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EXCLUSIVE Oscars Getting Ready for New Campaigning Rules That Will Clamp Down Even More on Good Times

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It’s a slow day in Hollywood, but come fall we may have new rules from the Academy of Motion Picture Sciences regarding Oscar campaigns.

I’ve heard from a couple of sources that the new rules would require publicists and studios to serve food at the same site as a screening. This would be dismaying for a lot of restaurants in New York and Los Angeles that live for after-screening receptions. In Hollywood, Chateau Marmont comes to mind. In New York, it’s a lot of places including Michael’s — where lunches in the garden have always been popular– and the Plaza Athenee.

In New York, especially, there are no screening rooms equipped to handle receptions. Indeed, you’re not allowed to have food inside a screening room anywhere. At some screening rooms there’s a foyer– I’m thinking of the Dolby on 55th St. what we call the MGM Screening Room. But it’s narrow and there’s no room for seats.

The Academy is trying to level the playing field for films that don’t have large budgets and can’t compete with the big studios. They certainly have a point. Waving the name of a great restaurant under the noses of Academy voters could be attractive bait. On the other hand, the Academy should remember that — and this is certainly borne out by the ultimate nominees and winners — voters are smart. A piece of avocado toast isn’t going to make anyone vote for a mediocre performance. And partying is part of the fun of being in on Oscar season. Remember, movies are entertainment.

There is a rumor going around that Netflix, always on top of things, has already booked SoHo House in West Hollywood to accommodate this new wrinkle. Smart idea. I do wish the world would calm down about Netflix. “Roma” didn’t win. Trump did. That’s what we should be focusing on.

PS One screening rule that I’d like to see implemented: no phones allowed inside theaters. I am tired of asking people to ‘turn it off’. You won’t believe the people who start texting as soon as a movie starts!

“Lion King” Reboot Has $23 Mil Thursday Opening, But Beyonce Album Soars to Number 1 on iTunes

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Doesn’t $23 million sound like a lot of money? It is! But that’s also a soft Thursday preview night for “The Lion King” reboot.

“The Lion King” previewed almost everywhere it opens tonight officially– in 4,250 theaters, the widest release in the history of greed.

Anyway. tomorrow’s Friday numbers will include that $23 million. So we could be looking at $100 million for three days.

Tepid reviews haven’t shooed off the audience. Familiarity will draw customers. Also Beyonce’s number 1 album “The Gift,” should be valued added.

And then there’s air conditioning. Box office should be up this weekend as over heated fans seek cooling areas. What’s better than a movie theater?

Stay tuned…

(Listen) Four New Tracks from Beyonce’s “Lion King: The Gift” Album Including a Hit in “Find Your Way Back”

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I’m pleased to report that even though “Spirit” hasn’t been a big sales hit, there are plenty of good songs on “The Lion King: The Gift” album from Beyonce. I’m posting four, including one I think has potential for being a real hit, “Find Your Way Back.” The album dropped at midnight. As I told you yesterday, Beyonce has parted ways with her musical advisor of 28 year, Theresa La Barbera Whites. This is White’s exit album, and it’s pretty great, weaving in African music and pop. By morning, “The Gift” will be number 1 on iTunes.

Find Your Way Back

Otherside

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Brown Skin Girl

Watch Trailer for Movie of Broadway Hit “Cats” And Hear Jennifer Hudson Go For Her Second Oscar

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I always hated the musical, “Cats.” It was something for out of towners on Broadway who didn’t need to know much English because there is no story, really, just the costumes. “Memory” as sung by Betty Buckley was part of the TV commercial that ran ceaselessly like a high pitched dog whistler to Japanese tourists.

But now I see this trailer, and I am unaccountably excited. The great director of “Les Miserables” and “The King’s Speech,” Tom Hooper, has cast the best people in the world to put on those costumes. Judi Dench will be like Kibble to catty movie goers. Jennifer Hudson– listen to her sing “Memory” in this trailer. She’s going to get another Oscar. (She is the best singer we have, bar none.)

So I will put up with “Cats” and probably enjoy it. Dammit!

Kennedy Center Becomes the Grammy Awards with More Pop Stars, Plus Sally Field, and “Sesame Street”

The Kennedy Center inductees are Sally Field, composer-conductor Michael Tilson Thomas, “Sesame Street,” plus Linda Ronstadt and Earth Wind & Fire.

They’re all good choices, but on the other hand, the KC Honors is turning into the Grammy Awards. Linda and EWF are too much in one season. Just pick one. There are plenty of people who have been waiting a long time.

Among them is Dick van Dyke. Also, Kenny Rogers. The Kennedy Center Honors are supposed to go to people who changed the arts or influenced them. But every year since George Stevens was ousted, it’s also become a ratings game.

Forget it: the KC Honors airs on a day no one is watching TV, between Christmas and New Years. The same people tune in year after year.

So for Sally Field, you know it will be Julia Roberts. Their “Steel Magnolias” friendship has carried them in good stead. I do hope for Linda Ronstadt we do not see Sheryl Crow (much I as love her) again. Kelly Clarkson is Linda’s heir to power country.

As for EW&F, what a shame founder Maurice White isn’t here to see this. But his brother Verdine, and Philip Bailey, will be grinning from ear to ear. Again, please, if I see a CBS-friendly white guy singing “September” bowls will be thrown, glasses will be smashed. Sam Moore, of Sam & Dave fame, has the only voice that would suit those tunes.

PS This will be the 3rd year of no Trump. Sally and Linda don’t want him, I doubt EWF does. Michael Tilson Thomas can’t want him. And Elmo, Big Bird, and the Cookie Monster– Trump threatened to wipe out PBS.

Exclusive: Beyonce Shocker as Singer Parts Ways with Music Advisor of 28 Years, Teresa LaBarbera Whites One of Most Admired in Business

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Well, this is a shock.

Beyonce — on the eve of her new album, “The Lion King: The Gift,” has parted ways with her music advisor of 28 years, the legendary Teresa Labarbera Whites. Sources tell me the split was amicable, since Whites is maybe the Most Wanted music advisor in pop music today. Everyone from Katy Perry to Taylor Swift, Alessia Cara, Selena Gomez, etc will be knocking down her door when they hear this news. Adele would do well to call her.

TLW met Beyonce when she was nine years old, signed her when she was 11, and launched Destiny’s Child. She has overseen almost all of Beyonce’s music, with a brief time out years ago when she was lured to Jive Records to resuscitate Britney Spears. She did, too, and then returned to be on staff with Beyonce as her in house A&R person. (She also discovered Jessica Simpson, and has consulted on albums by Pink and the Backstreet Boys, among others.)

But as “The Gift” — which TLW oversaw — releases tomorrow, Whites is said to be down in her home of Texas getting some rest before advancing on the charts again.

So what happened? I’m told that as Beyonce’s business grew, there was tension at the top of Parkwood Entertainment. A new co-COO, Steve Pamon, from JP Morgan Chase, was brought in. Art and commerce clashed. Pamon’s background is in running a company, not picking music or developing musical ideas. TLW has long been known in the industry as Beyonce’s secret weapon. How the internationally beloved singer will function without her is now a big question.

Whites, by the way, is so low key that she doesn’t even have a Wikipedia page. But if you search for her on Wikipedia, her name comes up a lot, always in conjunction with making a hit record. From what I can tell, she smells a hit and knows almost better than anyone how to pull it together.

 

Take a Load off Fanny: Toronto Film Festival Will Open with Robbie Robertson-The Band Doc “Once Were Brothers”

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Great news from TIFF, the Toronto Film Festival.

Their opening night film will be “Once Were Brothers: Robbie Robertson and the Band,” directed by Daniel Roher. It’s about time there was a Band doc, and opening night in Toronto for these great Canadian musicians is a perfect selection.

The Band was already the subject many years ago of Martin Scorsese’s “The Last Waltz,” a now classic concert film about their final performances. I’m sure we’ll see clips of “The Last Waltz” here, but this film should the whole story of Levon Helm, Rick Danko, Richard Manuel, and Robertson, and how they changed music in the 1970s. They’re a major influence for Mumford & Sons, The Lumineers, and so many others.

“This stirring documentary takes audiences on a musical journey and shows us just what it takes to build one of the most significant groups in rock history,” said Joana Vicente, new Executive Director & Co-Head of TIFF. “Robertson is a Canadian music icon, and his moving story of persistence and passion is the perfect way to begin Festival 2019 for both Cameron and me. We’re eager to share the excitement of Opening Night with Toronto’s film lovers, and audiences can expect some very special guests joining us to help celebrate.”

The Band’s music covers years with Bob Dylan as his backup band, and for the Basement Tapes. But it’s also about their own amazing career, from songs like “The Weight,” “The Night They Drove Old Dixie Down,” “Up on Cripple Creek,” and so on.

Great choice. Everyone’s going to be knocking down the doors of RoyThomson Hall to see this one!

Oscars: It’s the Year of Brad Pitt with “Ad Astra” (Watch Trailer) and “Once Upon a Time in Hollywood”

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Unless something goes wrong, this is the year of Brad Pitt. The new trailer for James Gray’s “Ad Astra” has dropped and it’s a winner. The space opera will be here in a few weeks, starting probably with the Venice Film Festival and maybe Toronto (fingers crossed). The film launches in late September. Look at this cast: Liv Tyler, Tommy Lee Jones, Ruth Negga, Donald Sutherland.

Before that we get “Once Upon a Time in Hollywood,” the hotly anticipated Quentin Tarantino movie, next Friday! Brad in a comedy, Brad in a drama. Top notch films. We could be talking about two Oscar nominations. And wouldn’t that be swell?

Paul McCartney Ready to Conquer One More Challenge: He’ll Write Broadway Musical of “It’s A Wonderful Life”

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Paul McCartney had done everything except for…Broadway! So as Carole King’s show and others leave the Great White Way, Paul, at 77, is taking a stab.

He’s apparently written the basic songs for a musical adaptation of the Jimmy Stewart-Donna Reed classic movie, “It’s a Wonderful Life.” Lee Hall, who wrote “Rocketman” for Elton John, and the hit musical “Billy Elliot,” has written or is writing the script. Bill Kenwright is producing.

So now we’re going to have the famous dance hall scene– in which a dance floor opens on a swimming pool and everyone jumps in — on Broadway. They’ll need a big stage and a lot of water!

“Like many of these things, this all started with an email,” McCartney said in a statement. “Bill had asked if it was something I might be up for. Writing a musical is not something that had ever really appealed to me, but Bill and I met up with Lee Hall and had a chat and I found myself thinking this could be interesting and fun.”

They’re looking to open in London at the end of 2020, and probably the US in 2021. That’s fast, which means a lot of working has already been done.

McCartney is the king of melodies and hooks, so you can expect to leave the theater humming. Casting is next, but the movie is so well known, and McCartney is a five  star name, my guess is we’ll see some great theater stars rather than movie stars.

If Sir Paul wins the Tony Award in 2022, he will be a “GOT”– Grammy, Oscar,Tony. He has no Emmy Award. Yet. (By the way, someone should fix his IMDB entry for “Live and Let Die.”  He did NOT share it with the other Beatles. It was four years after they broke up.)

Broadway: Carole King Musical “Beautiful” Will Close in October, Following “Waitress,” as Business Thins

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Broadway is struggling right now. Don’t let anyone tell you otherwise.

A day after “Waitress” announced it would shutter this, Carole King’s “Beautiful” has annoucned an end date of October 27th.

The two shows join a slew of others that have closed or will end between now and the end of the year.

Ticket prices are so high, and non-Disney or movie tie in shows like “Beautiful” are suffering because of it.

Last Saturday night, a blackout on the west side at 7pm made all the shows skip their biggest night of the week. The worst hit was “Book of Mormon,” which posted a big loss on Monday. For the first time that anyone can recall, “Book of Mormon” took in less than $900,000 last week.

“Beautiful” has been teetering for some time. They actually played 8 shows last week, and still took in only 50% of their potential.

Nine other shows are set to close before the end of the year– either planned limited runs or wrap ups of shows that couldn’t make it.

One word on “Beautiful”– go see it if you haven’t already. It’s very, very good. The music is classic, and the book by Doug McGrath was one of the best of recent years.