“Jojo Rabbit” is headed for the dust bin of movie history if early box office numbers are any indication.

Over the last four days, the extremely wrong “satire about the Nazis and Hitler” has lost audience in the five theaters that are saddled with it.

On Tuesday (yesterday) “Jojo Rabbit” was the only new movie to lose audience from the previous day. Monday and Tuesday, especially, are big movie nights for adults. On Tuesday, when everything else was up with big numbers (Joker up 39%, even Gemini Man was up 62%) “Jojo” was down by 1%. By contrast, “The Lighthouse,” with Willem Dafoe and Robert Pattinson– in black and white, grim, art house, in three more theaters–was up by 13%.

That no one who sees “Jojo Rabbit” would recommend it is not a surprise. But my guess is those who do see it tell their friends to forget it. Whatever director Taika Waititi had in mind went very wrong. To any Jewish audience, this movie is anti-Semitic. I said that at the Toronto Film Festival, and I’ll stick with it. No one wants to sit through an hour or more of “Jews are bad” (and I’m putting this mildly) and then get the Anne Frank story.

On top of that, sensible, serious reviewers are weighing in. Richard Brody says in The New Yorker that “Jojo Rabbit” is “the world’s unfunniest comedy made in pursuit of success.”

It’s not just Waititi misses the mark on satire, or completely misunderstood “The Producers.” At a time when hate crimes are up, anti-Semitic attacks have increased, and there is no guidance from our leaders– particularly Donald Trump — in denouncing these attacks, “Jojo Rabbit” is a recipe for trouble. I can’t imagine audiences enjoying its message. As it is, there were walkouts at the Hamptons Film Festival. And, now from the look of things, there won’t be walk-ins.

EXCLUSIVE Hayden Christensen is definitely redux in “Star Wars: The Rise of Skywalker.” I am told this is confirmed, Anakin Skywalker, who became Darth Vader, is the grandfather of evil Kylo Ren (Adam Driver). The word is he will appear as a force ghost, just as Yoda returned in “The Last Jedi.” Christensen is said to have filmed his scenes last year.

There were rumors of Anakin’s return in September and even last April. But I’m told it’s solid, Christensen is back, and that his appearance will give a jolt to his dormant career. He’s mostly been in D list movies the last few years. He’s always been kind of a wooden actor, although I liked him as Bob Dylan in “Factory Girl.”

Anakin appeared in “Attack of the Clones” and “Return of the Sith” aka Episodes 2 and 3 of the George Lucas prequels. Why bring him back? I’m told that JJ Abrams will slavishly wrap up the 42 years of “Star Wars” by dotting every i and crossing every t. (Please god that doesn’t mean Jar Jar Binks, however.) Anakin will tie together all the “Star Wars” movies and Abrams makes “Rise” his “Gotterdammerung.” (See Wagner.)

There is also strong possibility we’ll see Harrison Ford as Han Solo one last time. Remember, I told you this. Knowing JJ, there’s quite possibly a final shot of Han, Luke, and Leia to make the audience burst into tears. So stand by.

The latest in a trilogy of straight to video D list movies with Bruce Willis is coming December 6th. “Trauma Center” looks like it cost four dollars. Bruce speaks haltingly in it, and not just because of the screenplay. It does seem like the main action is set on a young actress, Nicky Whelan, who is stalked in an empty hospital by killers until Bruce returns to save the day after leaving her there “safely.” Willis looks like maybe he worked a day or two. Same for Edward Norton’s “Motherless Brooklyn,” in which he disappears after 10 minutes.

“Trauma Center” is the middle piece of garbage after “10 Minutes Gone” — which had a total worldwide box office of $13,679 according to the Internet Movie Data Base– and before “The Long Night.” A couple more look like they’re in the planning stages. Whoever cut these deals is doing Bruce, who’s got to be wealthier than Zeus, no favors for his legacy. The movies are terrible, he’s not the star, and he looks and sounds terrible. The movies don’t play in the theaters, and they’re even hard to find on video platforms. Isn’t there a better way to deal with Bruce’s situation? He was a mega star at the box office, and charming as hell.

Nicky Whelan is the queen of D list movies. Her resume is a long recitation of titles you’ve never heard. She has the background, though: at least three movies with Nicolas Cage, whose Oscar is in the pawn shop.

PS Sylvester Stallone should write a funny screenplay for Bruce, Cage, and John Travolta called “VOD.”