Tuesday, December 23, 2025
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Who Is Cissy Houston? A Primer

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Last night on either “ET” or its miserable sidekick “The Insider,” Cissy Houston–Whitney’s mother–was identified as a former Elvis Presley backup singer. Just so you know as you watch the funeral tomorrow, Cissy Houston is one of those great unheralded R&B stories. She had a group called the Sweet Inspirations. More importantly than singing with Elvis, the Sweet Inspirations had their own hits. They also sang back up on most of Aretha Franklin’s classic hits in 1967 and 1968. It’s Cissy’s high note counterpointing Aretha’s amazing record, “Ain’t No Way.” Later Cissy sang back up on lots of hit records including Linda Ronstadt’s “Heart Like a Wheel” album and Bette Midler’s “The Divine Miss M.” The Sweet Inspirations are also heard on countless top 10 hits, many of them from Atlantic Records during its heyday. The early members of the group included Cissy’s niece Dee Dee Warwick (Dionne’s gifted sister) and Doris Troy (“Just One Look”), sister of Vy Higginsen. “Cissy” Emily Drinkard was a member of her family’s gospel group, the Drinkards. Her eldest sister was the mother of Dionne and Dee Dee.When I first met Whitney, it was with Cissy and her ex husband John; they were divorced when Whitney was 16. I think I annoyed Whitney a little because I was so in awe of meeting her mother. Cissy and John spent countless hours on the road, touring, and in recording sessions. Their life before Whitney hit it big was hard. It’s impossible to imagine the grief Cissy is suffering now.

Here are some links:

http://www.youtube.com/watch?v=_Y0-uCagiFQ&feature=related

http://www.youtube.com/watch?v=EHL8wQQ3r1Q

http://www.youtube.com/watch?v=2lSpGDmGLs4&feature=related

http://www.youtube.com/watch?v=N6HhtnxA4F0

Spider Man Producers Cave In, Reach Settlement with Julie Taymor

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The producers of “Spider Man: Turn off the Dark” have finally caved in. They’ve settled with director-creator Julie Taymor on basic financial issues. They’ve agreed to pay her from November 2009 through her dismissal last spring. They’ve also agree to compensate her for touring productions, and compensation if and when “Spider Man” ever recoups its initial investment. Taymor is still suing over copyright issues. But this ends a very mean spirited, unnecessary episode. The producers only agreed to all this through The Stage Directors and Choreographers Society, which arbitrated the complaint. Taymor worked on “Spider Man” for nine years and only made $150,000 through the time she was ousted. Nevertheless, the Tony Awards committee still considers her the show’s director. I wouldn’t be surprised if she won next June.

Whitney: The Overflowing Bathtub from the Night Before

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EXCLUSIVE — Whitney Houston’s death made for a long day’s journey into night at the Beverly Hilton. While the Clive Davis Grammy dinner had to proceed downstairs in the ballroom–with 800 guests already filing in as the news was breaking–Whitney remained in state, so to speak, in her fourth floor suite. She was not removed until just moments before the party ended–a little after midnight. She’d been in the suite, discovered in her bathtub. But there were many people in the suite when this happened at 3:50pm including her daughter Bobbi Kristina, her brother Gary, sister in law Pat Houston, and another player in this story — a nightlife friend who’d been guiding her around town the last few days as she was photographed in states of duress.

What you don’t know is that around 11pm, paramedics were called back to the fourth floor. Security and police raced back to the 4th floor. A medical wheelchair with restraints was brought in through the back entrance to the hotel. Bobbi Kristina “freaked out”–well, she’d been upstairs for hours with her mother’s dead body in the next room. It was understandable. The paramedics thought they were going to to have to take her to the hospital. But calm was restored. For ten minutes, though, security cleared the entire lobby of the hotel while the concert was going on inside the ballroom. I was out there at that moment, and it was one of the strangest scenes ever.

Then there’s the mysterious story of a leak that occurred the night before from Whitney’s group of suites. A man on the third floor right underneath Houston’s suite told me this (before TMZ screwed it up completely): he suddenly experienced water cascading into his bathroom from above at 2:30am. It wasn’t just a trickle. The man called security, then went upstairs to the fourth floor to see what was going on. He swears to me that it was Whitney’s bathtub that was overflowing. He also says that a flat screen television had been been broken–the screen was smashed. My sources at the hotel say there was a “leak” but that it wasn’t from Whitney’s room. “They [her group] have a lot of rooms up there,” says the hotel source. My source, this man, insists that he was told it was Whitney Houston’s room. It does seem to have been part of her group of rooms.

There are many mysteries here. None of them have been reported or solved by TMZ or one of the other muckracking tabloids. I know the man who had to pull Whitney out of the bathtub yesterday and attempt to give her CPR. He told me, “She was already dead. There was nothing I could do.”

Photo c2012 Roger Friedman

How Whitney Stopped Bobby’s Tell All 2008 Book

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Whitney Houston‘s ex, Bobby Brown, was so down and out four years ago he planned on publishing a tell-all book. I wrote about in April 2008 and again in December 2008. It was never published.

Bobby Brown, the R&B pop star and Whitney Houston’s drug-addicted ex-husband, died three times and had to be resuscitated.

That’s just one of the revelations in the autobiography he’s self-publishing on May 13 [2008] with distributor Atlas Books of Ohio. “Being Bobby Brown: The Truth, the Whole Truth and Nothing But…” is co-written with Derrick Handspike, whom I spoke to Thursday night.

What’s the incentive at this point to sell out Whitney, daughter Bobbi Kristina and even himself? As Handspike — an Atlanta hip-hop producer and author of several books — explained: “We are very wealthy from this already.”

It’s not completely clear how the pair has made so much from a vanity press publication, but Handspike intimated that there are “investors.” “It’s a joint-venture kind of thing,” he said.

For her part, Whitney, says rep Nancy Seltzer, refuses to comment now and forever on the book. “She’s not going to talk about the father of her child.”

But starting soon, Bobby’s going to be talking. His press reps are approaching all the shows and made an inquiry to Oprah. The angle is gong to be that this is Brown’s way of telling his story, and that there’s very little about Whitney — at least not enough for which to sue him.

“He OD’d on heroin,” Handspike told me. “No one knows that. He had a stroke. They said he had a heart attack but he had a stroke.”

And then there are the three deaths. Brown relates that his heart stopped three times and he had to be revived with paddles.

Brown also owns up, Handspike tells me, to hitting Houston. “He considered it horse play. The reason Whitney called the police was that he laughed at her and then left. She said, ‘You think you’re going to just walk away from this?’ Then she called the police.”
In the book, much is learned about Brown that you may or may not be interested in. He “scored” with Janet Jackson. He also immediately hit it off with Whitney in a physical way.

“We also had bedroom chemistry.” He isn’t modest, either. “I’ve always been known to be a pretty good lover. The word on the street is that I’m well-endowed, if that means anything. Does it, ladies?”

In December 2008, I sp0ke to Handspike again. Here’ s what I wrote:
Remember the Bobby Brown book about Whitney Houston? Maybe you thought it wasn’t going to be published. I’m sure Whitney thought that, too. Well, she was wrong.

Yesterday, Derek Handspike (yes, it’s a real person—great name) published “Bobby Brown: The Truth, the Whole Truth, and Nothing But the Truth” under his own name as an unauthorized biography of Whitney’s ex husband.

Originally the book was authored by Brown himself. But when it was announced in this space last April 4th, a number of red flags went up. One of them was no doubt from Houston’s divorce lawyers. Bobby signed a confidentiality agreement with Houston in which he promised not to write anything about her.

Whoops!

So back to the drawing board these guys went, trying to figure out what to do. In essence, the result is that the book is now technically authored by Handspike. In his foreword, he does promise, however, that Brown “is still fairly compensated.” Who is he fooling? No one. Handspike also says in the foreword that he was forced to published the book somehow, someway, because he had “over a hundred thousand pre-orders” and that “all the major wholesalers and retailers were waiting on the edge of their seats” for this volume.

Anyway, in case we’ve forgotten, here are some of the tidbits from the original manuscript. According to Brown, he “died” three times from drug overdoses, hit Houston, and he, suggests, bedded Janet Jackson. He blames L.A. Reid for wrecking Houston’s last album, and calls him a “female dog.” He claims that Houston at first tried to block his reality show, “Being Bobby Brown,” then turned up uninvited for the filming of it. Brown also says that he and Houston came up with a word to describe their volatile relationship: “stickability.”

He writes—and I guess now Handspike says this in the third person: “Whitney and I had our arguments and fights just like everyone else. It was no Ike and Tina type of fights, but that’s what the media made the public believe.” He admits to “getting upset” and “flying off the handle …Things that that I’d regret later, I would be responsible for cleaning or having the wall repaired.”

(I do have to interject right here: at least he had the wall repaired! Give him some credit! Ike Turner never did that!)

And if you were worried about Whitney, don’t: “What people fell [sic] to realize is that Whitney is no punk. She definitely knows how to handle and defend herself in situations that could have potentially turned violent.”

There’s a lot more about Whitney and Bobby’s personal life, including this stunning revelation: Brown says that they had a pre-nup but that when they went to court, Houston didn’t invoke it. “I was able to follow through with the spousal support law suit,” he writes.
The IRS might be interested in Brown’s finances. When he was in trouble, “Whitney stepped in and we made a deal on my mansion in Atlanta. The bank was trying to foreclose on it and Whitney bailed me out. I ended up doing a little trick where I sold the house to her and we ended up being able to pull equity out of the house. It’s kind of like selling something of major value for a dollar in order to reap the benefits on the back end.”

There’s more, mostly to do with Brown’s drug addiction to cocaine. He also proves his reputation for being a romantic as details his relationship with model Karrine Steffans, explaining her only value to him was for living to up her nickname, “Supahead.” Steffans, he writes, “is also a terrible mother to her kids.”

“If there’s one thing I can’t stand,” writes Brown, who has been arrested and jailed several times for non payment of child support, “that’s a woman who is not a mother to her children. That’s a big turn-off to me!”

James Franco Sexy Commercial With Fleetwood Mac Niece

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James Franco- multi hyphenate industry player–is back on social media. For a while he abadonded Twitter and other outlets, turning over all communication to a fan club and his mother, But now Franco reappears on WhoSay.com with his commercial for fashion line 7 for All Mankind. Here’s the link: http://www.jamesfrancotv.com/videos/130377

There don’t seem to be a lot of clothes in the video, but that’s what sells clothes these days! And Franco introduces his Rabbit TV, with plenty of stuff for his rabid (rabbit?) fans including other videos and photographs. I like the bear’s head.

The commercial features model Lily Donaldson, whose great uncle is Mick Fleetwood of Fleetwood Mac. Someone should use the old FM song “Hypnotized” for one of these fashion videos. Franco, meantime, has a big fall release with Sam Raimi’s “Oz, the Great and Powerful,” and several hundred side projects including his film about Sal Mineo, called “Sal,” a film about gay poet Hart Crane called “The Broken Tower” (which has one scene of oral sex), and a cameo in an upcoming film about Linda Lovelace. He also just sold his first novel to Amazon Books. Next week he’s teaching Wok Cooking at Macy’s Basement. (Just kidding.)

Whitney Houston: The Vultures Are Out, And Demanding Their Money

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Whitney Houston is dead and the money making has begun. The people close to her–just like those “close” to Michael Jackson– are selling their wares to the highest bidders. This accounts for the constant and incorrect stories appearing on TMZ, Radar Online, The National Enquirer, and the syndicated “entertainment” shows. And let’s not forget the networks, which “license” footage–another way of saying “paying for an interview.”

Anyone who knew Whitney or was related to her will try now to make some quick cash and become an “expert” on her leading up to her funeral. Kudos to Cissy Houston and Dionne Warwick for smartly putting the funeral in a small church, with no big public fiesta. The Jacksons, lest we forget, staged a memorial at the Staples Center, then held a big reception. It took them six more weeks to have an actual “funeral” that was televised.

But that doesn’t mean that Whitney doesn’t have her vultures. She supported a lot of people for a long time financially. Now they will panic. The gravy train has come to its last stop. Since Saturday,  the tabloid websites have run conflicting stories, claiming one thing, then claiming the opposite. My favorite lately is TMZ’s assertion that the suite where Whitney died was already being rented out at the Beverly Hilton Hotel. They also claimed to have a picture of the bathtub “minutes” after Whitney died in it. Believe not a word on these websites. All the info is coming from “insiders” for cash.

One insider told me tonight he had 248 messages from media outlets. Another is being stalked by paparazzi. I feel terrible for the people at that New Hope Baptist Church. They’re going to have a lot of trouble on their hands the day of that funeral. After all, “ET”–the grossest of all the TV shows–has already run a picture of “Whitney’s body bag.” You can only imagine what’s next on their agenda.

Here’s the Real Whitney from 2009

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I took this picture at Clive Davis’s 2009 Grammy party. Whitney performed a whole set, and she was more on target than ever. I have video from that night, too. It was a rare moment for Whitney in the 2000s, when she was on form. She had a big talk that night with Alicia Keys about writing a song for her, and hung out with Mary J. Blige her good friend. Whitney’s various annual appearances at the party were always an issue. One year she showed up with sister in law Pat Houston, was introduced to Al Gore and had no idea who he was. Last year. she came to rehearsals completely stoned, red eyed, in a manic mood. At the actual show honoring her cousin Dionne Warwick, she just went off script and off the page. She was a mess. But for the 2009 show, she was our Whitney. I hadn’t seen a show like that with her since she performed songs at a New York event for AmFar (this when they were  a decent orgsnization) to promote her “My Love is Your Love” album. Here’s what I wrote in 1999:

“So many stars showed up at the AmFAR bash that it would he hard to name them all. Arista’s ingenious Davis had a posse that included Whitney Houston—who wowed the crowd with a few numbers from her new album, “My Love Is Your Love,”– her mom Cissy Houston, Barry Manilow, Mary J. Blige, Kenneth Babyface Edmonds, LA Reid, Wyclef Jean of the Fugees, Mase, and the tiresomely ubiquitous Sean Puffy Combs. By contrast, Barbara Walters had with her some heavy hitters: ABC News’s Roone Arledge and David Westin, as well as Disney/ABC head honcho Michael Eisner. Tom Hanks’s fan club included his wife, Rita Wilson, and director Ron Howard, and writers Nora Ephron and Nick Pileggi. Elsewhere around the room we spotted Christian Slater, looking spiffy in his tux, with playwright Warren Leight, celebrating a night off from “Sideman,” the Broadway hit written by Warren and starring Christian.”

photo of Whitney c2009, c2012 Roger Friedman. All rights reserved.

“The Artist” Wins 7 British Academy Awards

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There’s no such thing as a “done deal” but “The Artist” looks like it’s headed to a big Oscar night on February 26th. Over the weekend the Michel Hazanavicius directed silent film picked up 7 BAFTA awards from the British Film Academy. The film won Best Picture, Actor, and Director, plus Original Screenplay and Score. There was nothing, however, for Uggie, and nothing for Berenice Bejo, who’s having the unfortunate experience of watching everyone else from “The Artist” win awards while she loses to Octavia Spencer from “The Help” for Best Supporting Actress. Not to take away from Spencer, but Bejo is a marvel as Peppy Miller, the plucky Hollywood ingenue who becomes a superstar.

Best Actress went to Meryl Streep for “The Iron Lady.” This was a pretty controversial choice in England considering Streep played Margaret Thatcher in a way that surprised the Brits. But I do think that Streep is on target now for the Oscar over Viola Davis in “The Help.” Anything could change, but Streep’s body of work and her superlative performance in this film especially should lead to a win. Davis has a lot of of Oscars, Tonys, and Emmys in her future, of that there is no doubt.

As for “The Artist,” the real shock is that Jean DuJardin has picked up this momentum for Best Actor. He’s winning contests against Brad Pitt and George Clooney. I can’t imagine what those two guys must be thinking. They’ve each done their best work ever in “Moneyball” and “The Descendants.” “The Artist” came out of left field, a total shock. But Du Jardin is so appealing and charming in “The Artist,” and he’s obviously appealing to voters looking for someone new to choose from.

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As Whitney Lies in State, the Party Goes On

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The Clive Davis party was called for 6:45 in the ballroom of the Beverly Hilton. On the fourth floor, Whitney Houston was dead, and her floor was sealed off by police. Celebrities began arriving, but some of them — like Mary J. Blige– didn’t actually make it until well after 10pm. There was confusion about walking the red carpet, doing press, what to say or wear. Clive Davis came in through a back door, did no press, and took a room above the ballroom where he tried to compose himself–and a speech. He was visited by just a couple of close friends–like Sean Diddy Combs and songwriter Diane Warren. Combs wound up being a godsend. His speech at the start of the party was so disarmingly eloquent that it saved the night. It was magnificent.



The dinner guests–many of whom were confused, unhappy, but talked about Whitney and tried to make sense of the whole thing–included Quincy Jones–bereft, he just sat down at his table and received visitors. “I went through this with Ray Charles, with Michael Jackson, and now this with Whitney.” He just shook his head. At almost 80, he’s seen everything. He talked to Gayle King for a while. Valerie Simpson, whose husband Nik Ashford died last year, and who wrote “I’m Every Woman”–a big hit for Whitney–was beside herself. This was her first real public outing. It didn’t help that later when Diana Ross showboated onto the floor to sing another Ashford-Simpson hit, “Ain’t No Mountain High Enough”–she acknowledged neither Houston nor Simpson.
Elsewhere: Gladys Knight, the legend, who left early. A group of 70s singer songwriters who’d seen drugs take their friends–Jackson Browne, Joni Mitchell, Neil Young, all superstars, sat together. Todd Rundgren made a rare appearance. There were Herbie Hancock, Chick Corea, Phil Ramone, Toni Braxton, Diana Krall and Elvis Costello, Carole King. There was a Hollywood table: Jane Fonda and Richard Perry, Peter Fonda, Joan Collins and Jackie Collins. Paul Shaffer brought his 18 year old daughter Victoria.



Mostly, people talked about Clive Davis, how he’d been a father figure to Whitney, and their concern for him. Everyone in the music business knows what Clive–who has four children and six grandchildren–did for Whitney. Nothing worked. When she improved, he was encouraged. When he got negative reports, he was devastated, like a parent who couldn’t come up with a solution. This went on and on for years.



More guests: Tom Hanks and Rita Wilson, the famous folk and pop singer Donovan, cast members from “Glee,” singer Anthony Hamilton, Patti Austin, Nigel Lythgoe, India.Arie, Vivi Nevo, Ron Burkle. Sean Parker, of Facebook and Napster fame. Will.i.am from the Black Eyed Peas, Dr. Dre, George Schlatter, the legendary producer of “Laugh In.” And Clive loyalists like Nikki Haskell, Barbara Davis, Arnold Stiefel (newly svelte), Larry King, Denise Rich, David Foster, Penny Marshall, Kathy Griffin. They all “knew”–they’ve followed the stories for years.



And more: a decidedly low profile Brett Ratner, Princess Eugenie of the UK (Fergie’s daughter), Quinton Aaron from “The Blind Side.” Execs from every record company. And so on.



Tony Bennett opened the show with a somber “How Do You Keep the Music Playing?” Diana Krall, worried about the whole event, followed with a jazz anthem. The Kinks’ Ray Davies kicked up the energy with a medley of his hits accompanied by Elvis Costello and Jackson Browne. I thought Ray did the classiest thing of the night. He’d been rehearsing his song “Days” for three days.

But instead of waiting to sing it in full with Costello, he came out on stage and sang just the first verse a capella, spur of the moment. It was so touching and completely right: “Thank you for the days/Those endless days, those sacred days you gave me/I’m thinking of the days/I won’t forget a single day, believe me/I bless the light/I bless the light/I bless the light that lights on you believe me/And though you’re gone/You’re with me every single day/ Believe me.”

Exclusive Notes from Clive Davis Grammy Party

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We also have reports at www.forbes.com. But our LEAH SYDNEY took notes as the Grammy party progressed last with a heavy heart.

There was a small red carpet..I did not see anyone do it.  At the Beverly Hilton where she died, beyond crowded and mayhem in the lobby.  Apparently around at 11:30 as the party was going on, her body was removed from the hotel. When I got there. Whitney was not supposed to sing at this party-but she was supposed to attend.  Menu..green salad-appetizer-bread on table.  Chicken stuffed..asparagus and tomatoes and scalloped potatoes. I saw that Kim Kardashian  and Serena Williams each had red wine with their were meals.  Chocolate mousse cake for desert.

Kathy Griffin was excited to meet Carole King, told her how much she loved her…then Jane Fonda came into it-making it a trio.  Kathy seemed a bit overwhelmed and was quiet.  This being Hollywood, everyone was schmoozing.  Rita Wilson went up to Gladys Knight, hugged her and told her what a true fan she was of her, while Tom Hanks beamed , then he did the same thing.  Quincy was at the table, stood up and said, “I love you two,” to which Tom laughed loudly.  Richard Branson chatting with Quincy.  Sean Puffy Combs being lovely to everyone..people just being gentle with each other.

At 9:45  Clive Davis, looked distraught as he went on the stage.   The room became eerily quiet.  The whole night was imbued from the beginning with sadness. Clive said, “I was devastated, for our beloved Whitney, I have a heavy heart and am personally devastated by the loss of someone who meant so much to me.  She was so full of life and looking forward to tonight.  She loved this night that celebrates music.  My heart goes out to her daughter , mother and family.  I cherished her spirit and she was a beautiful person. She graced the stage with her regal presence. She had talent beyond compare.  She would have wanted the music to go on and her family asked that it does.”  Then Clive asked for a moment of silence  for about a minute, which was done.  “I dedicate this night to Whitney Houston.  Now let the music begin!”

Tony Bennett came on stage and immediate asked every “man and woman in this audience to please pressure the government to legalize drugs like they do in Amsterdam. It’s the sane thing to do.  First it was Michael Jackson, then Amy Winehouse, now the magnificent Whitney Houston.  I’d like every person in this room to campaign to legalize drugs.  No one will be hiding in or sneaking around corners to get it.  Gangsters won’t be selling it under a table.  They go to a doctor to get it and also get the treatment they need.  We need sanity with this.” Bennett then said, “This is a song Frank Sinatra asked me to sing,” Bennett told the crowd. “I’d like to dedicate it to Whitney. When I first heard her, I called Clive Davis and said, ‘You finally found the greatest singer I’ve ever heard in my life.'”  After he sang, he put his arms up in the air, looked up to the ceiling and shouted “Whitney!”  Very emotional he was.  The song was Alan and Marilyn Bergman’s “How Do You Keep the Music Playing?”

Clive played clips from past shows while they changed bands for each singer.  He also introduced many of the VIPS in the audience.

Alicia Keys then played next. Of all the performers, she was the most heartfelt, sad, reflective and celebrating Whitney. She hit all the right notes, she was the most appropriate.  The best of them all. As she tinkled the piano, she mused, “Beautiful energy in this room.  So special.  So many things. You feel sad when you lost someone you love.  You think back on how they’ve touched your life.  Whitney was my sister.  This incredible beautiful woman. ‘  She then went on to imitate her singing, “I Want to Dance With Somebody.”  Alicia continued, “ She was my barometer on what I hoped and wished for.  Then I met her for the first time and she became my sister.  Who would have thought? She came to visit me in some city, she knew I was pregnant before I told anybody.  She helped my dreams come true.  Ten years ago I was on the stage at Clive’s party for the first time. It’s a blessing to be here and to feel all this love.  We have got to remember to love each other because nothing else matters..  Just love somebody, that’s what Whitney was all about.”   Alicia then went on to play a bit of Billy Joel’s “New York State of Mind”…leading into her hit song “Empire State of Mind.” She then said, “Whitney is over my shoulder now saying, come on get with it, “  Then Alicia sang “No One.”

The Grammy head Neil Portnow then came out and said, “you could tell, even back then, that Whitney would become the star of all stars.”

Then Sean Puffy Combs gave a heartfelt tribute to her, saying, “we see each other here and give each other the respect ..because as you can see, tomorrow is not promised.  Clive is one of the most kindest and beautiful people I know.  Whenever you saw Whitney, she always hit you with that beautiful smile and energy, she gave you a Grandma hug..with real love.  She had a natural positive spirit.  If we truly believe in God then we should celebrate her life tonight.. Simply put, she had the greatest voice in the world. She was a gift from God .  If it wasn’t for Clive, we might never have known this miracle.  Today we just didn’t lose an artist, we lost an angel.  She always performed 5000 percent.  She wasn’t a hater, but a congratulator.  When I found out,  I went into a state of shock. Clive always stood by her side.  Even in her darkest hour.  We honor her.  So lets turn this mood around, and Clive is probably one of the few people in this world who could throw a party better than me.  This is the hottest ticket in town, and you are one of the chosen tonight, Lets give her the respect she deserves.  She wouldn’t want us to be somber. There will be time for that.  So a rule of Clive’s party-no industry stiffness allowed! “

Then Sean made everyone stand for Clive.  Clive then came back and introduced Ray Davies from the Kinks.  Ray first sang, “All Day and All of the Night.” Then Jackson Browne and Elvis Costello joined him for “Days.”. When Ray sang “Lola,” everyone did L-0-l-a..LOLA.   He finished with “You Really Got Me.”

Sean Combs sat at the table at the end ..So Sean first, then Brittney’s table, then Kim /Serena’s, LA Reid.

Miranda Lambert then came, talked about Whitney, sang The House that Built Me, as hubby The Voice’s Blake Shelton, taped her from audience.

Jane Fonda then gave an award to Richard Branson…he acknowledged Whitney.  Branson then told the crowd “most people are circumcised when they are born.  I was at 21.  The next day I watched Barberella.  I almost split my stitches.”  To uproarious laughter from the crowd.

Then Clive came back, told the crowd that “Whitney and I just spent this past Tuesday together at my home here,”  Clive’s home being the Beverly Hills Hotel-where he’s been staying for decades. Then he introduced Wiz Khalifa.

Then  Pitbull with Ne Yo.

At the end Jaime Foxx, went into the crowd, singing “Ain’t No Mountain High Enough,”  went to Diana Ross’s table.  She got up, started to sing, then went to a chair , went up on that in front of Alicia, then on stage.  The night ended with her singing that, and Clive coming out-kissing her and saying good night everybody.  She didn’t acknowledge Whitney.

A note from RF: Had the tragedy not occurred, this would have been considered one of the greatest parties and shows in Grammy history. The fact that it came off after all was some kind of miracle. It was simply too late to cancel it.