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Roseanne Conner Permanently Replaced by Peg Bundy as “The Conners” Season 2 Finale Finishes in 5th Place Tuesday Night

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“The Conners” finished its second official season last night in 5th place for the evening.

The “Roseanne” spin off scored 6 million viewers, making it ABC’s biggest ratings hit for any comedy. But over on CBS, an “NCIS” rerun did better, so did an “FBI” rerun, a new “FBI Most Wanted,” and a new edition of “The Voice” on NBC.

But “The Conners” does better than all the other ABC shows, so it’s a hit.

What may be really daunting for Roseanne Barr, who was forced to leave her show two years ago, is the permanent elimination of her character, Roseanne Conner.

Dan, Roseanne’s husband, is now completely attached to a new character called Louise played by Katey Sagal. Louise debuted last fall, returned in the winter, left, but is now firmly in the Conners household. There’s no doubt that Dan and Louise will get hitched next season. Roseanne the character is now just a memory.

That’s gotta hurt for Barr. Sagal is well known for her role in “Sons of Anarchy.” But she was Barr’s competition for most white trash comedy heroine as Peg Bundy in “Married with Children.” Who could have imagined in the 90s that Dan Conner would hook up with Peg?

Of course, Louise is not half as flamboyant as Peg. She’s earnest and not looking to steal the spotlight. She’s also technically a guest star since “The Conners” is already loaded with Big Stars like John Goodman, Laurie Metcalf, Sarah Gilbert and so on.

 

Strange Coincidence: 50th Anniversary of “Let it Be” Falls on Mother’s Day Weekend, Song is About Paul McCartney’s Mom, Mary

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Beatle fans are getting ready for the 50th anniversary of “Let it Be.” The album was released on May 8, 1970 in the UK and May 9th in the US. (I was at EJ Korvette’s that day.)

Coincidence? The “Let it Be” release falls on Mother’s Day. The song, “Let it Be,” was inspired by Paul McCartney’s late mother, Mary McCartney, who died when he was 14. He dreamt about her, thus the opening lines of “Mother May comes to me.”

Weird, huh?

“Let it Be” was supposed to come out earlier that spring. The Beatles appeared on “Ed Sullivan” in February, and the album was supposed to follow. But Paul McCartney’s first solo album, “McCartney,” was slotted in for that time, and McCartney refused to change it. So “Let it Be” was pushed back a bit.

As it turned out, they were each mega hits and remain so to this day. If only they could have all seen the future.

Friday would be the official release day anniversary. Maybe everyone can play “Let it Be” at noon on Friday. Beatles Sirius channel? What do you say?

Of course we all know the story of Phil Spector remixing the finish version with strings and choirs and flights of angels. The “Let it Be…Naked” album sets the story straight, and everyone can debate which is best.

It’s hoped that in the fall we’ll have a remixed album, and the original “Let it Be” film. The Peter Jackson documentary that repurposes the film into a documentary will arrive on September 5th in some form. Can’t wait to see hear and see all of it!

Lady Gaga Sets May 29th for “Chromatica” Release After Six Week Postponement Because No Virus Can Stop Her!

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No more waiting! After a six week postponement, Lady Gaga’s “Chromatica,” her sixth album, will be released on May 29th. The album has duets with Elton John, Ariana Grande, and BLACKPINK. It also includes the first single, “Stupid Love.” This is some light at the end of the tunnel. No virus is going to stop Lady Gaga!

1. “Chromatica I”
2. “Alice”
3. “Stupid Love”
4. “Rain On Me” (ft. Ariana Grande)
“5. Free Woman”
6. “Fun Tonight”.
7. “Chromatica II”
8. “911”
9. “Plastic Doll”
10. “Sour Candy” (ft. BLACKPINK)
11. “Enigma”
12. “Replay”
13. “Chromatica III”
14. “Sine From Above” (ft. Elton John)
15. “1,000 Doves”
16. “Babylon”
17. “Love Me Right” (Bonus)
18. “1,000 Doves” (Piano Version) (Bonus)
19. “Stupid Love” (Vitaclub Warehouse Mix) (Bonus)

No Tony Awards This Year, Maybe Next Year, So Who Gets Hurt the Most? David Byrne, Adrienne Warren, Mare Winningham, Jay O. Sanders

My friends at Variety– they’re smart people, but they just realized there probably will not be any Tony Awards this season. That’s because the coronavirus stopped the Broadway theater season in its tracks. The season, which runs from June to April, is over.

So what happens to the shows that did open? Clearly, the winner of Best Actress in a Musical would have been Adrienne Warren in the Tina Turner musical, “Tina!” She would have won even if all the other musicals had opened as planned. Warren is a spitfire on stage. When I say her performance is incendiary, people who’ve seen it know what I mean. She makes that big wheel keep on turnin’.

There were two great performances by actresses in plays. First there was Mary Louise Parker in “The Sound Inside,” which might also have won Best Play. Adam Rapp’s play, directed by David Cromer, was exceptional. It would have gone on longer but Parker had already agreed to star in a revival of “How I Learned to Drive,” which was unnecessary. I hope “The Sound Inside” can return sometime.

Laura Linney was equally sensational in “My Name is Lucy Barton.” The one woman show was a fake off because Linney- who can do anything and seemingly never wrong– also played Lucy’s mother so persuasively you would swear she was a separate actress. Based on Elizabeth Strout’s novel, the adaptation by Rona Munro gave Linney one of her greatest moments on stage (and there have been plenty). Since we can’t see this now, the only alternative is watch “Ozark” season 3 on Netflix, where Linney is on track to win the Emmy award.

As for male actors: Simon Russell Beale, Adam Godley, and Ben Miles got thisclose to opening in “The Lehman Trilogy,” which had already played in New York and London, and can be seen in a television taping. There would have been nominations from “The Inheritance”– mainly John Benjamin Hickey, who might have also been nominated for directing possible nominees Matthew Broderick and Sarah Jessica Parker in Neil Simon’s “Plaza Suite.”

We’ll never know now what would have happened to the best show of the 2019-2020 season, David Byrne’s “American Utopia.” I suppose the Tony committee would have given it a special award, since it was Byrne using his old music. Maybe he could have won Best Actor in a Musical. The show was supposed was supposed to re-open this fall. Whenever Broadway returns, I hope David Byrne does, too.

And Best Musical? So we had “Tina,” and maybe “American Utopia,” “Moulin Rouge” (not my favorite), the still to be opened “Diana,” plus “Sing Street” and “Flying over Sunset.” Of what already opened, “Girl from the North Country” would have been my choice, with nominations for Jay O. Sanders and Mare Winningham (who was going to have to fight off Adrienne Warren) who gave the best performances of their lives.

Should we just have the awards? Why not? Everyone Zoom in on June 7th, or least hum the songs. Maybe CBS could do some kind of “Best of 2020” show with clips. But real Tony Awards? Not now.

 

Hello? Singer Adele Posts Photo And Sends Shockwave Over Her Severe Weight Loss, Maybe Plastic Surgery

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 Something very wrong is happening with Adele Adkins. Whoever is with her or in her life must be aware that she’s sent out a cry for help, perhaps. Her face in a photo posted to Instagram is terrifyingly thin. One can only hope it’s some kind of manipulation of the picture. But I don’t think so. Adele either has had some kind of bariatric procedure that’s gone wrong or she is suffering from bulimia. This is an emergency. This hugely talented, popular singer is going through something and needs an intervention. Adele obviously was a heavy set girl, and last year she showed off a huge weight loss. But this picture today — despite her happy smile — seems to indicate something else. Frankly, it reminds me of Whitney Houston when she appeared on Michael Jackson’s 30th anniversary show. And that was also an emergency.

 

 

Natasha Gregson Wagner on How Mom, Natalie Wood Would Want to Be Remembered: “My mother was not a tragic, doomed person. She was vibrant”

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“My mother no longer has a voice of her own, but I do, and this is what I know to be true. My mother was not a tragic, doomed person. She was vibrant. Her life was devoted to her art, her children, her husband, and her heart. This is how she would want to be remembered, not as someone who is defined by her death, but by her life.”

That’s how Natasha Gregson Wagner summarizes her mother, Natalie Wood, in her memoir, “More than Love.” This book will be a disappointment to the conspiracy theorists, backyard gossips, and supermarket tabloids — all whom have tried make Natalie’s 1981 death into a murder that came from a love triangle among Wood, husband Robert Wagner, and actor Christopher Walken. Natasha sets it straight, logically, exonerating her stepfather — whom she alternately calls “RJ” and “Daddy Wagner.” I’ve always agreed with this, and it’s about time the lie is put to bed forever.

Natasha’s book is such an engaging memoir about her own life, growing up famous, her parents before Natalie’s death, and how she coped with it, you can’t put it down. But she has to address the drowning incident that killed Natalie, and how the gossip turned into white noise for the rest of her life.

One person Natasha cites from that night on the Splendour is Dennis Davern, the deckhand on the boat who’s gone on to cash in on his own “memories” decade after decade with the tabloids.

Natasha writes: “He says he was afraid of my dad after my mother died, and that my father was holding him hostage at our house. That’s why he didn’t tell the police at the time. I was living in that same house then and I think I would have noticed if Dennis was being held in my home against his will. More importantly, I would have noticed if my dad was the kind of man to hold another man against his will in the first place! I have known Robert Wagner since before I was two years old. Abusive men leave traces as they move through their lives. Where is the history of my dad’s abuse? There is none. Why would my dad suddenly become secretly abusive and threatening toward his wife and others in 1981, at age fifty-one?”

Well, he didn’t. I interviewed Robert Wagner around the year 2000. We had lunch together at the Plaza Athenee in New York. I didn’t hesitate to ask about the night Natalie Wood died, and he was as forthcoming as ever. Despite a long, happy marriage to Jill St. John (whom Natasha writes about lovingly in the book), Wagner keeps a torch for Natalie.

No one in my world questioned my dad’s love for my mom or his utter despair at her loss. Everyone in our lives wrapped their arms around him. R.J. had loved Natalie “more than love.” When it came time to choose the inscription on her gravestone, my dad made sure to add those three words, the same phrase my parents had always used to describe their love for each other. He asked if Courtney and I wanted it to say anything else. We told him we liked it just the way it was.”

So much great stuff here. We have to thank Natasha for sitting down and writing this book. Buy it. You won’t be disappointed!

 

 

 

 

UPDATED Natalie Wood’s Daughter, Natasha, on Aunt Lana Wood: “It didn’t seem to matter how much money we gave Lana; it would never be enough”

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UPDATE: November 6, 2021

Natasha Wagner knew her mother pretty well. She doesn’t mention anything about movie star Kirk Douglas attacking her mother as a young woman. But she does make some pretty keen observations about her aunt Lana Wood, about to try and cash in one more time with a new book abotu Batalie Wood.

 

MAY 5, 2020: Natalie Wood’s sister, Lana, has made a professional career out of dogging Robert Wagner about Natalie’s death for 40 years. She’s gone to every tabloid, several times, to sell stories. She’s pestered the police to go after Wagner even when there was no evidence that he was responsible for her death in 1981.

Now Natalie’s daughter, Natasha Gregson Wagner, writes about Aunt Lana in her memoir, called “More than Love.” I’m knee deep in this fascinating book which is already a best seller. Remember, Natasha is not RJ Wagner’s daughter. Natalie, in between marriages to Wagner, married Richard Gregson for three years, and had Natasha. Gregson died last summer at age 89. Wagner, stepfather, has considered her a daughter since birth.

Natasha writes of Lana:

“At some point it became clear that my aunt Lana, her daughter Evan, and their eight cats had moved into Baba’s condo. After my mom died, Lana had continued to write to my dad asking him for money and loans. While my father felt an obligation to support Baba, he didn’t see why he should support Lana too, so he told her no.

“As soon as I turned eighteen, Lana began writing to me as well. My father advised Courtney and me to refuse these requests. In our family’s opinion, it didn’t seem to matter how much money we gave Lana; it would never be enough. After Lana moved into the condo, Baba would complain to me that her daughter and Evie needed money, which was why she turned over her Social Security checks to them every month. They had taken over the master bedroom. Baba was now in the small second bedroom.

“Soon, neighbors began complaining that a putrid smell was emanating from the apartment. When Liz went to investigate, she found dirty plates piled up in the sink, trash that had not been taken out for weeks, and cats and cat feces everywhere. We moved Baba out of the condo and into a one-bedroom apartment on Barrington and Wilshire in West Los Angeles. Our attorney sent a letter to Lana telling her to vacate the condo within thirty days. It took another three months to clean and disinfect the place and make it habitable.”

As for Aunt Lana’s assertions over the years that Wagner somehow killed Natalie, Natasha writes:

In 1984, she published a book about my mother. Around the same time, Lana did a TV interview where she was asked if she thought there was anything mysterious about my mother’s death. Lana replied, “Absolutely not!” Why didn’t she accuse my dad then? Why did she wait more than twenty-five years to “speak her truth”?”

 

 

 

Thriller for Michael Jackson as Appeals Court Overturns Original $6.9 Million Ruling for Producer Quincy Jones

It’s a huge and surprising victory for Michael Jackson’s estate as an appeals court has thrown out a $6.9 million ruling for producer Quincy Jones.

Q– one of the most famous producers in history– was the man who made “Off the Wall,” “Thriller,” and “Bad” with Michael, his most famous and best selling albums.

After Michael died, the albums started selling well again, were repurposed into anniversary editions, and were part of the Jackson estate’s $200 million deal with Sony Music. Quincy’s assertion was that he was owed money– $30 million in royalties and other income derived from the “This Is It” concert film, two Cirque du Soleil shows and other revenue streams that followed Jackson’s death in 2009. After a two-week jury trial, the jurors awarded Jones $9.4 million.

But now in a stunning reversal of fortune, the appeals court went against Jones and for Jackson.

“The language of section 4(a) cannot be tortured to mean that Jones’s maximum royalty rate increased proportionally if Jackson’s maximum royalty rate increased,” wrote Justice Judith Ashmann-Gerst. “The only compensation Jones was entitled to receive was royalties from record sales on remixes, and the evidence indicates he received them,” Ashmann-Gerst wrote. “If he wanted remixing fees, he had to negotiate them in separate agreements.”

Quincy still receives $2.6 million for unpaid license fees from “This Is It,” plus other fees and interest.

Howard Weitzman, who represents the Jackson estate said, “Quincy Jones was the last person we thought would try to take advantage of Michael Jackson by filing a lawsuit three years after he died asking for tens of millions of dollars he wasn’t entitled to,” Weitzman said. “We knew the verdict was wrong when we heard it, and the court of appeal has completely vindicated us. From the beginning this was an attempt to take advantage of Michael knowing he wasn’t here to defend himself.”

Quincy Jones’s lawyer, Kirk Dillman, responded: “While we disagree with portions of the Court’s decision and are evaluating our options going forward, we are pleased that the Court affirmed the jury’s determination that MJJP failed to pay Quincy Jones more than $2.5M that it owed him.”

The court wrote: “Jones has not established a miscarriage of justice requiring reversal [of the original deal].” They added:

And do remember, this is pocket change for everyone involved. No one is suffering, and life goes on.

Barbra Streisand Reworks Her 9-11 Version of “You’ll Never Walk Alone” for First Responders and Coronavirus Workers In New Video Urging Donations

Barbra Streisand sang Rodgers and Hammerstein’s soaring ballad “You’ll Never Walk Alone” on the 2001 Emmy Awards after September 11th. Now she’s taken that moving performance and made a new video for pandemic first responders and medical personnel and everyone who’s been affected by corona virus. She’s urging donations to help everyone.

Family of “Sopranos” Star Joe Pantoliano Thanks Local Rescuers for Saving Actor’s Life, Shares Photo of Stunning Accident

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The family of actor Joey Pantoliano thanked local rescuers in Wilton, Connecticut for saving the actor’s life last week. Joey, the popular star of “The Sopranos” and movies like “Risky Business” and “Bound,” was walking in the leafy suburb when one car T-boned another and smashed into him! (This is why I like to stay in the city, where you’re safe.) In an earlier post they said “Joey is home recovering. He has a severe head injury and some chest trauma.” Looking at this new picture, the scene looks like Joey was lucky — and we were, too. Sending him the best get well wishes.