Wednesday, December 24, 2025
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An “Artist” Smear Fails: No “Scandal,” Says French Billboard Company

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UPDATE: There were exactly two complaints about billboard ads for the French film “Les Infideles” according to Noemi Fuento of JC Decaux, the international billboard company. Fuento laughed when we discussed the story. “It’s not a scandal,” she said. “We’re changing the ads tomorrow. But it’s no big deal.” She added: “We are all very proud of “The Artist and Jean DuJardin.”

EARLIER: Well, it wouldn’t be the last leg of  the Oscar season without an another attempted “smear” aimed at front runner “The Artist.” Now The Hollywood Reporter has been convinced that “Artist” star Jean DuJardin is hurting his Oscar chances by appearing in “provocative” ads for a new French movie called “Les Infideles.” As usual, THR–the unsophisticated stepchild of US Weekly–has missed the point. DuJardin appears in a couple of very French, very “Saturday Night Live”-Esquire magazine parody ads for the movie. Trust me, there is no “French outrage.” A friend of mine at Paris Match magazine didn’t even know what was going on until I emailed her, and then laughed when she heard about it. The ads are tame. The smirk on DuJardin’s face in the ads is considered ironic–a wink at the audience– nothing more than Steve Carell or Ryan Reynolds would do here for a tame sex comedy. Plus, in France, believe me, there is very little outrage over anything mildly sexual. Someone is stoking this fire (I wonder who could it be.) Sacre bleu? What’s next? Stories of Uggie the Dog leaving croissant crumbs on the sidewalk? “The Artist” is a little bit of genius, DuJardin’s Screen Actors Guild Award is evidence that American actors “get” his tongue in cheek performance. Mon dieu! PS The “offending” ads are being changed. And nothing, I am assured, has been “censured.” Let’s get a grip. This was considered “provocative” 20 plus years ago:

Rocker James McCartney–Paul’s Son–Makes a Winning NYC Debut

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James McCartney is 34 and he’s the son of the world’s most accomplished, and famous rock star. Let’s face it–not easy if you are also a musician. So last night James made his New York debut with his group at the intimate Rockwood Club on Allen Street on the lower East Side. And he was great. He has Paul’s wide face, his late mom Linda’s blonde hair. His voice is sort of a combination of each, which makes his singing independent from the famous Beatle and but still imprinted with lots of personality. He is also naturally gifted musically–keyboards, guitar, whatever. James can rock it out, then switch to a haunting ballad. He and his band also made nice work of Neil Young’s “Old Man.”

Maybe some fans were looking for Dad last night, but he wasn’t there. Instead, James’s uncle, John Eastman (Linda’s brother) and John’s son, Lee (James’s first cousin) with wife Vanessa covered for the McCartney-Eastman clan. The small, friendly club was jam packed, and no one left disappointed. James is promoting a new CD called “The Complete EP Collection,” which you can buy or download online. It was produced by Paul McCartney and David Kahne. I give them credit–James has his 0wn style and sound.

On stage he is shy, which he can work on. He talks, but he’s still tentative. A few self deprecating Beatles jokes would loosen things up. I did ask him why he waited so so long to get his career started. His answer was thoughtful. “First, the loss of my mother was a lot,” he said, which was incredibly disarming. Linda McCartney’s death was tragic. “And then I wanted to be ready”–and not half baked. And guess what? He is. Nicely done.

 

Photo c2012 Ann Lawlor

Recording Artist K’Naan to Mitt Romney: Stop Using My Song

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K’Naan, one of my favorite singers, is not happy with Mitt Romney. After the Republican hopeful used K’Naan’s international hit, “Waving  Flag,” to celebrate his Florida primary win, K’Naan issued this statement:

A&M/Octone recording artist K’NAAN was dismayed to learn that his song “Waving Flag” was used by Mitt Romney in his speech last night following Florida’s Republican primary.

The artist was not aware that the song would be used by Romney and the campaign is not something K’NAAN endorses.

“I have not been asked for permission by Mitt Romney’s campaign for the use of my song. If I had been asked, I would certainly not have granted it. I would happily grant the Obama campaign use of my song without prejudice.”

K’NAAN is currently seeking legal action so that further use of the song by Romney’s campaign can be prevented.

Oscars Stocking Up on Big Name Presenters Hanks and Cruise

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The Academy Awards are stocking up on big name presenters for the February 26th telecast. Already on the list are Tom Hanks, Jennifer Lopez, and Tom Cruise. Watch for more names, too, particularly heavy hitters that people don’t get to see all the time. The reason? The show is a little star-deprived, what with “The Artist”–French actors mostly, and then the other nominees for Best Picture are not as star studded as they could be. You can’t have Brad Pitt and George Clooney give out every award. So it will be a ratings boon to see some unusual faces, even if they weren’t Oscar nominated this year. Obviously, Hugh Jackman is at the top of every list. So is Daniel Craig. Julia Roberts is always a draw, and so are Denzel Washington, Halle Berry, and Sandra Bullock. From the “older” Hollywood set, it would be nice to see Warren Beatty, Goldie Hawn, Jack Nicholson, Jane Fonda, Shirley MacLaine, Clint Eastwood, Dustin Hoffman, Al Pacino, Robert DeNiro, Sidney Poitier, Mel Brooks,  etc. And please, it doesn’t matter if they presented at some other show this season. These are the Oscars. It’s the only awards show that really counts in the end. Producer Brian Grazer has made so many hits, his Rolodex is bursting with possibilities!

Mitchell Fink’s Emotional Adventure with Dr. Oz plus George Gurley’s Therapy

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Two books this week from journalist pals who’ve hit the publishing circuit:

First–Mitchell Fink‘s stunning and stirring account about a heart transplant performed by TV’s Dr. Mehmet Oz. “Change of Heart: A Black Man A White Woman A Heart Transplant, and A True Love Story” should be made into a movie right now. It’s an amazing saga of a black man who received a white woman’s heart in a transplant. Fink, our old pal from the New York Daily News and other publications, expertly and poignantly recounts the issues involved. The man receiving the heart wasn’t so keen on the one he was getting. “Change of Heart” is gripping and revelatory, and not to be missed. Hollywood, this is tailor made for a great film. It’s easy to find at http://www.amazon.com/Change-Heart-Black-White-Transplant/dp/0985273712/ref=sr_1_3?s=books&ie=UTF8&qid=1328117369&sr=1-3

…then last night, New York Observer writer George Gurley presented his new book, “George and Hilly: The Anatomy of a Relationship.” A ton of media types turned up at Doubles in the Sherry Netherland Hotel to celebrate this true account of George and permanent fiancee Hilly’s rocky road through couples therapy. It’s amusing and witty, of course. And still there’s no ring, although there was a rumor that George did propose to Hilly at the end of the party last night. Lots of fun. This is perfect February vacating reading!

Don Cornelius RIP: His Influence Was Incalculable

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It seems that Don Cornelius has committed suicide at age 75. I didn’t really know him, but saw him often at record industry gatherings. He was a little aloof, and in recent years he seemed more distant than ever. None of this matters. Here’s the story: Don Cornelius started “Soul Train” as the black “American Bandstand” in the 1970s. The theme music was performed by MFSB called “The Sound of Philadelphia,” which became a huge instrumental hit. “Soul Train” was often broadcast in the afternoons on Saturdays at odd times and on odd stations. It didn’t matter. What Don Cornelius did was incalculable. He brought black music to television when no one else would, or couldn’t.

This is not to say that “American Bandstand” didn’t do it, also. Dick Clark was color blind. But “Soul Train” was the “inside”– the groups we heard on WBLS in New York had faces on “Soul Train.” So what if they lip-synched? “Soul Train” was all about getting the music to the people. For a white kid in New York, this was the coolest. And not just Motown performers, whom were already assimilated. On “Soul Train” you got The Whispers, The Dells, Joe Tex, The Chi Lites, all the Philly International acts, Tavares, Tina Turner (with Ike, long before her “liberation”). The first episode– October 2, 1971– featured Gladys Knight and the Pips, Eddie Kendricks, the beloved Honey Cone (“Want Ads,” “One Monkey Don’t Stop No Show”), and then came Al Green, Bill Withers, Jean Knight (“Mr. Big Stuff”), and the Chairmen of the Board (“Give Me Just a A Little More Time”) and so on. Al Wilson sang “Show and Tell,” but I can’t show it to you on YouTube because of some stupid copyright thing. Look for it.

Don Cornelius, a sharp dressed handsome man, was married in 1956 and had two sons. He remarried in 2001 to a woman whom he divorced in 2009. He told the judge had to get divorced fast because he was going to die. Did he suffer from chronic depression? Was it something else? I don’t know. I just know that I ower him a lot, and I’m only getting to thank him now, when it’s too late. He brought the Cashbox R&B charts alive for me, and inspired me to make my film, “Only the Strong Survive,” in 2002, when I sensed our time, his time, was coming to an end. Thanks for everything, Don. You’re in my Hall of Fame.]

UPDATE from Aretha Franklin: “It’s just so sad, stunning and downright shocking and a huge and momentous loss to the African-American community and the world at large.  Don Cornelius single handedly brought about a melding and unity of brother and sisterhood among young adults worldwide and globally with the unforgettable creation of Soul Train.”

 

Mel Gibson Retitles Unreleasable Movie, Sends it to Video Land

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Remember Mel Gibson’s movie, “How I Spent My Summer Vacation”? Two years ago (at least) he went to Mexico, relocated prisoners from a jail, upset everyone, and made this film that no one wanted to see. This was during “Edge of Darkness” tanking, the whole non stop scandal with girlfriend Oksana, the $500 million divorce, the anti Semitic stuff, and “The Beaver” embarrassing everyone. So now what do with “Vacation”? Apparently it’s been retitled–“Get the Gringo.” And according to reports in the the trades it’s going straight to Video on Demand on May 1st. This is because, let’s face it, no theater owner wants a Mel Gibson movie–not even “Lethal Weapon 5” or “The Beaver 2.” It’s a smart move for 20th Century Fox Home Entertainment. They’ll charge $10.99 per viewing. Mel’s remaining audience can plunk down their dough. Gibson has relatively no future in regular movie releases. He still plans on making a movie about Judah and the Maccabbees–a Chanukah story told by an anti-Semite. Instead of real oil that lasted eight days, Mel’s movie will likely explain this was erotic oils used by women of the temple to keep their men aroused for a week or more at a time. Say hallelujah, somebody!

X Factor, American Idol, Madonna, Super Bowl: What It All Means

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So you’ve read: Simon Cowell has fired everyone at “X Factor” except LA Reid, who’s also the head of Epic Records. Paula Abdul, Nicole Pussy Cat, and Steve Jones (who was not from the Sex Pistols) are all gone. The show had poor ratings and no buzz. It’s time to start over. Even though Reid got a lot of criticism, he has to stay: Epic/Sony is where “X Factor” winners will go to record albums.

Meanwhile, “American Idol” starts featuring Madonna this week. Unless you are totally clueless, you know that “American Idol” is wedded to Jimmy Iovine of Interscope Records. That’s where their winners–like Scotty McCreery–get contracts. Iovine has also signed Madonna for her “MDNA” album. So of course, “AI” will feature teasers for the new album, all sorts of promotions, a Madonna night, you name it.

Everything here is branded. There are no coincidences. Madonna’s album could be her greatest ever or just more post-90s junk. “American Idol” will be pushing it down the throats of their viewers non stop.

Meanwhile, dear Madonna: now, after botching her charity, and never explaining where the money went, she’s announced that she’s building a bunch of schools in Malawi. Listen: there is no available tax filing for Raising Malawi, her Kabbalah-backed charity that reneged on building a “leadership academy” in Malawi already. No one knows what happened to $3.7 million raised at a 2006 celebrity fundraiser in New York. Don’t believe a word of any press released. Kabbalah is still involved.

Meantime, I implore you: Jimmy Iovine is a smart guy. He’s a great record man. But do you know that annually he wrestles control over  who performs at the Super Bowl? Some years he wins, some he loses. Bruce Springsteen and Paul McCartney were not his choices.  Let’s review, shall we? Last year it was the Black Eyed Peas and Usher. This year it’s Madonna. According to Wikipedia, her set list is “Vogue,” “Ray of Light,” “Music,” and her new single, “Gimme Your Luvin’.” What did you think she was going to sing? “Like a Virgin”? “Masterpiece”?

The Madonna marketing plan is in motion, boys and girls. Let’s hope the music is good. Really. PS I loved Elton John’s bitchy comments about Madonna lip-synching. He is dead on right. What she does, as do many modern performers who must also perform Jack LaLanne calisthenics on stage, is occasionally add live vocals to pre-recorded tracks during shows. All the tracks are pre-recorded before the TV shows. Who doesn’t do this? Performers who simply perform their music– Elton, Billy Joel, Sting, McCartney, Springsteen, Steve Tyler. But all the top 40 krapola stars do it.

The Artist vs. The Help: SAG Awards Sharpen Oscar Race

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Sacre bleu! The #SAGAwards really upset the apple cart. Jean DuJardin beat both George Clooney and Brad Pitt for Best Actor, for “The Artist.” Viola Davis toppled Meryl Streep for “The Help” as Best Actress. And “The Help,” not “The Artist,” won Best Ensemble. But it was only yesterday that Michel Hazanavicius won the DGA’s Best Director Award for “The Artist.” So now what?

My guess: “The Artist” will win the Oscar. Here’s what happened: SAG is a union supporting local friends. “The Help” is their kind of movie. They gave acting awards to both Viola Davis and Octavia Spencer, who, really, are great. You feel great rewarding them for their work. So bravo.

But “The Help” is not a visionary film like “The Artist.” And Hazanavicius’s award adds heft to “The Artist” as Best Picture. DuJardin was a surprise tonight, but hey–he’s good. My money was always on Brad Pitt. But it’s possible he and George Clooney are crossing each other out. The next two weeks will be crucial as more voters see “The Artist.”

And what about Meryl Streep? “The Iron Lady” is significant work. It’s a landmark performance. It may be that the Academy will feel Davis has been recognized, and that Meryl is their queen. Either way, it’s a tight race.

For SAG, on the TV side, I don’t care so much. Many of these people come and go. But I am so personally happy for Steve Buscemi–he is the epitome of the good guy, the hard working actor, family man, good friend. Sometimes nice guys finish guys finish first.

On another note: Mary Tyler Moore is still the most gracious and most lovely. She has lost quite a bit of her sight because of diabetes, but she soldiered out there on stage and looked great. She’s an inspiration.

SAG Awards–nicely done. Congrats to Ken Howard for pulling off the AFTRA merger.

SAG Awards: The Pre Oscars — Mostly

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The Screen Actors Guild Awards are pretty much the predictors of the Oscars. Well, they’re as close as you can get to a real reading of who will win the acting Academy Awards. Last year, SAG and the Oscars went hand in hand–Colin Firth, Christian Bale, Melissa Leo, Natalie Portman and “The King’s Speech”–all replicated. The year before that, Sandra Bullock’s win at SAG set her up for the Oscar. Jeff Bridges won, too. The big twist: “Inglourious Basterds” took the Best Ensemble Award, while “The Hurt Locker” won the Oscar. These things happen. There was also a now classic sort of mix up with Best Actress the year before. Meryl Streep won Best Actress for “Doubt.” She didn’t win the Oscar. Kate Winslet did, for “The Reader.” For the SAGs, she’d been wrongly put in Supporting Actress. She won that award. But it was clear that for the Oscars, she should be in lead. The voters moved her on their own, and she won. Penelope Cruz took home Supporting for “Vicki Cristina Barcelona.” Streep went home empty handed. That isn’t likely to happen again.