Monday, December 22, 2025
Home Blog Page 952

Taylor Swift’s New “Folklore” Album Sells a Startling Number of Copies on Its First Day, All Digital, No CDs

0

Taylor Swift really won the day on Friday.

Her surprise album, “Folklore,” had a whopping opening day in sales. The number was 107,000. And it was all digital.

“Folklore” has no general CDs on sale. The only way to get disc right now is through Swift’s website on her merch page. This is very, very unusual. In the past, her sales have tilted more to toward physical sales.

But “Folklore” is only available as a download or via streaming services. And when you add it all up, Friday was huge.

Would it have been more with CDs? Probably. But there’s no explanation so far for not having CDs ready on amazon, Target, Walmart, and all the usual places.

Taylor’s previous first week sales for her album, “Lover,” were 866,800. Can she top it? We’ll see how this develops.

 

 

Olivia de Havilland, Famed “Gone with the Wind” Actress, Hollywood Star, Dies at Age 104 in Paris

0

Two-time Academy Award-winning actress, Dame Olivia de Havilland has died peacefully from natural causes on July 26 at her residence in Paris, France. She was 104.

de Havilland was famous for many things, starting with her life as a star. But she also will be remembered for feuding over decades til their deaths with her movie star sister, Joan Fontaine. She recently sued producer Ryan Murphy over her depiction in his mini series “Feud” about the sour relationship between Joan Crawford and Bette Davis.

I hope TCM puts on a deHavilland/Fontaine festival. In the meantime, here’s the release:

Born Olivia Mary de Havilland on July 1, 1916 in Tokyo, Japan, Olivia de Havilland was the last of the great cinema stars from the Golden Age of Hollywood. After making her professional debut as Hermia in Austrian director Max Reinhardt’s legendary Hollywood Bowl production of A MIDSUMMER NIGHT’S DREAM, she was signed to a contract with Warner Brothers that would begin a career which spanned more than 6 decades.

She first came to prominence as one half of a screen couple opposite Errol Flynn in adventure films such as Captain Blood (1935) and The Adventures of Robin Hood (1938). One of her best-known roles is Melanie Hamilton in the film classic Gone with the Wind (1939), for which she received her first of five Oscar nominations, the only one for Best Supporting Actress.

De Havilland departed from ingénue roles in the 1940s and later received acclaim for her performances in Hold Back the Dawn (1941), To Each His Own (1946), The Snake Pit (1948), and The Heiress (1949), receiving nominations for Best Actress for each, winning for To Each His Own and The Heiress. She was also successful in work on stage and television, receiving a Golden Globe Award and Emmy nomination for her performance as the Dowager Empress in Anastasia: The Mystery of Anna in 1986.

In addition to a canon of magnificent film performances, the de Havilland legacy includes a historic court victory which changed Hollywood forever. After fulfilling her seven-year Warner Bros. contract in 1943, de Havilland was informed that six months had been added to her contract for the times that she had been suspended. At the time, the studios had adopted the position that California law allowed them to suspend contract players for rejecting a role, and the period of suspension could be added to the contract period. Most contract players accepted this, but a few tried to challenge this assumption, including Bette Davis, who mounted an unsuccessful lawsuit against Warner Bros. in the 1930s. On August 23, 1943, de Havilland filed suit against Warner Bros. in California Superior Court seeking declaratory judgement that she was no longer bound by her contract on the grounds that an existing section of the California Labor Code forbade an employer from enforcing a contract against an employee for longer than seven years from the date of first performance. In November 1943, the Superior Court found in de Havilland’s favor, and Warner Bros. immediately appealed. A little over a year later, the California Court of Appeals for the Second District ruled in her favor. The decision was one of the most significant and far-reaching legal rulings in Hollywood, reducing the power of the studios and extending greater creative freedom to performers. California’s resulting “seven-year rule”, as articulated by the Court of Appeal in analyzing Labor Code Section 2855 in the de Havilland case, is still known today as the De Havilland Decision.

De Havilland has lived in Paris since the early 1950s, and received honors such as the National Medal of the Arts, France’s Légion d’Honneur, and the appointment to Dame Commander of the Order of the British Empire.

She was married twice; first to author Marcus Goodrich from 1946 to 1953 and then to journalist Pierre Galante, editor of the French magazine Paris Match. She is preceded in death by her son, Benjamin Goodrich and her sister, the actress Joan Fontaine. She is survived by her daughter, Gisele Galante Chulack, her son-in-law Andrew Chulack and her niece Deborah Dozier Potter.
Funeral arrangements are private. Memorial contributions may be made to the American Cathedral in Paris.

Oprah Shutting Down O Magazine Print Edition After 20 Years with Embattled Hearst Publications

0

O stands for Oprah and for over. The Oprah magazine, called O, is apparently over.

Begun twenty years ago in print, and 10 years ago digitally, there are reports that O will cease print operations with the December issue. The website may continue. One editor has hinted at that on social media.

This is a surprise since the magazine has been considered a success in Hearst’s shaky empire of publications that include Good Housekeeping, Cosmopolitan, Esquire, Harpers Bazaar, and Marie Claire. O has a reported average paid circulation of 2.2 million copies and a 10 million print audience

But Hearst is in a huge crisis since the ousting this week of CEO Troy Young after a New York Times story exposed his extreme bad behavior. Young and his cohort, chief content officer Kate Lewis, came from the digital side of the business, took over the magazines, and began destroying them.

It’s unclear right now if Oprah herself pulled the plug, or Hearst did it for her. It would seem if Oprah –who’s appeared on every cover — wanted to continue the print magazine she could publish it or herself or move it to a different publisher. But the headaches of continuing may be something she’s simply not interested in anymore. She’s 66 years old, and concentrating on her OWN Network.

When O the Oprah magazine began, Oprah’s bff Gayle King ran the show. But over the years, Gayle, obviously, has found great success with the CBS Morning News. The current editor in chief is Lucy Kaylin, who’s been with Hearst for 14 years. But Kaylin must have known the writing was on the wall. She hasn’t Tweeted since February 9th.

Stay tuned…

If anyone knows more, I’m at showbiz411@gmail.com.

 

Kanye Update 7 Million: Apologizes to Wife Kim Kardashian, Shows Cover to “Donda” Album That Wasn’t Released Friday

0

Kanye West had a busy day. He entertained Justin Bieber and Damon Dash. Then he apologized on Twitter to his wife, Kim. After that he showed off a water color that he said was the cover of the album he didn’t release on Friday called “Donda.”

Here’s what he wrote to Kim:
“I would like to apologize to my wife Kim for going public with something that was a private matter.
I did not cover her like she has covered http://me.To Kim I want to say I know I hurt you. Please forgive me. Thank you for always being there for me.”

Here’s the album cover:

UPDATED RIP Regis Philbin, One of the Greats, Talk Show Host, Entertainer, Family Man and Friend, Dies At 88

0

It is with great, great sadness that I report the death of Regis Philbin. He was 88, and wife Joy were living in California near their kids and grandkids. Regis passed away here last night in Greenwich, Connecticut. He and Joy had sold their house and were packing up. Regis, I’m told, died in his sleep, peacefully.

I was very lucky to have a long friendship with Regis, one of my heroes and a person I enjoyed so much. There will be lots of tributes to him over the weekend. I can tell you that Regis was a loyal, great friend, and as the shock of his death sets in I am tearing up. He really was one of the greatest.

The Regis story takes him from the Joey Bishop show to all kinds of hosting jobs to starting “Good Day LA” with Cindy Garvey. But it was when Regis came east and started “Live” with, eventually, Kathie Lee Gifford, that his star soared. Regis invented what we call “host chat.” He’d come on every morning live and talk with Kathie Lee or some of the women who preceded her, about his night out in New York with Joy. The stories were hilarious and Regis was mesmerizing. It was a live monologue, and it was never boring, particularly when Regis acted out what had happened to them at the theater, at movie screenings, at premieres. One of my favorite stories is when he and Joy showed up a day early for dinner at Martha Stewart’s house. Joy was co-hosting that day, and it was flat out hysterical.

No one loved Regis more than Michael Gelman, who was not the original producer– I think it was Steve Ober– but Regis liked to say he raised “Gelman” from a pup. Regis and Joy also loved Kathie Lee and Frank Gifford, and actually did socialize with them all the time up in Greenwich, Connecticut.

The thing is, no matter what a big star Regis became, he didn’t change. Honestly, he remained totally himself, a kind of savvy Mr. Magoo who’d seen it all in Hollywood and Las Vegas but was always the kid from the Bronx. He loved Dean Martin and Perry Como, he loved his kids, and most especially Joy. Years ago, some woman went to the National Enquirer with an invented story about him, I checked it out and wrote that she was a phony. He thanked me profusely. There was too much velcro between Regis and Joy for any funny business.

Twenty years ago I edited an Oscars magazine for Tina Brown, and the great publicist Norah Lawlor threw a dinner party at an Italian restaurant on the east side. Who comes in, out of nowhere, Regis, with Gelman. Regis said, “What are you kidding? I wouldn’t miss this.” They stayed all night. There was a mentalist doing tricks for entertainment, he made a lit cigarette float through the air. I’ll never forget Regis saying, Do it again. He couldn’t get over it.

The fact is, Regis and Joy — I am so lucky to say– have been a big part of my nightlife in New York the last 30 years. We’ve seen good movies and bad, same for Broadway shows. Regis always says, “Roger, come here, what was that?” I’m always shaking my head with him. “I don’t know.” When Regis left “Live” for greener pastures, we still each other and kibbitzed. It was often with Peggy Siegal, or at one of her events. She loved him, and the Philbins loved being out as her guest. Regis was great at talking up movies the next morning on the show, even if he didn’t understand them.

My head is spinning. One lucky bit was that back in the mid 90s, Regis and Joy’s daughter JJ was an assistant to us at the Intelligencer at New York magazine. We had a lot of fun. Today, she’s a big TV producer and writer, as is her sister, Joanna. Regis was bursting proud of them. We also talked about his older kids, who he was equally proud of.

He wrote a book called “I’m Only One Man!” It’s a great read. Pick it up on amazon. He was courtly and polite, an insider’s insider who knew to how a good guy could survive in a world of sharks. I really loved him, as so many people did. Condolences to Joy, the family, and the Gelmans. There was only one Regis Philbin.

Peter Green, Heart of the Original Fleetwood Mac, Dies at 73, Wrote Santana Hit “Black Magic Woman”

0

Not to knock the second iteration of Fleetwood Mac with Lindsay Buckingham and Stevie Nicks but the original group featured Peter Green and Danny Kirwan. Green died today at age 73. He left the group in the early 70s and suffered from schizophrenia. Reports say he passed peacefully in his sleep.

Peter Green wrote “Black Magic Woman” for Fleetwood Mac, and and then Carlos Santana covered it on “Abraxas” and became an enormous classic hit forever. Green also wrote other early Mac classics like “Oh Well” and “Albatross.”

This was all before Fleetwood Mac became a soap opera in which all the members slept with each other and fought in public. These songs, and “Hypnotized,” “Bare Trees,” even “Heroes Are Hard to Find” plus all the bluesy deep album tracks were what made the group. That was my Fleetwood Mac. RIP Peter. Peace, at last.

 

Kanye West Tweets About Justin Bieber, Damon Dash Visiting Wyoming, Talking about Spray Foam Wall Prototypes

0

All week Kanye West was putting up tracklists for a new album called “Donda” or “Donda with Child.” Donda was his late mother’s name.

Kanye put up tracklists in his own hand, and printed out from a computer. He certainly thought he’d made an album. He even Tweeted its release date: July 24th.

Well, July 24th has come and gone. There was no album. It’s likely there never was an album, maybe just some ideas that hadn’t come together. And titles. He even posted a special font he thought he’d designed.

But like many things with Kanye, it all went up, up, up, in a puff of smoke. And to make it worse, his arch rival Taylor Swift did release a surprise album that shot straight to number 1 and put her whole catalog on the iTunes chart.

Maybe Kanye caught wind of Taylor’s secret album through his Universal Music sources and invented an album to come out on the same day. Anything is possible.

This evening, there is no mention of “Donda” on Kanye’s social media. Instead he Tweeted about “spray foam wall prototypes on the Yeezy campus.” He was visited by Justin Bieber and Damon Dash. It was like King Arthur and the Round Table.

 

Maria Bello Leaving “NCIS” After Three Year Run, Following a Parade of Women Including Pauley Perrette, Cote de Pablo, Lauren Holly

0

Women are not a long last commodity on the male-centric “NCIS.”

No, the show that is the domain of Mark Harmon isn’t particularly kind or pleasant to the fairer sex. Pauley Perrette was the exception. She made it through 15 seasons and 354 episodes. But when she left it was with bang, not a whimper.

Now Maria Bello, a fine film actress who signed on for three seasons, is exiting in November. Her contract is up, and that’s it. Her character will either find new work or wind up as fodder for a murder story. Either way, Bello will make her way back into films I hope or onto peak TV on Netflix, HBO, Showtime, etc.

Perrette and Bello aren’t the only gals who’ve come and gone from this less than Harmon-ious show. Cote de Pablo was wildly popular for many seasons before she had to take a break after 197 shows. She returned last season for special appearances, but she’s gone again. She’ll come back if the show needs her for ratings.

Lauren Holly, so great in “Picket Fences,” and many other shows, took a stab at it for 70 episodes, five more than Bello. She was happy to leave for greener pastures.

Sasha Alexander did 54 episodes. One of my all time faves, Jennifer Esposito, had 24 frames.

One survivor who’s made seven seasons is Emily Wickersham. She replaced Cote de Pablo in 2013. Her advantage right now is still being relatively young, 36, and they keep her out of Harmon’s storylines. Will she make it to the end? Time will tell.

The real long distance runner of “NCIS” is Sean Murray, who’s flown under the radar since day 1 in 2003 and is now only 42 years old. No one knows who he is, and he doesn’t care. He’s loaded. My hat is off to him. And considering how young he is, and how much he’s seen, he’s the one who will write the book. He’s the Don Galloway (“Ironside”) of “NCIS,” God bless him.

Mark Harmon turns 69 on September 2nd. Aside from Murray, “NCIS” is all about him. The show is number 1 in the ratings and the standard bearer for the 3 NCIS shows. This is his 18th season coming up, you know he’ll go for 20.

NBC’s “Days of our Lives” Actor Exodus Continues as Victoria Konefal, Hot Young Star, Joins Her Friends Out the Door

0

These are the Days of our Lives but maybe not for long.

In the last two days, actors Victoria Konefal and Greg Vaughn have announced they are done.

They join what has become a gang of actors as well as executive producer Greg Meng– there for 31 years– who’ve said goodbye to the ailing soap.

Last week Kristian Alfonso, who’s played Hope for 37 years, announced she was leaving and not coming back. She was asked by producer Ken Corday to take a four to five month leave of absence. She was insulted, rightly so, and declined.

Soon only Deidre Hall be left, playing all the parts. Corday might pay for that but still ask for a pay cut.

These departures won’t be the last. Late last fall Corday cancelled all contracts, then made everyone renegotiate. He’s low balled even the longest running regulars as NBC and Sony squeeze him, respectively, on licensing fees.

But if NBC were to cancel “Days” what would they replace it with? No one wants to see more of the “Today” show, please, anything but that. And talk shows aren’t so easy to put together. Look what happened with Nick Cannon. A Kelly Clarkson or Tamron Hall are very hard to cultivate. But maybe they could bring back the Farm Report, or the guy who taught sketching.

All of this is no doubt a blow to headwriter Ron Carlivati, who takes his orders from the top. On Twitter as each actor leaves he Tweets a very lovely goodbye and asks them to consider returning one day. In the movie “SoapDish,” Woopi Goldberg– the headwriter of a soap– is asked to write for a character who was once decapitated. “I can’t write for a man without a head!” she cries. You can’t write for characters who aren’t there, either.

Disney’s Searchlight Takes Wes Anderson’s Much Anticipated “The French Dispatch” Off the Schedule Again

0

The French Dispatch has been dispatched.

Wes Anderson’s newest creation was supposed to be released today after opening in Cannes.

Alas, all of that went away and “The French Dispatch” was moved to October 16th. Now Disney’s Searchlight has been dimmed, and Anderson and pals are off the schedule.

Here’s one quality film that I think would be swell on Netflix or VOD. Even though we always want a big screen release, the Anderson oeuvre lends itself a smaller space. Eventually it could be released in theaters.

I don’t think we’ll see any of these movies until mid January through the end of February, when the new Oscar eligibility ends. Without a vaccine it’s just not going to happen. Wait for news about the James Bond “No Time to Die” gets pushed past November 20th.

“The French Dispatch” by the way has the usual cast of Anderson characters including Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Jeffrey Wright, Mathieu Amalric, Bill Murray Owen Wilson, Liev Schreiber, Edward Norton, Willem Dafoe, Saoirse Ronan, Jason Schwartzman, and Anjelica Huston, .