to him, and he propped it up the way Rupert Murdoch runs the New York Post. Mort knew his News was an essential to counterbalance in New York to Murdoch’s zany conservatism.

But Zuckerman has not been photographed at a public event in two years. A staple of Page Six, he slowly retreated from  public views. Zuckerman– who has daughters aged 20 and 9 — essentially turned the paper and his real estate business over to his devoted nephews and associates three or four years ago.

Mort bought the paper– rescued it, really, in 1993– when Czech-born billionaire Robert Maxwell, who owned the News, mysteriously drowned at sea. Mort installed Harold Evans, former editor of the Times of London, editor in chief of Random House, and my old boss at the Atlantic Monthly Press, to run the paper. In the 90s, the News enjoyed a Renaissance that continued into the 2000s– right up until the digital age came calling like the Grim Reaper.

No one ever discussed Mort’s declining situation. I wrote a piece about it, sort of, three years ago. At this point, lady friends of his escorted him to dinners. He was in a jovial mood. His dementia (it could be Alzheimer’s) had softened him and made him even more charming. You could see why famous women like Gloria Steinem had dated him. At a January 2016 dinner for the movie, “Creed,” he introduced me to his companion by saying, “This is Roger. He knows everything.” He clasped my hand in his, recalling our old acquaintance-ship. At that dinner, Mort bragged about his new editor. “What’s his name?” I asked. Mort hesitated. “I could tell you,” he said, “but you could look it up.”

Obviously something was wrong.This was not the Mort Zuckerman I knew: when we worked for him, he was ruthless. He sold the Atlantic Monthly Press to the highest bidder, a novice with money, not to the established Italian publisher who wanted it, because it lost money. “I don’t own companies that lose money,” he said. In the 80s he’d bought US News and World Report, The Atlantic Monthly, and the book company. Then in 1993, the Daily News. They were passion projects, and solid platforms to advance him as a TV presence on places like the McLaughlin Report. He was fiercely pro-Israel, which always endeared him to people who sometimes might be mad at him for other things. (Evans was a key part of his success. He wrote all of Mort’s editorials for US News, at least back then.)

If Mort had stayed well, he might have been able to fight the digital slaughter. But his illness coincided with the rapid rise of the internet. The physical paper, his bailiwick, was suddenly irrelevant. It slipped away almost as a metaphor for his own decline. I don’t know if Mort — who I’m told is well taken care of– has any idea of what happened recently. His family sold the paper to Tronc for a dollar– one dollar. When you pay a sawbuck for something, it has no value. Tronc didn’t care about the history of New York, journalism, any of it. And today they showed it.

The gutting of the Daily News today– it’s a tragedy to so many of us. I wrote for them in the early 90s, a lot. My editor was Harriett Lyons, who was wonderful. She ran NY Live, the paper’s Sunday magazine, a great read. Liz Smith had her famous gossip column at the News for years. She was followed by Rush & Molloy, Mitchell Fink, all of whom broke tough stories and were supported by Mort. The paper was full of strong voices like Pete Hamill, Mike Lupica, and Stanley Crouch.

Even recently the News won a Pulitzer Prize.  Last year it seemed like Tronc might be investing in the paper. Editor in perpetuity Arthur Browne and Time Magazine editor Jim Gaines interviewed potential new hires. But it was not to be. Jim Rich succeeded Browne after having left once before. Beleaguered Rich ran the paper like every edition was the last. His Trump covers were brilliant. To think that Tronc ‘troncked’ him today, is insane.

But there we go. Kids read their phones. Newspapers are too expensive to produce unless you’re willing to lose a lot of money. The Daily News needs a billionaire like Mike Bloomberg or David Geffen to swoop in and save it, in honor of Mort Zuckerman.

 

 

 

Gaga Goes Venice: “A Star is Born” Will Premiere at Venice Film Festival Out of Competition

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Lady Gaga is heading to the Lido. Her Bradley Cooper-directed Oscar hopeful “A Star is Born” will play the Venice Film Festival on August 31st.

This is a big roll of the dice for Warner Bros. But they’re hedging their bet. The movie will play out of competition, so it won’t have to deal with getting an award. A lot of other big fall releases will be in competition. Warners doesn’t need the headache of losing an award early in the season.

“A Star is Born” will then head to the Toronto Film Festival ten days later, and then on to its opening. There’s supposed to be a soundtrack album with new songs from Lady Gaga, as well. Will this be a bonanza or a bust? I think it’s destined to be a hit, with Gaga picking up an Oscar nomination. The pre-PR has certainly been laid like a foundation for a shiny new skyscraper.

Stay tuned…PS As for the music, Gaga has to get the record out before the Grammy deadline September 30th. The Grammys take place February 10th– imagine the hype if she performs the songs there, wins, then goes on to the Oscars. February 2019 will be Gaga month!

Broadway: Nine Stars Are Born in First Ever Revival of Lieber-Stoller “Smokey Joe’s Cafe”

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Jerry Lieber (now deceased) and Mike Stoller were the heavy hitters in the Brill Building. Alongside Carole King and Gerry Goffin, Neil Sedaka and Howard Greenfield, Neil Diamond, Cynthia Weil and Barry Man, Lieber and Stoller penned a huge catalog of hits with and for Ben E. King, the Drifters, Elvis, and so on.

Tonight their 24 year old Broadway revue, “Smokey Joe’s Cafe,” was revived in New York for the first time. This version is off Broadway, at what used to be called the Little Shubert, now Stage 42. It’s a big deal. Philip Smith, head of the Shubert Organization, was there. So was Stoller, 85 years young, and his singer-songwriter wife Corky Hale. Plus, people came who worked on the original show, like actor Michael Park, and many of the musical directors. I also finally got to meet a great Broadway performer, Christina Sajous.

The revival is a home run. Do not hesitate to see it right. The nine main performers are superb, each one a star waiting to happen. Jelani Remy, a former “Simba” in “The Lion King,” nearly steals the show with “Jailhouse Rock.” But Nicole Vanessa Ortiz is absolutely sensational on “Hound Dog” and “Fools Fall in Love.” Dionne D. Figgins makes Aretha Franklin proud with “Spanish Harlem.” You don’t want to miss John Edwards’ dramatic reading of “I Who Have Nothing.” Alysha Umphress is the group’s Adele. Dwayne Cooper has a magnificent bass baritone perfect for doo wop and R&B.

There is no “book” per se. Joshua Bergasse sets up little narratives in each song, so that Lieber and Stoller’s intent is realized whether it’s a hit or a rediscovered gem. What really comes across– just as in “Beautiful”– that these songs have stood the test of time. You needn’t be contemporaneous to them to enjoy their magnificent melodies and lyrics. Frankly, this show comes at the right time.  A little Love Potion Number 9 always works its magic.

Sacha Baron Cohen’s Showtime Series Fails to Dupe Ted Koppel, “Gets” Dick Cheney, Insults Regular People In Kingman, Arizona

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I felt bad for the people of Kingman, Arizona who were duped in episode 2 of Sacha Baron Cohen’s Showtime series, “Who is America?” They didn’t ask for the show to come and embarrass them. Somehow Cohen got a group of these rural rubes to come to a presentation in which Cohen’s heavily made up character told them they were going to get a $385 million mosque.

Look, the people are racists. They don’t have teeth. They admit to tolerating the black people in their town. But isn’t this shooting fish in a barrel? Don’t we know this already? Their spewing of hate is nothing new. Arizona wouldn’t allow the MLK Holiday at first. Rather than Muslims coming in, Cohen should have asked about Mexicans and immigration. Much more on point.

In this episode, Cohen tries to dupe journalist Ted Koppel, who won’t be had. Cohen does make mince meat of Dick Cheney, an old stupid war monger who is not relevant to what’s happening today. Cheney is so 2005.

Cohen is very funny, I do laugh at his stuff, but I also wonder: what is being accomplished here? A huge effort is being made to humiliate really sad people. He savages a Georgia state rep, gets him to pull down his pants and say terrible things. But the guy is already so pathetic, what’s the point? On top of that, Cohen money or a tax break from the Georgia Film Commission. Their logo comes at the end of the show. I’m sure they’re thrilled.

There’s also a lot of time spent setting up and savaging a “Bachelorette” contestant, Corinne Olympios. This girl has an IQ of 7. Why pick on her? Funny? Yes. But if “Who is America” is largely getting stupid people to read inane scripts, what’s the point there? I’m sure you could get her to read the ingredients on dog food.

Yes, it’s all fun. But in the current political climate, “Who is America?” is not helpful.

Denzel Snatches Victory from Jaws of Defeat! “Equalizer” Sequel Upsets “Mamma Mia” Sequel for the Win!

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Denzel Washington and Antoine Fuqua Jr. came from behind today and took the weekend from Cher, Meryl Streep, and ABBA.

“The Equalizer 2” was the surprise weekend winner over “Mamma Mia: Here We Go Again.” Nicely done for Denzel, he beat the ABBA musical $35.8 to $34.3 million. All week the good money was on “Mamma Mia” right through Friday night. But “Mamma Mia” had a little more fall off than expected on Saturday and Sunday.

The top six movies this weekend were sequels, by the way. Yawn!

Many indie films did great including “Sorry to  Bother You,” “Blindspotting,” “Leave No Trace,” and “RBG.” But the Whitney Houston doc took a big fall, from number 17 to 28. Roadkill Attractions pulled it from 291 theaters in its third week, ensuring its early death. Too bad. But it’s too to get into name calling again just yet.

Meantime the Beatles’ 50th anniversary edition of “Yellow Submarine” is up to $683,000 in its third week.

Former Fugees Star Lauryn Hill Angers Fans on Twitter After Showing Up Late to Shows, Playing Short Sets, Unrecognizable Songs

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Believe it or not this is the 20th anniversary year for “The Miseducation of Lauryn Hill.” It was the only commercially viable album by the Fugees star. She’s spent two decades squandering her talent.

Now a blow out show in Toronto has backfired on her on Twitters. Fans are fuming that she showed up late, played a short set, and the songs were unrecognizable. She’s done it in other cities, too.

(Watch) Sacha Baron Cohen Fake Artist Sends Surprise Gift to Ambushed Art Dealer Christy Cones

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Ambushed Laguna Beach art dealer Christy Cones posted this Tweet today: Sacha Baron Cohen, under his character’s name Rick Sherman, sent her a surprise gift– the “art” he created from his bodily fluids while duping her during a taping for Episode 1 on “Who is America?”

The show airs again tomorrow night, but there are no previews. Last week they scored just 327,000 viewers.

Cones is a sport. She’s trying to keep her 15 minutes of fame while still smiling. Good for her. But she’s also not going to be embarrassed easily. She writes:

“This is just the beginning. The original emails used by Sacha and crew to lure gullible Christy into a trap will be made public, as well as the video used to create the fraudulent artwork. Other vids too”

Pop: Drake Adds Another 265K In Sales, Mostly from Streaming, and Another $2 Million

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The summer of Drake continues unabated.

His “Scorpion” album added another 265,000 in sales, almost all from streaming. Drake’s album sales– CDs and downloads– is minimal at this point.

But it’s all good. According to hitsdailydouble’s Song Revenue Chart, Drake made about $2 million last week from streaming all the songs on the album in the top 20.

His breakout hit from the album is the single “In My Feelings.” It’s way ahead of the track that samples Michael Jackson’s voice from an unreleased track.

There are just 4,350 people left in the U.S. They bought John Coltrane’s unreleased, recently discovered “Both Directions at Once.” You know who you are.

Eleven of the top 50 albums this week are from “legacy” artists. The Columbia Records name appears just twice. Warner Bros. doesn’t show up at all.

The Winner Takes it All: ABBA Cleans up as “Mamma Mia” Sequel Equalizes Denzel Washington

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As predicted, “Mamma Mia” took the Friday night box office by storm. Using a Cher and Meryl Streep “Silkwood” reunion, the ABBA musical raked in $14,277,000 and was number for the night and weekend.

Denzel Washington’s “Equalizer” sequel– the only sequel Denzel has ever been in — came in 2nd, with $13,555,000. Denzel  may consider not doing a third installment after this one is met with some antipathy. He has more important things to do.

In less fraught news, Annpurna Pictures’ “Sorry to Both You” will flirt with the $10 million mark this weekend– it will take to Tuesday maybe to get there. Boots Riley’s nutty little film could turn out to be the “Get Out” of the summer. We’ll wait and see how that plays out.

Kimberly Guilfoyle Makes First Move on Sarah Sanders Job, Leaving Fox News to Join Trump World

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Kimberly Guilfoyle wants Sarah Huckabee Sanders’ job. This is how she will get it.

Guilfoyle is leaving Fox News, as first reported by VanityFair.com’s Gabriel Sherman on Twitter. She will join a pro-Trump PAC according to other reports. Guilfoyle has been dating Donald Trump Jr. for the last couple of months.

Trump Jr. is divorcing his wife of 18 years, mother of his five children, Vanessa. Guilfoyle is 49, Donnie is 40.

On another track, Sanders may be leaving her role as Chief Liar for the Trump Administration at the end of the year. She’s denied it, but NBC reported this last month. Since Sanders rarely tells the truth, who knows what’s happening? But if Guilfoyle smells blood in the water, she’s swimming in that direction. Plus, her new boss would be her old boss, Bill Shine of Fox News, now installed as Trump’s communications director at the behest of Rupert Murdoch, our real president.

And so it goes. How long before she’s Kimberly Trump? Wedding next June?