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Michael Jackson Story Takes Worst Turn Yet as Estate Files Extortion Law Suit Against Singer’s Closest Pal

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It’s late so I’m going to do a quick story tonight and more tomorrow.

The Michael Jackson estate has filed suit against Frank Cascio for extortion. This is Earth-shattering but it’s been coming for a while.

Cascio, 45, is part of the family closest to Michael especially before he had children. Dominic Cascio, the father, met Michael at New York’s Helmsley Palace Hotel in the 1990s. As he and wife Connie had children, they made Michael part of the family.

The five Cascio children are Frank, Eddie, Dominic Jr., Aldo, and Marie Nicole.

The Estate says that in 2020 it quietly paid off Frank and his siblings to the tune of $15 million after Frank alleged abuse. The Estate was in the middle of doing deals to enrich itself. Rather than get in a public fight they acquiesced. Only they say that Frank turned around and demanded more money — $213 million. Now they’ve gone public against Frank and the Cascios as — they claim — Frank is threatening to release damaging information.

It’s a horrible, tragic mess.

Michael lavished the Cascios with gifts and trips. They took him in the summer of 2007 when Michael arrived with his kids in Franklin Lakes, New Jersey. During that time, Eddie Cascio said Michael added vocals to songs Eddie had written. Michael died in June 2009. In June 2010, I broke the story that the songs existed.

In fact, earlier I’d heard the demos without Michael’s voice. They were sung by a James Porte, who is now the husband of Marie Nicole Cascio.

Sony and the Estate accepted the songs as Michael’s and put three of them on his posthumous “Victory.” Die hard Jackson fans refused to believe the vocals were Michael’s. They boycotted the release, and filed a class action lawsuit against Sony and the estate.

Frank went to work for Michael when he was 18. I met him officially when he was about 20. There was a gathering in 2000 at the home of prominent PR maven Howard Rubenstein. Frank was there with Michael, I was there, and that was when we connected.

Three years later, Michael was accused of molesting Gavin Arvizo and kidnapping his family. The alleged kidnapper was Frank, carrying out Michael’s wishes.

But Frank had another story. He came to me with a suitcase full of actual paper receipts showing that he’d simply entertained the Arvizo’s. Nothing had happened to the children. Frank’s evidence was a key factor in Michael being acquitted in 2005.

Because Michael died with an old will, the Cascios were not left anything. They had been a solid foundation for Michael, but they had no financial reward. Dominic Cascio — I reported exclusively — had borrowed $600,000 from Michael a decade earlier to build a restaurant. Eventually, Il Michelangelo went into business, but not for a long time. It’s unclear how much more money Michael gave the Cascios.

When Michael was arrested in 2003, part of a story came out. Michael had earlier flown to Miami to meet financier Al Malnik. Among the people in his group were Marie Nicole and young Aldo. They all returned to Los Angeles together.

Aldo was 12 going on 13 at the time. His nickname in the Jackson-Cascio group, given to him by Michael, was “Baby Rubba.” He went to Miami and other places with Michael, with sister Marie Nicole two years older. Later, it came out that Marie Nicole felt like a third wheel. She wrote to Michael:

“I am stupied (sic) and I don’t think I deserve to be in your Applehead Club. Those are all the reasons I get this way. I am very sad because I am a faget (sic). I know that you don’t really like me because I am a girl. You don’t like me because I get this way. I get in this (sic) for many reasons. One reason is because I am a girl and I know you don’t like girls as much as boys. Baby Rubba, Dom, Angel, Frank were all your babies and since I am a girl I can’t be. They get whatever they want whenever they want. Golf carts quads they all got to sleep with you and I never did. Face it I know I am not liked by you all.(Applehead Club) Maybe I should not come on any trips so I can make everyone happy. Not even my brothers like me instead they just talk about me and assume I won’t care. But I do! I’m sensitive and I have to run away or something. I am so ugly and nobody likes me. Please don’t tell anyone because if you do I will be really upset. I do have 1 question that I want to ask you. Well I hope this tells you why I get this way and will probably never get out of it.

Remember I first reported all of this in real time. There was barely an internet and no social media. On many occasions over the last 20 or so years, I asked Frank point blank, Did anything happen between Michael and him or any of his brothers? He was adamant: No. He even wrote a book praising Jackson called “Michael and Me.” He was paid a $300,000 advance, which we then discussed as his “inheritance.”

You can read my 2011 story about the book by clicking here.

There’s a lot more, this is only the tip of the iceberg as I know it. Tomorrow I will address some of that material. Suffice to say, if Frank and the Cascios are lying, it’s a terrible story. Is this a shakedown? If Michael did do something to them, the tragedy is overwhelming.

More on the actual lawsuit filed by the Estate here.

Elon Musk’s Twitter X Shill Linda Yaccarino is Outta Here After 2 Years of Lying, Obfuscating, Defending

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Say goodbye to Linda Yaccarino

Or yack yack yack-arino.

She’s ankling Twitter X after two years, hoping her career isn’t destroyed.

She lied, obfuscated, rationaled, tap danced, spun plates, and so on for Musk as he allowed the social media platform to be infiltrated by Nazis, racists, misognyists, insane asylum patients, and so on.

This week, Musk’s Grok AI started praising Hitler. It also advised someone how to break into a specific home of a named man and rape him.

Yaccarino is like a SpaceX ship that went up, up, up, and exploded in mid air.

Who will replace her? Maybe Steve Bannon. Musk posted yesterday that Bannon was in the Epstein files. He’d be perfect!

“The Office” Star Craig Robinson Said He Was Quitting Comedy — And Everyone Believed His Hoax

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“The Office” star announced on social media a few days ago that he was quitting comedy for a new career.

Of course, this was repeated everywhere by everyone on the internet. The statement became headlines in every bit of the media.

And of course, it’s not true. It was a prank leading up at AT&T commercials featuring the B team cast of “The Office.”

This is what’s wrong with the internet. Nothing is fact checked. Every single statement is immediately disseminated as a headline for click bait.

It was a good move by the ad company involved but bad for all the media that just ate it up. (We did not bite at this.)

Reporters — make a call! So easy!

Sad.

Buzz: Kate Hudson and Hugh Jackman May Surprise Everyone in Craig Brewer’s “Song Sung Blue” as Neil Diamond Singers

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Last year it was Timothee Chalamet as Bob Dylan.

This fall we’re preparing for Jeremy Allen White as Bruce Springsteen.

But there’s another music movie out there in stealth mode, getting ready to pounce on us.

That’s Craig Brewer’s “Song Sung Blue,” set for Christmas Day release by Universal.

Kate Hudson and Hugh Jackman play a down on their luck couple who perform as a Neil Diamond duo. They sing a bunch of Neil Diamond’s songs including the title track as punctuation to their own story.

Hudson — who was nominated for an Oscar in “Almost Famous” 25 years ago — has been on the move in the last year with a successfully revived music career. She can saing, as my late friend Sam Moore used to say. Coming back after a quarter century to the Oscars would be Kate’s triumph.

Jackman, obviously, is a Music Man. With a lot of Broadway credits including that recent hit musical, Jackman has been playing weekend dates at Radio City Music Hall all year. He’s an enthusiastic warbler with a big following. Think of Wolverine giving up howling for “Sweet Caroline.”

Director Brewer knows his way around a music movie. His signature hit was “Hustle and Flow,” which won an Oscar for its song in 2006. Among his other credits is the rebooted “Footloose,” and many music videos for stars like Katy Perry.

The key to “Song Sung Blue” is that it’s not a biopic of Neil Diamond. It’s more like the great about-the-Beatles Danny Boyle film, “Yesterday.”

Could these two big name performers — Hudson and Jackman — be sitting on a winner? Right now, the buzz is like your phone on vibrate. Wait until it starts ringing.

“Superman” On Track for $100 Mil Opening this Weekend, Scores Best Reviews for Franchise Since Original Films

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Warner Bros., er DC, is bracing for another huge opening weekend.

After “Sinners,” “Minecraft Movie,” and “Final Destination Bloodlines,” the studio can really brag this year.

But Thursday night comes James Gunn’s “Superman,” their all or nothing bet that seems to have worked out.

“Superman” is now on track for a $100-$130 million opening from Thursday to Sunday.

Right now, Gunn’s tremendously heartfelt adventure has an 86% critics rating on Rotten Tomatoes. Those are the best numbers for any Superman movie since “Superman II” had 88% 40 years ago.

The new “Superman” is looking at the best opening ever for a Superman film. And wait — til fans see it and come back.

Fox News and other right wingers have been trying to throw Kryptonite at the film, yapping on and on about wokeness, and Superman’s status as an “immigrant.” (He’s actually a refugee.) But those people — who haven’t even seen the film — are losing like Lex Luthor. They can’t stop the momentum.

I guess a whole new generation of kids will be putting on blankets as capes and jumping off of couches soon. Nicely done!

“Superman,” Is Finally Back to His Goofy, Heroic Self in A Sensational Return to Comic Book Magic

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Over the years, “Superman” flew off the track.

Like “Batman,” he went from a comic book star to the tragic lead in his own three hour opera.

Now after years of trial and a lot of error, “Superman” is back thanks to James Gunn. He’s revived the super hero with humor and grace and just enough introspection to serve the die hard fans who want it.

Gunn has given the new DC Comics (Warner Bros. is nary mentioned now, the logo shield replaced by a new DC intro and a drawing of the original comic book hero) Superman the energy of his first “Guardians of the Galaxy” movie without the total sarcasm but still stressing profundity about the character and his self-appointed mission in life.

David Corenswet has the looks and charm to pull off Clark Kent and his alter-ego.(Or is the other way around?) We finally get an explanation as to why no one notices the difference between the two men. As Clark snaps, “It’s the glasses,” as if it were an inside joke. Later he reveals the glasses have some kind of hypnotic power.

Corenswet is a relative newcomer, so it takes the sure hand of Rachel Brosnahan, coming off of ten years as the Marvelous Mrs. Maisel, to keep him in line. Rarely has anyone stepped into a role so assuredly. Brosnahan injects Midge Maisel’s propensity for wise cracking into a modern day woman who already who knows the answers before they’re asked. (She already knows Clark is Superman, there’s no big reveal, that’s the reveal!)

This pair is complimented by Nicholas Hoult’s Lex Luthor, who chews every piece of scenery twirling an invisible mustache, adding in bits of Gene Hackman and even a little Mike Myers’ Doctor Evil. He’s just right at being menacing and self-absorbed to the point of distraction.

Gunn has turned two decades of sturm and drang into some thing fun, drenched in color and faux angst, with sets — like Superman’s icy Fortress of Solitude — that are much characters as the people. He’s added Krypto the dog, a hilarious and much needed comedic sidekick not unlike Groot from “Guardians.” This crystal palace is Superman’s crystal man cave, staffed with quippy robots who can be knocked around but never knocked out.

There’s still a Daily Planet, where Jimmy Olsen (shrewdly adept Skyer Gisondo) is no longer a photographer but another reporter, and one who seems to be getting a lot of action. (Lex Luthor’s girlfriend, Eva, played by the hilarious Sara Sampaio as a very dumb blonde, is all over him.) Perry White is around muttering “don’t call me chief” a la the legendary TV series although not enough by a long shot (it seems like his part was cut down, which is too bad).

Gunn’s best decisions are hearkening back to the great 70s movies both in music and tone as signal reminders that Superman is a bold hero and a conflicted guy who was jettisoned from his planet and landed in a cornfield. He is neither human nor alien, although he does bleed (which surprised me). But maybe the bleeding is a metaphor to say he’s just like us when he’s not at all.

The citizens of Metropolis get their own plug — they’re a little tired of Superman’s antics, they’re willing to turn on him maybe because they’re now used to gigantic monsters fighting with the Man of Steel, causing wholesale wreckage in their city. They don’t seem shocked anymore when Superman fights with gargantuans in the town square, there’s more of a ‘let’s get on with it’ attitude.

The film, of course, as a Greek chorus of helpers for Superman. They’re not from the Justice League of America. They’re the awkwardly named Justice Gang, sort of the B list (very “Guardians”), who can help Superman at any time. They include the Green Lantern (Nathan Fillion), Mister Terrific (Edi Gathegi), Hawkgirl (Isabela Merced), and Metamorpho (Anthony Carrigan). They’re not Superman’s equals like the Justice League. They’re more like worn out fans with superpowers.

The new “Superman” is a hit. Sometimes there’s a plot hole or a scene that doesn’t land, but once it straightens itself out, Gunn’s vision fulfills all of its goals. It’s also a tidy two hours, no fat or extra endings. (There’s just one major Easter egg in the form of Bradley Cooper as Superman’s Krypton dad, Jor-el.) Again, the goofy but swoony Corenswet (he couldn’t have changed that name?) and the all American but sexy Brosnahan have so much chemistry that they leave the audience wanting more — which we’ll no doubt get.

PS — Nothing about “Superman” invalidates Zack Snyder’s iterations with Henry Cavill and Amy Adams. It’s just a different take. And don’t worry about “wokeness.” There isn’t any.

R&B Superstar Stephanie Mills Sends Harsh Letter to Essence Festival for Unprofessionalism, Plus Lauryn Hill Had a 3am Show

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The Essence Music Festival in New Orleans this past weekend sounds like a disaster.

R&B superstar Stephanie Mills sounds like she had a bad time. She just posted a letter to the festival taking them to task for poor management, timing, production — all of it.

Lauryn Hill got seared for being hours late and performing to few people when she finally showed up at 3am. Even Mariah Carey knows better than that (although I once saw Prince at 2am).

The festival has issued an apology, but it’s too late. Guests and press came home hot, cranky, and with regrets. But this seems to be the essence of Essence. Don’t know why after all these years.

“General Hospital” Star Kirsten Storms Says She’s Taking the Rest of the Year Off, Show Hits Hulu Top 10

“General Hospital,” the ABC soap, hit the Hulu Top 10 this past week. That’s quite an accomplishment for a soap that always seems to be struggling in the regular ratings.

Meantime, long time actress Kirsten Storms posted a video tonight announcing that she’s moving to Nashville and taking the rest of the year off.

Nashville seems to be a regular LA commute for a lot of actors. I guess it’s just cheaper to live there. Maybe Storms is going country. Anyway, nice gig that you can take six months off.

 
 
 
 
 
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Pop: Rob Thomas Wooed Over to Hot Republic Records, Drops a New Solo Single, “Hard to Be Happy” On Friday

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Rob Thomas, leader of matchbox twenty, is one of our best singer songwriters. (He also doesn’t seem to age, but that’s another story!)

Thomas’s solo records are good as the group’s, too. Have you heard his song, “Someday”? You’ll never get it out of your head.

On Thursday night, Rob drops a new solo single called “Hard to be Happy.” From his Instagram post today, it sounds like another hit to go with all his others.

Rob has been with Atlantic Records for a long, long time. But he was wooed away this spring to Republic Records by their chief, Monte Lipman, the same guy behind Taylor Swift and most of the top 20 acts in the biz. Rob certainly likes people named Lippman — and they like him. His longtime managers are the legendary Michael Lippman, and son, Nick.

“Hard to be Happy” is the lead single off of Rob’s new album, “All Night Days,” which drops soon. He’s also on tour beginning any minute.

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Legendary Marilyn Maye, 97, Wows the Hamptons With One Woman Show: She Was Johnny Carson’s Most Frequent Guest

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Marilyn Maye — she’s 97, she looks fantastic and sounds even better. What’s the story here?

She’s been a cabaret star since the 1950s. She recorded the song “Cabaret” five years before Liza Minnelli, in 1966, when the Broadway musical first opened. And it was a hit!

“Discovered” by talk show host Jack Paar when she was almost 40, Johnny Carson booked her a record 79 times on his “Tonight Show.” She survived Elvis, the Beatles, disco, and, to paraphrase Stephen Sondheim, she’s still here! (One of the many theatrical triumphs was Sondheim’s “Follies.”)

In the Hamptons on Saturday night, Maye had a sold out audience at the Hamptons Summer Songbook Kickoff at LTV Studios in East Hampton. No less than Joy Behar was there to do a Q&A. Retired movie studio exec (and widower of Dina Merrill) Ted Hartley showed up, as did New York’s perennial man about town and broadcaster, Bill Boggs.

Titled “Meet Marvelous Marilyn Maye,” the show ushered in the new season with fireworks of talent and timeless American music where the star paid tribute to Carson, who would have turned 100 years old this year.

After the performance (see below), Maye was presented with a tribute and citation from New York State Assemblywoman Rebecca Seawright.

Produced by Donna Rubin and Josh Gladstone, the series’ Creative Director at LTV, Hamptons Summer Songbook transforms a working television studio into an atmospheric cabaret venue, complete with café-style seating, impeccable acoustics, and a gleaming Baby Grand piano.

The season continues post Maye with some big Broadway and cabaret stars through August 30th with a dazzling lineup of performers including Lee Roy Reams, Liz Callaway, Eric Comstock and Barbara Fasano, KT Sullivan and Mark Nadler, and international sensations Moipei, among others. Full season details are listed online at www.ltveh.org.