Friday, June 26, 2026

Kanye’s “Donda” Surprise Sunday Drop Not a Sales Blockbuster, Singles Sell Better than Album

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When Kanye West’s “DOnda” dropped on Sunday morning, it seemed like everyone was talking about it.

Not everyone was buying it, however.

Even though “Donda” is number 1 all over the world this morning on iTunes in every country, the actual sales are surprisingly low.

According to Buzz Angle/Alpha Data Music, “Donda” the album has sold about 40,000 copies so far in the US. Most of that is from paid downloads– around 26,000. Figures are for Sunday and Monday.

Interestingly, the individual tracks are doing better. “Jail” has done around 70,000 copies equivalent in streaming. “Hurricane” and “Off the Grid” are also over 50,000.

So iTunes is getting the album sales, and streaming is making the singles. The two things appear to be separate issues. Maybe fans are sampling the songs on streaming before committing to the purchase.

In either case, these are kind of low-ish numbers that will be surely eclipsed by Drake’s release on Friday of his new album, “Certified Lover Boy.” Also, unlike Kanye, Drake has secured album cover art by a real artist. Drake has a design by Damien Hirst. Kanye has no album art after using, without permission, a painting by Louise Bourgeois.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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