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Finish This Phrase: Pat Sajak is Retiring from Wheel of Fortune After One Final Season Starting this Fall

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I’d like an R, for retire.

Pat Sajak has announced he will have just one more spin of the “Wheel of Fortune” starting this fall. Sajak, 76, has been hosting the syndicated game show since 1981. It’s often the number 1 or 2 game show on the air, paired with “Jeopardy!”

No word yet on what will happen to Vanna White, who’s been turning letters on the show almost the entire time.

Sajak says on Twitter: “Well, the time has come. I’ve decided that our 41st season, which begins in September, will be my last. It’s been a wonderful ride, and I’ll have more to say in the coming months. Many thanks to you all. (If nothing else, it’ll keep the clickbait sites busy!)”

Sajak leaving TV is like hearing Velveeta is no longer available. He’s part of the mass culture, sort of animated wallpaper. For four decades. he’s been there like it or not.

Who will take his place? Who could take his place? Tom Bergeron is probably already calling his agent. So are a bunch of people. But you know the next host will culturally diverse. Or maybe there will be a spinning wheel of hosts, like what Sony did when Alex Trebek died.

Or everyone could turn to PBS for that half hour, right? Nah.

Tony Awards Ratings Drop 11% As Mainstream Audience Tunes Out Writer-less Show, Lowest Ever Numbers

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The Tony Awards were a ratings bomb.

The show last night brought in just 3.42 million viewers. They even lost 2 million viewers from their lead in, “60 Minutes.”

CBS is saying the numbers were up on Paramount Plus, but since those numbers aren’t monitored or published, no one knows the truth.

The fact is, the show had no appeal for the mainstream audience once the LGBT stuff kicked in. When one winner declared “I’m a f****t with a Tony!” that was the end. Sorry. And when the two best musical actors showed up in dresses, what did they think would happen? (This isn’t a judgement, just a marketing observation.)

Also, despite Ariana De Bose being an Oscar winner, the show lacked star appeal among presenters. It wasn’t until Matthew Broderick and Nathan Lane showed up to present Sean Hayes with Best Lead Actor there were few big names. The people who did present were lovely, but really on the B list.

The show’s producers had a lot to deal with, starting with no writers and some people who didn’t want to be on the show because of the writers strike They put on an entertaining broadcast, but not one for the public at large.

One segment that should have been included was “Dirty Dancing” star Jennifer Grey giving the Lifetime Achievement award to her father, Joel Grey. That bit was included in the pre-show that we saw in the theater, but was only on Pluto TV.

Graph below is from statista.com

The Fabled, Corrupt Hollywood Foreign Press Is Over, Golden Globes Now Owned by Dick Clark Productions and Hollywood News Trade Publisher

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So that’s it.

The Golden Globes will live on as a brand, but their infamous, festering voting membership is over.

Todd Boehly and Jay Penske, who own Dick Clark Productions, the Hollywood Reporter, and Variety have bought the Globes. They’re shutting down the Hollywood Foreign Press Association. Some members will continue on to a new body, others will not.

It’s the end of an era and the beginning of a new one. The Globes still have no broadcast partner for the coming awards season. Their ratings on NBC last January were terrible. The group has lost all possible respect, which isn’t hard to believe since they never had any integrity.

The announcement was made in The Hollywood Reporter. They say Boehly’s Eldridge Properties have acquired all of the Golden Globes’ assets, rights and properties from the HFPA and intends to establish a new Golden Globe Foundation through which it will continue the sort of entertainment-related charitable giving that was perhaps the most admirable quality of the HFPA.

The group’s current president, Helen Hoehne, is said to be continuing to the new organization. But what about all the freeloaders who’ve traded on the Globes’ importance to the studios? What will happen to them? And who will replace them? Those questions are unanswered.

This is a major moment in Hollywood. Now the trade newspapers own their own Awards show. There will be no separation of the papers, the awards mechanism, advertising in the papers for the awards, and so on. It’s just all one organism now.

“Today marks a significant milestone in the evolution of the Golden Globes,” added Todd Boehly, chairman of Eldridge. “My partners at DCP and I are grateful to Helen and team for their commitment to the successful implementation of a robust approach to governance, the expansion of the diverse and international voting body, implementing a professional, safe and accountable environment and trusting new ownership with a new direction for the Globes.” 

“As stewards of the Golden Globe Awards, our mission is to continue creating the most dynamic awards ceremony on live television viewed across the world,” said Jay Penske, CEO, chairman and founder of Penske Media and CEO of DCP. “We have a great team in place to grow this iconic brand and captivate new and existing audiences to celebrate the very best in television and motion pictures.”

Fans on Social Media Say The Weeknd Is Wrecking His Career with “Disgusting” Soft Core Porn TV Series, “The Idol”: Record Sales Say They’re Correct

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Is The Weeknd wrecking his music career with “The Idol”?

Fans who watched the second episode on HBO last night are more disappointed than freaking out on social media today.

In the 2nd episode, which desecrates John Lennon’s memory by calling itself “Double Fantasy,” The Weeknd appears in a soft core porn sequence that can only be described as disgusting. It’s also a teenager’s fantasy of some kind, so ridiculous you almost laugh out loud.

The Weeknd — Abel Tesfaye — also has dialogue that’s being mocked all over social media. I’m going to refrain from restating it here, but it’s completely vulgar and gross. Then he and the character Jocelyn, played by Lily Rose Depp (whose nipples are on record now forever from two episodes) engage in rough sex.

This is more than any pop star in their right mind would commit to film. The result is quite negative. Part of the reasoning for “The Idol”‘s existence is to sell records heard on the show. But already a single, called “Popular,” is a smashing dud on iTunes. “Popular” is being streamed on Spotify to any recorded numbers. Luminate, which records sales both physical and streaming, as well as airplay, shows an alarming down turn for The Weeknd in the last two weeks. “Popular” has had only 3,590 downloads so far.

I can’t imagine that The Weeknd’s record label, Republic Records, isn’t worried about what effect this will have on the singer’s future sales and albums. Or maybe no one cares. I guess we’ll see soon.

Here are some comments:

Watch the Very Classy Tony Awards In Memoriam Sung by Last Year’s Amazing Winner Joaquina Kalukango

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The In Memoriam last night on the Tony Awards was so classy — the Oscars and Emmys should really look at how they did it.

Last year’s Tony winning Actress in a Musical Joaquina Kalukango is the singer. She has the most remarkable voice. Can’t a real record company make something with her? We’re missing an opportunity. Verve? Decca? Sony Masterworks? Is there anyone left?

Kudos for the show including Tina Turner and Raquel Welch.

https://youtube.com/watch?v=WqmlgRtkWXU

Ratings: MSNBC Won Thursday Night Over Fox News After Trump Indictment Announced, Maddow Sub Alex Wagner Beat Sean Hannity Handily

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Amazing.

On Thursday night, when the Trump indictment was being read and examined on every cable news show, MSNBC beat Fox News.

Ever more amazing: at 9pm Rachel Maddow substitute Alex Wagner took Sean Hannity by 200,000 viewers with 2.5 million. At 10pm when Maddow joined Lawrence O’Donnell, MSNBC’s numbers went even higher to over 2.6 million..

At the key gateway for the night. MSNBC’s Chris Hayes out classed Fox by 500,000 viewers.

What’s the take away? In a pinch, viewers were looking for what was really happening as opposed to Fox’s fictitious weaving of alternative facts.

And CNN? Anderson Cooper had two times his normal audience, but came in third.

Tony Awards Without Writers: Aaron Rodgers, Mrs. Maisel, Grand Wizards, Bleeped Words, Non Binary Winners, and a Shake Shack Dinner in Washington Heights

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By now, anyone who’s interested in the Tony Awards has an idea of what happened last night.

Without writers, the show– hosted by Ariana DeBose— was a refreshing free-for-all. Not to say they didn’t need a script — they did — but DeBose made the experience lively and off the cuff. She’s full of charm. When she returned in the middle of the show and effectively announced, looking at her wrist, “I don’t know what these notes are, or who’s next,” she won the audience over.

But lack of script meant some people on stage surprised the audience. Actress Denee Benton called Florida governor Ron DeSantis a “grand wizard,” meaning of the KKK. That got a huge applause. Another winner used the “f” word, which was bleeped on screen but we heard it loud and clear. My phone blew up from all over the place with people asking what he said. “I’m a f***t with a Tony Award!” will probably become a t shirt.

There were two non binary winners, definitely a first. J. Harrison Ghee won Best Actor in a Musical for “Some Like it Hot,” dressed in a beautiful blue gown. Alex Newell picked up Best Featured Actor in a Musical for “Shucked,” arriving on stage in what looked like a peach swirl with decolletage. They’re each very talented, but the Tonys were making a point. With all the insane enmity toward the trans and gay community in the world beyond Broadway, representation was paramount.

The United Palace Theater, an ornate former Loews movie palace in Washington Heights, was the setting this year instead of either Radio City Music Hall or the Beacon Theater, both owned by Madison Square Garden Productions. Either the Broadway League couldn’t make a deal with MSG or this was the idea of Lin Manuel Miranda, the change to a neighborhood foreign to most of the Tony audience added to the adventure. We had airy seats in the front of the mezzanine that afforded a spectacular view of the stage. There was even a cool breeze. Down below, ironically, the stars suffered from heat prostration because the orchestra section was trapped without much ventilation.

Some people theorized what would have happened if there had been writers: wouldn’t the show have been much longer? No. Producer Glenn Weiss and I chatted at the after party about that. Last night’s show was bulked up a extra numbers. Weiss and producer Ricky Kirshner managed to load and unload about 20 Broadway shows in what seemed like a magic act. Some of them, like Josh Groban leading “Sweeney Todd,” were mesmerizing. Others were simpler, like “Into the Woods” and “Kimberly Akimbo,” which won Best Musical despite not looking like one compared to “Some Like it Hot.” We’ll see which shows get ticket sales bumps this week.

(My only quibble: the “Sweeney Todd” number, while magnificent, didn’t feature nominee Annaleigh Ashford.)

After the show, instead of heading to the Plaza Hotel for the after party, wrist band holders had dinner al fresco right in front of the theater under three tented sections. Shake Shack was the main caterer. It wasn’t easy to find people, and most everyone left right away for individual shows’ parties held back in midtown. But a few hearty celebs stuck around including new Jets quarterback Aaron Rodgers, who stood on line for a Shake Shack burger in a gray Dolce and Gabbana suit with a matching pin from the designer. Derided by many for a variety of reasons, Rodgers was incredibly pleasant and forthcoming. I asked him the most important question: “Are we going to have a good season?” He didn’t hesitate to respond: “We are!”

Rachel Brosnahan — Mrs. Maisel to you — came to support the show’s Tony winner, Miriam Silverman, who picked up Featured Actress in a Play for “The Sign in Sidney Brustein’s Window.” Brosnahan was not nominated for anything, and it’s rare that an actor would come to the Tonys anyway, But that’s Brosnahan, who has a lot of awards of her own and just wanted to be there.

I also ran into “SVU” star and theater producer Tamara Tunie, “Some Like it Hot” director Casey Nicholaw, and a few others, but for the most part the outdoor dining scenario was not star studded. Where was Lin Manuel Miranda, our nominal host? A source told me he left almost immediately. “He’s having a little get together at his place,” I was told.

Next year may we all be back at the Plaza.

LA Story: Nancy Davis’s Race to Erase Raises $2 Mil for MS Research, Gala Features Siedah Garrett and Flo Rida

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Hollywood is known for supporting causes, but few in Tinseltown have been at it with the tenacity and dedication as Nancy Davis, with her Race to Erase MS Gala which just had its 30th event at the Fairmont Century Plaza. 

Nancy, daughter of the late scion Marvin Davis and the classiest lady in Hollywood Barbara Davis, has been indefatigable in her quest (she was diagnosed  with MS in 1992) to better the treatment and to find a cure for multiple sclerosis.  

Nancy’s own daughter, Isabella, introduced her and Nancy told the packed crowd that, “Together, we have done what many thought was impossible.  There are now 25 drugs on the market to help stop the progression of MS.  31 years ago, when I was diagnosed with MS, the doctors said go home, and told me that I would never walk again or be able to take care of my children.  At that moment all I had was hope.  Instead of singing a song of defeat, I became inspired by a song my parents played constantly in our home, “The Impossible Dream”.  That became my quest; , to beat the unbeatable foe, to reach the unreachable star no matter how hopeless, no matter how far. “  

Nancy then paid tribute to two people who passed who meant much to her; her son, Jason, and the actress, Anne Heche, one of Nancy’s closest friends and supporters of the cause.  Anne’s former partner, James Tupper, came with their 14-year-old son Atlas, the first time they were on a red carpet together.  Atlas is the spitting image of his mom who died tragically almost a year ago.  Tupper told me that “Atlas is a great kid.  He’s doing well in school and really is into tennis.  He plays every day for two hours.”  When the discussion turned to Anne he said, “we miss Anne every day.  We look out for each other.  We love Anne.” 

James and Atlas and the VIP crowd were entertained first by singer/songwriter Siedah Garrett, who herself was diagnosed with MS years ago.  She included in her set the glorious song she wrote, “Man In The Mirror” which was a mega hit for Michael Jackson.  Nancy then brought up the researchers and doctors who have helped her along with her other daughter, Mariella, and husband Kenneth Rickel.  Diana Ross’s son, Evan, introduced the musical guest, the wildly energetic Flo Rida.   Other guests included Kathy Hilton, Ed Begley Jr, Joely Fisher, Lawrence Zarian, Denise Richards, Rob and Crystal Minkoff, AnnaLynne McCord, Dave Winfield, David Faustino, Katie Cassidy, Marg Helgenberger, Elisabeth Rohm, Cristina Ferrare,  Denise Richards, Peter Facinelli and many more.  The event raised over 2 million to benefit Race to Erase MS and its Center Without Walls program.   Nancy said that “We’ve replaced hopelessness with hopefulness.”  Bravo to her and all those that have been on this worthy 30-year journey. 

Box Office: “Transformers” Sequel Knocks “Spider Man” Sequel from Top Perch in Weekend Surprise Upset

The winner of the weekend if “Transformers: Rise of the Beasts.” It came in at number 1 with $60 million.

Second place goes to “Spider Man: Across the Universe” with $55 million.

The race is a little unfair since “Transformers” counts Thursday previews, which accounted for $8.8 million. On Thursday, “Spider Man”made over $10 million. So there.

Anyway, “Spider Man” now has $225 million banked after 11 days of release. So no one’s sending condolence cards.

Haha, listen to this: “Super Mario Brothers” is up to $570 mil domestic, $1.3 mil worldwide. What can you say?

Tony Awards Tonight: Hot Races in Every Category, But Look for Jessica Chastain, Leopoldstadt, Some Like it Hot, Annaleigh Ashford Among My Choices

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The Tony Awards are on tonight at 8pm on CBS.

It’s been another long theater season, with ups and downs. But there are hot races tonight, and despite the Writers Guild Strike this should be an entertaining show.

There are a lot of postulations about who should win, who will win, etc. I can only go by my gut about what will happen.

What won’t happen is Danielle Brooks winning Featured actress in a play for “The Piano Lesson.” She wasn’t nominated, which is just tragic.

Here are my hopes and dreams I’ll be sitting in the United Palace Theater and will be tweeting @showbiz411 regardless of who takes the stage.

Best Play: “Leopoldstadt” by Tom Stoppard. There’s no question.

Best Musical: My choice is “Some Like it Hot.” There’s a big push for “Shucked.” And another for “KImberly Akimbo,” a show I just didn’t get.

Best Revival of a Play: Four great choices, I lean toward “The Piano Lesson,” but “A Doll’s House” was cutting edge, “Top Dog/Underdog” was emotional, “The Sign in Sidney Brustein’s Window” was creative.

Best Revival of a Musical: It’s Sondheim’s world. How do you choose between “Sweeney Todd” and “Into the Woods”? The former is my favorite musical. But the latter was unexpected. The “Woods” have it.

Best Lead Actress in a Musical: Annaleigh Ashford’s Mrs. Lovett in “Sweeney Todd” was brilliant, hands down.

Best Lead Actor in a Musical: The “Some Like it Hot” actors will split their vote. Josh Groban’s voice is amazing in “Sweeney Todd.” But I’d like to see Bryan D’Arcy James win for “Into the Woods.” Ben Platt would be the alternative in “Parade.”

Best Lead Actor in a Play: Wendell Pierce was so good in “Death of a Salesman,” and I wish he’d be chosen. But the production ended a while ago. When Sean Hayes plays “Rhapsody in Blue” in “Good Night Oscar” you know he’s going to win. How can he not? If only Willy Loman had known an instrument!

Best Lead Actress in a Play: I know Jodie Comer has many fans from “Prima Facie.” But never bet against Jessica Chastain. She was quite remarkable. Also, this catagory is the strangest. All the others have five nominees. This one has four, For some reason, Laura Linney isn’t listed. She might have won for “Summer 1976.”

Actor in a Featured Role in a Musical: Alex Newell from “Shucked” has the floor.

Actress in a Featured Role in Musical: Julia Lester from “Into the Woods” is likely the winner. But my heart is with Ruthie Miles from “Sweeney Todd.”

Featured Actor, Actress in a Play: Brandon Uranowitz is the only nominee everyone can agree on, from “Leopoldstadt.” I wish more of the cast had been nominated, too. Miriam Silverman stole “Sidney Brustein” from everyone in the cast including Oscar Isaac and Rachel Brosnahan. I think the latter two agree as well.

Best Director, Play and Musical: Patrick Marber, “Leopoldstadt.” Lear deBessonet, “Into the Woods.”

Best Choreography of a Musical: Susan Stroman overcame having no book for “New York. New York” an made her set pieces into the stars. If I could see those again without having to see the show, I’d be there.

Best Book of a Musical: David Lindsay Abaire was the most clever with “Kimberly Akimbo.” But I have a feeling “Shucked” will win.

Best Original Score: Not a great year. “Some Like it Hot” is total fun, but I think the Tony will go to “Shucked.”

Best Scenic Design: Play — “Leopoldstadt.” Musical: “Sweeney Todd.”

Best Costume Design: Play — “Leopoldstadt,” Musical: Donna Zukowska of “New York New York” also overcame many obstacles. Also, she does “Mrs, Maisel.”

Best Lighting Design — Play “Leopoldstadt” Musical: Natasha Katz did both “Sweeney Todd” and “Some Like it Hot.” Come on, give it to her.

Best Sound Design — Play– Ben and Mazx Ringham did both “A Doll’s House” and “Prima Facie,” so they have it. Musical: tough call, Sondheim vs, Sondheim but “Sweeney Todd” sounded superb.