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Source: “One Life to Live” Has Secured All of Its Main Players

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It’s one more life to live for the popular soap opera, “One Life to Live.” The ABC soap ended its network run exactly one year ago with the hope that Prospect Park Productions was taking it to the internet. That situation fell apart, as we all know. But now I can tell you that the revived online version of “One Life to Live” looks real. I talked to Robert S. Woods today, the great actor who plays Bo Buchanan. He told me he’s met with the Prospect-ors, and  they’ve made a deal for Woods to join the new show.

Yesterday, Robin Strasser announced on Twitter that she was coming back, too. Sources also say that Erika Slezak, the nominal “star” of “OLTL” has made her deal, along with Jerry verDorn (Clint Buchanan). It does seem like Prospect Park is going to make a ‘go’ of this.

No word yet from “All My Children” and Susan Lucci, although I did tell you before Christmas that contact had been made and the two sides were talking. Since then, the creator of both shows, Agnes Nixon, issued a statement that she was on board. A couple of “AMC” actors signed on as well. Writers and producers appear to have been hired for both shows’ online versions. Woods says he thinks they’ll be back to work by mid February.

What a strange turn of events. ABC was so eager to dump the soaps and replace them with cooking shows. Now “The Revolution” is gone. “General Hospital” added another 500,000 viewers last week compared to last year. “Days of Our Lives,” though sort of dreadful, has been extended for another by NBC. Maybe Procter & Gamble will wake up and license “As the World Turns” to Prospect Park. My guess is eventually the shows will go to cable TV.

Stay tuned– it’s a cliffhanger!

Charlie Sheen’s Vanity Film, “Charles Swan,” Inexcusable Waste of Time

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Charlie Sheen is just starting to promote his vanity movie, “A Glimpse Inside the Mind of Charles Swan III.” Roman Coppola directed what he was given, and he did a good job including a couple of nods to his dad’s famous movies (Francis Ford Coppola). This past year Roman co-wrote “Moonrise Kingdom.” He clearly knows what he’s doing.

But Charlie Sheen is in charge here, it’s his movie, and it’s tripe. It’s the perfect sort of circa 1974 trippy movie that maybe Bob Rafelson would get, but surely no one else. The film is just a huge masturbatory project for Sheen, who is no less obnoxious or self involved than he was two years ago when his breakdown or whatever it was began.

This is really a vanity project, too, full of Sheen’s and Coppola’s friends and family. Jason Schwartzman– also Coppola’s cousin– is well placed as Swan’s best friend. Patricia Arquette is nicely cast as Swan’s sister. But Sheen as Swan is just miserable and insufferable. Charles Swan is the rich, belligerent star of a movie in his own head. He lives in Hollywood, has a graphic design firm, and basically behaves like someone’s idea of Hunter S. Thompson. There’s no real plot of any interest except that Swan is a rich eccentric who crashes his odd automobile, winds up in the hospital, and hallucinates fantasies. They’re inter-cut with his pursuit of a beautiful girl (Katheryn Winnick.)

I was lucky, I had a DVD I could fast forward. But even so I ran into cameos from Dermot Mulroney, Colleen Camp, and several others. Bill Murray has a bewildering role as some kind of mentor to Swan. I guess Swan is supposed to be a stand in for Sheen when he was in his collapse period. But really–who cares? The guy is a lout. And there’s nothing remotely charming about watching Sheen and his pals carry on in the Hollywood Hills. It’s like he’s never seen David Rabe’s play “Hurlyburly.” But we have. And that’s enough.

A24, a new little film company, is releasing “Charles Swan.” I don’t get it. There are so many more interesting and important films to put out than this. Maybe all the people who didn’t feel ripped off by Sheen’s live tour will buy this DVD or download it. I can’t image sitting in a theater for it. If you want to see violence, just wait til someone pays $8 for ticket, 10 bucks for snacks, and 30 bucks for a babysitter, then sits down to “Charles Swan.”

The movie has truly awful music by someone named Liam Hayes, and a very egotistical self-referential ending in which the actors all introduce themselves. They should have used pseudonyms.

Bebe Winans Says “Don’t Blame Bobby Brown” For Whitney Houston’s Problems, Death

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The great singer Bebe Winans is just releasing a new book about his long friendship with Whitney Houston. I’m a big Bebe Winans fan, and I know he knew Whitney Houston better than anyone. She was very close to him and to his family. Bebe has a whole chapter called “Don’t Blame Bobby.” This is how it starts:

“Whitney never blamed Bobby for her troubles. Neither should we. I know Bobby. I knew him even before he and Whitney began seeing each other. Like any big brother, I had my concerns about the two of them together. You don’t want just anyone to take your sister in marriage. You set high, high, high expectations. The bar sits in the stratosphere regarding who you’re willing to let through the gate. Several of us close to Whitney felt the same way; this was no secret.

“But it’s also unfair and inaccurate for anyone to claim that Bobby ruined Whitney the moment they started hanging out. Bobby and I stood on the common ground of understanding. I respected what Bobby did in his career, as he did with me. So make no mistake, my words here are not meant to diminish Bobby in any way. I simply thought that he and Whitney were unequally yoked. I felt they would be great as friends, but not as husband and wife. Whitney knew I didn’t approve of their relationship early on, and especially their pending marriage.”

Bebe says he and Whitney had a very frank discussion before she got married about Brown’s insecurities in his career, all his other women, and his other children. His book, “The Whitney I Knew,” is fascinating. And there’s a dedicated website with pictures and videos no one’s ever seen at www.thewhitneyIknew.videos.com

photo here copyright c2012 showbiz411

Jerry Lewis’s Comeback Movie Will Feature 85 Year Old Comic Mort Sahl

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I was a little surprised this morning to see a “scoop” elsewhere about Jerry Lewis’s comeback movie, “Max Rose.” I reported that movie’s existence for the first time four years ago! But it’s happening, and I should have told you on Friday when I knew about it. One hold up was that the legendary Ben Gazzara was supposed to be in the film. But Gazzara, so beloved, passed away last year. Now he’s been replaced in the role by Mort Sahl, the acerbic comic who rose to fame in the 50s and 60s. Sahl, sort of a softer Lenny Bruce, is 85 years young! God bless him. He hasn’t acted in a movie since 1984. That’s right. 1984. So he’s had a good rest. Here’s a little trivia: he emceed the very first Grammy Awards show, from the Beverly Hills Hotel. “Max Rose” also features the great actress Claire Bloom. Director Peter Bogdanovich was supposed to be in it, too, but he dropped out. I do hope there’s a lot of medical aide on the set, and plenty of downtime for naps. First time director Daniel Noah should make sure there are a lot of comfy chairs, too.

From May 14, 2009:

http://www.showbiz411.com/2009/05/14/20090514jerry-lewis-to-announce-comeback-up-soars-at-cannes

Golden Globe Winner “Argo” Was Shot in Zsa Zsa Gabor’s Mansion–While She Was Sleeping

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Zsa Zsa Gabor  turns 96 years old next month and is in seriously declining health. She lives in a Bel Air mansion with her husband of thirty years, “Prince” Frederic von Anhalt. The house doubled as the home of Alan Arkin’s producer character in “Argo,” which was shot there nearly two years ago.

Zsa Zsa, then 94, was unaware of what was going on. But Frederic, who often appears on TMZ.com, is a practical man. Gabor’s healthcare is expensive. None of the nurses or aides or anything else is covered by insurance. Income is always welcome.Recently he rented the Bel Air mansion out to Michael Douglas’s HBO movie about Liberace called “Beyond the Candelabra.”

I met Frederic last week at Universal Pictures party for “Les Miserables.” He is a handsome and fit 70 year old with an extremely nice wardrobe. He drives a Rolls Royce convertible. When someone told me he was there at Spago, I imagined Claus von Bulow. But he’s far from that. Even with his many tabloid stories trailing after him, Frederic seemed pretty reasonable.

So what’s happening with Zsa Zsa? Once the most glamorous woman in the world, the last surviving of the three Gabors made a very good second marriage when she walked down the aisle in 1942 with hotel empire builder Conrad Hilton. They were married five years, but that wedding held her in good stead through the rest of her life– and several more marriages. Zsa Zsa and Hilton had one daughter, Francesca, now 65, with whom she has had several legal skirmishes over the years.

Right now, Frederic says, Francesca is only allowed supervised visits with Zsa Zsa. Frederic maintains contact with a couple of Hiltons–namely Kathy, who is married to Rick, and mother of Paris and Nicky; and Baron, Francesca’s half brother. Francesca, he says, is cut off from the Hiltons entirely. Frederic says, however, that Francesca is left money in Zsa Zsa’s estate. Time will tell if that’s accurate.

How much money is that? It’s hard to say. At one time, Zsa Zsa’s worth was listed as $40 million. But the house is on the market for $14 million, down from a $28 million listing. And Frederic was said to be near foreclosure in June 2012 until an anonymous donor bailed him out.

Zsa Zsa, once the most glamorous woman on the planet, now sleeps most of the day. She rarely speaks. Frederic says he does the night shift with her, from midnight to 8am. At all other times, she has a nurse with her. She also has a court appointed lawyer. Frederic is quick to say he’s being monitored by the courts and the press. But frankly, there’s not much to watch. Zsa Zsa is just waiting, quietly, for the end. You can’t time it.

“Liz Taylor was a great friend,” Frederic tells me. “She used to come over in her wheelchair and talk to Zsa Zsa.” Now, all of her contemporaries are gone. While Zsa Zsa sleeps, Prince Frederic goes out. He’s made friends with a financial reporter about 15 years his junior, from the local news radio. During the early evening, Frederic is social. (His personal life, I didn’t ask.) Then he’s home in time to take care of Zsa Zsa.

How did they meet? He arrived in Los Angeles in 1982, he was 39 years old. He wanted to rub elbows with the wealthy Hollywood set. Someone invited him to a party with stars, he says. “I put on my army uniform, with lots of medals. I put on a big show.” At the party he met Zsa Zsa and that was it. She was 70, and had had countless marriages including the famous one to Conrad Hilton. The Prince’s pre-Zsa Zsa life is still unclear. He says he has children in Europe, and was married.

According to wikipedia, Frederic’s birth name is Robert Hans Lichtenberg. He was adopted at age 36 by a member of the German aristocracy and added the name “Prinz.” Frederic got some kind of title, which he has bequeathed to several has legally adopted several adult men over the years, bestowing them with the last name “Prinz von Anhalt.”

Anyway, he and  Gabor married right away. The rest is history. Ten years ago they were in a car accident. In recent years Gabor developed a clot in her leg, which was eventually amputated. She’s had bouts of pneumonia and almost died. But she’s always rallied. Frederic says he keeps her spirits up by playing her old movies in the DVD player, and saying it’s TV. “She doesn’t know, but it makes her smile.”

 

 

Justin Timberlake: New Single Goes Straight to Number 1

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While we were partying it up at the Golden Globes last night, Justin Timberlake released his new single. “Suit and Tie,” featuring a rap by Jay Z, went immediately to number on iTunes where it remains at this hour. Timberlake wrote on his website that the album, called “The 20/20 Experience,” will come out “this year.” The marketing plan so far seems to feature an eye chart and one of those eye-exam lens checkers.

“Suit and Tie” — no credits yet. But it’s a sweet piece of 70s soul with nice hook and melody that could fit into the KISS FM playlist if KISS FM still existed. (Thanks Infinity Broadcasting.) The Jay Z rap I could live without, and the song doesn’t have a substantial bridge–the rap seems to take its place. But it’s refreshing. I don’t know if it’s an obscure sample or “interpolation.” I’m crossing my fingers that it’s original.

One thing about Justin Timberlake: he can sing. I remember years ago at a Clive Davis pre Grammy dinner, NSync, the Backstreet Boys and Britney Spears were all there. At the end of the show, all the real singers in the room got up to join in on the finale. Justin was the only one from that whole gang who got up and sang a lead R&B falsetto. He’s right with it. On “Suit and Tie” he sounds like he’s mixing up the Stylistics with echoes of Marvin Gaye. Sweet. If the whole album is like that, it will be a smash.

Google Glasses Set for Early 2014, And they Work (I Tried Them)

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Movie stars were all over the place this weekend. But what was the big news? Google Glasses. The internet in your eyewear is here, and it’s real. There was much talk about Google Glasses this past year. About a year ago, they were revealed, and there was talk we’d see them in 2013. I did, on Friday, at CAA agent Josh Lieberman’s annual cool cool cool party at Soho House in West Hollywood.

Two guys from Google were at the party–which was chockablock with stars from Nicole Kidman and Jennifer Lawrence to Axl Rose and Bradley Cooper. The guys sat in the front dining room, far from the madding crowd, wearing the glasses and showing them to anyone who was interested. Enter yours truly. The demo reminded me of being at the 1964 World’s Fair and talking on a speaker phone. Here is the future, whether you like it or not.

Steve Lee showed me how the Glasses work. It’s very simple. There’s a speaker in them, so you give them voice directions and they look up stuff on the internet for you. A sort of slide mouse built into the right temple can guide you once the internet comes up in a transparent screen on the right lens. You can read your emails, messages, check Maps to see where you are and what’s going on around you. We didn’t make phone calls, but I do think that’s going to be in there at some point.

Some people, age 35 and up, came by and sniffed at the whole thing. And I, a little older, don’t see the point in this either. Plus I already wear glasses. (Not sure how this will work if you do wear glasses unless you’re supposed to put your prescription in them– they are really for 20/20 eyes so far.) But you will see kids and young twenties take to this instantly. And then, a new generation will only know this way of living. A brave new world.

Lee says the glasses are going to out to developers now, and should be on the market by early 2014. A starting list price would be about $1500. But you know that the price will drop once Google Glasses take off. Nevertheless, they will remain a high end purchase. “You’re not going to be seeing this for $199,” Lee joked.

But you know, like wow, man. We are getting closer and closer to brain implants and all kinds of sci fi stuff. Minority Report, here we come. Now if I could just program my DVR.

A Silver Lining for “Silver Linings”? Globes Aren’t Oscars

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The Globes are over, the winners were “Argo” and “Les Miserables.” Now what does it all mean? Not much, I’m afraid. The winners of the acting awards may very well continue on to the Academy Awards. Daniel Day Lewis has the edge over Hugh Jackman, and Jennifer Lawrence is probably leading Jessica Chastain in the lead categories.

In supporting, Christoph Waltz was a surprise, but he’s affable and foreign (the Hollywood Foreign Press likes that), plus “Django” is newish compared to the movies that offered the other supporting actors–DeNiro in “Silver Linings” and Hoffman in “The Master.”

There’s still a chance for either of the those other two, and even for Tommy Lee Jones– although the look on Jones’s face during the Globes show was priceless. He is not amused, considering his knockout work in both “Lincoln” and “Hope Springs” this year.

We do know that Anne Hathaway is waltzing away with Best Supporting Actress in “Les Miz.” Even with some hope for Sally Field’s wonderful performance as Mary Todd, the Hathaway train seems to be rolling. Field is such a sport that she doesn’t seem to care, is just enjoying the whole thing. She’s really an example of how to be a leader among Hollywood stars.

I still think the film that most benefits from everything that happened this weekend is “Silver Linings Playbook.” This Friday “SLP” finally expands to 2,500 theaters. It’s languished on the back burner in very limited release and then limited release, building great word of mouth and picking up lots of awards attention. But “SLP” still has a low profile. So many Academy voters have to said to me about it, “I still have to watch it. I hear it’s great.”

With a longer than usual period for voters to watch and consider movies, this may turn out to be a blessing in disguise. Most Academy voters have already been deluged with Lincoln, Argo, Les Miz and Zero Dark Thirty. Silver Linings, for many, will be their “new” movie and last one watched in a long campaign. It may also seem the freshest. DeNiro is said to be on board for some campaigning. You never know. If “SLP” has a great weekend coming up, there may be shifts in the winds.

Basically, it’s all about the Screen Actors Guild. Their Best Ensemble Award will be the most indicative of how things will go on Oscar night. The SAG Awards is a two hour show, on a Saturday night, and usually not so important. But with a wide open field, SAG is going to find itself very popular this year.

Globe Parties: Les Miz Cast Celebrates, Mad Men Meditate

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By the time the Golden Globes were over, the whole Beverly Hilton was bursting to party. On the 6th floor of the Hilton leading to the roof, I was nearly run over by the cast of “Les Miserables,” all of whom were in high spirits after their big wins in the Comedy/Musical category. Anne Hathaway led the charge down a narrow passage into the party carrying her Globe and smiling wildly. Director Tom Hooper and star Hugh Jackman were next, followed by co-stars Eddie Redmayne and Amanda Seyfried, as well as Sacha Baron Cohen with wife Isla Fisher.

“Les Miz” is a coup now for Universal Pictures chief Ron Meyer and his lieutenants Donna Langley and Adam Fogelson. It’s been a long time since Universal won anything, and now they can boast of a $200 million plus box office plus lots of shiny gold statues. For Hooper it’s also a real vindication after some tough reviews and a snub by the Academy Awards. The director of “The King’s Speech” looked a little exhausted at this point. “It’s been a long haul,” he said, recalling the very first screening on November 24th at Lincoln Center. Meanwhile, the Universal party was also home to “Zero Dark Thirty” director Kathryn Bigelow and screenwriter Mark Boal, who lost the Globes but finished their first wide release weekend at number 1. Today they head to London to launch “Zero Dark Thirty” in the U.K. Even though Bigelow makes serious movies, she has a good sense of humor. I asked how she liked Tina Fey’s joke about the “torture” of being married once to “Titanic” director James Cameron. It was the hit of the night. “It was very funny,” Bigelow conceded.

For a second Hugh Jackman showed us his Globe statue and said, “This is so great I can’t tell you.” And then we headed down to Club 55 in the basement of the Hilton, where HBO was literally teeming with celebrities from the casts of “Girls” and “The Newsroom” to miscellaneous stars like Jon Hamm and Jennifer Westfeldt to Jeff Garlin of “Curb Your Enthusiasm” and Steve Buscemi of “Boardwalk Empire.”

Jeff Daniels, his wife, Kathleen, Hollywood legend Jane Fonda and boyfriend Richard Perry (famed record producer of hits by Carly Simon, Rod Stewart, and Ringo Starr) and Sam Waterston were all having a fine time, while elsewhere a stunning  Nicole Kidman and Keith Urban were chatting with everyone. Kathleen Daniels  was busy telling Jane Fonda all about her family’s adventures renting a house in the Hollywood Hills after leaving their spacious abode in Michigan. Practical Fonda said, “I could live anywhere. When I was a girl we lived on a ranch and I rode a horse to school.”

But it was the “Girls” group that was causing the most excitement as literally everyone was climbing around to meet Lena Dunham, who won Best Actress in a Comedy and Best Comedy. Before “Girls” Dunham had a hit indie film called “Tiny Furniture.” That’s how it all started. She told me she’d like to do another film as soon as she can take a break from “Girls.” And she had high compliments for Adam Driver, who plays her boyfriend and also has a small part in “Lincoln.”

And Jeff Garlin told me he’s filming a stand up comedy special for Netflix in March, and waiting for Larry David to start another season of “Curb.” And Jon Hamm – who just finished the sixth episode of the sixth season of “Mad Men” – said Larry’s upcoming HBO movie—in which Hamm is featured—is hilarious. Hamm has one more season of ”Mad Men” to go before he takes off as a leading man in movies. And Westfeldt, always a delight, is busy, she told me, working on plays right now. Let’s hope she gets back to movies soon. Her “Friends with Kids” was a pretty terrific indie comedy last season.

Some other stars at the HBO party included Sean “P Diddy” Combs who was not his usual jovial self, and Mel Gibson, who remains a pariah despite attempts to seem human last night.

 

Sacha Baron Cohen: Golden Globes President Tried to Ban Him From Show

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Exclusive: Catherine Zeta Jones just presented the clip from Best Picture nominee “Les Miserables” on the Golden Globes. But she wasn’t supposed to. And the person who was looked pretty unhappy from his seat.

Sacha Baron Cohen, who performs “Master of the House” with Helena Bonham Carter in “Les Miz,” was the actor selected by the film’s company to present their film. But I can tell you that Hollywood Foreign Press Association president Dr. Aida Takla Reilly despises Cohen and refused to allow him on the show.

I’ve known this for several days, and confirmed it will all parties. The backstage fight over this was bitter, and went all the way up to NBC and Dick Clark Productions. At one point, it was confirmed that Cohen had been reinstated. But when Zeta-Jones appeared–someone who had nothing to do with the movie– even Cohen looked disappointed. Later in the show Cohen was thrown a sop–and got to introduce the Best Animated Films.

The history of this is that Reilly has disliked Cohen ever since he sent two scantily clad girls to the HFPA offices to promote “The Dictator” last year. Reilly tried to ban Cohen from all HFPA press conferences. This summer, the story goes, and Reilly confirmed to me, she visited Kazakhstan, the country lampooned by Cohen in “Borat” several years ago. When she returned she decided that Cohen had maligned that country so badly he didn’t deserve to be on the Globes.

The idea of the HFPA censoring an actor because of his art, I think, speaks to the hypocrisy and unprofessionalism of the Hollywood Foreign Press and the Golden Globes.

In the end, “Les Miz” and Universal prevailed, if only because NBC is part of Universal. Otherwise, Cohen might not have appeared at all.