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“Gotti” Movie One Year Since It Was Announced: The Producer’s Mob Ties Are Real

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Today marks the unofficial one year anniversary of the announcement of a mob movie called “Gotti: In the Shadow of My Father.” The movie is still not made, but a start date is set for late January 2012. Maybe.

What you may not know: The man behind the still not filmed “Gotti,” starring John Travolta and wife Kelly Preston is a former federal felon who did time in the Allenwood State Penitentiary and has strong mob connections.

Mark Fiore, who announced the “Gotti” movie one year ago but still hasn’t actually made it, is also known as Marco Fiore, Jr.

In the late 90s Marco Fiore and three other defendants were successfully prosecuted by the SEC for defrauding investors in a “boiler room” scheme. Fiore pled guilty to one count of securities fraud and one count of conspiracy to commit securities fraud, wire fraud, and commercial bribery.

In 2002, Marco Fiore received a 51 month sentence, followed by three years’ probation. He was ordered to pay $10,773,461 restitution with one other defendant, Benjamin Salmonese, who’d been involved in a nearly simultaneous drug bust, to the people they defrauded. http://articles.nydailynews.com/2001-05-23/news/18170869_1_drug-ring-bulletproof-vests-loansharking

Fiore has been telling the people he’s hired for “Gotti” that he did go to jail, that it was no big deal. “He said he took the fall for someone who the government really wanted,” says a source.

Actually, the government really wanted him. The case was  documented in a riveting 2003 book by Gary Weiss called “Born to Steal: When the Mafia Hit Wall Street.” That book should actually be made into a mini series, it’s so wild. http://www.amazon.com/Born-Steal-When-Mafia-Street/dp/0446528579

Weiss writes on his website: “Sure, an ex-con has a right to make a living. But the problem is that Fiore has not come clean about his past. He says that his background was in “mergers and acquisitions.” Actually the only “mergers” were the mergers of other people’s money with his wallet.”

Weiss recounts in the book how Fiore and his buddies — all of them with serious ties to the mob, plus Salmonese who was a known drug trafficker– were convicted of securities fraud. The  firm they deliberately looted was called Nationwide, from Fort Worth, Texas. Even though Fiore has told new associates that he went to jail for very little, he was, in fact, the guys the Feds most wanted in the Nationwide scam. He’s prevented from working in the securities business again. http://www.sec.gov/litigation/admin/34-48905.htm

Nevertheless, this column obtained papers indicating Fiore formed a new limited liability corporation in 2007 called Chapter 2 Productions. http://sec.gov/Archives/edgar/data/1467445/000118143109033356/xslFormDX01/primary_doc.xml According to the filing, Chapter 2 was trying to raise $1.9 million from investors. They’d only raised $75,000 at time, and planned on paying salaries of $200,000.

In June 2011, when the “Gotti” project heated up with a new director, Barry Levinson, and screenwriter, James Toback, Weiss appeared in a brief segment on “Inside Edition.”  He reiterated a few facts from his book. But “IE” told only part of the story. By then, “Gotti”–based on the life of John Gotti, Jr., who’s in business with Fiore–had already been a publicity project for nine months. John Travolta and his wife Kelly Preston had signed on to play lead roles, with Nick Cassavetes as director. Then Cassavetes dropped out without explanation. Levinson came in, and brought Toback and actor Al Pacino. There were constant stories about Lindsay Lohan playing Victoria Gotti. Joe Pesci sued the production, saying he’d had a signed contract that was breached.

The story of “Gotti” sounds a like a real life version of another Travolta movie, “Get Shorty.” Fiore lists on his resume a job at Dolnik Management–a New Jersey real estate developer. With the Dolniks, Fiore has one movie credit– a cheap and unwatchable comedy that carried the “National Lampoon” logo and may have cost around $500,000. Fiore has announced another film, “Wall Street Mob” aka “Mob Street,” written by actor Chazz Palminteri. But so far nothing has happened on it. Palminteri was recently announced to play the part Pesci is suing over.

According to Weiss, Fiore has mob ties in addition to his friendship with John Gotti Jr. When he was conducting his “Boiler Room” activities in the mid 90s, his best friend was the son of an extremely serious gangster. Frank Coppa Jr.’s father, Frank Coppa Sr., was a heavy player in the Bonnano crime family until becoming an informant. He’s currently in the Federal Witness Protection Program. (http://www.newcriminologist.com/article.asp?nid=716)

His son, Frank Jr., Fiore’s close pal  for years, was described in court testimony by a mob informant as a “soldier” in the Bonnano family. These are not the Sopranos, but the Corleones. They mean business.

Fiore’s brother, Thomas “Nino” Fiore, is listed on the imdb.com as a producer on “Gotti.” His bio also has a lack of movie experience. “Mr. Fiore is currently owner/founder of Productions Management LLC. and Exotic Auto leasing and picture car company. Owner /managing agent for New York City leased housing division. Pyro technical injury, automobile snow mobile atv stunt accident, Thomas has been through the trenches and still swims and steams on a weekly basis.”

Steve Honig, the p.r. rep for Fiore, who also reps Lindsay Lohan, told me: “We decline to comment for this story.” Levinson also declined comment through his own pr rep.

Meantime, on Fiore’s website, www.fiorefilmsllc.com, you can see the bizarre press conference where Travolta defends the Gotti family, and calls their patriarch — vicious killer and convicted criminal–basically misunderstood but hard working and very focused. It’s hilarious. In the background, Madonna sings “Everyone wants to go to Hollywood…”

Here’s a related story by Brian Ross, the ace investigative reporter at ABC News. http://abcnews.go.com/2020/story?id=124230&page=1,

http://www.businessweek.com/magazine/content/03_20/essay03_20/mob6.htm

 

James Bond 23 Starts Soon, Daniel Craig Says At George Clooney Premiere

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George Clooney might have really been called The Manchurian Candidate last night. He was in China, while New York A-listers got an advance screening of his new– and very well done– film, “The Ides of March.” NBC News’ Brian Williams brought a gang including Rome Hartman, producer of his new show. Regis and Joy Philbin broke bread with Bryant Gumbel, who said he was a little skeptical if he’d like “Moneyball” since he was not a fan of Bill James‘s ‘sabremetrics’ way of calculating baseball. I reminded Bryant that back in (ahem) 1983, he and his old producer covered James a lot on the “Today” show. (He’s going to have to see the movie.)

Elsewhere around Sirio Maccione‘s renowned Osteria del Circo (“Le Cirque Jr.”) were actress Patricia Clarkson, Bob Balaban and wife Lynn, director Barry Levinson and wife Diana, Nora Ephron and Nick Pileggi, doc maker Charles Ferguson, as well as Time magazine big guys John Huey and Rick Stengel. But the big deal was Daniel Craig, who nipped into the dinner briefly, then stood outside and chatted with “Saturday Night Live” creator Lorne Michaels in the damp sorta rain. Craig told me he starts the next James Bond movie next week, which means “a lot of working out.” “Bond 23”–still no name–is what we need now more than ever, frankly. PS Daniel did not know whether the deal was done for Adele to sing the main theme. And I did not ask him about the troubled film, “Dream House,” which opens September 30th.

Oscar Campaigning Gets Strict New Regulations

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The parties are going to get a lot duller between nomination day and Oscar day. This is just for the Academy or Motion Picture Arts and Sciences. The Golden Globes/Hollywood Foreign Press Association can continue to junket and live it up all over the place, spending gobs of money, taking freebies, and wasting everyone’s time. Here’s the new press release:

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences today issued regulations for how movies and achievements eligible for the 84th Academy Awards may be marketed to Academy members.

The most notable change affects screening events that include filmmaker participation. Additional changes address digital delivery of movies to Academy members and public references to competing films or achievements via social media platforms.

“These campaign regulations play an important role in protecting the integrity of the Academy Awards process and the distinction of the Oscar®,” said Academy President Tom Sherak. “Above all, we want Academy members to see movies as they were meant to be seen, in a theatrical setting.”

Prior to the nominations announcement (January 24, 2012), there are no restrictions on screening events to which Academy members may be invited. These events may include the live participation of individuals involved with the film (Q&A panel discussions, etc.) as well as receptions with food and beverage. After the nominations have been announced, Academy members may continue be invited to screenings that have filmmaker participation elements but receptions are not permitted. While there is no restriction on the total number of screenings of a particular movie, no one individual from the film can participate in more than two panel discussions. Previously, Academy members could not be invited to any screening event that included live participation of the filmmaker(s) or a reception either before or after the nominations had been announced.

Additionally, after nominations are announced and until final polls close, members may not be invited to or attend any non-screening event that promotes or honors a nominated movie or individual nominee. Nominees themselves are also prohibited from attending such events. Academy-sanctioned events and awards ceremonies presented by the various guilds, critics groups and other organizations are exempt.

The regulations now emphasize that viewing motion pictures in a theatrical setting is highly preferred over any other viewing method. The distribution of screeners is still permitted, however, with specific restrictions on packaging and accompanying materials. The digital distribution of movies to Academy members is now acceptable, as long as the delivery method conforms to the regulations. The long-standing ban on negative campaigning about other nominated films or individuals is now extended to social media platforms, and specific penalties are spelled out. Academy members will be subject to a one-year suspension for first-time violations and expulsion for any subsequent violations. As in the past, any form of advertising that includes quotes or comments – negative or positive – by Academy members is prohibited.

To read the complete Regulations Concerning the Promotion of Films Eligible for the 84th Academy Awards, go to:http://www.oscars.org/awards/academyawards/rules/regulations.html. Academy Awards for outstanding film achievements of 2011 will be presented on Sunday, February 26, 2012, at the Kodak Theatre.

And So We Said: Sean Penn “Place” Movie Goes to Weinstein Company

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“This Must Be the Place,” an odd movie by Paolo Sorrentino, has gone to the Weinstein Company. Sean Penn has a kind of grand performance,but the movie is very weird and doesn’t quite work. I told you on May 20th that TWC was interested in it, But then nothing happened. See this link: http://www.showbiz411.com/2011/05/20/sean-penn-ryan-gosling-take-center-stage-at-cannes

Penn plays a retired 80s rocker who looks sort of like The Cure’s Robert Smith. He lives in an Irish castle with his idiosyncratic wife (Frances McDormand) and makes friends with a young woman who is played by Bono’s real life daughter. Penn talks in a high voice like Michael Jackson. Then it turns out his father, a Holocaust survivor, is dying in Brooklyn. So he goes to Brooklyn, where everyone is Orthodox and davenning (praying). He decides to go on a Nazi hunt and find the man who tortured his father in the camps–the man lives out west. Along the way, because he drives– looking like Robert Smith meets Ozzy Osbourne–he runs into David Byrne, who puts on an electrifying performance of his Talking Heads song, “This Must Be The Place.”

For some reason, TWC wants to be in business with Madonna and with Sean Penn. Is it 1992? What’s next, a remake of “Shanghai Surprise”? I don’t know what people will make of this movie, which we saw at Cannes. Maybe there’s a Holocaust-Talking Heads-Ozzy Osbourne demographic.  

REM, Influential Pop Group Circa 1980, Is Officially Done

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REM is over. The influential pop band, and one of my personal favorites, has called it a day. Well, 31 years. Remember the Beatles were only together officially for 8 years. Pop bands were never supposed to go on forever (Rolling Stones, U2). The cool ones (The Police) wrapped it up and became legends. Michael Stipe, Peter Buck, Mike Mills, Bill Berry (who played on the seminal hits) leave a legacy of outstanding records right up through their current, “Collapse Into Now.” And so they have.

from their website:
“To our Fans and Friends: As R.E.M., and as lifelong friends and co-conspirators, we have decided to call it a day as a band. We walk away with a great sense of gratitude, of finality, and of astonishment at all we have accomplished. To anyone who ever felt touched by our music, our deepest thanks for listening.” R.E.M.

In their own words: The guys share their thoughts on why now.

MIKE

“During our last tour, and while making Collapse Into Now and putting together this greatest hits retrospective, we started asking ourselves, ‘what next’? Working through our music and memories from over three decades was a hell of a journey. We realized that these songs seemed to draw a natural line under the last 31 years of our working together.

“We have always been a band in the truest sense of the word. Brothers who truly love, and respect, each other. We feel kind of like pioneers in this–there’s no disharmony here, no falling-outs, no lawyers squaring-off. We’ve made this decision together, amicably and with each other’s best interests at heart. The time just feels right.”

MICHAEL

“A wise man once said–‘the skill in attending a party is knowing when it’s time to leave.’ We built something extraordinary together. We did this thing. And now we’re going to walk away from it.

“I hope our fans realize this wasn’t an easy decision; but all things must end, and we wanted to do it right, to do it our way.

“We have to thank all the people who helped us be R.E.M. for these 31 years; our deepest gratitude to those who allowed us to do this. It’s been amazing.”

PETER

“One of the things that was always so great about being in R.E.M. was the fact that the records and the songs we wrote meant as much to our fans as they did to us. It was, and still is, important to us to do right by you. Being a part of your lives has been an unbelievable gift. Thank you.

“Mike, Michael, Bill, Bertis, and I walk away as great friends. I know I will be seeing them in the future, just as I know I will be seeing everyone who has followed us and supported us through the years. Even if it’s only in the vinyl aisle of your local record store, or standing at the back of the club: watching a group of 19 year olds trying to change the world.”

Simon Cowell Has a Brother Who’s Cashing in On “X Factor”

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Surprise! Simon Cowell has a brother. His name is Tony Cowell, and he’s cashing in on the “X Factor.” It’s actually amazing we haven’t heard from him before, Anyway, Tony Cowell is going to be on the ReelZ Channel as “The X Factor” correspondent according to a press release. I don’t where the ReelZ Channel is or how to find it, but Tony will be on there at 5pm on their Hollywood show. His bio says he co-authored Simon’s 2003 autobiography–which really should be part of “Celebrity Autobiography” if it isn’t already. His entire career, according to the release, has revolved around Simon, which doesn’t sound healthy. Maybe they’re the same person, like Todd on “One Life to Live.” Anyway, “X Factor” starts tonight on Fox with Cheryl Cole already saying goodbye. Mariah Carey will make her debut in the next couple of weeks. It’s all good!

Steven Spielberg to Get Producers Guild Award

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I can’t believe it’s taken this long, but Steven Spielberg is finally getting the Producers Guild Award. It’s an honorary prize named after legendary David O. Selznick. Spielberg will get the award on January 21st, right in the middle of Oscar season–in fact just days before the Academy Award nominations are announced. He may very well be up for some with his film version of “War Horse.” Past honorees include Stanley Kramer, Saul Zaentz, Clint Eastwood, Billy Wilder, Brian Grazer, Jerry Bruckheimer, Roger Corman, Laura Ziskin, Kathleen Kennedy & Frank Marshall , John Lasseter. Last year, Scott Rudin got the award in the middle of his big season with “The Social Network” and “True Grit.” This year Rudin is bringing “Moneyball”–a great movie which everyone has to see–to the Oscar dance. Congratulations to Spielberg, who’s probably the most famous movie maker in the world. But he’s also done an enormous amount of good with his Shoah project and other philanthropies.

Sting and Vince Gill Joke About Being “The Self Righteous Brothers”

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Country star Vince Gill and rock star Sting teamed up at the Hammerstein Ballroom last night to help CMT Crossroads celebrate its 10th anniversary in a big way. It was the first New York taping in five years for the cable country video network’s program, which teams country artists with those of other genres in illustrating the far-reaching roots of country music–and usually tapes in Nashville. The show airs November 25th.

This “Crossroads” was one of the toughtest tickets for those lucky enough to attend. But while previous stellar pairings like John Fogerty and Keith Urban and John Mellencamp and Kenny Chesney may have made more sense from the country music roots standpoint, that surely didn’t bother anyone present.

Any advantage Gill might have had in being the CMT property was likely offset by Sting’s being an Englishman in New York, as Hammerstein’s appeared to be as much a Sting crowd, at least, as Gill’s. “I always wanted to be rock star– but couldn’t fit into spandex,” joked Gill, alluding to his heavyweight tendancies, though he looked slimmed-down casual and kind of bookish in short hair and glasses, jeans and plaid shirt with tails sticking out.

Sting was more formal in basic black, and the color scheme gave a good graphic representation in the differences of their music and presentation: Gill is a livelier player and composer, easily alternating from his songs to Sting’s as the show’s format dictated. Prefacing the duo’s cover of The Everly Brothers’ “Let It Be Me,” he said that they were taking their act on the road as “The Self-Righteous Brothers.”

“Let It Be Me” was also the one song where the two split the vocal duties in half, each standing tall at their mic stand and singing without playing. Otherwise, one would take the lead on the other’s hit, then trade places, with Sting starting the night off with Gill’s “Liza Jane,” Gill following with Sting’s “Fields Of Gold” after reverently noting how the beloved late pop songstress Eva Cassidy recorded it before she died.

Sting singled out Gill’s “Whenever You Come Around” as a song that “speaks to me,” after pointing out the difficulty in deciding which Gill song to sing. The performance was marked by a beautiful Gill guitar solo; Sting didn’t play on this one, but on others he played harmonica and acoustic guitar in addition to bass. The nine-piece backing band, incidentally, was Gill’s, and had no trouble moving back-and-forth between its leader’s material and Sting’s.

“The great thing about a show like this is we get to sing out of our comfort zone,” said Gill, leading into Sting’s “If I Ever Lose My Faith In You,” the only song in the rapid nine-song, 40-minute taping–which was followed by only one retake–that didn’t quite jell. But it ended big with “Every Breath You Take,” which brought everyone to their feet and whistling.

“Thanks for doing this buddy!” Gill said to Sting afterwards.

Elaine’s Auction Brings in $385K with Memories of Woody, Plimpton, Marilyn

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The action at Doyle’s on Tuesday afternoon was the auction of memorabilia and personal items from the late Elaine Kaufman and her 47 year old landmark upper East Side restaurant, Elaine’s. By the time the last gavel fell, about $385,000 had been collected from fans and friends, a few outsiders, and some professionals who used phones and the internet.(We underestimated originally at $307.000, because we excluded the auction house’s premium.)

Dispersed now into the wind are the papier mache carousel horse that hung in the window, the old manual cash register, photographs of the rich and famous, noteworthy art work, and Table Number 1, which went for $7,000.With the premium it came to $8,750 according to Doyle’s.

Your truly was able to pick up a baseball from the 1978 World Series which George Steinbrenner inscribed to Elaine “I love you.” Bar stools, personal jewelry, a sign from the old subway system that read “No Passengers,” all of it went in an auction that took just under four hours. The narrow room at Doyle’s opened onto the street, and was packed from start to finish. But the last ninety minutes was kind of cool, with just the regulars taking the seats and bidding for items that had personal significance. Among the pieces now in the hands of Elaine’s friends: A Woody Allen signed poster of “Play it Again, Sam”; a Bert Stern photograph of Marilyn Monroe; and a drawing of George Plimpton.

Rosie O’Donnell Arts Program Now Financially Assisting NYC Public School

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Ok, this is above and beyond: Rosie O’Donnell‘s Rosie’s Theater Kids is now actively supporting a New York City public school with financial assistance and arts programs. Last night at the annual fundraiser for Rosie’s Theater Kids, part of the live auction was to raise money for Rosie’s group to help with P.S. 51. The public school is down the street from Rosie’s Maravel Arts Center. But the school was so decrepit that it’s now being rebuilt. The construction is too health hazardous for the kids and staff, so they’ve been moved from West 45th St. to East 91st St.

This is a huge distance–especially for little kids. The school didn’t have much of an arts program to start with, so they’d been using Maravel and Rosie’s programs to supplement their own. It makes you wonder what’s going on with the NYC Board of Education and why no one from the city was at Rosie’s fundraiser last night to thank her and her staff for doing their jobs. Anyway, I spoke to someone at the relocated P.S. 51 and they confirmed it–they’re having to bus their kids back to Rosie’s for arts programs. Yes, that’s 50 blocks south and then cross town.

Meanwhile, the Rosie’s benefit was a big hit–Aaron Neville performed, and so did the amazingly talented kids from the Maravel Center. The live auction raised over $300,000 and included a visit to Rosie’s new show on OWN (the Oprah network) in Chicago, and a day at Nickelodeon. Rosie looked great, too, and was funny as ever. Gayle King, Cynthia Nixon, Fran Drescher, and Natasha Lyonne were among the A list guests, and Z-100’s Elvis Duran helped auction off tickets to the very hot Jingle Ball show set for this December at Madison Square Garden.

Rosie, by the way, got a kick out of Elvis asking if she and Oprah were feuding–the subject of a recent tabloid report. “Feuding? I’m scared to death of her,” Rosie laughed. O’Donnell has inherited Oprah’s studio and staff in Chicago, and the pressure is on for “The Rosie Show” to be the centerpiece of OWN. She did admit to feuding with Elizabeth Hasselback of “The View,” however.