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RIP Clu Gulager, 93, Veteran of TV Series, Westerns, and In the End, Quentin Tarantino

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In “Once Upon a Time in Hollywood,” the great 2019 movie by Quentin Tarantino, Margot Robbie as Sharon Tate visits a bookstore to buy Roman Polanski a copy of “Tess of the Durbevilles.” The white haired clerk, an older man, looked familiar. The shock was he was played by Clu Gulager, then 90, who represented in many ways the characters played Leonardo Di Caprio and Brad Pitt in the movie. Gulager, matinee idol handsome, had been a regular on TV westerns in the late 1950s and well into the 60s. But mostly people had forgotten about him, and probably assumed, as I did, that he’d died long ago.

Gulager passed away Saturday at age 93. He spent his young years with roles on TV westerns until he became a regular on “The Tall Man.” He went into “Wagon Train” playing different parts and then filmed 104 episodes, five seasons of the hit show, “The Virginians.” That role set him up for the next three decades.

There is almost not a hit broadcast show in the 70s or 80s that Gulager didn’t guest star on. He never got a series again, but like the Pitt and DiCaprio characters, he was always in demand and warmly welcomed. His one big artistic moment was in 1969 when a short film he directed, “A Day with the Boys,” was nominated for Best Short Film at Cannes.

In the foggy mists of Hollywood lore, Gulager turned down a role in Robert Altman’s “MASH.” He also filmed the pilot for the nighttime soap, “Falcon Crest,” but wasn’t hired for the series. Still, his credits rolled and rolled. Toward the end of his career, Gulager was cast in a number of low budget horror films, which could not have been fun. He was one of TV’s original cowboys.

Condolences to his two sons, his fans, and friends.

Beyonce Sample Sale: Singer Mixes Madonna’s “Vogue” Into Frankenstein Single, “Break My Soul” — with No Singing from Madge

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Beyonce’s Queens mix for “Break My Soul” is a sad comment on pop music.

Not content to have created the Frankenstein-eque “Break My Soul” from two old disco records, Beyonce decided to remix it with one more.

Now in addition to the two other records, Beyonce has sampled or interpolated or grafted Madonnas “Vogue” from 1990. Madonna wasn’t required to do a thing except sign off, take some dough, and get her name back in the top 10 for the first time in decades.

“Break My Soul” already depended largely on “Show Me Love” by Robin S. and “Explode: by Big Freedia.

You can hear “Vogue” mixed into “Break My Soul” the way Sfeve’s Ice Cream used to fold in M&Ms and Reese’s pieces into their ice cream. Remember how people stood in line for that? And then Steve’s went out of business.

Kudos to Guy Oseary or whoever thought of this mix. Interesting that on Friday it was “only available” on Beyonce’s website but magically turned up on iTunes.

Box Office: “Bullet Train” on Slow Track, No Holiday for “Easter Sunday” with $6.5 Mil Opening Weekend, “Nope” Gets Closer to $100 Mil

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Friday night:

“Bullet Train” is taking on modest numbers to say the least. Thurs-Fri is at $12.5 million. They’ll hit $31 million for the weekend, but that’s about $20 million less than they would have liked. A lot of passengers must be riding on discount tickets.

Jo Koy’s “Easter Sunday” is not having a holiday. The Thurs-Fri combo brought in just $2.5 million, so we’re headed to $6.5 million tops for the weekend. Not so good. The reviews were kind of lousy, too. Universal is big enough to have tried and failed on this one. Maybe sending it to Peacock sooner rather than later will help…

Universal is really the story of the summer. They’ve got “Nope” edging closer to $100 million this week. They should be up around $97 million by Sunday night and at the magic number by Thursday at the latest. It’s no “Get Out” but that’s a hit anyone would like to have even if aliens threatened to eat you.

Exclusive: Pete Davidson’s Mother Wins, She “Hated” Kim Kardashian, Wanted Her “Gone”

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Pete Davidson has escaped from the clutches of Kim Kardashian. The NY Post says they’ve broken up after nine months.

My sources say back in Staten Island there is celebrating going on. Davidson is very close to his mother and sister, both of whom “really hated Kim.” Who could blame them? “His mother really put her foot down,” says my source of Amy Waters Davidson.

Pete is shooting a movie in Australia all summer. He left “Saturday Night Live” at the end of this past season. Through the whole season, Davidson was dating Kardashian, who’d hosted “SNL” for some unfathomable reason. Little by little Kardashian, her children, her divorce from Kanye West, and so on overwhelmed Davidson. Instead of being a hip, young comic he was suddenly a tabloid character embroiled in petty online fights with West.

So good news. Congrats to Mama Davidson!

John Leguizamo Disapproves of James Franco’s Casting as Fidel Castro, But Not Because of Franco’s Scandals

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Actor John Leguizamo is not happy about James Franco’s new job. Franco, already mired in controversy and scandal, has been as Fidel Castro in a new independent movie.

Leguizamo isn’t upset because Franco has recently paid a $2 million settlement for sexual malfeasance in his acting classes. The Tony winning actor writes: “I don’t got a prob with Franco but he ain’t Latino!”

He continues: “How is this still going on? How is Hollywood excluding us but stealing our narratives as well? No more appropriation Hollywood and streamers! Boycott! This F’d up! Plus seriously difficult story to tell without aggrandizement which would b wrong!”

At least one commenter on Leguizamo’s Instagram said he thought no Latinx actor should play he murderous Castro. But most were curious how Franco got hired at all given his history of legal trouble and a slew of flops. It’s not like’s a marquee draw.

The movie is called “Alina de Cuba,” directed by Edward Bardem, a cousin of Javier Bardem. Mía Maestro will play Natalia “Naty” Revuelta, the Cuban-born socialite he has a passionate love affair with. The title character, Castro’s daughter by Revuelta, is Alina, played by Ana Villafañe.

Sandy Hook Parents Awarded $45.2 Million in Case Against Alex Jones in Addition to $4.1 Mil Award

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Sandy Hook Elementary school parents of a 6 year old who was among the murdered in the 2012 massacre of twenty children and six adults have won a huge victory today. A jury in Texas has awarded them $45.2 million against conspiracy theorist and right wing blowhard Alex Jones for raving on and on that the killings never happened, or were staged.

The $45.2 million is punitive damages. Yesterday, Jones was hit with another $4.1 million in damages to the Sandy Hook families.

Jones is the purveyor of “InfoWars,” a TV show (now not seen except on the internet) in which his many crazy, hurtful, and harmful lies about the Sandy Hook killings, the Parkland children, Hillary Clinton, and so on were like a noxious gas released into the atmosphere.

The judge also declared also said that she will not stop the parents’ lawyers from giving Jones’ text messages — which were accidentally sent to them during the trial — to law enforcement and the Jan. 6 committee. The revelation of the text messages rocked the courtroom this week. If Jones’s evident evil wasn’t always apparent, this information sealed his doom.

Jones told the jury earlier that any judgement over $2 million would “ruin” him. But it was also revealed that he’s worth almost $270 million, money he’s made spouting out and out lies. The 6 year’s old parents, Neil Heslin and Scarlett Lewis, sued Jones for defamation after he accused them of being part of a government “false flag” operation to fake the shooting in Newtown, Conn., supposedly to support gun control laws.

These judgements should significantly shake up right wing radio and the internet, which is filled with this nonsense day and night. You hear it here in New York all over the radio, and it’s shocking. Rush Limbaugh, now mercifully dead, was a huge proponent of such lies. If nothing else, this should give the folks at Fox News, who bloviate their garbage nightly, a chill.

Will this be the end of Jones? We can only hope that these awards, which he will appeal certainly, finish him off for good. Last week, Jones’s company, Free Speech Systems filed for Chapter 11 bankruptcy protection. The filing revealed that Jones’s backers had taken at least $62 million out of the business. Jones declared victory today because the parents had asked for $150 million. He is very sick man.

In a statement, Mark Bankston, the attorney representing the parents, said that his clients “are thrilled with the result and look forward to putting Mr. Jones’ money to good use. Mr. Jones on the other hand will not sleep easy tonight. With punitive damages still to be decided and multiple additional defamation lawsuits pending, it is clear that Mr Jones’ time on the American stage is finally coming to an end.”

ABC Throws Hail Mary Pass for “Big Sky”: Casts Rosanna Arquette, Plus Jensen Ackles to Play Ryan Phillippe, and Desmond from “Lost”

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“Big Sky” is a show no one watches or knows anything about. But ABC owns it, so they keep renewing it despite low ratings and general apathy.

Now the network is throwing a Hail Mary pass for the show. They’ve hired Rosanna Arquette, a real star and marquee name, to be a guest star. The show already announced they persuaded Reba McEntire to come aboard. She’s a country superstar with a huge following.

They’re also backtracking to their first, promising episode that starred Ryan Phillippe. “Big Sky” killed off his character in the first episode after promoting him as the star. So now they’ve hired Jensen Ackles from “Supernatural,” a younger, cheaper Phillippe, to play a similar character.

“Big Sky” also announced they’ve added Henry Ian Cusack, aka Desmond from “Lost.”

Will all this save “Big Sky”? If these additions don’t work, plus a story you’d want to follow, that will be it for this marginal drama.

PS to the producers: do something clever, license the song “Rosanna” by Toto have it play in a bar where the character passes through. She could say something like, Can you turn that down?

Record Low: Beyonce’s “Renaissance” Opens with 300K Fewer Sales Than 2016’s “Lemonade”

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Beyonce came at us with “Renaissance” on a hype wave. But the results are in and they ain’t so good: just 335K sold in the debut week, down by 300K copies from 2016’s “Lemonade.”

She’s taken lemonade, and made lemons.

“Renaissance” sales were almost evenly divided between paid downloads/CDs/LPs and streaming. The former part was 197K.

“Renaissance” has been hurt by a bunch of things starting with Kelis finding a sample of her hit “Milkshake” on there– it’s since been removed. Then there was the issue of Beyonce singing the word “spaz”– as in spastic, and not a colon. “Spaz,” like “retarded,” is no longer allowed in the PC world. (Also, it’s just terrible no matter what. Sounds like a demented grade schooler.)

The whole album is made up samples and covers aka interpolations. I think the audience is getting tired of songs written by committees. One song has 24 writers, some others 14 or 15. Diane Warren made a comment about that on social media and immediately had to backtrack rather face the wrath of social media misfits who can’t write music but think it’s okay for existing songwriters to be ripped off, etc. Just great.

Just FYI: “Renaissance” has been replaced at number 1 on iTunes today by Eminem’s latest greatest hits package, “Curtain Call part 2.”

One last thing: I love Beyonce’s voice. I’d like to hear her sing some actual songs. She’d have much bigger hits if she did some cool covers produced properly.

Box Office: “Bullet Train” Speeds to $4.6 Million Previews, “Nope” Drops Chunk of Theaters, “Easter Sunday” No Resurrection

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It’s not easy out there in box office land.

Last night Brad Pitt’s “Bullet Train” sped to $4.6 million in previews. Now the whole ride depends on word of mouth and Brad’s good will as reviews are mixed to poor. “Bullet Train” could pull off a big Friday because theaters are air conditioned and a cheap way to escape the terrible weather “gripping the nation,” to quote Al Roker.

My guesstimate is a less than $40 mil weekend but who knows?

Meantime, “Nope” is losing 800 theaters today per Exhibitor Relations. It’s still playing in 3000 locations, but this is Universal’s way of acknowledging that Jordan Peele’s third movie is no “Get Out,” not a phenomenon, and the initial novelty has worn off quickly. This is the equivalent of Donna Langley coming out to the mound and removing Peele before things get worse. If only Aaron Boone would follow Langley’s lead more often, especially with Gerritt Cole.

Let’s not be be Koy: The other bust for the weekend looks to be Jo Koy’s “Easter Sunday,” which has a 33 on Rotten Tomatoes among critics and a low 72 in audience score. This is not going to be the Filipino “Crazy Rich Asians.” Total last night was just $500,000.

UPDATE Warner Discovery Stock CLOSES DOWN 16.5% as Zaslav Backs Off Bad News But It’s Still Taken That Way

UPDATE: Stock closed down 16.5%, at 14.50 down 1.00 from Monday.

Yesterday afternoon’s earnings call for Warner Discovery was like a wild opera. You just kept waiting for the fat lady to sing.

In the end, she didn’t. The whole thing, almost two hours, came to naught. Whatever seemed like to might happen didn’t.

Nevertheless, Warner Discovery stock this morning is down almost 16%, off by nearly $3. Even though there was no news, everyone took it badly.

You could say David Zaslav blinked. The call had been preceded by PR trial balloons. On social media, everyone fretted that HBO Max would disappear, subsumed into Discovery Plus. With the cancellation of “Batgirl,” the question remained about “The Flash” since star Ezra Miller has become Hollywood’s Least Wanted, with scandals galore trailing after him.

Perhaps Zaslav actually got the message that anything beyond the “Batgirl” debacle would cause the opera to turn into “Gotterdammerung.” There would be floods and fires. The world as we know it would collapse. So he backed off.

We left the call not knowing what the new combined streaming service would be called. It became clear through the two hours that HBO Max has become a popular brand. Asked about it, Zaslav started singing anthems about HBO chief Casey Bloys. “He’s staying for five years!” Zaslav purred. e also said, “HBO Max is the centerpiece of our streaming plan” and “We embrace and support HBO Max.” (If I were HBO Max, I’d be calling my divorce lawyer and a private eye.)

Then Zaslac endorsed “The Flash,” including it in films he’s very proud of.( That is, until Ezra Miller is arrested as a serial killer.) You know, why say it’s dead now when it’s a year away? And most importantly: Will there be massive layoffs when HBO Max and Discovery Plus merge? Shhhh…No one brought that up.

For now…