Saturday, December 20, 2025
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Soap Ratings Plummet for “Young and Restless” as Stars Exit, “General Hospital” Losing Key Demo in Droves

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The soap operas are really having ratings issues now.

“The Young and the Restless” started November sweeps with a huge week to week drop– 170,000 viewers exited with star Eileen Davidson. By Friday November 2nd, “Y&R” was under 4 million viewers. On the same day Davidson left, Christel Khalil– who’s almost 30 years younger than Davidson and should be a key player in attracting key demo viewers– also said goodbye. These departures are being painted as voluntary. But that’s highly unlikely. Executive Producer Mal Young is having trouble keeping a 45 year old ship afloat.

Meanwhile, “General Hospital” has dropped to fourth place– out of four soaps– in the key demos for all ages. During the first week of sweeps they lost 537,000 viewers from the same week last year. Whaattttt???? Where did everyone go? The demo loss and the total audience drop should be enough to convince the people in charge to make serious changes. That many viewers is a whole cable show, like “Camping” on HBO.

The other two soaps, “Days of Our Lives,” and “The Bold and the Beautiful,” are also not booming. But their losses don’t seem so bad by comparison. And “B&B” actually was first in the 18-34 key demo that week, beating “Y&R.”

Mister Rogers Documentary “Won’t You Be My Neighbor?” Wins Critics Choice Doc Award, Moves Closer to Oscar

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Morgan Neville’s documentary about Mister Rogers, called “Won’t You Be My Neighbor” won the Critics Choice Documentary Award tonight at the 3rd annual affair held in Brooklyn at BAM offshoot BRIC.

“Neighbor” is turning into the crowd favorite for the Academy Award. It would be Neville’s second Oscar, after “20 Feet from Stardom.” Other winners included Quincy Jones, Judd Apatow for his Garry Shandling doc, plus Nat Geo films “Free Solo” and “Science Fair.”

What’s changing is that award winning docs are now popular films about cultural subjects. This has shifted from hard hitting news, social commentary, and so on. I can’t say it’s bad, but it’s a change that needs to change back in the next couple of years.

Here are the winners:

Best Documentary: Won’t You Be My Neighbor?

Best Limited Documentary Series: The Zen Diaries of Garry Shandling

Best Ongoing Documentary Series: Anthony Bourdain: Parts Unknown

Best Director: Morgan Neville for Won’t You Be My Neighbor?

Best First Time Director: TIE: Bing Liu for Minding the Gap, and Cristina Costantini and Darren Foster for Science Fair

Best Political Documentary: RBG

Best Sports Documentary: Free Solo

Best Music Documentary: Quincy

Most Innovative Documentary: Free Solo

Best Cinematography: Free Solo

Best Editing: Won’t You Be My Neighbor?

Trump Finally Gives Presidential Medal of Freedom–to Two Long Dead Celebs and $55 Mil Republican Donor

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Every president of the modern era, starting with JFK, has given out the Presidential Medal of Freedom. No matter the party, the Medal has gone to cultural stars, great composers, directors, actors, etc.

But no one now will accept the Medal from Donald Trump. So he’s giving it to the single largest Republican donor, Miriam Adelson, wife of Sheldon Adelson, donors of $55 million-plus to the Republican Party.

Also receiving Medals are Babe Ruth and Elvis Presley. The former died in 1948, the latter in 1977. No living  entertainment star will get a Medal. None wants it. One of two living sports stars on the list is Roger Staubach.

Other recipient include Senator Orrin Hatch, dead Supreme Court Justice Antonin Scalia, and former NFL player and Minnesota jurist Alan C. Page, who is African American and selected, let’s face it, for the optics.

Of the two celebs, Ruth probably wouldn’t be so keen on getting award from Trump. Elvis loved Richard Nixon, so maybe he would have dug Trump. It’s unclear how Scientologist daughter Lisa Marie Presley feels, or her mom, Priscilla Presley.

This is a pathetic list issued by a hobbled White House. The Adelson honor is laughable, a joke. It’s done for money, and nothing else. Sheldon Adelson is so awful they had to give it to his wife instead of him.

 

 

Pop Irony: Barbra Streisand’s “Walls” Kept From Being Number 1 This Week by New “A Star is Born” Album

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The votes are in, and in album sales this week, Barbra Streisand’s new “Walls” album is not number 1. It’s number 2. The number 1 album? Ironically, it’s the soundtrack to “A Star is Born.”

Streisand knew last year that the new “A Star is Born” was coming in the fall, along with a new Lady Gaga soundtrack. So she hustled to get a new album out around the same time, lest the public would only be talking about her in the context of ‘Lady Gaga succeeds Streisand’. Streisand, of course, had had a major career victory in 1976 in the theaters and on the charts with her “A Star is Born.”

And so we have “Walls,” a mix of new songs and old with some muddy production and political overtones that are right headed but will rankle a few right wingers. For a contemporary sound, Streisand has never been able to get back to her best pop album, “Stoney End,” produced by Richard Perry. On record, she always sounds like she needs Baywatch to come rescue her from strings.

But what a delicious irony that waiting a month after Lady Gaga, Barbra still couldn’t come in on top. That must be frustrating. On the BuzzAngle/HitsDailyDouble chart for sales and downloads, “Walls” sold 33,327 to Star/Gaga’s 45,343. And the latter actually moved UP to number 1 from number 2.

Barbra did less well on the chart that includes streaming, coming in at number 11. Her streaming was nil– just a thousand. Star/Gaga was number 2 with about 25,000 more copies from streaming.

The “Star” CD does have the upper hand– it’s attached to the movie. And of course Gaga is the star of this generation. She is now to Barbra what Barbra was to Judy Garland when they sang together. Of course this means that soon we will have a Barbra/Gaga duet recording and maybe a performance — if everyone’s smart– on either the Oscars or Grammys.

Remember– you read that here first.

Actress Felicity Jones On the Long Shadow of Ruth Bader Ginsburg: “I knew the Punk image she had”

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On the evening before Ruth Bader Ginsburg fractured her ribs and had lovers of justice everywhere praying for her speedy recovery, Felicity Jones and Armie Hammer coincidentally participated in a Q&A at the SVA Theater following a screening of “On the Basis of Sex,” their new film which focuses on the formative years of the judge’s career and marriage.

The spotlight in particular is on the one case — on gender discrimination — the Judge argued with her husband, Marty, an esteemed tax attorney and an adoring husband and ardent supporter to his wife. It’s a good courtroom drama that hinges on some tension at the end. The film is equally divided between the early uphill battle of Ginsburg’s career and a loving and inspiring portrait of the Ginsburg marriage.

Both Jones and Hammer have a terrific onscreen chemistry and give a winning performance although the one complaint is that their Jewish identity is downplayed, which is glaring particularly in the light of recent events, including the midterm elections. Imdb.com says Hammer has some Jewish ancestry although neither actor seems remotely Jewish. In the film it’s only fleetingly mentioned of Ginsburg that she’s Jewish and that’s in a disparaging remark by one of her Harvard professors. Ginsburg was one of very few women admitted in her Harvard class and one of the pleasures of the film are the several digs at Harvard for its disgraceful treatment of women. Ginsburg ended up receiving her degree from Columbia when she had to move to New York where her husband was treated for testicular cancer. (Marty died in 2010.)

“On the Basis of Sex” is directed by TV producer-director Mimi Leder, who is returning to the big screen — “The Peacemaker” and “Deep Impact” — from her more recent television hits like “The Leftovers.” The screenwriter is Daniel Stiepleman, RBG’s real-life nephew, who is making his feature screenwriting debut.

Jones said of taking on the role of Ginsburg, especially as an English woman: “I knew of Ruth. I knew the punk image that she had – she’s such an icon. But I didn’t know the detail and the depths of her story. I didn’t know about her relationship; I didn’t know about her family. So, that all came from reading the script, and when I read the script, it was just an absolute no-brainer. It was so wonderfully written. It was all on the page.”

Of Stiepleman’s screenplay, Jones said, “He did an excellent job of portraying someone who obviously has such a high standing in the US Courts. But also he found all the nuances. He found – he obviously knows his aunt intimately, so he has access to her as a human being. And to all the moments that were really difficult, and when stuff didn’t go as planned, and constantly she was coming up against these obstacles. So, it was very much someone who was from a very modest background. So, the odds were constantly against her. And I always think of her and Marty, they were real fighters. They were constantly fighting in a situation that wasn’t always on their side.”

Armie Hammer said the film takes a “look behind the curtain” and that he “loved the idea of a female superhero who changed the face of the world we all live in, without having superpowers. As the father of a daughter, I loved the idea of a story being told of a woman who changed the world using nothing more than her brain and an incredible amount of willpower.”

He was also moved by their relationship. “Especially Marty, being willing and able, and also so adept at defying gender norms. In the ’50s and ’70s, when this movie really takes place, you’d be really hard-pressed to find another guy who would be willing to stay home and cook and deal with the kids and all that. And it wasn’t a done thing, but he did it because he believed so much in Ruth. And also they existed with such symbiosis. You would have no Justice Ruth Bader Ginsburg without the support of her husband. And then you would have no “Party Marty”, as I like to call him.”

The idea to write the screenplay came to Stiepleman at Martin’s funeral. Said Hammer: “Someone got up to eulogize Martin and talked about the only case that they’d ever fought together. And he thought, “My god, That’s amazing. I would love to write this story.”

“So, he approached Ruth and he said, “You know, Aunt Ruth, I would really love to write this story. Because it seems like such an amazing story. Would you mind if I did that?” And she paused for a second and said, “Well, if that’s really how you want to spend your time, I guess.” The audience roared.

Both stars of the film met with RBG. So, what was it – what do you say when you meet Ruth Bader Ginsburg?
“Well, the first time we met her, she couldn’t take her eyes of Armie,” replied Jones to laughter.

Photo 2018 Showbiz411 by Paula Schwartz

 

ABC “Nightline” Host Byron Pitts Launches 25 Year old Daughter Christiani as Broadway Star in “King Kong”

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First, the good news. Christiani Pitts, daughter of ABC “Nightline” host and veteran network reporter Byron Pitts, is a star tonight. She made an otherwise peculiar “King Kong” soar in places where it would not have, necessarily. Christiani was a last minute replacement for another actress who left the show, and she nails the part of Ann Darrow, an actress who’s lured to Skull Island to make a movie about a monster.

More good news: “King Kong” looks sensational. The production of the $35 million musical could not be better. Sets, costumes, scenic design, lighting and projections are A plus. You won’t get a bigger bang for the buck than at “King Kong,” which opened last night at the Broadway Theater. Regis and Joy Philbin, Susan Lucci and husband Helmut Huber, and Renee Taylor were all in the audience.

So: all good, right? Not so fast. This is tuneless musical. The songs are just about as awful as they could be. I give credit Christiani Pitts and her co-star Eric William Morris for performing them. They’re like punishments for the ears– no melodies, no hooks, laborious, turgid and full of information no one needs. In an early song you can hear “Live and Let Die.” Just, you know, take the songs out and tell the story of King Kong. That’s enough.

The book by Jack Thorne wrestles the Kong story to the ground. For the most part, Thorne is adept at keeping it all straight, conveying emotion and a little backstory to these characters so that there’s momentum. But he doesn’t develop secondary characters or a secondary plot or arc at all. The entire saga rests on the hands of Pitts and Morris and Kong himself, a gigantic, elaborate and heavy puppet who I thought acquitted himself well. Certainly the kids in the theater were mesmerized by him.

The New York Times printed a rare “double” review of “King Kong” by Ben Brantley and Jesse Green. It’s vicious and uncalled for. No, “King Kong” isn’t “Sweeney Todd.” But it’s a spectacle and highly entertaining in a nonspecific way. It’s really worth it just to see how it’s staged. PS Kudos to Aliza Ohman, part of the ensemble– she gets to do a little comedy bit as the ape approaches. It’s much needed comic relief in a show of relentless melodrama.

Harry Potter and the Case of the First Bad Movie: “Fantastic Beasts 2” Getting Alarmingly Negative Reviews

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Uh-oh.

Has the magic potion of “Harry Potter” started to come undone?

The lastest movie JK Rowling inspired film, “Fantastic Beasts: The Crimes of Grindelwald,” is getting pretty negative reviews. As they roll into Rotten Tomatoes, the score right now is 57%. But that may not hold. The overall feeling in all reviews is that “Grindelwald” is a mess and a disappointment.

I loved the first “Fantastic Beasts,” which was a massive hit– $814 million worldwide, $234 million US. I even kept my Newt sorcerer’s sticks.

But “Grindewald” — with Johnny Depp hoping to make a comeback from the trashpile he’s made of his career– is not being warmly embraced.

Some excerpts:

Justin Chang, LA Times — “It offers up dazzling feats of sorcery and realms of wonderment and manages to conjure the very opposite of magic.”

Robbie Collin, Daily UK Telegraph– “The biggest riddle in Fantastic Beasts: The Crimes of Grindelwald is working out what on earth the film is actually about.”

So keep refreshing…maybe it will get better….

Julius and Ethel Rosenberg’s Granddaughter to Make Doc About Trump Mentor Roy Cohn, Who Had Them Executed

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Let’s say Ivy Meeropol is an Angel in America. The granddaughter convicted spies Julius and Ethel Rosenberg is making an HBO documentary about the man who sent her grandparents to their execution: the very evil Roy Cohen.

Previously, Ivy made an incredible doc about the Rosenbergs called “Heir to an Execution.” She also directed “Indian Point.”

Cohn was the lawyer for the House UnAmerican Activities Committee in the 1950s, lackey of Senator Joseph McCarthy and then Vice President Richard Nixon. He destroyed hundreds, if not thousands, of lives painting people as Communists and then blacklisting them– or worse.

In the case of the Rosenbergs, Cohn oversaw their railroaded prosecution for being Russian spies, and path to the electric chair. “Heir to an Execution” is a must see film. And now so too will this untitled film be as well.

Cohn went on to become Donald Trump’s self-proclaimed mentor. They had a metaphoric passing of the flaming pitchfork.

Meeropol is basing her film on discovered taped interviews between journalist Peter Manso and Cohn, a cesspool of a human being, at the height of his power-brokering in New York in the late 70s and early 80s. Cohn’s decline and death from AIDS were chronicled in Tony Kushner’s Pulitzer Prize winning play, “Angels in America.” Kushner, and actor Nathan Lane, who played Cohn, are interviewed in the movie.

Cohn, charred to a crisp in hell these days, was also the best friend of Barbara Walters, who is now in total retirement and off the social circuit. It will be interesting to see if she turns up in this film. Walters once told me it was Cohn who helped her adopt her daughter Jacqueline. Cohn was gay, and Walters acted as his “beard” for many years.

Ivy Meeropol says in a press release: “The time has come for audiences to understand a man who, while hiding so much of himself from the world, has had a profound influence on our society, even to this day. We are thrilled to partner with HBO Documentary Films to bring this remarkable story to life.”

Just to clear this up: Ivy is the daughter of Julius and Ethel’s son Michael, who was adopted by people named Meeropol after their parents were unjustly killed by Cohn and the US government. The Rosenbergs had another son, David, and Ivy has a brother.

You might want to read E.L. Doctorow’s excellent novel, “The Book of Daniel,” which dramatized their story.

Exclusive Chat with Mark Wahlberg: “I go to bed at 6:30. I turn the television on and fall asleep with the remote in my hand”

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Mark Wahlberg was at the Mandarin Oriental last week for a press conference to promote his new comedy “Instant Family.” Afterwards he went to the buffet table to help himself to a bowl of plain Greek yogurt and fruit. “Do you mind if I sit down with you?” He asked three of us at a table sipping coffee. We made room.

Wahlberg, who is down to earth and very nice — and built like a Greek god (he works out twice a day according to his Instagram account) — asked if we’d seen any good movies?

Almost before we could reply, a publicist tried to tear him away. “Got to keep moving Mark,” she told him. “I sat down with them,” the actor replied, noting we did not invade his air space.

We rattled off some movies, including “Can You Ever Forgive Me?” “Bohemian Rhapsody,” “A Star is Born” and “The Favourite.”

Wahlberg asked about “Can You Ever Forgive Me?” He was also interested in whether Rami Malek lip-synched in the Queen film or was he actually singing? He’d also heard the movie was getting flack because it didn’t focus enough on his gay relationships.

After a journalist gave a detailed account of the Melissa McCarthy film, I asked if he wasn’t related to her? “I’ve never met her. I think she may be related to my brother’s wife, Jenny McCarthy,” he said.

“I haven’t seen anything,” said the 47 year old married father of four. “I go to bed at 6:30. I turn the television on and fall asleep with the remote in my hand.” (He’s famous for his 5am workouts.)

Wahlberg just started shooting the action thriller, “Wonderland,” in Boston. It’s an adaptation of late great mystery writer Robert B. Parker’s “Wonderland,” directed by Peter Berg, who Wahlberg worked with on “Lone Survivor” and “Mile 22.” It’s his first Netflix film, so he was asked if he thought it inevitable he would be making movies that are streamed rather than having theatrical runs?

“Netflix’s going to give it a theatrical release, but it’s pretty inevitable that people are going to decide when and where and how they want to watch films.”

When I asked if he had any dramas like his Oscar-nominated film “The Fighter” in the works, he said the next couple of films were in that category. For several years he’s been working on developing a script with David O. Russell, whom he collaborated with on “The Fighter” and “I Heart Huckabees” about Father Stu, who he said was “an amazing priest from Helena Montana,” a tough guy who was a fighter, a football player and “later in life wanted to become a priest” even as he battled a fatal disease. He would star as the priest.

If Russell and Wahlberg do reunite, it would be quite a story. Word was they had a bad falling out after “The Fighter.” Wahlberg thought he was going to be in Russell’s “Silver Linings Playbook,” but was replaced by Bradley Cooper, who went on to an Oscar nomination. So maybe that rift has healed.

After about 15 minutes Wahlberg got up. “Nice to see you guys,” he said. Then he took off for his round of afternoon interviews for “Instant Family.”

Spike Lee, Brooke Shields, Kiera Chaplin Revisit Classic Films at Star Studded UES Theater Opening

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It was quite an opening night for the new plush CMX CineBistro on East 62nd St. between First and York.

There are actually several state of the art movie theaters on three levels in CMX, where you sit in luxe leather chairs and eat designer food. (We had lamb chops and Cracker Jacks. Mmmm.)

For the opening, the owners got Spike Lee, Brooke Shields, and Charlie Chaplin’s beautiful granddaughter, Kiera, to present three films associated with them. Spike brought his Oscar-bound “Blackkklansman.” Brooke showed Louis Malle’s “Pretty Baby,” in which she was 12 years old and caused a scandale. Kiera Chaplin introduced “City Lights,” which was so popular that all the seats were taken, including one by Cuba Gooding Jr. on an off night from “Chicago” on Broadway. “City Lights” was released in 1931 and was smarter, by the way, than almost anything current. And more artful.

 

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With the legendary @officialspikelee

A post shared by Kiera Chaplin (@kierachaplin) on


Other celebs milled in the lobbies, nibbling on shrimp, steak, and fried cauliflower. In the basement lobby, there was a jazz band with a female lead singer dressed to look like it was the Copa in the 1950s. Beautiful young ladies, dressed scantily (but within parameters) fan-danced and gyrated in a five foot high martini glass. A Charlie Chaplin imitator toodled around in full Trump with a swing cane and a mustache.

Suddenly, the UES has a movie destination. CMX is perfect for private parties, screenings, regular showings, mini film festivals. Now if only we had one downtown!