Monday, December 8, 2025
Home Blog Page 889

Exclusive: Disney Family Source Says They Have Nothing to Do with Taylor Swift Music Purchase, “They’re Fans”

0

EXCLUSIVE

The Disney family are fans of Taylor Swift. I’m told that Susan Disney Lord, daughter of the late Roy Disney, and her daughters, love Taylor Swift.

So sources around the Disneys wanted me to explain: they have nothing to do with the purchase for $300 million of Taylor Swift’s master recordings from Scooter Braun and Scott Borchetta.

The investment fund Shamrock Capital Advisors bought the masters. Shamrock Holdings is the Disney family investment fund. Shamrock Capital is now other people. They used to work for Shamrock Holdings but spun themselves off into a separate entity.

“They started out as a fund underneath the umbrella of Shamrock Holdings Inc but left after Roy Disney passed away 10 years ago,” says a source. “The Disneys know nothing about it.”

But you see? That’s how ‘folklore’ starts!

My source says, perhaps naively: “I know these guys at Shamrock are good people, and I have a feeling they’ll try to work with Taylor Swift.”

Hope springs eternal!

 

With COVID Way Up in Tennessee, Allman Bros. Revival Band Plan Live Show at Nashville’s Ryman Theater Because Why Not?

0

The original Allman Brothers are dead, so now their heirs want to see if they can hasten their own end. And their fans.

The Allman Bros. Revival Band, successors to Duane, Greg, et al, are going to have a concert at Nashville’s Ryman Auditorium on December 11th. It will be live, in the famed theater, with more than a couple hundred fans not to mention the band, crew, theater employees, and so on.

This seems like a good idea, right? Because COVID-19 infections and deaths are way up in Tennessee. But hey, it would have been Greg Allman’s birthday, who cares? Let’s have a party.

Luckily, the band is promising a four hour show. That way, the audience can really stew in some germs. (And you can imagine with a cloud of marijuana clogging up the ventilation systems, this should be fun!)

Guess what? I’m not going. I’m glad I didn’t get sick last March at the big Allman Revival show at Madison Square Garden. In retrospect, I was very lucky and so was everyone else.

You know what? Stay home. Play the records. Wait til next year. Or we could wind up with Greg and Duane.

Take a look at the COVID chart for Tennessee, followed by the seating chart for the show:

 

 

Sunday Cable: “People’s Choice” Awards Loses to HBO’s “The Undoing” and Many Others with Just 1 Million Viewers over 3 Networks

0

The low-end, inexplicable “People’s Choice” Awards was not much of a ratings grabber on Sunday.

The show, which was principally on the E! channel, brought in just over 1 million viewers. The irony is that it was shown on three networks and got its highest ratings on Bravo, not E!.

“People’s Choice Awards” was beaten soundly by many other cable offerings, starting with HBO’s “The Undoing,” which edged it out at 1.222 million viewers just on HBO. “The Undoing” is a big hit despite snooty reviewers and pseudo philosophers poo-pooing it. I’ll tell you what, if you don’t like “The Undoing,” you’re in trouble.

The “PCAs” as they were known on social media were like a walk through your local Kohl’s after the liquidation sale. NBC Comcast owns E! so their shows won a lot of awards and were heavily promoted. As in all previous iterations, anyone who showed up for the People’s Choice was handed an award. Everyone’s in on it. It was nice to see Tracee Ellis Ross get what seemed like a half-hour fashion tribute, however.

You can tell Ellen DeGeneres must be scared about her ratings. She came and accepted an award for Best Talk Show with a Toxic Staff. I’m not sure if the episode that won was “Dakota Johnson Tells Ellen Off.” Still a favorite.

 

 

Ariana Grande’s Raunchy, X Rated, F Bomb Laden “34 + 35” Gets a Video: ’50s Scientists in Teddies

0

Ariana Grande introduces a video for her raunchy, X rated, F bomb-laden song “34+35.” Never has anyone sung such filthy phrases to such a cute video. But you can’t beat a scientist in a teddy! I want to hear a whole arena sing this out loud one day!

Quentin Tarantino Publishing His Own Novelization of “Once Upon a Time” and Another About Movies in General

0

I guess I could call this a scoop. Everyone else is. This is a reprint of the press release from Harper Collins. If you saw it first, it was a scoop. Since QT is only making one more movie (allegedly) maybe he can go back and do this for all of them. 

Academy Award-winning filmmaker Quentin Tarantino has signed a two book deal with Harper, an imprint of HarperCollins Publishers. Tarantino’s first work of fiction, “Once Upon a Time in Hollywood,” will be published in Summer 2021. The novel is based on his Oscar-winning film, which received ten Academy Award nominations. In the tradition of the classic movie novelizations that have long inspired Tarantino, the book will appear initially as a Harper Perennial mass market paperback, alongside ebook and digital audio editions. A deluxe hardcover edition will follow in Fall 2021.

“Once Upon a Time in Hollywood” will amplify Tarantino’s original award-winning vision, while also offering a fresh, playful and shocking departure from the film. The novel will chart the lives of Tarantino’s protagonists – TV actor Rick Dalton and his stunt double Cliff Booth – both forward and backward in time.

“In the seventies movie novelizations were the first adult books I grew up reading,” says Tarantino. “And to this day I have a tremendous amount of affection for the genre. So as a movie-novelization aficionado, I’m proud to announce “Once Upon a Time in Hollywood” as my contribution to this often marginalized, yet beloved sub-genre in literature. I’m also thrilled to further explore my characters and their world in a literary endeavor that can (hopefully) sit alongside its cinematic counterpart.”

Vice President and Executive Editor Noah Eaker, who acquired North American rights from the William Morris Endeavor Agency, says, “Quentin Tarantino’s literary talents have been in plain sight since his first scripts, but to see how skillfully he endows his characters with life on the page and how he constantly takes a reader by surprise, even one who knows the movie by heart, is to see a master storyteller trying on a new form and making it his own.”

Tarantino’s second work with Harper will be a book of nonfiction, “Cinema Speculation.” He has often cited film critic Pauline Kael as a literary hero and over the years has teased a career pivot toward film-writing. The long-awaited result is a deep dive into the movies of the 1970’s. The book will be a rich mix of essays, reviews, personal writing, and tantalizing “what if’s,” from one of cinema’s most celebrated filmmakers, and its most devoted fan.

Disney Family’s Shamrock Capital Made a Bigger Than Usual Investment in Taylor Swift’s Music as They Build Business

0

Back in July, there wasn’t too much interest in the announcement that Shamrock Capital, aka Shamrock Holdings, had closed a round of financing to the tune of $400 million in capital.

The investment fund of the Disney family is said to have $1.9 billion of assets under management and invests from $15 million to $100 million of control or minority equity in growth capital and buyouts. This fund is focused on media, entertainment, communications, and intellectual property.

With that new $400 million they were going to go shopping. Who knew it was Taylor Swift they’d be putting in their cart?

But it makes sense. In 2018, Shamrock bought Tor Hermansen and Mikkel Erikson’s Stargate music publishing catalog with songs like Katy Perry’s “Firework,” Rihanna’s “Diamonds” and Beyonce’s “Irreplacable.” That first fund raised $250 million and holds an interest in more than 800 films, 1,000 television episodes, and 5,000 music compositions.

Reports say Shamrock usually spends between $5 million to $50 million on entertainment-related intellectual property rights of films, television programming, music, and video games. So if they did spend $300 million on Taylor Swift’s masters, they outdid themselves.

Is it a good investment? Swift says she’s begun re-recording her catalog. Shamrock, don’t forget, didn’t buy Swift’s publishing. They bought the records. You know she’s going to finish the re-records and make a thing of it, with her core fans buying up the new versions and staging bonfires of the old. Shamrock better hope they’ve got a magical four leaf clover when that happens.

And what about the Disney family? These are Roy Disney’s children. I’ve met them, they’re nice people and consider themselves progressives. Maybe they didn’t know what was going on– they don’t run Shamrock. Ruining Taylor Swift’s life– a second time this year– doesn’t seem like something they’d want to do.

 

Exclusive: Comedian Jeff Ross Files Defamation Lawsuit Against Woman Who Claimed Underage Relationship, Seeks Damages

0

Comedian Jeff Ross is not laughing. Today in New York he’s filed a defamation lawsuit against Jessica Radtke, a woman who claimed that when she was 15 and Ross was 33 they had a physical relationship. (She is now 36, he’s 55.)

Radtke first leveled her charges against Ross on Facebook, then in New York Magazine’s Vulture website back on August 5th. The article was titled “He Liked That I Was Innocent.” Ross denied all of Radtke’s allegations and promised that he would take legal action. And now he has.

Radtke’s memories of Ross are disputed by her own father, Ross Radtke, on Twitter, after her original posts.; According to the complaint: his own daughter was “not telling the story as it actually happened” and that “she modified it to fit her situation” because she needed material to “shock the class” (in reference to a writing class that she had been taking) (emphasis added). Radtke’s father has further refuted Radtke’s false accusations about her purported underage relationship with Ross, and has also stated that he only spoke to the Vulture reporter because Jessica “threatened me that she would alienate me again if I did not” and that during the call he “read from a script that Jessica had prepared for me.”

Ross has always been a popular old school comic even though he’s from a younger generation. In New York he built a following as the young guy at the original Friars Club among legends like Alan King, Freddie Roman, Dick Capri, and Stewie Stone.He recently curated Netflix series called “Historical Roasts” with a diverse cast. During the recent COVID quarantine, Ross hosted virtual fundraisers for Meals on Wheels, the Bail Project, First Responders Children’s Foundation, and The National Center for Transgender Equality.

As a working comic, Ross lived the nightlife, and always had young women flocking around him. But were they underage? He says absolutely not. In the case of Jessica Radtke, he concedes that they did have a brief relationship after she turned 18. He insists it was legal and consensual.

Ross’s attorney, Bryan Freedman, tells me: “Jeff Ross has been defamed by a serial accuser for financial gain. Her own father, mother, brother, ex-fiancé, former best friends and others have documented proof of her lying and are supporting Jeff in this case. This lawsuit will clear Jeff’s name and hopefully stop others from continuing to be wrongfully accused by the defendant.”

Meantime, Ross’s reputation and career are on the line. Google his name now, and the Radtke saga comes right up. Even his Wikipedia page has an entry about it. In the current ‘cancel climate’ Jessica Radkte’s allegations — despite being unfounded, he says — will hound Ross unless he can disprove them. The complaint filed today should go a  long way to do that.

The complaint asks for “a permanent injunction enjoining and restraining Radtke and/or her agents, employees, and those acting in concert with her, from directly or indirectly publicizing, and/or disseminating any defamatory statements falsely stating that Ross engaged in a romantic or sexual relationship with her while she was a minor, and/or that Ross statutorily raped her.”

According to the complaint: “Radtke has a habit of threatening to make, and actually making, false criminal accusations to authorities about others. Remarkably, on at least two occasions, Radtke went as far as to inflict physical injuries on herself and accuse or threaten to accuse her family members of assault.”

In the complaint, Radtke’s former in-laws, her ex-fiancee, all attest to her bizarre and terrible behavior. But it’s the story of how she attacked her own brother and his family that stands out. Even though she was 3,000 miles away from her brother, his wife, and children, Jessica called Child Protective Services in Washington State and accused him of abuse and neglect.

From the complaint: “In response to Radtke’s very serious charges, CPS conducted an extensive investigation, ultimately concluding that her allegations were baseless and “did not seem rational.” Specifically, CPS determined that there were no concerns over Mr. Radtke’s parenting and that Radtke “may have made the report for personal gain of contact with the children or may not be mentally stable enough to understand what constitutes appropriate concern for children’s safety.”

According to the complaint, Jessica also wrongly accused a former fiancé, Jonathan Silverman, of assault after a dispute regarding their upcoming wedding.

Even though Vulture was quick to take Radtke’s side, Ross’s complaint is a detailed laundry list of interviews with her family and friends outlining her past, erratic behavior.  What emerges in the complaint is Radtke as unstable and out allegedly out of control when she’s denied what she wants, which her exes and family claim is money.

The complaint sums it up: “So, who is Jessica Radtke, and why is she so insistent on fabricating despicable and defamatory falsehoods about Ross? Radtke has a history of habitual lying. Not only does Radtke fabricate stories, Radtke is obsessive, calculating and deliberate in achieving her goal of inflicting maximum harm on her perceived enemies while promoting herself.”

UPDATE Taylor Swift Screwed Again: Scooter Braun Sells the Rights to Her Master Recordings to Disney Family’s Investment Fund, Not Her

0

How much more could Scooter Braun and Scott Borchetta antagonize Taylor Swift?

Variety is reporting that they’ve sold the rights to her master recordings to an unnamed investment fund FOR $300 MILLION. They owned the rights when Swift left the masters behind and made her move to Universal Music Group. Braun bought into Borchetta’s Big Machine record company.

I can tell you that the master recordings were sold to Shamrock Holdings, the investment fund of the Disney family. According to Wikipedia, Shamrock often takes an aggressive strategy, launching hostile takeovers.

Shamrock describes itself on its website: “Shamrock Holdings, Inc. (Shamrock) was founded by the late Roy E. Disney in 1978 and serves as the investment vehicle for certain members of the Roy E. Disney Family. Shamrock’s tenet’s are straightforward – invest and act with integrity, responsibility, and transparency. In addition to investing and providing services to the Disney Family, Shamrock, through a subsidiary, manages several real estate investment programs.”

“We made this investment because we believe in the immense value and opportunity that comes with her work,” Shamrock said in its statement. “We fully respect and support her decision and, while we hoped to formally partner, we also knew this was a possible outcome that we considered.”

Swift went ballistic last year claiming she was never given the right to buy the masters herself. Now Braun and Borchetta have turned a nifty profit by getting rid of them just as Swift is contractually able to re-record all her hits.

The result of this move should be brutal. I called a top top entertainment music lawyer and asked if they knew who Braun and Borchetta sold to. The answer was, “It wasn’t Universal and Taylor?” When I said no, there was a sound on the other end of the phone like pfffft.

Read Taylor’s post from late this afternoon:

MORE SHOWBIZ411 headlines:

Exclusive: Comedian Jeff Ross Files Defamation Lawsuit Against Woman Who Claimed Underage Relationship, Seeks Damages

Miley Cyrus Dropping Her “Punk Rock” Joan Jett-Debbie Harry Album with Billy Idol, Dua Lipa, and 3 Mark Ronson Tracks

0

What does Miley Cyrus want to be if she grows up? We just don’t know. It’s been seven years since her “Bangerz” album with hits “Wrecking Ball” and “We Can’t Stop.” She even had a song called “Adore You,” which Harry Styles’ songwriters obviously liked.

After “Wrecking Ball” came the Dead Petz project, which was free because no one would buy it. That was followed by “Younger Now,” which was a mess.

Now Miley is reclaiming her Dead Petz persona for “Plastic Hearts.” Coming on November 27th, this album has photography by the great Mick Rock. They’ve made the cover look like a Blondie album circa 1979. Debbie Harry isn’t a guest, but Joan Jett and Billy Idol are, plus Dua Lipa. Mark Ronson produced three tracks. Ryan Tedder co-wrote a lot of the songs. Ilsey Juber, daughter of Lawrence Juber (member of Paul McCartney and Wings 1978-81) also co-wrote. But Juber and Ronson’s one off Miley hit, “Nothing Breaks Like a Heart,” isn’t included. She’s saving that for a greatest hits record.

Ronson is excited. See below. Maybe he’ll get a hit single off it. But at 27, with an unfocused, messy history, I’m not so sure Miley will have an easy time of it with “Plastic Hearts.” Her fan base is unclear. What is clear is that she doesn’t give a f— and tells us that repeatedly. We’ll see how this goes.

Box Office: Stain-Removing “Ammonite” and Mel Gibson’s Awful “Fatman” Find Few Takers in Theater Debuts

0

The two new movies actually being shown in theaters this weekend didn’t find a lot of love.

“Ammonite,” starring Kate Winslet and Saoirse Ronan, took in just $85,000 at 280 screens. Audiences, like me, might have confused Ammonite for a stain remover or a substitute for Formica. Either way, there wasn’t much interest in waiting for these two fine actresses to have a sex scene, apparently. With $304 per screen, “Ammonite” looks like it’s headed the way of “Carol,” the last big serious lesbian drama. Remember how all the early reviews were sending “Carol” to the Oscars that year? And then it vanished. Here we go again.

Racist, anti-Semitic Mel Gibson’s hideously awful “Fatman” about a psychotic Santa hunted by a hit man did only a little better. It made $107K on 259 screens. Mel might as well have stayed in the chimney blowing smoke up his own you know what. Like all Mel Gibson movies, “Fatman” is headed to life on video on demand and in cut out DVD bins. By Christmas Eve, it should be a dimmed memory.

No, the big movie in theaters this weekend was the horror film, “Freaky,” from Universal Pictures and Jason Blum’s Blumhouse. Jason has found a way to make money during the pandemic, and I’m not surprised. This is 10th hit in a row in 2020. He paid his dues at Miramax/Dimension, and then went on to scare everyone silly. Vince Vaughn even got a “comeback” piece in the LA Times. How do you like that? Pigs have flown. “Freaky” made $3.7 million this weekend and finished at number 1.

Too bad Mel Gibson can’t get into Blumhouse. But my guess is, he burned that bridge a long time ago.