Support independent journalism, free from the trades and other publications that are part of the tinsel town machine.
For 12 years, Showbiz411.com has been covering Hollywood, Broadway, the music business and the business of celebrity. Ads are our main source of funding, but contributions (not tax exempt) from readers who enjoy the scoops, exclusives, and fact based reports are always welcome and very appreciated. To inquire about ads, email us at showbiz411@gmail.com.
For all the years “The Bachelor” and its distaff “Bachelorette” have been on TV, race was skirted as if it did not exist.
Then came Matt James, the first Black Bachelor, and all hell broke loose.
Tonight, James’s season ended in tears. James, a good looking guy who had managed maybe never to encounter a life speed bump, was confronted with reality in a harsh way. The woman he chose to give his “final rose” to and perhaps spend the rest of life — Rachael Kirkconnell — was revealed to be racially clueless and insensitive. She had appeared in photos back in 2018 at a plantation party, an event most of us didn’t know existed.
The rumors of these photos had been all over the internet. But then Rachel Lindsay, the first Black Bachelorette back in 2017, asked “Bachelor” host Chris Harrison about it in an interview on “Extra.” Lindsay elicited from Harrison his own cluelessness as he tried to defend Kirkconnell and said maybe in 2018 such a party would have been alright. Lindsay’s response was deadly as she asked him what role he thought she, Lindsay, might have played at such a party. Harrison’s life must have flashed before his eyes. He was toast.
Meantime, James, the “Bachelor” wrapped and waiting to reunite with Kirkconnell, got the message. He broke up with the girl. She had taken a long time to apologize before the “After the Rose” special tonight, which was hosted not by Harrison but by a Black substitute, Emmanuel Acho, who was just the right person for the job. Even though Acho was another intellectual plane than James, he made his points. Kirkconnell, dressed inappropriately for a cocktail party, came from a place of no education about the world. James, even though weeks have passed for him to process all this, was inarticulate and gobsmacked by reality. His pain was raw. It was something you never ever see on live American television. Sociologists should study this episode.
And so the two are parted for good. Acho suggested a final embrace, which was hilarious. James looked as if he was going to throw up. (It did not happen.) What Kirkconnell got from this is anyone’s guess. James, I think, had a full education distilled in short. This was a tragedy for him, but also maybe an ice bucket of reality that will just make him smarter and wiser. (Earlier in the show we’d met his mom and brother; I wish we’d heard their reactions to all this. They could sense the whole thing was a disaster.)
At the end of the show, Acho introduced two of James’s castoffs as the next Bachelorettes. Did they learn nothing from watching all this? I thought they’d say, “You know what? This is barbaric and we’re not doing it.” But, no, they each think they will “find love.” That they paid no attention to what happened in the last round is itself tragic. But as Phil Donahue always said to me, “One day we will see televised executions.” In fact, Will Forte is supposed to be in a “comedy” soon about a man planning his own suicide.
EXCLUSIVE Oscar nominees are getting a letter to dampen their spirits this afternoon. David Rubin, the fine casting director who’s running the Motion Picture Academy, sent a letter out to the freshly minted noms giving them good news and bad news: the Oscars are happening, but because of the pandemic it won’t be the same as in other years.
The good news, is there are great posters this year. And a lot of terrific movies and nominees. I have high hopes for a solid Oscar show on April 25th.
Look, they have to be realistic and take precautions. Back on the red carpet in 2022!
The letter as follows:
“Dear Fellow Academy Members,
I join you in congratulating all our Oscar nominees. We are now less than two months away from an Oscars show at the iconic Los Angeles landmarks Union Station and Dolby Theatre. A show that will undoubtedly be unique and memorable!
Though we’d hoped the pandemic would be more in our rearview mirror by the month of April, the health and safety of our members and Oscar nominees are our primary concern, so we’ve had to make some necessary decisions about some of our highly anticipated Oscar-week events.
This year, those attending the awards in person will be nominees, their guest, and presenters — with an audience of millions watching and cheering from all around the world. As a result, we will not be able to conduct our annual member ticket lottery.
We also will not hold any in-person events, including nominations screenings, the Oscar Nominees Luncheon and such beloved Oscar-week occasions as the International Feature Film nominee cocktail reception, and public programming for the Short Film, Documentary, Animated Feature, International Feature Film and Makeup and Hairstyling categories. I’m sorry to add that this year’s awards also will not include a post-Oscars Governors Ball celebration, or Oscar Night watch parties in London and New York.
In a year marked by so much uncertainty, one thing is without question: We have enlisted the ideal trio of producers—Jesse Collins, Stacey Sher and Steven Soderbergh—to put together an Oscars show like none other, to honor the extraordinary movies, memorable performances and achievements in filmmaking of the past year.
We appreciate your support and understanding, as we all look forward to an exciting show on April 25th.”
The top three albums on iTunes today are not by Grammy artists, spurred by last night’s performances.
No, they’re by artists who were featured on CBS Sunday Morning yesterday and have nothing to do with the Grammys.
Number 1 and Number 2 are by a British artist named Michael Kiwanuka. The albums are respectively five and two years old.
Number 3 is by Jimmy “Duck” Holmes, a 73 year old bluesman unknown to everyone except his friends. Holmes was nominated for Best Traditional Blues album but lost to Bobby Rush in the same category as my old friend, Don Bryant.
Despite neither of these men not being on the Grammys last night, they are currently outselling everyone who was. They are even outselling Nick Jonas, who released his “Spaceman” album today which has only gotten as high as number 12.
Kiwanuka is also number one on Amazon, and number 14, where he’s also fending off a slew of current releases by known pop stars. Holmes’s records are at the moment marked Unavailable on amazon, perhaps because there was no stock when CBS Sunday morning.
TUESDAY MORNING: The totals for the Grammys were revised up to 9.2 million, which is better than the fast overnights but still the all time low. That’s 50% of last year’s number.
Once upon a time, in 2012, the Grammys had 39 million viewers. That was the year of Adele and her “21” album and the song “Rolling in the Deep.”
That was a long time ago. Last year the Grammys were down to 18 million. Not quite the bottom, but close.
And last night? The total seems to be 7.9 million viewers despite a clever show with great moments. Maybe the biggest upside is that the average stayed above 8 million til the last hour. That’s when a million dropped out.
New EP Ben Winston faced a lot of obstacles. The show had a shaky start but improved consistently as it went along. The highlight was the In Memoriam section, a real tour de force featuring Lionel Richie, Bruno Mars and others. After that, things got better.
Losing 10 million viewers from last year isn’t great, but that’s the new normal. Oscars beware.
Regina King? Shaka King? Spike Lee? George C. Wolfe?
All three Black directors were in contention for an Oscar nomination this year. But they struck out.
Their films, “One Night in Miami,” “Judas and the Black Messiah,” “Da 5 Bloods,” “Ma Rainey’s Black Bottom” all scored many awards and nominations throughout the season. But except for “Judas,” none made it into the Best Picture category and none of the directors got to the final round.
This will come as a shock considering the Motion Picture Academy has widened and deepened, adding many more diverse members over the last couple of years. Two women, Chloe Zhao and Emerald Fennell, made the cut, which is progress, but lack of standing for African Americans remains a huge frustration.
In the acting categories, there were also some snubs considering the huge field of Black actors from which to choose especially in supporting. But two Black actresses in Best Actress is good news, and three Best Supporting actors. So it’s not a Black Out, or Oscars So White, but progress is incremental at best.
Huge subs for “Ma Rainey’s Black Bottom,” no supporting actor or screenplay noms. “Mank” was blanked for screenplay. Big love love for “Judas and the Black Messiah” with two supporting actor nominations. Amazing.
Only 8 nominees for Best Picture, nothing for “Ma Rainey” or “Soul.” Nothing for “Da 5 Bloods.” “One Night in Miami” All ‘blacked out.’ This is very strange considering the Academy has expanded to a much more diverse membership. The inclusion of Thomas Vinterberg for Best Director of a Foreign Film, from Denmark, “Another Round,” is a total shock. Regina King was hoped for and if not her, several American directors like Aaron Sorkin were snubbed in Vinterberg’s favor. Spike Lee, also, for “Da 5 Bloods.” And nothing for Paul Greengrass for “News of the World.”
Vinterberg’s Best Director nomination for the Danish film “Another Round” is a shock this morning. Distributed by Samuel Goldwyn, this film and director are dark horses. But the film will win Best Foreign Language Feature.
Diane Warren received her 12th nomination for Best Song for “Io (Seen)” from “The Life Ahead.”
Documentary nominees include “Time” and “Crip Camp,” either of which could be the winner.
Nominations for the 93rd Academy Awards
Performance by an actor in a leading role
Riz Ahmed in “Sound of Metal”
Chadwick Boseman in “Ma Rainey’s Black Bottom”
Anthony Hopkins in “The Father”
Gary Oldman in “Mank”
Steven Yeun in “Minari”
Performance by an actor in a supporting role
Sacha Baron Cohen in “The Trial of the Chicago 7”
Daniel Kaluuya in “Judas and the Black Messiah”
Leslie Odom, Jr. in “One Night in Miami…”
Paul Raci in “Sound of Metal”
Lakeith Stanfield in “Judas and the Black Messiah”
Performance by an actress in a leading role
Viola Davis in “Ma Rainey’s Black Bottom”
Andra Day in “The United States vs. Billie Holiday”
Vanessa Kirby in “Pieces of a Woman”
Frances McDormand in “Nomadland”
Carey Mulligan in “Promising Young Woman”
Performance by an actress in a supporting role
Maria Bakalova in “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”
Glenn Close in “Hillbilly Elegy”
Olivia Colman in “The Father”
Amanda Seyfried in “Mank”
Yuh-Jung Youn in “Minari”
Best animated feature film of the year
“Onward” Dan Scanlon and Kori Rae
“Over the Moon” Glen Keane, Gennie Rim and Peilin Chou
“A Shaun the Sheep Movie: Farmageddon” Richard Phelan, Will Becher and Paul Kewley
“Soul” Pete Docter and Dana Murray
“Wolfwalkers” Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants
Achievement in cinematography
“Judas and the Black Messiah” Sean Bobbitt
“Mank” Erik Messerschmidt
“News of the World” Dariusz Wolski
“Nomadland” Joshua James Richards
“The Trial of the Chicago 7” Phedon Papamichael
Achievement in costume design
“Emma” Alexandra Byrne
“Ma Rainey’s Black Bottom” Ann Roth
“Mank” Trish Summerville
“Mulan” Bina Daigeler
“Pinocchio” Massimo Cantini Parrini
Achievement in directing
“Another Round” Thomas Vinterberg
“Mank” David Fincher
“Minari” Lee Isaac Chung
“Nomadland” Chloé Zhao
“Promising Young Woman” Emerald Fennell
Best documentary feature
“Collective” Alexander Nanau and Bianca Oana
“Crip Camp” Nicole Newnham, Jim LeBrecht and Sara Bolder
“The Mole Agent” Maite Alberdi and Marcela Santibáñez
“My Octopus Teacher” Pippa Ehrlich, James Reed and Craig Foster
“Time” Garrett Bradley, Lauren Domino and Kellen Quinn
Best documentary short subject
“Colette” Anthony Giacchino and Alice Doyard
“A Concerto Is a Conversation” Ben Proudfoot and Kris Bowers
“Do Not Split” Anders Hammer and Charlotte Cook
“Hunger Ward” Skye Fitzgerald and Michael Scheuerman
“A Love Song for Latasha” Sophia Nahli Allison and Janice Duncan
Achievement in film editing
“The Father” Yorgos Lamprinos
“Nomadland” Chloé Zhao
“Promising Young Woman” Frédéric Thoraval
“Sound of Metal” Mikkel E. G. Nielsen
“The Trial of the Chicago 7” Alan Baumgarten
Best international feature film of the year
“Another Round” Denmark
“Better Days” Hong Kong
“Collective” Romania
“The Man Who Sold His Skin” Tunisia
“Quo Vadis, Aida?” Bosnia and Herzegovina
Achievement in makeup and hairstyling
“Emma” Marese Langan, Laura Allen and Claudia Stolze
“Hillbilly Elegy” Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney
“Ma Rainey’s Black Bottom” Sergio Lopez-Rivera, Mia Neal and Jamika Wilson
“Mank” Gigi Williams, Kimberley Spiteri and Colleen LaBaff
“Pinocchio” Mark Coulier, Dalia Colli and Francesco Pegoretti
Achievement in music written for motion pictures (Original score)
“Da 5 Bloods” Terence Blanchard
“Mank” Trent Reznor and Atticus Ross
“Minari” Emile Mosseri
“News of the World” James Newton Howard
“Soul” Trent Reznor, Atticus Ross and Jon Batiste
Achievement in music written for motion pictures (Original song)
“Fight For You” from “Judas and the Black Messiah”
Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas
“Hear My Voice” from “The Trial of the Chicago 7”
Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite
“Husavik” from “Eurovision Song Contest: The Story of Fire Saga”
Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson “Io Sì (Seen)” from “The Life Ahead (La Vita Davanti a Se)”
Music by Diane Warren; Lyric by Diane Warren and Laura Pausini
“Speak Now” from “One Night in Miami…”
Music and Lyric by Leslie Odom, Jr. and Sam Ashworth
Best motion picture of the year
“The Father” David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers
“Judas and the Black Messiah” Shaka King, Charles D. King and Ryan Coogler, Producers
“Mank” Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers
“Minari” Christina Oh, Producer
“Nomadland” Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers
“Promising Young Woman” Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers
“Sound of Metal” Bert Hamelinck and Sacha Ben Harroche, Producers
“The Trial of the Chicago 7” Marc Platt and Stuart Besser, Producers
Achievement in production design
“The Father” Production Design: Peter Francis; Set Decoration: Cathy Featherstone
“Ma Rainey’s Black Bottom” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton
“Mank” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale
“News of the World” Production Design: David Crank; Set Decoration: Elizabeth Keenan
“Tenet” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
Best animated short film
“Burrow” Madeline Sharafian and Michael Capbarat
“Genius Loci” Adrien Mérigeau and Amaury Ovise
“If Anything Happens I Love You” Will McCormack and Michael Govier
“Opera” Erick Oh
“Yes-People” Gísli Darri Halldórsson and Arnar Gunnarsson
Best live action short film
“Feeling Through” Doug Roland and Susan Ruzenski
“The Letter Room” Elvira Lind and Sofia Sondervan
“The Present” Farah Nabulsi
“Two Distant Strangers” Travon Free and Martin Desmond Roe
“White Eye” Tomer Shushan and Shira Hochman
Achievement in sound
“Greyhound” Warren Shaw, Michael Minkler, Beau Borders and David Wyman
“Mank” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin
“News of the World” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett
“Soul” Ren Klyce, Coya Elliott and David Parker
“Sound of Metal” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh
Achievement in visual effects
“Love and Monsters” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox
“The Midnight Sky” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins
“Mulan” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram
“The One and Only Ivan” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez
“Tenet” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher
Adapted screenplay
“Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan” Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad
“The Father” Screenplay by Christopher Hampton and Florian Zeller
“Nomadland” Written for the screen by Chloé Zhao
“One Night in Miami…” Screenplay by Kemp Powers
“The White Tigers” Written for the screen by Ramin Bahrani
Original screenplay
“Judas and the Black Messiah” Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas
“Minari” Written by Lee Isaac Chung
“Promising Young Woman” Written by Emerald Fennell
“Sound of Metal” Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance
“The Trial of the Chicago 7” Written by Aaron Sorkin
The 2021 Grammys swung from terrible to not bad over a three hour period.
With Trevor Noah hosting, the show opened oddly and went downhill fast with poor production values. The first 90 minutes looked like it was set in an afternoon wedding. Very weird. Also, the wedding guests all wore masks, so you couldn’t tell who was there.
But then the In Memoriam section turned out to be a tour de force, highlighted by Lionel Richie singing “Lady,” a song he wrote, for Kenny Rogers, who had the hit. Lionel was off the charts and the whole show shifted. Producer Ben Winston’s best work came out in “In Memoriam.”
From there on the sets improved and so did the show. An X rated segment for the raunchy “WAP” may have given the CBS censors a heart attack. If CBS viewers were looking for “Madame Secretary,” they got a surprise.
So hard to do this show imaginatively in the pandemic. A rocky start evened out and improved. Taylor Swift, however, should have not have lip-synched from the set of “Lord of the Rings.”
Kudos to Recording Academy acting CEO Harvey Mason, Jr.
Beyonce set a record for most Grammys by a female artist, with 28. Also most Grammys for a singer.
HER aka Gabriella Wilson won Best Song for “I Can’t Breathe.”
Taylor Swift won Album of the Year, as expected, for “Folklore.”
Billie Eilish won Record of the Year for “Everything I Wanted.”
Anita Baker wants her master recordings returned to her. She wrote on Twitter:
“Miraculously… i have out-lived *ALL, of my Artists Contracts
They no longer “Own”, My Name & Likeness. And, by Law…30 yr old, Mstrs are 2B Returned, 2 Me
Unfortunately, They’re gonna make me Fight 4 it. I’m Prepared, 2 do that. Please Dont advertise/buy them ABXO”
I’m assuming she was on Elektra and Atlantic, Anita’s masters are at Warner Music. She had many hits including the smash “Sweet Love” and many more from the mid 80s to the mid 90s. Can she get them back? We’re rooting for her.
🎁Miraculously… i have out-lived *ALL, of my Artists Contracts🎈 They no longer "Own", My Name & Likeness. And, by Law…30 yr old, Mstrs are 2B Returned, 2 Me🎼 Unfortunately, They're gonna make me Fight 4 it. I'm Prepared, 2 do that. Please Dont advertise/buy them ABXO🎈💓 pic.twitter.com/PXe9xzsJK0
Jhene Aiko is really wonderful. She hosted most of this show and did a wonderful job. We’re not appreciating her enough. Bravo!
Jimmy Jam Harris presented, always enthusiastic and positive about music. Bill Burr was irreverent and Boston strong.
For the stars who bothered to show up, they really get credit. Some didn’t bother.
The musical performances throughout were excellent. I really like Burna Boy, who I saw last year live with Lizzo. He’s very good. Rufus Wainwright surprised me.
The main thing about this Grammy pre-awards show is that you meet all kinds of fascinating, talented, brilliant, ebullient musicians. No one is jaded. Finneas, Billie Eilish’s brother, and Billie, were very disarming.
Excellent show. A plus.
All the winners in BOLD. More to come at 8pm.
Earlier:
I’m going to try and listen and watch the Live Stream and update the winners list. It takes three hours and we might miss some. You have to scroll to the bottom of this list. The first dozen or so awards will be given at 8pm on CBS. What we get now are the other 70 or so awards.
UPDATE: Beyonce won Best Music Video, but let the director accept the award.
Billie Eilish and Finneas won Best Song for Visual Medium for “No Time to Die” the new James Bond song. They were very cute in their acceptance speech. The movie has never come out. LOL.
1. Record Of The Year
Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.
BLACK PARADE
Beyoncé
Beyoncé & Derek Dixie, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer
COLORS
Black Pumas
Adrian Quesada, producer; Adrian Quesada, engineer/mixer; JJ Golden, mastering engineer
ROCKSTAR
DaBaby Featuring Roddy Ricch
SethinTheKitchen, producer; Derek “MixedByAli” Ali, Chris Dennis, Liz Robson & Chris West, engineers/mixers; Glenn A Tabor III, mastering engineer
SAY SO
Doja Cat
Tyson Trax, producer; Clint Gibbs & Kalani Thompson, engineers/mixers; Mike Bozzi, mastering engineer
EVERYTHING I WANTED
Billie Eilish
Finneas O’Connell, producer; Rob Kinelski & Finneas O’Connell, engineers/mixers; John Greenham, mastering engineer
DON’T START NOW
Dua Lipa
Caroline Ailin & Ian Kirkpatrick, producers; Josh Gudwin, Drew Jurecka & Ian Kirkpatrick, engineers/mixers; Chris Gehringer, mastering engineer
CIRCLES
Post Malone
Louis Bell, Frank Dukes & Post Malone, producers; Louis Bell & Manny Marroquin, engineers/mixers; Mike Bozzi, mastering engineer
SAVAGE
Megan Thee Stallion Featuring Beyoncé
Beyoncé & J. White Did It, producers; Stuart White, engineer/mixer; Colin Leonard, mastering engineer
2. Album Of The Year
Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist.
CHILOMBO
Jhené Aiko
Fisticuffs & Julian-Quán Việt Lê, producers; Fisticuffs, Julian-Quán Việt Lê, Zeke Mishanec, Christian Plata & Gregg Rominiecki, engineers/mixers; Jhené Aiko Efuru Chilombo, Julian-Quán Việt Lê, Maclean Robinson & Brian Keith Warfield, songwriters; Dave Kutch, mastering engineer
BLACK PUMAS (DELUXE EDITION)
Black Pumas
Adrian Quesada, producer; Adrian Quesada, engineer/mixer; Eric Burton & Adrian Quesada, songwriters; JJ Golden, mastering engineer
EVERYDAY LIFE
Coldplay
Daniel Green, Bill Rahko & Rik Simpson, producers; Mark “Spike” Stent, engineer/mixer; Guy Berryman, Jonny Buckland, Will Champion & Chris Martin, songwriters; Emily Lazar, mastering engineer
DJESSE VOL.3
Jacob Collier
Jacob Collier, producer; Ben Bloomberg & Jacob Collier, engineers/mixers; Jacob Collier, songwriter; Chris Allgood & Emily Lazar, mastering engineers
WOMEN IN MUSIC PT. III
HAIM
Rostam Batmanglij, Danielle Haim & Ariel Rechtshaid, producers; Rostam Batmanglij, Jasmine Chen, John DeBold, Matt DiMona, Tom Elmhirst, Joey Messina-Doerning & Ariel Rechtshaid, engineers/mixers; Rostam Batmanglij, Alana Haim, Danielle Haim, Este Haim & Ariel Rechtshaid, songwriters; Emily Lazar, mastering engineer
FUTURE NOSTALGIA
Dua Lipa
Lorna Blackwood & Koz, producers; Josh Gudwin & Cameron Gower Poole, engineers/mixers; Clarence Coffee Jr. & Dua Lipa, songwriters; Chris Gehringer, mastering engineer
HOLLYWOOD’S BLEEDING
Post Malone
Louis Bell & Frank Dukes, producers; Louis Bell & Manny Marroquin, engineers/mixers; Louis Bell, Adam Feeney, Austin Post & Billy Walsh, songwriters; Mike Bozzi, mastering engineer
FOLKLORE
Taylor Swift
Jack Antonoff, Aaron Dessner & Taylor Swift, producers; Jack Antonoff, Aaron Dessner, Serban Ghenea, John Hanes, Jonathan Low & Laura Sisk, engineers/mixers; Aaron Dessner & Taylor Swift, songwriters; Randy Merrill, mastering engineer
3. Song Of The Year
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
BLACK PARADE
Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)
THE BOX
Larrance Dopson, Samuel Gloade, Rodrick Moore, Adarius Moragne, Eric Sloan & Khirye Anthony Tyler, songwriters (Roddy Ricch)
CARDIGAN
Aaron Dessner & Taylor Swift, songwriters (Taylor Swift)
CIRCLES
Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post & Billy Walsh, songwriters (Post Malone)
DON’T START NOW
Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren, songwriters (Dua Lipa)
I CAN’T BREATHE
Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)
IF THE WORLD WAS ENDING
Julia Michaels & JP Saxe, songwriters (JP Saxe Featuring Julia Michaels)
4. Best New Artist
This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.
INGRID ANDRESS
PHOEBE BRIDGERS
CHIKA
NOAH CYRUS
D SMOKE
DOJA CAT
KAYTRANADA
MEGAN THEE STALLION
Pop
5. Best Pop Solo Performance
For new vocal or instrumental pop recordings. Singles or Tracks only.
YUMMY
Justin Bieber
SAY SO
Doja Cat
EVERYTHING I WANTED
Billie Eilish
DON’T START NOW
Dua Lipa
WATERMELON SUGAR
Harry Styles
CARDIGAN
Taylor Swift
6. Best Pop Duo/Group Performance
For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.
UN DIA (ONE DAY)
J Balvin, Dua Lipa, Bad Bunny & Tainy
INTENTIONS
Justin Bieber Featuring Quavo
DYNAMITE
BTS
RAIN ON ME Lady Gaga with Ariana Grande
EXILE
Taylor Swift Featuring Bon Iver
7. Best Traditional Pop Vocal Album
For albums containing at least 51% playing time of new traditional pop recordings.
BLUE UMBRELLA
(Burt Bacharach &) Daniel Tashian
TRUE LOVE: A CELEBRATION OF COLE PORTER
Harry Connick, Jr.
AMERICAN STANDARD James Taylor
UNFOLLOW THE RULES
Rufus Wainwright
JUDY
Renée Zellweger
8. Best Pop Vocal Album
For albums containing at least 51% playing time of new pop vocal recordings.
CHANGES
Justin Bieber
CHROMATICA
Lady Gaga
FUTURE NOSTALGIA
Dua Lipa
FINE LINE
Harry Styles
FOLKLORE
Taylor Swift
Dance/Electronic Music
9. Best Dance Recording
For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.
ON MY MIND
Diplo & SIDEPIECE
Diplo & SIDEPIECE, producers; Luca Pretolesi, mixer
MY HIGH
Disclosure Featuring Aminé & Slowthai
Guy Lawrence & Howard Lawrence, producers; Guy Lawrence, mixer
THE DIFFERENCE
Flume Featuring Toro y Moi
Flume, producer; Eric J Dubowsky, mixer
BOTH OF US
Jayda G
Fred Again.. & Jayda G, producers; Fred Again.. & Jayda G, mixers
10% Kaytranada Featuring Kali Uchis Kaytranada, producer; Neal H. Pogue, mixer
10. Best Dance/Electronic Album
For vocal or instrumental albums. Albums only.
KICK I
Arca
PLANET’S MAD
Baauer
ENERGY
Disclosure
BUBBA Kaytranada
GOOD FAITH
Madeon
Contemporary Instrumental Music
11. Best Contemporary Instrumental Album
For albums containing approximately 51% or more playing time of instrumental material. For albums containing at least 51% playing time of new recordings.
AXIOM
Christian Scott aTunde Adjuah
CHRONOLOGY OF A DREAM: LIVE AT THE VILLAGE VANGUARD
Jon Batiste
TAKE THE STAIRS
Black Violin
AMERICANA
Grégoire Maret, Romain Collin & Bill Frisell
LIVE AT THE ROYAL ALBERT HALL Snarky Puppy
Rock
12. Best Rock Performance
For new vocal or instrumental solo, duo/group or collaborative rock recordings.
SHAMEIKA Fiona Apple
NOT
Big Thief
KYOTO
Phoebe Bridgers
THE STEPS
HAIM
STAY HIGH
Brittany Howard
DAYLIGHT
Grace Potter
13. Best Metal Performance
For new vocal or instrumental solo, duo/group or collaborative metal recordings.
BUM-RUSH (Ice T) Body Count
UNDERNEATH
Code Orange
THE IN-BETWEEN
In This Moment
BLOODMONEY
Poppy
EXECUTIONER’S TAX (SWING OF THE AXE) – LIVE
Power Trip
14. Best Rock Song
A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
LOST IN YESTERDAY
Kevin Parker, songwriter (Tame Impala)
NOT
Adrianne Lenker, songwriter (Big Thief)
SHAMEIKA
Fiona Apple, songwriter (Fiona Apple)
STAY HIGH Brittany Howard, songwriter (Brittany Howard)
15. Best Rock Album
For albums containing at least 51% playing time of new rock, hard rock or metal recordings.
A HERO’S DEATH
Fontaines D.C.
KIWANUKA
Michael Kiwanuka
DAYLIGHT
Grace Potter
SOUND & FURY
Sturgill Simpson
THE NEW ABNORMAL The Strokes
Alternative
16. Best Alternative Music Album
Vocal or Instrumental.
FETCH THE BOLT CUTTERS Fiona Apple
HYPERSPACE
Beck
PUNISHER
Phoebe Bridgers
JAIME
Brittany Howard
THE SLOW RUSH
Tame Impala
R&B
17. Best R&B Performance
For new vocal or instrumental R&B recordings.
LIGHTNING & THUNDER
Jhené Aiko Featuring John Legend
BLACK PARADE
Beyoncé
ALL I NEED
Jacob Collier Featuring Mahalia & Ty Dolla $ign
GOAT HEAD
Brittany Howard
SEE ME
Emily King
18. Best Traditional R&B Performance
For new vocal or instrumental traditional R&B recordings.
SIT ON DOWN
The Baylor Project Featuring Jean Baylor & Marcus Baylor
WONDER WHAT SHE THINKS OF ME
Chloe X Halle
LET ME GO
Mykal Kilgore
ANYTHING FOR YOU Ledisi
DISTANCE
Yebba
19. Best R&B Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
BETTER THAN I IMAGINED Robert Glasper, Meshell Ndegeocello & Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. & Meshell Ndegeocello)
BLACK PARADE
Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)
DO IT
Chloe Bailey, Halle Bailey, Anton Kuhl, Victoria Monét, Scott Storch & Vincent Van Den Ende, songwriters (Chloe X Halle)
SLOW DOWN
Nasri Atweh, Badriia Bourelly, Skip Marley, Ryan Williamson & Gabriella Wilson, songwriters (Skip Marley & H.E.R.)
20. Best Progressive R&B Album
For albums containing at least 51% playing time of newly recorded progressive vocal tracks derivative of R&B.
CHILOMBO
Jhené Aiko
UNGODLY HOUR
Chloe X Halle
FREE NATIONALS
Free Nationals
F*** YO FEELINGS
Robert Glasper
IT IS WHAT IT IS Thundercat
21. Best R&B Album
For albums containing at least 51% playing time of new R&B recordings.
HAPPY 2 BE HERE
Ant Clemons
TAKE TIME
Giveon
TO FEEL LOVE/D
Luke James
BIGGER LOVE John Legend
ALL RISE
Gregory Porter
Rap
22. Best Rap Performance
For a Rap performance. Singles or Tracks only.
DEEP REVERENCE
Big Sean Featuring Nipsey Hussle
BOP
DaBaby
WHATS POPPIN
Jack Harlow
THE BIGGER PICTURE
Lil Baby
SAVAGE Megan Thee Stallion Featuring Beyoncé
DIOR
Pop Smoke
23. Best Melodic Rap Performance
For a solo or collaborative performance containing both elements of R&B melodies and Rap.
ROCKSTAR
DaBaby Featuring Roddy Ricch
LAUGH NOW CRY LATER
Drake Featuring Lil Durk
LOCKDOWN
Anderson .Paak
THE BOX
Roddy Ricch
HIGHEST IN THE ROOM
Travis Scott
24. Best Rap Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only..
THE BOX
Larrance Dopson, Samuel Gloade, Rodrick Moore, Adarius Moragne, Eric Sloan & Khirye Anthony Tyler, songwriters (Roddy Ricch)
LAUGH NOW CRY LATER
Durk Banks, Rogét Chahayed, Aubrey Graham, Daveon Jackson, Ron LaTour & Ryan Martinez, songwriters (Drake Featuring Lil Durk)
ROCKSTAR
Jonathan Lyndale Kirk, Ross Joseph Portaro IV & Rodrick Moore, songwriters (DaBaby Featuring Roddy Ricch)
SAVAGE
Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe & Anthony White, songwriters (Megan Thee Stallion Featuring Beyoncé)
25. Best Rap Album
For albums containing at least 51% playing time of new rap recordings.
BLACK HABITS
D SMOKE
ALFREDO
Freddie Gibbs & The Alchemist
A WRITTEN TESTIMONY
Jay Electronica
KING’S DISEASE Nas
THE ALLEGORY
Royce 5’9″
Country
26. Best Country Solo Performance
For new vocal or instrumental solo country recordings.
Stick That In Your Country Song
Eric Church
WHO YOU THOUGHT I WAS
Brandy Clark
WHEN MY AMY PRAYS Vince Gill
BLACK LIKE ME
Mickey Guyton
BLUEBIRD
Miranda Lambert
27. Best Country Duo/Group Performance
For new vocal or instrumental duo/group or collaborative country recordings.
ALL NIGHT
Brothers Osborne
10,000 HOURS Dan + Shay & Justin Bieber
OCEAN
Lady A
SUGAR COAT
Little Big Town
SOME PEOPLE DO
Old Dominion
28. Best Country Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
BLUEBIRD
Luke Dick, Natalie Hemby & Miranda Lambert, songwriters (Miranda Lambert)
THE BONES
Maren Morris, Jimmy Robbins & Laura Veltz, songwriters (Maren Morris)
CROWDED TABLE Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters (The Highwaywomen)
MORE HEARTS THAN MINE
Ingrid Andress, Sam Ellis & Derrick Southerland, songwriters (Ingrid Andress)
SOME PEOPLE DO
Jesse Frasure, Shane McAnally, Matthew Ramsey & Thomas Rhett, songwriters (Old Dominion)
29. Best Country Album
For albums containing at least 51% playing time of new country recordings.
LADY LIKE
Ingrid Andress
YOUR LIFE IS A RECORD
Brandy Clark
WILDCARD
Miranda Lambert
NIGHTFALL
Little Big Town
NEVER WILL
Ashley McBryde
New Age
30. Best New Age Album
For albums containing at least 51% playing time of new vocal or instrumental new age recordings.
SONGS FROM THE BARDO
Laurie Anderson, Tenzin Choegyal & Jesse Paris Smith
PERIPHERY
Priya Darshini
FORM//LESS
Superposition
MORE GUITAR STORIES Jim “Kimo” West
MEDITATIONS
Cory Wong & Jon Batiste
Jazz
31. Best Improvised Jazz Solo
For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter’s name is in parenthesis for identification. Singles or Tracks only.
GUINNEVERE
Christian Scott aTunde Adjuah, soloist
Track from: Axiom
PACHAMAMA
Regina Carter, soloist
Track from: Ona (Thana Alexa)
CELIA
Gerald Clayton, soloist
ALL BLUES Chick Corea, soloist Track from: Trilogy 2 (Chick Corea, Christian McBride & Brian Blade)
32. Best Jazz Vocal Album
For albums containing at least 51% playing time of new vocal jazz recordings.
ONA
Thana Alexa
SECRETS ARE THE BEST STORIES Kurt Elling Featuring Danilo Pérez
MODERN ANCESTORS
Carmen Lundy
HOLY ROOM: LIVE AT ALTE OPER
Somi With Frankfurt Radio Big Band Conducted By John Beasley
WHAT’S THE HURRY
Kenny Washington
33. Best Jazz Instrumental Album
For albums containing at least 51% playing time of new instrumental jazz recordings.
ON THE TENDER SPOT OF EVERY CALLOUSED MOMENT
Ambrose Akinmusire
WAITING GAME
Terri Lyne Carrington + Social Science
HAPPENING: LIVE AT THE VILLAGE VANGUARD
Gerald Clayton
TRILOGY 2 Chick Corea, Christian McBride & Brian Blade
ROUNDAGAIN
Redman Mehldau McBride Blade
34. Best Large Jazz Ensemble Album
For albums containing at least 51% playing time of new ensemble jazz recordings.
DIALOGUES ON RACE
Gregg August
MONK’ESTRA PLAYS JOHN BEASLEY
John Beasley’s MONK’estra
THE INTANGIBLE BETWEEN
Orrin Evans And The Captain Black Big Band
SONGS YOU LIKE A LOT
John Hollenbeck With Theo Bleckmann, Kate McGarry, Gary Versace And The Frankfurt Radio Big Band
DATA LORDS Maria Schneider Orchestra
35. Best Latin Jazz Album
For vocal or instrumental albums containing at least 51% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.
TRADICIONES
Afro-Peruvian Jazz Orchestra
FOUR QUESTIONS Arturo O’Farrill & The Afro Latin Jazz Orchestra
CITY OF DREAMS
Chico Pinheiro
VIENTO Y TIEMPO – LIVE AT BLUE NOTE TOKYO
Gonzalo Rubalcaba & Aymée Nuviola
TRANE’S DELIGHT
Poncho Sanchez
Gospel/Contemporary Christian Music
36. Best Gospel Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.
WONDERFUL IS YOUR NAME
Melvin Crispell III
RELEASE (LIVE)
Ricky Dillard Featuring Tiff Joy; David Frazier, songwriter
COME TOGETHER
Rodney “Darkchild” Jerkins Present: The Good News; Rodney “Darkchild” Jerkins & Jazz Nixon, producers; Lashawn Daniels, Rodney Jerkins, Lecrae Moore & Jazz Nixon, songwriters
WON’T LET GO
Travis Greene; Travis Greene, songwriter
MOVIN’ ON Jonathan McReynolds & Mali Music; Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters
37. Best Contemporary Christian Music Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track, (including pop, rap/hip-hop, Latin, or rock.
THE BLESSING (LIVE)
Kari Jobe, Cody Carnes & Elevation Worship; Chris Brown, Cody Carnes, Kari Jobe Carnes & Steven Furtick, songwriters
SUNDAY MORNING
Lecrae Featuring Kirk Franklin; Denisia Andrews, Jones Terrence Antonio, Saint Bodhi, Rafael X. Brown, Brittany Coney, Kirk Franklin, Lasanna Harris, Shama Joseph, Stuart Lowery, Lecrae Moore & Nathanael Saint-Fleur, Songwriters
HOLY WATER
We The Kingdom; Andrew Bergthold, Ed Cash, Franni Cash, Martin Cash & Scott Cash, songwriters
FAMOUS FOR (I BELIEVE)
Tauren Wells Featuring Jenn Johnson; Chuck Butler, Krissy Nordhoff, Jordan Sapp, Alexis Slifer & Tauren Wells, songwriters
THERE WAS JESUS Zach Williams & Dolly Parton; Casey Beathard, Jonathan Smith & Zach Williams, songwriters
38. Best Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.
2ECOND WIND: READY
Anthony Brown & group therAPy
MY TRIBUTE
Myron Butler
CHOIRMASTER
Ricky Dillard
GOSPEL ACCORDING TO PJ PJ Morton
KIERRA
Kierra Sheard
39. Best Contemporary Christian Music Album
For albums containing at least 51% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, Latin, or rock recordings.
RUN TO THE FATHER
Cody Carnes
ALL OF MY BEST FRIENDS
Hillsong Young & Free
HOLY WATER
We The Kingdom
CITIZEN OF HEAVEN
Tauren Wells
JESUS IS KING Kanye West
40. Best Roots Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.
BEAUTIFUL DAY
Mark Bishop
20/20
The Crabb Family
WHAT CHRISTMAS REALLY MEANS
The Erwins
CELEBRATING FISK! (THE 150TH ANNIVERSARY ALBUM) Fisk Jubilee Singers
SOMETHING BEAUTIFUL
Ernie Haase & Signature Sound
Latin
41. Best Latin Pop or Urban Album
For albums containing at least 51% playing time of new Latin pop or urban recordings.
YHLQMDLG
Bad Bunny
POR PRIMERA VEZ
Camilo
MESA PARA DOS
Kany García
PAUSA
Ricky Martin
3:33
Debi Nova
42. Best Latin Rock or Alternative Album
For albums containing at least 51% playing time of new Latin rock or alternative recordings.
AURA
Bajofondo
MONSTRUO
Cami
SOBREVOLANDO
Cultura Profética
LA CONQUISTA DEL ESPACIO Fito Paez
MISS COLOMBIA
Lido Pimienta
43. Best Regional Mexican Music Album (Including Tejano)
For albums containing at least 51% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.
HECHO EN MÉXICO
Alejandro Fernández
LA SERENATA
Lupita Infante
UN CANTO POR MÉXICO, VOL. 1 Natalia Lafourcade
BAILANDO SONES Y HUAPANGOS CON MARIACHI SOL DE MEXICO DE JOSE HERNANDEZ
Mariachi Sol De Mexico De Jose Hernandez
AYAYAY!
Christian Nodal
44. Best Tropical Latin Album
For albums containing at least 51% playing time of new tropical Latin recordings.
MI TUMBAO
José Alberto “El Ruiseñor”
INFINITO
Edwin Bonilla
SIGO CANTANDO AL AMOR (DELUXE)
Jorge Celedon & Sergio Luis
40 Grupo Niche
MEMORIAS DE NAVIDAD
Víctor Manuelle
American Roots Music
45. Best American Roots Performance
For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including Americana, bluegrass, blues, folk or regional roots. Award to the artist(s).
COLORS
Black Pumas
DEEP IN LOVE
Bonny Light Horseman
SHORT AND SWEET
Brittany Howard
I’LL BE GONE
Norah Jones & Mavis Staples
I REMEMBER EVERYTHING John Prine
46. Best American Roots Song
A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
CABIN
Laura Rogers & Lydia Rogers, songwriters (The Secret Sisters)
CEILING TO THE FLOOR
Sierra Hull & Kai Welch, songwriters (Sierra Hull)
HOMETOWN
Sarah Jarosz, songwriter (Sarah Jarosz)
I REMEMBER EVERYTHING Pat McLaughlin & John Prine, songwriters (John Prine)
MAN WITHOUT A SOUL
Tom Overby & Lucinda Williams, songwriters (Lucinda Williams)
47. Best Americana Album
For albums containing at least 51% playing time of new vocal or instrumental Americana recordings.
OLD FLOWERS
Courtney Marie Andrews
TERMS OF SURRENDER
Hiss Golden Messenger
WORLD ON THE GROUND Sarah Jarosz
EL DORADO
Marcus King
GOOD SOULS BETTER ANGELS
Lucinda Williams
48. Best Bluegrass Album
For albums containing at least 51% playing time of new vocal or instrumental bluegrass recordings.
MAN ON FIRE
Danny Barnes
TO LIVE IN TWO WORLDS, VOL. 1
Thomm Jutz
NORTH CAROLINA SONGBOOK
Steep Canyon Rangers
HOME Billy Strings
THE JOHN HARTFORD FIDDLE TUNE PROJECT, VOL. 1
(Various Artists)
Matt Combs & Katie Harford Hogue, producers
49. Best Traditional Blues Album
For albums containing at least 51% playing time of new vocal or instrumental traditional blues recordings.
ALL MY DUES ARE PAID
Frank Bey
YOU MAKE ME FEEL
Don Bryant
THAT’S WHAT I HEARD
Robert Cray Band
CYPRESS GROVE
Jimmy “Duck” Holmes
RAWER THAN RAW Bobby Rush
50. Best Contemporary Blues Album
For albums containing at least 51% playing time of new vocal or instrumental contemporary blues recordings.
HAVE YOU LOST YOUR MIND YET? Fantastic Negrito
LIVE AT THE PARAMOUNT
Ruthie Foster Big Band
THE JUICE
G. Love
BLACKBIRDS
Bettye LaVette
UP AND ROLLING
North Mississippi Allstars
51. Best Folk Album
For albums containing at least 51% playing time of new vocal or instrumental folk recordings.
BONNY LIGHT HORSEMAN
Bonny Light Horseman
THANKS FOR THE DANCE
Leonard Cohen
SONG FOR OUR DAUGHTER
Laura Marling
SATURN RETURN
The Secret Sisters
ALL THE GOOD TIMES Gillian Welch & David Rawlings
52. Best Regional Roots Music Album
For albums containing at least 51% playing time of new vocal or instrumental regional roots music recordings.
MY RELATIVES “NIKSO KOWAIKS”
Black Lodge Singers
CAMERON DUPUY AND THE CAJUN TROUBADOURS
Cameron Dupuy And The Cajun Troubadours
LOVELY SUNRISE
Nā Wai ʽEhā
ATMOSPHERE New Orleans Nightcrawlers
A TRIBUTE TO AL BERARD
Sweet Cecilia
Reggae
53. Best Reggae Album
For albums containing at least 51% playing time of new reggae recordings.
UPSIDE DOWN 2020
Buju Banton
HIGHER PLACE
Skip Marley
IT ALL COMES BACK TO LOVE
Maxi Priest
GOT TO BE TOUGH Toots & The Maytals
ONE WORLD
The Wailers
Global Music
54. Best Global Music Album
For albums containing at least 51% playing time of new vocal or instrumental Global Music recordings.
FU CHRONICLES
Antibalas
TWICE AS TALL Burna Boy
AGORA
Bebel Gilberto
LOVE LETTERS
Anoushka Shankar
AMADJAR
Tinariwen
Children’s
55. Best Children’s Music Album
For albums containing at least 51% playing time of new musical or spoken word recordings that are created and intended specifically for children.
ALL THE LADIES Joanie Leeds
WILD LIFE
Justin Roberts
Spoken Word
56. Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)
ACID FOR THE CHILDREN: A MEMOIR
Flea
ALEX TREBEK – THE ANSWER IS…
Ken Jennings
BLOWOUT: CORRUPTED DEMOCRACY, ROGUE STATE RUSSIA, AND THE RICHEST, MOST DESTRUCTIVE INDUSTRY ON EARTH Rachel Maddow
CATCH AND KILL
Ronan Farrow
CHARLOTTE’S WEB (E.B. WHITE)
Meryl Streep (& Full cast)
Comedy
57. Best Comedy Album
For albums containing at least 51% playing time of new recordings.
BLACK MITZVAH Tiffany Haddish
I LOVE EVERYTHING
Patton Oswalt
THE PALE TOURIST
Jim Gaffigan
PAPER TIGER
Bill Burr
23 HOURS TO KILL
Jerry Seinfeld
Musical Theater
58. Best Musical Theater Album
For albums containing at least 51% playing time of new recordings. Award to the principle vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and/or composed a new score which comprises 51% or more playing time of the album.
AMÉLIE
Audrey Brisson, Chris Jared, Caolan McCarthy & Jez Unwin, principal soloists; Michael Fentiman, Sean Patrick Flahaven, Barnaby Race & Nathan Tysen, producers; Nathan Tysen, lyricist; Daniel Messe, composer & lyricist (Original London Cast)
AMERICAN UTOPIA ON BROADWAY
David Byrne, producer (David Byrne, composer & lyricist) (Original Cast)
JAGGED LITTLE PILL Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard, composer; Alanis Morissette, composer & lyricist) (Original Broadway Cast)
LITTLE SHOP OF HORRORS
Tammy Blanchard, Jonathan Groff & Tom Alan Robbins, principal soloists; Will Van Dyke, Michael Mayer, Alan Menken & Frank Wolf, producers (Alan Menken, composer; Howard Ashman, lyricist) (The New Off-Broadway Cast)
THE PRINCE OF EGYPT
Christine Allado, Luke Brady, Alexia Khadime & Liam Tamne, principal soloists; Dominick Amendum & Stephen Schwartz, producers; Stephen Schwartz, composer & lyricist (Original Cast
SOFT POWER
Francis Jue, Austin Ku, Alyse Alan Louis & Conrad Ricamora, principal soloists; Matt Stine, producer; David Henry Hwang, lyricist; Jeanine Tesori, composer & lyricist (Original Cast)
Music for Visual Media
59. Best Compilation Soundtrack For Visual Media
Award to the artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).
A BEAUTIFUL DAY IN THE NEIGHBORHOOD
(Various Artists)
Nate Heller, compilation producer; Howard Paar, Music Supervisor
BILL & TED FACE THE MUSIC
(Various Artists)
Jonathan Leahy, compilation producer
EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA
(Various Artists)
Savan Kotecha, compilation producer; Becky Bentham, music supervisor
FROZEN 2
(Various Artists)
Kristen Anderson-Lopez, Robert Lopez, Tom MacDougall & Dave Metzger, compilation producers
60. Best Score Soundtrack For Visual Media
Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, video games or other visual media.
AD ASTRA
Max Richter, composer
BECOMING
Kamasi Washington, composer
JOKER Hildur Guðnadóttir, composer
1917
Thomas Newman, composer
STAR WARS: THE RISE OF SKYWALKER
John Williams, composer
61. Best Song Written For Visual Media
A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
BEAUTIFUL GHOSTS [FROM CATS]
Andrew Lloyd Webber & Taylor Swift, songwriters (Taylor Swift)
CARRIED ME WITH YOU [FROM ONWARD]
Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)
INTO THE UNKNOWN [FROM FROZEN 2]
Kristen Anderson-Lopez & Robert Lopez, songwriters (Idina Menzel & AURORA)
NO TIME TO DIE [FROM NO TIME TO DIE] Billie Eilish O’Connell & Finneas Baird O’Connell, songwriters (Billie Eilish)
STAND UP [FROM HARRIET]
Joshuah Brian Campbell & Cynthia Erivo, songwriters (Cynthia Erivo)
Composing/Arranging
62. Best Instrumental Composition
A Composer’s Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.
BABY JACK
Arturo O’Farrill, composer (Arturo O’Farrill & The Afro Latin Jazz Orchestra)
BE WATER II
Christian Sands, composer (Christian Sands)
HONEYMOONERS
Remy Le Boeuf, arranger (Remy Le Boeuf’s Assembly Of Shadows)
LIFT EVERY VOICE AND SING
Alvin Chea & Jarrett Johnson, arrangers (Jarrett Johnson Featuring Alvin Chea)
URANUS: THE MAGICIAN
Jeremy Levy, arranger (Jeremy Levy Jazz Orchestra)
64. Best Arrangement, Instruments and Vocals
An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.
ASAS FECHADAS John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Orkest Metropole)
DESERT SONG
Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (Säje)
FROM THIS PLACE
Alan Broadbent & Pat Metheny, arrangers (Pat Metheny Featuring Meshell Ndegeocello)
HE WON’T HOLD YOU Jacob Collier, arranger (Jacob Collier Featuring Rapsody)
SLOW BURN
Talia Billig, Nic Hard & Becca Stevens, arrangers (Becca Stevens Featuring Jacob Collier, Mark Lettieri, Justin Stanton, Jordan Perlson, Nic Hard, Keita Ogawa, Marcelo Woloski & Nate Werth)
Package
65. Best Recording Package
EVERYDAY LIFE
Pilar Zeta, art director (Coldplay)
FUNERAL
Kyle Goen & Alex Kalatschinow, art directors (Lil Wayne)
HEALER
Julian Gross & Hannah Hooper, art directors (Grouplove)
ON CIRCLES
Jordan Butcher, art director (Caspian)
VOLS. 11 & 12 Doug Cunningham & Jason Noto, art directors (Desert Sessions)
66. Best Boxed Or Special Limited Edition Package
FLAMING PIE (COLLECTOR’S EDITION)
Linn Wie Andersen, Simon Earith, Paul McCartney & James Musgrave, art directors (Paul McCartney)
GIANTS STADIUM 1987, 1989, 1991
Lisa Glines & Doran Tyson, art directors (Grateful Dead)
MODE
Jeff Schulz & Paul A. Taylor, art directors (Depeche Mode)
ODE TO JOY Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)
THE STORY OF GHOSTLY INTERNATIONAL
Michael Cina & Molly Smith, art directors (Various Artists)
Notes
67. Best Album Notes
AT THE MINSTREL SHOW: MINSTREL ROUTINES FROM THE STUDIO, 1894-1926
Tim Brooks, album notes writer (Various Artists)
THE BAKERSFIELD SOUND: COUNTRY MUSIC CAPITAL OF THE WEST, 1940-1974
Scott B. Bomar, album notes writer (Various Artists)
DEAD MAN’S POP Bob Mehr, album notes writer (The Replacements)
THE MISSING LINK: HOW GUS HAENSCHEN GOT US FROM JOPLIN TO JAZZ AND SHAPED THE MUSIC BUSINESS
Colin Hancock, album notes writer (Various Artists)
OUT OF A CLEAR BLUE SKY
David Sager, album notes writer (Nat Brusiloff)
Historical
68. Best Historical Album
CELEBRATED, 1895-1896
Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (Unique Quartette)
HITTIN’ THE RAMP: THE EARLY YEARS (1936 – 1943)
Zev Feldman, Will Friedwald & George Klabin, compilation producers; Matthew Lutthans, mastering engineer (Nat King Cole)
IT’S SUCH A GOOD FEELING: THE BEST OF MISTER ROGERS Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)
1999 SUPER DELUXE EDITION
Trevor Guy, Michael Howe & Kirk Johnson, compilation producers; Bernie Grundman, mastering engineer (Prince)
SOUVENIR
Carolyn Agger, compilation producer; Miles Showell, mastering engineer (Orchestral Manoeuvres In The Dark)
THROW DOWN YOUR HEART: THE COMPLETE AFRICA SESSIONS
Béla Fleck, compilation producer; Richard Dodd, mastering engineer (Béla Fleck)
Production, Non-Classical
69. Best Engineered Album, Non-Classical
An Engineer’s Award. (Artists names appear in parentheses.)
BLACK HOLE RAINBOW
Shawn Everett & Ivan Wayman, engineers; Bob Ludwig, mastering engineer (Devon Gilfillian)
EXPECTATIONS
Gary Paczosa & Mike Robinson, engineers; Paul Blakemore, mastering engineer (Katie Pruitt)
HYPERSPACE Drew Brown, Julian Burg, Andrew Coleman, Paul Epworth, Shawn Everett, Serban Ghenea, David Greenbaum, John Hanes, Beck Hansen, Jaycen Joshua, Greg Kurstin, Mike Larson, Cole M.G.N., Alex Pasco & Matt Wiggins, engineers; Randy Merrill, mastering engineer (Beck)
25 TRIPS
Shani Gandhi & Gary Paczosa, engineers; Adam Grover, mastering engineer (Sierra Hull)
70. Producer Of The Year, Non-Classical
JACK ANTONOFF
• August (Taylor Swift) (T)
• Gaslighter (The Chicks) (A)
• Holy Terrain (FKA Twigs Featuring Future) (T)
• Mirrorball (Taylor Swift) (T)
• This Is Me Trying (Taylor Swift) (T)
• Together (Sia) (S)
DAN AUERBACH
• Cypress Grove (Jimmy “Duck” Holmes) (A)
• El Dorado (Marcus King) (A)
• Is Thomas Callaway (CeeLo Green) (A)
• Singing For My Supper (Early James) (A)
• Solid Gold Sounds (Kendell Marvel) (A)
• Years (John Anderson) (A
DAVE COBB
• Backbone (Kaleo) (S)
• The Balladeer (Lori McKenna) (A)
• Boneshaker (Airbourne) (A)
• Down Home Christmas (Oak Ridge Boys) (A)
• The Highwomen (The Highwomen) (A)
• I Remember Everything (John Prine) (S)
• Reunions (Jason Isbell And The 400 Unit) (A)
• The Spark (William Prince) (S)
• You’re Still The One (Teddy Swims) (S)
FLYING LOTUS
• It Is What It Is (Thundercat) (A)
ANDREW WATT
• Break My Heart (Dua Lipa) (T)
• Me And My Guitar (A Boogie Wit Da Hoodie) (T)
• Midnight Sky (Miley Cyrus) (S)
• Old Me (5 Seconds Of Summer) (T)
• Ordinary Man (Ozzy Osbourne Featuring Elton John) (T)
• Take What You Want (Post Malone Featuring Ozzy Osbourne & Travis Scott) (T)
• Under The Graveyard (Ozzy Osbourne) (T)
71. Best Remixed Recording
A Remixer’s Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.
DO YOU EVER (RAC MIX)
RAC, remixer (Phil Good)
IMAGINARY FRIENDS (MORGAN PAGE REMIX)
Morgan Page, remixer (Deadmau5)
PRAYING FOR YOU (LOUIE VEGA MAIN REMIX)
Louie Vega, remixer (Jasper Street Co.)
YOUNG & ALIVE (BAZZI VS. HAYWYRE REMIX)
Haywyre, remixer (Bazzi)
Production, Immersive Audio
72. Best Immersive Audio Album
Due to the COVID-19 pandemic, the Best Immersive Audio Album Craft Committee was unable to meet. The judging of the entries in this category has been postponed until such time that we are able to meet in a way that is appropriate to judge the many formats and configurations of the entries and is safe for the committee members. The nominations for the 63rd GRAMMYs will be announced next year in addition to (and separately from) the 64th GRAMMY nominations in the category
Production, Classical
73. Best Engineered Album, Classical
An Engineer’s Award. (Artist names appear in parentheses.)
DANIELPOUR: THE PASSION OF YESHUA
Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
GERSHWIN: PORGY AND BESS
David Frost & John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore, Eric Owens, Metropolitan Opera Orchestra & Chorus)
HYNES: FIELDS
Kyle Pyke, engineer; Jesse Lewis & Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)
IVES: COMPLETE SYMPHONIES
Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel & Los Angeles Philharmonic)
SHOSTAKOVICH: SYMPHONY NO. 13, ‘BABI YAR’ David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)
74. Producer Of The Year, Classical
A Producer’s Award. (Artist names appear in parentheses.)
BLANTON ALSPAUGH
• Aspects Of America – Pulitzer Edition (Carlos Kalmar & Oregon Symphony)
• Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov & PaTRAM Institute Singers)
• Dvořák: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda & National Symphony Orchestra)
• Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher & Wolf Trap Opera)
• Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar & Oregon Symphony)
• Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale & Orchestra Of St. Luke’s)
• Massenet: Thaïs (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir & Toronto Symphony Orchestra)
• Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly & Experiential Orchestra)
• Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz & Choir Of Trinity Wall Street)
DAVID FROST
• Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss)
• Gershwin: Porgy And Bess (David Robertson, Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore, Eric Owens, Metropolitan Opera Orchestra & Chorus)
• Gluck: Orphée & Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra & Chorus)
• Holst: The Planets; The Perfect Fool (Michael Stern & Kansas City Symphony)
• Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra & Chorus)
• Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner)
• Shostakovich: Symphony No. 13, ‘Babi Yar’ (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra & Chorus)
JESSE LEWIS
• Gunn: The Ascendant (Roomful Of Teeth)
• Harrison, M.: Just Constellations (Roomful Of Teeth)
• Her Own Wings (Willamette Valley Chamber Music Festival)
• Hynes: Fields (Devonté Hynes & Third Coast Percussion)
• Lang, D.: Love Fail (Beth Willer & Lorelei Ensemble)
• Mazzoli: Proving Up (Christopher Rountree, Opera Omaha & International Contemporary Ensemble)
• Sharlat: Spare The Rod! (NOW Ensemble)
• Soul House (Hub New Music)
• Wherein Lies The Good (The Westerlies)
DMITRIY LIPAY
• Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel & Los Angeles Philharmonic)
• Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes & Music Of Remembrance)
• Ives: Complete Symphonies (Gustavo Dudamel & Los Angeles Philharmonic)
• LA Phil 100 – The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel & Los Angeles Philharmonic)
• Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard & Seattle Symphony Orchestra)
• Nielsen: Symphony No. 1 & Symphony No. 2, ‘The Four Temperaments’ (Thomas Dausgaard & Seattle Symphony)
ELAINE MARTONE
• Bound For The Promised Land (Robert M. Franklin, Steven Darsey, Jessye Norman & Taylor Branch)
• Dawn (Shachar Israel)
• Gandolfi, Prior & Oliverio: Orchestral Works (Robert Spano & Atlanta Symphony Orchestra)
• Singing In The Dead Of Night (Eighth Blackbird)
• Whitacre: The Sacred Veil (Eric Whitacre, Grant Gershon & Los Angeles Master Chorale)
Classical
75. Best Orchestral Performance
Award to the Conductor and to the Orchestra.
ASPECTS OF AMERICA – PULITZER EDITION
Carlos Kalmar, conductor (Oregon Symphony)
COPLAND: SYMPHONY NO. 3
Michael Tilson Thomas, conductor (San Francisco Symphony)
IVES: COMPLETE SYMPHONIES Gustavo Dudamel, conductor (Los Angeles Philharmonic)
LUTOSłAWSKI: SYMPHONIES NOS. 2 & 3
Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)
76. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.
DELLO JOIO: THE TRIAL AT ROUEN
Gil Rose, conductor; Heather Buck & Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)
FLOYD, C.: PRINCE OF PLAYERS
William Boggs, conductor; Alexander Dobson, Keith Phares & Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)
GERSHWIN: PORGY AND BESS David Robertson, conductor; Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
HANDEL: AGRIPPINA
Maxim Emelyanychev, conductor; Elsa Benoit, Joyce DiDonato, Franco Fagioli, Jakub Józef Orliński & Luca Pisaroni; Daniel Zalay, producer (Il Pomo D’Oro)
ZEMLINSKY: DER ZWERG
Donald Runnicles, conductor; David Butt Philip & Elena Tsallagova; Peter Ghirardini & Erwin Stürzer, producers (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin)
77. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
CARTHAGE
Donald Nally, conductor (The Crossing)
DANIELPOUR: THE PASSION OF YESHUAH JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J’Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)
KASTALSKY: REQUIEM
Leonard Slatkin, conductor; Charles Bruffy, Steven Fox & Benedict Sheehan, chorus masters (Joseph Charles Beutel & Anna Dennis; Orchestra Of St. Luke’s; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale & The Saint Tikhon Choir)
MORAVEC: SANCTUARY ROAD
Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather & Laquita Mitchell; Oratorio Society Of New York Orchestra; Oratorio Society Of New York Chorus)
ONCE UPON A TIME
Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)
78. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
CONTEMPORARY VOICES Pacifica Quartet
HEALING MODES
Brooklyn Rider
HEARNE, T.: PLACE
Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods, Diana Wade & Place Orchestra
HYNES: FIELDS
Devonté Hynes & Third Coast Percussion
THE SCHUMANN QUARTETS
Dover Quartet
79. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.
ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)
BEETHOVEN: COMPLETE PIANO SONATAS
Igor Levit
BOHEMIAN TALES
Augustin Hadelich; Jakub Hrůša, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)
DESTINATION RACHMANINOV – ARRIVAL
Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
THEOFANIDIS: CONCERTO FOR VIOLA AND CHAMBER ORCHESTRA Richard O’Neill; David Alan Miller, conductor (Albany Symphony)
80. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.
AMERICAN COMPOSERS AT PLAY – WILLIAM BOLCOM, RICKY IAN GORDON, LORI LAITMAN, JOHN MUSTO
Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich & Jason Vieaux)
CLAIRIÈRES – SONGS BY LILI & NADIA BOULANGER
Nicholas Phan; Myra Huang, accompanist
FARINELLI
Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)
A LAD’S LOVE
Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley & Ben Russell)
SMYTH: THE PRISON Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)
81. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.
ADÈS CONDUCTS ADÈS
Mark Stone & Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer
SAARIAHO: GRAAL THÉÂTRE; CIRCLE MAP; NEIGES; VERS TOI QUI ES SI LOIN
Clément Mao-Takacs, conductor; Hans Kipfer, producer
SEREBRIER: SYMPHONIC BACH VARIATIONS; LAMENTS AND HALLELUJAHS; FLUTE CONCERTO
José Serebrier, conductor; Jens Braun, producer
THOMAS, M.T.: FROM THE DIARY OF ANNE FRANK & MEDITATIONS ON RILKE Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer
WOOLF, L.P.: FIRE AND FLOOD
Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer
82. Best Contemporary Classical Composition
A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
Thomas Adès, composer (Kirill Gerstein, Thomas Adès & Boston Symphony Orchestra)
DANIELPOUR: THE PASSION OF YESHUA
Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
FLOYD, C.: PRINCE OF PLAYERS
Carlisle Floyd, composer (William Boggs, Alexander Dobson, Kate Royal, Keith Phares, Florentine Opera Chorus & Milwaukee Symphony Orchestra)
HEARNE, T.: PLACE
Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra)
83. Best Music Video
Award to the artist, video director, and video producer.
BROWN SKIN GIRL Beyoncé, Blue Ivy & WizKid Beyoncé Knowles-Carter & Jenn Nkiru, video directors; Astrid Edwards, Aya Kaida, Jean Mougin, Nathan Scherrer & Erinn Williams, video producers
LIFE IS GOOD
Future Featuring Drake
Julien Christian Lutz, video director; Harv Glazer, video producer
LOCKDOWN
Anderson .Paak
Dave Meyers, video director; Nathan Scherrer, video producer
ADORE YOU
Harry Styles
Dave Meyers, video director; Nathan Scherrer, video producer
GOLIATH
Woodkid
Yoann Lemoine, video director; Horace de Gunzbourg, video producer
84. Best Music Film
For concert/performance films or music documentaries. Award to the artist, video director, and video producer.
BEASTIE BOYS STORY
Beastie Boys
Spike Jonze, video director; Amanda Adelson, Jason Baum & Spike Jonze, video producers
BLACK IS KING
Beyoncé
Emmanuel Adjei, Blitz Bazawule, Beyonce Knowles Carter & Kwasi Fordjour, video directors; Lauren Baker, Akin Omotoso, Nathan Scherrer, Jeremy Sullivan & Erinn Williams, video producers
WE ARE FREESTYLE LOVE SUPREME
Freestyle Love Supreme
Andrew Fried, video director; Andrew Fried, Jill Furman, Thomas Kail, Lin-Manuel Miranda, Sarina Roma, Jenny Steingart & Jon Steingart, video producers
LINDA RONSTADT: THE SOUND OF MY VOICE Linda Ronstadt Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers
THAT LITTLE OL’ BAND FROM TEXAS
ZZ Top
Sam Dunn, video director; Scot McFadyen, video producer
