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Ratings: “Keeping Up with the Kardashians” Sinks Again Below 1 Million Viewers, Finishes Last Among Almost All Sunday Shows

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Apart from causing trouble in Broadway theaters, the Kardashians are once again in the news.

Ratings for “Keeping Up with the Kardashians” have been trending down down down all season. On Sunday night they fell to just 941,000 total viewers.

That number is back to where they were in October. In November, the K’s picked up steam when they had some juicy material and faked public fights. But it seems like the fans got wise pretty fast.

The K’s were trounced, for example, on cable by Real Housewives of Orange County– which had 1.7 million viewers, nearly twice as many.

A Hallmark movie– which is the hallmark of drivel– scored 2.1 million viewers. Even Showtime’s “Ray Donovan” scored over 1 million eyes. The K’s were literally finished last at 9pm among all TV shows aired nationally at 9pm on Sunday including all but one network TV show– the reboot of “Charmed.”

 

 

AFI Chooses Top 10 TV & Film: “Roma” Gets A Special Prize, “First Man” Snubbed, “This is Us” Only Network Show

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For what it’s worth, the American Film Institute chose its top 10 movies and TV shows of 2018. Alfonso Cuaron’s “Roma” not only won a spot in the top 10 but got a special prize, too. I must say, “Roma” is playing Hollywood like a fiddle. It’s as if everyone is under a spell. It’s a great movie, but seriously– a special award, too?

The big disappointment? “First Man,” which I loved, was snubbed. The AFI went for smart horror again with “A Quiet Place” after last year’s “Get Out.” Also in is “Black Panther,” reflecting a change in the attitude toward comic book movies.

“This is Us” was the only network TV show to make that list.


AFI MOVIES OF THE YEAR

BLACKKKLANSMAN
BLACK PANTHER
EIGHTH GRADE
THE FAVOURITE
FIRST REFORMED
GREEN BOOK
IF BEALE STREET COULD TALK
MARY POPPINS RETURNS
A QUIET PLACE
A STAR IS BORN

AFI TV PROGRAMS OF THE YEAR

THE AMERICANS
THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY
ATLANTA
BARRY
BETTER CALL SAUL
THE KOMINSKY METHOD
THE MARVELOUS MRS. MAISEL
POSE
SUCCESSION
THIS IS US

AFI SPECIAL AWARD

ROMA

Jason Momoa on What He Wants to Play After Aquaman: “I just want to speak English. I don’t want to fight anymore.”

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Jason Momoa knows how to make an entrance. The striking and strapping star of “Aquaman” attended a press conference Saturday morning at the Four Seasons hotel, along with cast members Patrick Wilson, Amber Heard and director James Wan, and created a sensational impression.

The ballroom where the press event was held featured life-size costumed characters from the film and displays of impressive weaponry under glass cases. In the center of the room was a realistic replica of Momoa as Aquaman, with muscles bulging and tattoos encrusted all over his naked chest and back. As he walked into the room — proceeded by a procession of a dozen models dressed as characters from the film — Momoa flexed his muscles and posed next to his Aquaman recreation. He’s  even more impressive in person than the Aquaman statue.

Momoa does the best he can to disguise it, but he’s a very handsome man. Up to now he’s best know for monosyllabic roles in action roles, like his  stint as Drogo in “Game of Thrones,” and starring roles in “Conan the Barbarian” and the Netflix series “Frontier.”

Momoa plays his most emotional role to date with “Aquaman.” Director James Wan said the film’s star brought his personality to Aquaman. “And not bringing him to Aquaman, but bringing Aquaman to him. That’s what I loved most about it, is I get to be the one to showcase the other side of Jason Momoa, that not many people have seen, which is a fun side, the funny side of him, and I think after this movie comes out, people are going to see what a potential romantic lead he is as well…”

Momoa interrupted the director and sighed, “I just want to speak English. I don’t want to fight anymore.”

Amber Heard plays Princess Mera, a “bad ass partner” to Aquaman in his battle as the reluctant king of Atlantis. The appeal of the role she said was that Mera “is no damsel in distress.” She trained for the action scenes for five to six months before they even started shooting. As for her full body costume that she looks vacuum packed sealed into, Heard said, “It was the most covered up I’ve ever been. I mean, in that. I was like, are you kidding me? Jason is the one who went topless all the time…. You’re the one who had to like, work your ass off,” referring to all the flesh the actor displays in the film. Heard turned to Momoa sitting on the couch next to her.

Momoa said the first time he put on the Aquaman costume was a “surreal” experience he’s never known before. “The best part of wearing the suit, my personal experience is it’s really beautiful, and I’ve actually never told James this, but I put it on, and I didn’t have a mirror. So, we put it on in my wardrobe, and I get to see his face, and he’s always, he’s extremely passionate, and he let’s you know right away, but like … the absolute joy on his face. He looked like a kid when he beamed. Just like, ‘I did it!’”

And then Momoa said he FaceTimed his kids with wife actress Lisa Bonet. “They were just like, ‘Nice, dad. I guess you’re a big deal!’ Their eyes, their reaction was just like, blown away. So, I mean, that’s my perfect experiences, of putting that (suit) on.”

The final question of the 23-minute press conference was for the director: What is the one thing he hoped comic book fans will take away from the film?

“For me, I’ll just say I want those fans to know that I’m a fan myself, and I really respect the source material, and again, the fact that, for the fans out there that have stood by Aquaman all these years, while people made fun of him, made fun of his comic book, made fun of all the characters in his world, I want them to see that this is finally the opportunity to get revenge and by that I mean, that this movie is made with a lot of love, made with a lot of compassion, passion,” said Wan. “I really love this film, and I love these characters, and the world that these characters reside in, and I really want them to know that I was very respectful to source material, and then on the other side is, I want to introduce all these guys to a whole new generation of kids that never grew up with this character. And so, I want the two separate worlds to come together.”

Photo c2018 Showbiz411 by Paula Schwartz

Broadway Actors in Opening Night of “The Cher Show” Admonish Kanye West for Using Phone Throughout Show

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Opening night of “The Cher Show” on Broadway brought unusual guests: Kanye West and Kim Kardashian. They sat a couple of rows in front of me.

But actors in the show were not happy with the Wests. Turns out Kanye was using his phone all through the show. At intermission, the backstage was abuzz with complaints. Actor Jerrod Spector, who plays Sonny Bono, sent Kanye a message on Twitter:

“Hey so cool that you’re here at ! If you look up from your cell phone you’ll see we’re doing a show up here. It’s opening night. Kind of a big deal for us. Thanks so much.’

Kanye apologized in a Tweet for his “poor etiquette.” But that didn’t negate what he did.

I spoke to both Kanye and Kim in the theater during the intermission. Kim told me that Kanye actually sees a lot of Broadway shows, but that she hasn’t seen that many lately. Rosie O’Donnell spoke to them, too, and they were low key. Kim told me how much she admires Cher, and that their connection is because both their families are Armenian.

“The Cher Show” pulled a number of celebs to opening night at the Neil Simon Theater including Hoda Kotb, Bryan Cranston and his wife Robin, Keegan Michael Key and his wife Elisa, lifestyle guru Sandra Lee, as well as Cher’s entourage which included costume designer Bob Mackie, rock star jewelry designer Loree Rodkin and Cher’s son Elijah Blue Allman.’

Also in the house: Christine Baranski, Tina Fey and her husband “Mean Girls” songwriter Jeff Richmond, married couple stars of “Pretty Woman” Andy Karl and Orfeh, Christine Ebersole (Rosie kept saying to me, “That’s Christine Ebersole!”— very cute), and Jen Colella, the amazing star of “Come from Away.” Orfeh (who I love and you must see rock out in “Pretty Woman”) said, “I’m so glad they did this on a Monday night so we could all see it.” Most of Broadway is off on Monday nights.

“The Cher” is a big, wet sloppy kiss to Cher, who is much admired. She was a self-starter who embraced ambition and has never let periodic downturns in her career destroy her. Stephanie J. Block is stunning as Cher, funny and full-throated. The two other actresses who play Cher at different stages of her life are equally engaging. Cher’s hits are well-represented, but they’re woven clumsily into a not very well-developed storyline. The second act is a mess. For some reason, the orchestra keeps playing the opening to Steely Dan’s “Rikki Don’t Lose That Number” all through “The Beat Goes On.” Beats me.

Few of the songs are staged imaginatively. The best is “Dark Lady,” the only one that comes alive. “Gypsies, Tramps, and Thieves” is a missed opportunity. There is an unfortunate passage about Sonny Bono being dead, glibly kicked to the curb after being built up as a big character. Act I at least has the Sonny story was an arc. Act II isn’t written at all.

The producers must have spent a lot of money making Lucille Ball a character (I hope Lucie Arnaz was paid well). They also had to license Allman Brothers songs for Gregg’s section. For some reason, Ringo Starr’s “It Don’t Come Easy” is played– I don’t know why. Many of the best Sonny & Cher songs are either mis-read– “All I Ever Need Is You”– or omitted completely– “A Cowboy’s Work is Never Done.” Remember, the new show is competing against reruns of “The Sonny & Cher Show,” and losing.

Still most of “The Cher Show” is very entertaining. It brings Vegas to Broadway. And it’s very much an empowerment theme. At one point Cher’s mother tells her it would have been easier for her to marry a wealthy man. Cher’s response: “I am a wealthy man!” Touche!

 

Stormy Daniels’ Lawyer Michael Avenatti Publishes Detailed List of Expenses for His Porn Star Client

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This is so weird. Now Michael Avenatti, Stormy Daniels’ lawyer and insta-celeb, has published a detailed list of expenses for his client. Avenatti has made himself into a national character attacking Donald Trump, Michael Cohen and the GOP. When they turned around and started planting stuff on him, Avenatti seemed surprised. Then Stormy said she had problems with him and didn’t know where all her money was going from crowdfunding. Now Avenatti says he’s repaired the Stormy situation and tells us about the money. It’s a sideshow in a carnival and often a worthy diversion. So here’s his latest.

UPDATE: Tickets to See the Clintons Tomorrow Night in Sugarland, TX Fall to $9.21

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Yesterday I wrote that there were plenty of tickets available for tomorrow night’s appearance in Texas by Bill and Hillary Clinton.

A sharp eyed reader– Dean Goodman, formerly of Reuters– pointed out that on Stub Hub, tickets to the see the Clintons at the Smart Financial Center in Sugarland are now down to nine dollars and twenty one cents.

That’s like, free.

This doesn’t bode well for their tour beginning in April 2019. The Clintons should have booked smaller venues and sold them out, made it special. Instead, they overdid it. Big mistake. Stories like this one are going to dog them. The cost of security is going to exceed what they make on this venture.

Grammy Nominations Moved to Friday Morning Out for Respect for President Bush’s Funeral

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The Grammy Awards keep getting kicked around by outside forces.

They were supposed to announce 2019 nominations on Wednesday morning, December 5th. Now, because of the day of mourning for President George H. W. Bush, NARAS has moved the announcements to Friday morning December 7th.

Recently the Grammys were surprised when the Oscars snatched their usual date for their broadcast– the second Tuesday in February–for 2020. The Grammys had to claim dates at the end of January.

Friday’s nominations should be interesting. There really wasn’t an outstanding album in 2018 that would galvanize viewers except Taylor Swift’s “Reputation.” But Swift made a big deal out of appearing on the American Music Awards in October. The Grammys don’t usually allow artists to appear on their show after that– other than to pick up awards.

RIP Bleecker Bob Plotnik, the Man Who Gave America New Wave, Punk, Power Pop in the 1970s

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It’s a couple of days late, but I’m reporting to you that Bleecker Bob Plotnik died November 29th at age 75. If you lived in Greenwich Village in the late 1970s or cared about music at all from that era, you will know Bob’s name or the name of his record store. He — and it– were seminal in bringing New Wave, punk, power pop, whatever you want to call it to America.

Without him it’s unlikely there would be the Ramones, Elvis Costello, Talking Heads, New York Dolls, so many acts now so well established in the music firmament but 40 years ago just whispers from Melody Maker the NME.

There was a moment– there is always a moment– when it all happens. For me that was crystallized in 1978 when I came back to New York from Boston. CBGB’s and the Mudd Club were where you heard the music, but Bleecker Bob’s was where you held, felt it, saw it, listened to, bought it. The first shop I mostly missed, but the second one was on MacDougal and 8th, next to Reminscence. It was a long narrow store, where Bob held forth behind the counter, yelling at customers, making no friends, holding his mastiff by the leash.

Eventually the store moved to West 3rd St. and got wider, broader. But the idea was the same in all locales: dusty records, well aged plastic sleeves where you could dig into the most recent history of alternative music– the non Fleetwood Mac world, the rebel yell, dissonant sounds. By the time I got to MacDougal, Stiff Records had taken over, and the early early Virgin Records, and Rough Trade and so on. This is well before CDs or the idea of them. The records were singles, they came from England, they had not 45 rpm gaping hole that required a plastic insert, but a small hole like an album that played at 33 1/3. They were almost all imports, some colored vinyl.

I was in college. All you had was the New Musical Express to tell you what was coming, when it might come to New York. The guys behind the counter– Chris, John, Chris, and of course Bob– had some idea. “Come back, Monday. Or Thursday night.” I don’t know why but the Pretenders’ first single from the UK, “Stop Your Sobbing,” and Gary Numan, and the Jam, and “We Don’t Need Your Fascist Groove Thing” stick in my head. I remember tall Chris explicating his hate of electronic music: “I don’t like records where the band can walk away and the music is still playing.”

My Bleecker Bob’s life was probably five years at most. As CD’s came in, the mystery of records was over. Tower Records opened on Broadway and you could feel the pull. By the late 80s, the era of punk/NewWave music was pretty much over. Rap had moved in. But imagine that for those five or six years, from 1978 to 83 or 84 it had been an everyday thing, the learning, the adventure. Those records– when I first started listening, buying in ’77 no one would play them on the radio. We had one year in New York– magical 1979– when Meg Griffith and co. played them on WPIX FM. But established FM like WNEW wanted no part of the Clash circa “I Fought the Law” or even The Police singing “So Lonely.” They were playing “Rumours” over and over. I hated Fleetwood Mac.

Well, it was all because of Bob Plotnick, who made no friends, and wasn’t charming. Every conversation was more like a challenge. But he shaped change in the rock culture by force of will. Before Tower, Sam Goody and Crazy Eddie were his only competitors. And we disdained those purveyors of square, soft rock as easy listening.

So, life goes on and at some point we hear Bob has had a devastating stroke. A short documentary is made about him. I was only vaguely aware. And then two years ago I happened on him totally by accident, living in Amsterdam House, a nursing home facing the Cathedral of St. John the Divine. His devoted partner, Jennifer had managed to get him in there, she was taking care of him every day. When I first laid eyes on him, it was heartbreaking. I’m not sure he knew me; there was a flicker of recognition. He was already 73 and maybe 14 years into this horrid chapter.

It’s mind-blowing. Sirius XM has a channel called 1st Wave. There was no 1st Wave or Second Wave without Bleecker Bob’s. Thirty years later, thousands of pretend power pop punk whatever fake acts have come and gone. They stream or download, they’re on Sound Cloud. They’re mostly not good, or awful. They should build a shrine to Bleecker Bob Plotnick. Without him they never would have existed.

Kennedy Center Honors: Cher Honored by Cyndi Lauper & Adam Lambert, Plus Reba, Kelly Clarkson, “Hamilton,” Paul Simon, Renee Fleming, Brooks & Dunn, Little Big Town, Whoopi Goldberg

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The Kennedy Center Honors are happening right now in Washington, taping for a CBS airing on December 26th at 8pm.

This year’s inductees are Cher, Reba McEntire, jazz great Wayne Shorter, and classical musician Philip Glass. Lin-Manuel Miranda and the creators of “Hamilton” are getting awards now rather than wait 20 years because CBS needs the ratings. The Kennedy Center Honors is not sticking to its charter.

Right now, following Denyce Graves singing the national anthem, the “Hamilton” tribute is going on. They’re performing whole chunks of the show. Lin-Manuel is singing now. The Skyler Sisters (Phillippa Soo, Renee Elise Goldsberry) have done their number. Christopher Jackson has performed as George Washington. Anthony Ramos (who’s now Lady Gaga’s pal in “A Star is Born” spoke and introduced all of them.

Gloria Estefan is the host. She gave a lovely toast to President Bush.

For Reba, Kelly Clarkson— ironically, her former daughter-in-law, sang. So did Kristen Chenoweth, and Brooks & Dunn. Melissa Peterman, who played Reba’s ex husband’s new wife on her hit TV series, gave a toast and some jokes (she is very funny). Also Nashville deejay Bobby Bones, “the next Ryan Seacrest”– seems to have gotten a waiver from ABC–where he’s tied into all sorts of deals–so he could say something about Reba on CBS. This guy is already on my nerves.

For Wayne Shorter, opera great Renee Fleming sang. Herbie Hancock and his band (including Esperanza Spaulding) performed. For some reason, former New York Yankee Bernie Williams spoke on behalf of Shorter.

Paul Simon spoke about Philip Glass even though they have nothing to do with each other. Jon Batiste, from the Colbert show, performed for Glass.

Actress Amanda Seyfried, of “Mamma Mia 2,” spoke for Cher, ’cause, why not? I expected Meryl Streep, Cher’s co-star from “Silkwood” and the “Mamma Mia” movies, but maybe she wasn’t available.

Cher received tributes from Little Big Town (why? Because they’re country– have nada to do with her) singing “Baby Don’t Go” and “Gypsies, Tramps and Thieves,” Cyndi Lauper (whom she toured with) sang “If I Could Turn Back Time.”

Adam Lambert sang a hot version of “Believe,” which got him a standing ovation. Then he and Cyndi finished with an encore of  “I Got You, Babe.” Somewhere in heaven, Sonny Bono was smiling.

 

 

Tuesday’s Evening with the Clintons in Sugarland, Texas Has Plenty of Seats Available Down to $29.50

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Tuesday, December 4th, the nice before President George H.W. Bush’s funeral in Washington DC– you can still get tickets to see Bill & Hillary Clinton in concert in Sugarland, Texas.

There are hundreds of tickets still available according to Ticketmaster. They range down to $29.50 and up to around $500 for the best seats. I’ll bet the Smart Financial Center will just let people in around 7:30 if demand doesn’t grow in the next 24 hours.

Bill & Hill will sing selections from the country songbook including “Stand By Your Man,” “D-I-V-O-R-C-E” and “Feeling Single, Seeing Double.” Paula Jones and the Little Rock Cowboys are set to open.

This is the Clintons’ last show in 2018. They return next April to the Beacon Theater in New York City where their tour will resume. There are plenty of tickets available for those shows, too.

I like the Clintons but what the heck is going on? They have amassed a war chest. They could tour the US giving talks to small groups, and pressing the flesh for the 2020 charge against Trump. It’s time show a little generosity.

PS I did read some stories about the Clinton Foundation not doing well with donations in 2017. Ignore these stories. The Foundation dialed down activities during Hillary’s presidential campaign. The Clinton Global Initiative was shelved. Don’t worry– they’re doing just fine!