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Joaquin Phoenix’s “Joker” Is Oscar Material, References Martin Scorsese’s “King of Comedy” with Robert De Niro Character

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We’re about to have a big season of Robert De Niro. He seems to play a talk show host in Todd Phillips’ “Joker,” referencing his Rupert Pupkin character from Scorsese’s “The King of Comedy.” This should be interesting. In the trailer just released, “Murray Franklin” just seems like an older Pupkin.

But Joaquin Phoenix’s Joker is clearly obsessed with Murray, as we can see. And Phoenix looks like a potential Best Actor nominee in a movie that break new ground and also be a Best Picture nominee. Wow. If “Joker” is as good as this clip, it’s going to be a wild awards season. I don’t like to hype comic book movies, but this could set a new standard.

Donald Trump Mentor Roy Cohn Gets 2 Documentaries This Fall, One from Granddaughter of Convicted Spies He Sent to Electric Chair

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I told you last week that I’d seen the new documentary, “Where’s My Roy Cohn?” Matt Tyrnauer’s incendiary film, which debuted at Sundance, lays out the evil path taken by Donald Trump’s mentor and advisor, the same man who became infamous as advisor to Senator Joe McCarthy on his Communist witch hunt of the 1950s.

Cohn, who destroyed lives and lied about his own life, was the inventor of a kind of obfuscation, a political sleight of hand, that diverted attention from his own incredible misdeeds. Instead of running from scandal, he ran toward it, like a building on fire, and pretended it wasn’t there.

Tyrnauer’s movie will be released by Sony Pictures Classics on September 20th, one week before the start of the New York Film Festival. There will be some build up before that date, so audiences will flock to art houses.

But now we know that soon thereafter, in the New York Film Festival, will come another Cohn doc I told you about last year. Ivy Meeropol is the filmmaker granddaughter of convicted and executed spies Julius and Ethel Rosenberg. Her film about them, “Heir to an Execution,” was illuminating and should be seen by everyone.

Now “Bully, Coward, Victim,” her own film about Cohn, is sure to get people talking. After all, Cohn personally oversaw the Rosenberg executions despite Ethel’s innocence and massive public protest. Meeropol has included exclusive interviews Cohn did with Peter Manso before his death. Cohn could be talking about a lot of people on those tapes, including his “beard,” Barbara Walters, and other famous friends who defended him when he was disbarred in the 1980s.

Meeropol’s film- and Tynauer’s– are going to be a source of displeasure for Trump, who will undoubtedly claim he never knew the despicable fixer. But video and photo evidence will belie those assertions.

Ivy said in a statement last year: “The time has come for audiences to understand a man who, while hiding so much of himself from the world, has had a profound influence on our society, even to this day. We are thrilled to partner with HBO Documentary Films to bring this remarkable story to life.”

These two films will compete for Oscar slots, among other awards. Despite being described as a Satanic type, Cohn, in hell, or wherever he is, is no doubt thrilled to have the attention!

Fox News’s Judge Jeanine Welcomes Rudy Giuliani, Donald Trump Jr. to Book Party at Comedy Club Whose Owner Was Just Murdered

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The Stand comedy club on East 16th Street has already had enough misery: recently their owner was killed in his New Jersey home by his nanny’s boyfriend. You’d think the laughs would have stopped abruptly. (The nanny was also murdered. Not sure what the punchline is here.)

But for some reason, The Stand was also the scene on Monday night where former Judge Jeanine Pirro, a Fox News’s eccentric and tipsy aunt, often lampooned on “Saturday Night Live,” chose to have a book party.

Her book, “How the Left is Swallowing America” or something like that, is likely a reflection of her rants on Fox News. Pirro, more than almost Tucker Carlson and Sean Hannity, is “in the pocket” of Donald Trump. The current president of the US loves her, and has often called into her comedy show on Fox.

Well, Judge Jeannine couldn’t get Donald Trump himself. He was busy nuking hurricanes. So she got the next best thing: Donald Trump Jr. and his former “journalist” girlfriend Kimberly Guilfoyle, who left State TV to date Donnie and join the campaign. On her resume: last year dating The Mooch, and before that marrying now California Governor Gavin Newsom. (I don’t think he keeps that in his bio.)

Also on hand: Rudy Giuliani, who will go anywhere people invite him, and that’s not a lot of places. I do remember seeing him with his then mistress Judith Nathan in 2000 at Cronie’s Bar on Second Avenue. That was a long time ago. In a far off galaxy…

 

Netflix Will Give Scorsese’s “The Irishman” a Shorter Run in Theaters Than Noah Baumbach’s “Marriage Story”

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Netflix announced its release plans for the fall and the Oscars today. They’ve got quite a good schedule of films, from Martin Scorsese’s “The Irishman” to Steven Soderbergh’s “The Laundromat. Right there we have DeNiro, Pacino, Streep, Oldman. Heavy players. “Dolemite is My Name” stars Eddie Murphy. “The King” has Timothee Chalamet and Robert Pattinson. “Marriage Story,” directed by Noah Baumbach, stars Adam Driver, Scarlett Johansson, Alan Alda, Ray Liotta. So really, a room of these people is pretty much Hollywood. Did I also mention Anthony Hopkins, Alicia Vikander, and Riley Keough?

Quality is not an issue with Netflix. They’ve got great films. We want to see them all. But theater owners don’t like them because they only play for three weeks, then move to the Netflix TV platform. Scorsese wanted more theaters, and a longer run. He didn’t get it. He just got the $150 million-plus to make his movie. Strangely, “Irishman” is going to be in theaters for a shorter time than “Marriage Story.” Go figure.

Netflix Fall Film Release Dates

Film US Theatrical UK Theatrical Global Streaming

The Laundromat Sept 27 Sept 27 Oct 18

Dolemite Is My Name Oct 4 Oct 11 Oct 25

The King Oct 11 Oct 11 Nov 1

The Irishman Nov 1 Nov 8 Nov 27

Earthquake Bird Nov 1 Nov 8 Nov 15

Marriage Story Nov 6 Nov 15 Dec 6

Klaus Nov 8 Nov 8 Nov 15

I Lose My Body (J’ai Perdu Mon Corps) Nov 15 Nov 22 Nov 29

Atlantics Nov 15 Nov 22 Nov 29

The Two Popes Nov 27 Nov 29 Dec 20
*excluding Benelux, Switzerland, Russia, France

MTV VMA Ratings Fall Substantially Again to New Lows: By 300,000 on MTV, Even More on Affiliated Channels

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It looks like the MTV Video Music Awards on Monday night fell again to new lows, dropping substantially from last year and off a cliff from 2015.

On the main MTV channel, the show drew 1.9 million viewers, down from last year’s 2.250 million. On VH-1, the show dropped from 2018’s 1.095 million to just 887,000. The numbers for nine other MTV-related channels will be in on Wednesday, but MTV and VH-1 are the main avenues for audience.

In the key demo, the number was 0.9, falling from 1.1. That’s 200,000 “young” people. Is the population just aging? Or are teens not so interested in their generation of rock stars. Of course, there was no almost nothing you could call “rock.” The closest they came to having a “veteran” on was Missy Elliott.

The show was fine, if uneventful, that’s for sure. Everyone did what they came to do. A lot of it looked artificial, but that’s nothing new. Even Taylor Swift ran uncontested, you might say, with no outbursts or interruptions from Kanye West or any other opposing party.

Of course, these are Video Music Awards. I’m not sure when MTV plays videos, or if anyone watches them. The channel is best known now for terrible, low rent reality programming. So do music videos have fans? Or anyone who cares about them? You tell me (showbiz411@gmail.com).

I did like Miley Cyrus’s performance a lot. And it does look like she, Swift, Lizzo, and maybe the Jonas Brothers got something of a sales bounce out of the show.

Sting, Trudie Styler Speak Out on Rainforest Fires: “None of us can be complacent about the tragic dimensions of the disaster…This is criminal negligence on a global scale”

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Sting and his wife Trudie Styler have spoken out on the catastrophic fires in Brazil’s Amazon rainforest this morning. The couple has been at the forefront of saving the Rainforest and its indigenous peoples for the last three decades through their vital Rainforest Foundation. Their visits are frequent, and the money they’ve raised has absolutely raised the profile of the region and educated the world about its importance.

Here’s their statement, issued this morning on Facebook. You can donate to the Rainforest Foundation by clicking on the link. The next Rainforest Foundation concert at Carnegie Hall should be in December, with Sting and an all star cast produced by Styler, who juggles a big family (eight kids, six grandchildren), an acting career (“Pose”) and a producing and directing career (her latest release is the excellent “Skin”).

 

Legend has it that the Emperor Nero “fiddled while Rome burned”. While obviously bristling at the dubious factoid that such a stupid man could have been a musician, none of us, including me, can be complacent about the tragic dimensions of the disaster taking place in the Amazon as I write.

Amazonia is on fire at an unprecedented rate – 80% up from last year and with 39% more deforestation – and the world is suddenly taking notice.

Populist leaders citing nationalist agendas, or claiming that climate change and its handmaidens are a hoax, are guilty of much more than standing by and doing nothing. This is criminal negligence on a global scale.

This is no place for the outdated bromides of nationalism in a world where we all breathe the same air and where we will all suffer the consequences of this wilful negligence.

Calling Amazonia the “lungs of the Earth” may not be exactly anatomically correct, but it does convey that it is a vital and irreplaceable link in the chain of well-being on our planet in the increasingly narrow band of climatic vectors where human life can survive. We simply cannot afford to let it burn.

We are fast approaching the tipping point where the fires will continue to burn and cannot be put out.

We appeal to the Brazilian government to change the policy that has opened up Amazonia for exploitation. Nationalist rhetoric has effectively ignited the flames which threaten to engulf the most important living laboratory on the planet. Countless species are in danger of immediate extinction.

The President of Brazil, Jair Bolsonaro, has openly voiced that he is no friend to the indigenous people and now he is reneging on land treaties already signed, opening up new territories and dismantling the scientific and human rights organisations in Brazil to enable this. He has criticised the G7 countries for hypocrisy, saying that we cut down our own forests long ago, but that’s no reason not to learn from those mistakes.

We must all help to create a sustainable economic model which renders the destruction of the forests in Brazil unnecessary.

At the RF we have been working for three decades with the indigenous people of Amazonia – not only in Brazil but throughout the countries of South America to protect their land and their rights. It is their world that is in immediate danger, and their way of life that needs to be protected. Now more than ever we need to give them our support to ensure their survival .

Surely it is enlightened self-interest for Mr. Bolsonaro to understand and accept this. We urge him to rethink his policies and change his actions and his incendiary rhetoric before it is too late. This is no time for fiddling; the world is burning.

– Sting, Trudie Styler

Netflix’s Main Oscar Entry, Martin Scorsese’s “The Irishman,” Will Play in Theaters for Three-and-a-half Weeks Before Hitting Pay Platform

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Netflix is looking to change the norms for movie releases once again.

The pay platform will release Martin Scorsese’s “The Irishman” into theaters on November 1 for just 27 days, or 3 1/2 weeks. Then it will arrive on our TV and computers.

This is Netflix’s main Oscar entry, and the hope for it to be a massive hit that scores multiple awards is carried by fans as well as executives. Reuniting Scorsese with Robert De Niro and Joe Pesci, adding Al Pacino and Bobby Cannavale, “The Irishman” is our last vestige of hope in a bleak world right now.

But Netflix is toying with the Motion Picture Academy and its members. Just as with “Roma,” the platform wants the Oscars but on its own terms. “Roma” won Best Foreign Film and not Best Picture last year because of it.

Seeing movies on a big screen makes a huge difference. I loved “Roma” when I saw it on the screen at the Walter Reade Theater. But later, “civilians” who watched it on Netflix told me they found it “boring.” How could that be? “Roma” is a great piece of art. But seeing it on a small screen diminished its importance, even if the screen was 70 inches. Being at home, with life’s interruptions, killed the experience.

So Netflix will have to deal with that problem this time around. But at least “The Irishman” is in English, is action packed (we hope), and has a well known, beloved cast. No one will find it “boring.” Theater owners may not be happy with their showcase window. Scorsese may not be either. But those first 27 days will create a clamor, that’s for sure!

 

It Worked: Taylor Swift’s VMA Performances Kickstart Her Streaming Sales, Puts Her Singles on Top of Spotify, Apple Charts

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Taylor Swift’s humdrum streaming numbers changed considerably over night. Like, wow.

After performing two of her new hits on MTV’s Video Music Awards last night, Swift overwhelmed the streaming charts for both Spotify and Apple Music.

On Spotify, Swift has four of the top 5, plus two more in the top 10, and of course, number 1. The latter is the title song, “Lover,” which came off very well live on the show.

The rest of the singles from her “Lover” album are scattered through the top 20 and 30.

Over on Apple Music, Swift has numbers 5, 6, 7, and 8 plus 13 and 16 and then another tranche in the 20s.

On iTunes, “Lover” is number 2, however, to Lizzo. But all of Swift’s singles are on the iTunes top 100 singles chart and the album is number 1.

The low expectations for sales– 750K– may improve now to get her the 1 million by Thursday night she craves.

Swift’s embracing of the LGBTQ community, especially for her two opening singles, “Me!” and “You Better Calm Down,” has brought her a new, supportive audience.

I wonder what her cousin Jonathan Swift would say. She’s now like Gulliver in the land of the Lilluputians.

 

Watch: Timothee Chalamet and Robert Pattinson in the Australian Take on Shakespeare’s Henry V Titled “The King” for Netflix

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Well, we’re in a world of need for content. And so content has been provided via two talented Australians, Joel Edgerton and David Michod. They’ve made “The King,” which seems like it’s based on Shakespeare’s “Henry V” although there’s no mention of the Bard’s name in the press release.

The two Aussies are featuring big movie names for a young audience– Timothee Chalamet and Robert Pattinson. Also Lily Rose Depp, the daughter of Johnny, and top tier actors Ben Mendelsohn (Australia, too) and Brit Sean Harris. The latter isn’t known in the US, but wins awards in the UK. He’s very…eccentric.

“The King” is coming to Netflix sometime this fall, and a few theaters.

Madonna Delays Opening of “Madame X” Tour by Five Days, Addresses Fans in Third Person as Eye Patched Character

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Madonna’s Madame X tour will be delayed by five days. The first three performances are being moved to other dates on the schedule, which will now begin on September 17th instead of September 12th.

Madonna, addressing her fans in the third person as the character of Madame X, says in a statement:

“Madame ❌ Is a perfectionist and wants to give you the most unique, magical, and musical experience.  She underestimated the amount of time it would take to bring this kind of intimate theatrical experience to you and wants it to be perfect!!!

“Thank you so much for your understanding.”

The massive tour is being conducted in theaters, not arenas, with long sit down periods in each city. The opening is at the Howard Gilman Opera House as part of BAM in Brooklyn. One insider told me: “It’s going to be like an arena show in a theater. It’s amazing.”

Madonna’s “Madame X” hasn’t been a great sales success. Since its release in June, “Madame X” has sold about 100,000 copies. But that’s par for the course with “legacy artists.” Her fans want to hear the hits, not new songs, which makes even touring more difficult because the acts have to re-invent ways of presenting old material over and over. The Rolling Stones, Paul McCartney, and Elton John have found innovative ways of doing just that. Madonna will, too.

Madonna’s tour covers New York, Paris, Chicago, Miami, Los Angeles, Boston, Philadelphia, and Las Vegas. She’ll play her recent hometown, Lisbon, Portugal, but so far nothing in her real hometown, Detroit, or San Francisco. They’ll probably be in the next wave.