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Two Big Rock Birthdays June 18th: Paul McCartney and “You’re So Vain” Producer Richard Perry Turn 79

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Paul McCartney turns 79 today. You know who he is, we love him. He’s probably the most successful modern composer of all time. His work is indelible. From “Love Me Do” in 1957 to his recent “McCartney III,” Paul has written or co-written the greatest songs of our time.

In 1973, after the Beatles broke up, Paul was convinced by producer Richard Perry to write a song for Ringo Starr’s “Ringo” album. The song is called “Six O’Clock,” and Paul and Linda McCartney sang on it as well. Earlier that year, Perry had recorded the McCartneys singing backup vocals on Carly Simon’s “Night Owl.”

Perry, who also turns 79 today, just published his memoir, “Cloud Nine.” He’s the most successful record producer of the 70s, 80s. 90s, and aughts. Just about every hit by Carly, Ringo, Harry Nilsson, the Pointer Sisters, Leo Sayer, were all made by Perry. He also produced Diane Warren’s first hit, “Rhythm of the Night,” sung by El DeBarge. In 2000, it was Perry who launched Rod Stewart’s American Songbook collection, five albums that sold 26 million copies. Not bad!

“Cloud Nine” is a sensational read. It covers not only all those artists but three tracks Richard made with Tina Turner in the early 80s before her ‘comeback’ album “Private Dancer.” Tina was so grateful to him Perry was her date to the 1985 Grammy Awards when she won several statues. It was Perry’s recording of Tina singing the Beatles’ “Help” that paved the way for her revival.

Perry made nine hit albums with the Pointer Sisters, and singles like “Fire,” “Jump,” “I’m So Excited,” “Dare Me,” “Happiness,’ and so on. During a recent hospitalization, they visited him– courtesy of his ex-partner Jane Fonda, and serenaded him with “Slow Hand,” one of their top 10 collaborations. It worked! He felt better instantly. (That story will be for the next book.)

So there was rock and roll magic i the air on June 18, 1942. And we’re the luckier for it! Happy birthday, gentlemen.

PS Richard told me on my recent visit that the record he’s most proud of is Ray Charles’ “My World” which includes Ray singing “A Song for You.” I say his “perfect” record is Nilsson’s “Without You” but he says it’s Carly’s “You’re So Vain.” There are too many too choose from! A lot of people love Art Garfunkel’s “Breakway” album. And when you hear the opening of Ringo’s “Photograph,” it’s a stunning moment in rock history.

 

 

(Midnight Listen) Jennifer Hudson Sings New Song Written with Carole King from Aretha Franklin BioPic “Respect”

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Dropping at midnight: Jennifer Hudson sings “Here I Am (Singing My Way Home)” written by her with Carole King for the movie “Respect.”

Carole, of course, wrote Aretha Franklin’s famous “You Make Me Feel Like a Natural Woman.”

“Here I Am” will be up as a possible Best Song nominee for the Oscars next March. Even though Atlantic Records has the “Respect” soundtrack, Epic Records gets the single. But the song will be included on the movie’s soundtrack along with Jennifer’s other Aretha reimaginings.

Is Box Office Disappointment Coming for “Hitman’s Wife’s Bodyguard” Despite Terrific Actors, Apparently No Script?

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It looks like we’ve got a big box office disappointment coming in this week.

Yesterday, “The Hitman’s Wife’s Bodyguard” opened poorly with less than $4 million to cover Wednesday, Tuesday night previews and earlier screenings.

Now LionsGate is preparing for a much lower five day total through the weekend. If they don’t make $14 million, things will be very bleak.

The original film made $75 million in the US and another $100 million internationally. That’s not a massive hit, but Avi Lerner and co. went ahead with sequel. Even if the sequel cost nothing to make, they thought they’d have a hit again.

But Rotten Tomatoes scores it around 27% and the audience interest is only at 83%. This is despite terrific actors– Samuel L. Jackson, Ryan Reynolds, and Salma Hayek. Who wouldn’t want to see them in action comedy?

But the reviews say there was so script, and that the movie is plodding and repetitive. Theatergoers may wind up putting off their return to movie houses and wait for “Fast and Furious 9” next week.

Me? I thought this was called “The Hitman’s Bodyguard’s Wife.” Maybe that was a better idea. If this one is a dud I doubt we’ll see a third installment, but you know it will be a TV series in five years if not less.

Will Do: Pop Singer Songwriter Charlie Puth Asks Fans for a Little More Time On His Coming Album

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Pop singer songwriter Charlie Puth, who’s had a lot of hit singles but no big album, is asking fans for a little more time. He’s trying to write and produce a great album. He’s explained all this on Instagram stories and then reposted it to Twitter in a way that I can’t just reproduce it here. (Charlie, you need a publicist.)

Anyway, he explains the whole thing here. I think this guy could be great so no pressure– take your time. He’s obviously talented and capable. He wants to be more than just a pop star who pops out top 10 songs. I get it. He needs some good collaborators, perhaps. Get in a studio. Call some cool cats (Nile Rodgers?).

Springsteen on Broadway May Not Be Possible for Tourists, Others Without FDA Approved Vaccines

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Wanna see Bruce on Broadway? People are paying thousands of dollars on reseller site for the tickets to “Springsteen on Broadway.”

But you can only come into the St. James Theater if you’ve had the FDA approved vaccines and can prove it. None of that Astra Zeneca stuff from Canada and various countries around the world.

Only Pfizer, Moderna, and Johnson & Johnson are allowed.

This may be a harbinger for other Broadway shows coming later in the year. If it is, the tourists will either be turned off or get the shots. I think it’s a good idea. You don’t want to get sick seeing a Broadway show, and there’s no reason to.

Get the shots! See the Boss! Wear a mask, too, frankly!

Get Back, Indeed: Peter Jackson’s Beatles Doc, Already a Year Late, Moves from August to November

They can’t just the let the date be.

Peter Jackson’s reimagining of “Let it Be” now moves to the end of November. It was supposed to be released in August, after a year’s postponement.

“Get Back” is a six hour documentary, three two hour parts, that takes all the footage from the 1970 film “Let it Be” by Michael Lindsay Hogg and tells a new story of how the band made their penultimate record.

By moving this project from August to November it now comes after Paul McCartney’s $100 memoir, set for the fall, as well as his own documentary series, dated for next month on Hulu.

The original two hour “Let it Be” film has been out of print and circulation for 50 years, although it’s easily found on the internet. Lindsay-Hogg showed a group with a lot of tensions, particularly those between Paul McCartney and George Harrison. John Lennon is mostly interested in Yoko Ono, and staying out of the way.

What Jackson’s trailer shows is a happier group, lots of kidding around, the presence of Linda McCartney and Yoko, and Billy Preston as the Fifth Beatle. Of course, the whole thing culminates in the group’s famous rooftop concert.

What isn’t clear from the original film is how the Beatles then went on to make their masterpiece, “Abbey Road.” There are hints of it in the original, but you’d be surprised to learn that “Let it Be” wasn’t the end even though it was the last official release.

The three part, two hour doc will air on Disney Plus November 25, 26, and 27. It’s unclear if the newest delay is because Jackson isn’t finished or the Beatles needed changes. But you know, Jackson is famous for making big trilogies, isn’t he?

Jackson said in a statement: “I’m very grateful to The Beatles, Apple Corps and Disney for allowing me to present this story in exactly the way it should be told. I’ve been immersed in this project for nearly three years, and I’m very excited that audiences around the world will finally be able to see it.”

 

 

Broadway: $8,500 for Hugh Jackman in “The Music Man”? Scalpers and Resellers Have Hijacked New Musical

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Want a ticket to see Hugh Jackman in “The Music Man” this winter?

Forgetaboutit.

The Scott Rudin-produced musical has been hijacked by scalpers.

Set to begin previews in December and open in February, “The Music Man” — also starring Sutton Foster — is going to become a template for greed in the history of the Great White Way. Not even Rudin’s production of “Hello, Dolly!” with Bette Midler was this avaricious.

So far you can only buy tickets for “The Music Man” on reseller sites like StubHub or Vivid Seats or SeatGeek. There are none available from December 2020 through July 2022 on Telecharge, the site that sells most seats to most Broadway shows.

On Stubhub, a pair of tickets in Row F for January 2, 2022 are going for $8,485.05. That includes a service fee of $1,505.  For that much money, I would expect Jackman and Foster to come clean my house for a week, repaint the garage, and babysit the kids every night while singing about Trouble in River City.

For that much money you could see 20 other Broadway shows including the revival of “Company” and the excellent “Girl from the North Country,” have dinner each time at the Palm, and still rent the classic movie of  “The Music Man” with Robert Preston for a week.

StubHub does offer financing through Affirm, if you want to spread the payments out. But I’d rather buy a decent used car for that much money, not sit through an old show starring Wolverine. Or maybe just buy groceries for a year.

Just think of it. For eighty-five hundred dollars you could own not 76 trombones, but five really good ones. And you could donate them to music schools and get a tax deduction.

And since you’re thinking it, thirty years ago Richard Gere only paid Julia Roberts $3,000 to sleep with him and be arm candy for a weekend in “Pretty Woman.” With inflation, Gere would have to pay $6,187 now — still far less than two tickets to “The Music Man.” You still might be able to get three days of sex and two balcony seats.

The producers of “The Music Man” — Rudin has supposedly stepped away, but he’s lurking in the background — have allowed ticket scalpers to play this game, basically insulting New Yorkers and tourists who might have enjoyed this show. When Jackman reads this he should be horrified. There’s simply no excuse for it except greed.

And these prices I quoted for January are no anomaly. They’re the norm through for months on end, and at every site, not just StubHub. And the prices will go higher once the show opens on February 10, 2022. The New York Times and other outlets will be drooling all over the stars, who are very talented, raving about the production. That should send prices even higher out of reach of the one-percenters.

Will it matter at that point whether you’ve seen “The Music Man”? Probably not. Once the Tony Awards come and go in June, the original cast will exit. Like other Rudin shows, replacements will come in and prices will drop. And almost all the time that happens, you get a better show.

You know, the whole point of “The Music Man” is that Harold Hill is a con man. So maybe that’s the point here.

You can watch a production of “The Music Man” on YouTube with Matthew Broderick and Kristen Chenoweth. For free. Right here. Or just skip to the big number below with Robert Preston.

 

 

 

 

 

Breaking: Will Smith Books First Ever Variety Comedy Special, with Netflix, with Special Guests, Musical Performances

 

Will Smith is moving into comedy/variety. He’s booked his first ever special, with Netflix. It’s going to be a mixture of comedy and music. He’d better have Jazzy Jeff and do some of their rap hits. Maybe his kids will perform, too.

 

From the release:

  • Netflix announced a new original one-hour comedy variety special hosted by and starring Will Smith.

  • The special will include surprise celebrity guests, noteworthy conversation, fresh comedic sketches, huge musical performances and more.

  • Smith serves as an executive producer alongside Co-Head of Westbrook Studios Terence Carter, Miguel Melendez and Sahara Bushue.

  • The special will launch globally on Netflix later this year.

Bob Dylan’s First Show of His 81st Year Will Be Virtual for $25 Next Month, Called “Shadow Kingdom”

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Bob Dylan is letting any moss grow on his rolling stone.

Entering his 81st year, our rock poet laureate will perform his first new show virtually on July 18th. “Shadow Kingdom” will be shown on a site called Veeps.com on July 18th and last until July 21st. Tickets are $25 and you can get them here.

According to the site: “Shadow Kingdom will showcase Bob Dylan in an intimate setting as he performs songs from his extensive body of work, created especially for this event.

“Shadow Kingdom” will mark the first concert performance since December 2019, and first performance since his universally acclaimed album, “Rough and Rowdy Ways.”

In the meantime, Bob’s grandson, Levi, whose dad is Jacob Dylan of Wallflowers fame, makes an impressive acting turn in the current film, “12 Mighty Orphans.”

 

Aretha “Respect” Movie Scored a Coup: New Song for Oscar Consideration by Carole King with Jennifer Hudson

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The Aretha Franklin biopic has scored a coup: they got Carole King to write a new song for the film with Jennifer Hudson and Jamie Hartman.

The song is called “Here I am (Singing My Way Home)” and now it will be a big player for Oscar consideration for Best Song.

Carole wrote one of Aretha’s biggest all time hits, “You Make Feel Like a Natural Woman,” with Gerry Goffin and Jerry Wexler back in 1968.

So this will be a huge deal when the song is released on Friday. Aretha would be thrilled by this news. She performed “Natural Woman” at the Kennedy Center Honors in 2015 for Carole’s induction, and the performance became an instant classic.

So kudos to whoever set this up. Great idea.

PS The Best Song category is getting full already in June with prospective nominees including this one, Lady Gaga’s song from “Top Gun Maverick,” Billie Eilish’s James Bond song, Diane Warren’s Reba McEntire song, and so on.