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Academy Members, Oscar Voters: Skew Older, Vote Hip, Know What They’re Doing

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I’m really appalled by a stupid article in today’s New York Post about Oscar voters being old and out of touch. It’s quite the contrary. The Post writer–surprise–had an agenda and went for it. But she obviously knows nothing about the Motion Picture Academy. This is not the Hollywood Foreign Press.

This past December I made two trips to Los Angeles. Each time I went to small receptions, cocktail parties, and screenings for various Oscar-buzzed movies. It is the time of the year when older Academy members whom you don’t ordinarily get to meet– they’re retired, or not going to nightclubs with Lindsay Lohan–get to come and learn what’s happening this year with the Oscars.

These people invariably surprise me. They are sharp, bright, with it. They know all the movies, who’s in what, what every actor and director has done in the past. They can be charming, irascible, curmudgeonly, and supportive. You sit down at a table of white or gray haired folks and they start telling you what they did: danced in MGM musicals, always played the neighbor in Doris Day films, etc. They’ve seen everything, and they have a high standard. The highest.

So I wasn’t surprised a few weeks later, for example, when “Life of Pi” was nominated and so was Ang Lee. The people I’d interviewed in December had loved it. Adored it. What else had they liked? Jennifer Lawrence and”Silver Linings.” They were not so keen on “Les Miserables.” Ditto “Lincoln,” which I thought they’d go for in a big way. They liked the second half of it. Everyone said “Argo” then, and we weren’t listening.

Walter Bernstein was interviewed for the Post piece. I don’t think the writer knew who he was, only that he was the oldest member of the New York branch at 93. Walter, whom I admire greatly, was blacklisted in the 1950s– still a very sore subject. He was accused of being a Communist and had to use other people’s names to get his scripts produced. He was not a Communist. (And who cares if he was?) Aside from Walters’s thoughts on “Silver Linings,” I agree with him. But Walter’s perspective is definitely colored by what was done to him.  The Blacklist remains Hollywood’s lowest moment in history.

As for “buying” Oscars: I think I received a candy bar or something for “Silver Linings.” Contrast that with the massive amount of merchandise accompanying “Lincoln”– books galore, a cookbook, and the CD came in an expensive white box with photo inlays. “Les Miz” also had a book that cost a fortune. There’s a rumor the soundtrack came on an iPod nano. (I wish they’d sent me that!) Luckily, no one sent grenades for “Zero Dark Thirty.”

But back to the age thing: don’t for a minute think the age of Oscar voters means they don’t know what’s going on. This “old” group just devoured the hippest movie of the year, “Beasts of the Southern Wild.” Everyone who saw it, dug it. I couldn’t believe it when they told me. So there.

Fallen “Idol”: Ratings Tank This Week, Beaten by CBS Comedy Block

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UPDATE: It looks like Thursday’s “American Idol” ratings were even worse than Wednesday’s. The show fell from a 4.3 to an alarming 3.6. Sound the alarms! CBS’s comedy block beat “Idol” on Thursday. “Big Bang Theory” and “Two and a Half Men” together took the 8-9pm time slot handily.

Earlier: What’s happening with “American Idol“? It’s still number 1 in its timeslots, and still a powerhouse, kind of. But on Wednesday night, “Idol” scored its lowest Wednesday rating since 2002 according to tvbythenumbers.com. Here’s what they said: On FOX, American Idol scored a 4.3, down three tenths from last week’s 4.6 adults 18-49 rating and the series’ lowest adults 18-49 rating for a Wednesday since July 10,2002.” Got that?

Last night, “Idol” winnowed 40 contestants of each gender down to 20 apiece. The women, as Nigel Lythgoe told me a couple of weeks ago, are better than the men. The guys do not look like adults and don’t have much stature so far. Maybe things will change as the show progresses.

Of the women, Melinda Ademi seemed the most impressive. And of course, Zoanette was outstanding– but she may be like Frenchie Davis, a bit of a novelty. But she’s arresting to say the least. Angela Miller was spot on, too. She sounds like a recording artist. Candace Glover sang “Girl on Fire,” and full-throated, on key.

The judges: Mariah Carey is a little too reverential. I wish the spicy Mariah would come out. But she seems averse to really critiquing the performers. Nikki Minaj even seemed subdued. Randy remains the voice of reason. But I think the breakout judge is Keith Urban. He’s funny, real, knows the words to songs the contestants are singing, and he mixes it up.

Will “Idol” bounce back in the ratings? Someone there–a  judge, a contestant– has to spark a fire.

 

 

Everyone Loves Phil: Rosenthal to Get Special Award from Writers Guild This Saturday

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Phil Rosenthal will be center stage this Sunday at The Writers Guild of America, West (WGAW) West Coast ceremony this Sunday in downtown LA at L.A. Live.  Phil will be feted with the Valentine Davies Award in recognition of his humanitarian efforts on behalf of writers.
Phil has long been one of Hollywood’s most talented writer/producer/director powerhouses, as well as one of it’s nicest guys.  The multiple Emmy Award winner created the mega hit “Everybody Loves Raymond,” as well as earning a Peabody Award for co-writing the widely watched 9/11 telethon, “America: A Tribute To Heroes.”

Phil and his equally talented actress-wife Monica Horan are also philanthropists. They are major patrons of Inner City Arts, which serves at-risk students and schools in LA, as well as various organizations.  On the East coast, Phil funds a diversity program at his alma mater, Hofstra University.

LEAH SYDNEY chatted with the very engaging Rosenthal, who’s also known as a consummate host of Sunday screening and pizza parties for friends and family.

Showbiz411: Phil, you’re getting this iconic award, that legends like Norman Lear, Larry Gelbart, Carl Reiner and more have gotten, yet you’re a relative youngster. How does it feel?

Phil:  I think what the Guild is telling me is that I’m very old.  And they’re not wrong, I’ve always said I’m 85 inside.  The outside now is catching up.

Showbiz411: You’re a well-known foodie.  We know you worked on a traveling food show, where you go to restaurants around the world and you have other projects in the pipeline.  Tell us about that.Phil: Yes. We just shot an episode with Thomas Keller and I eating our way through London. We still haven’t named it, but when I told my brother about the show, he said, “Oh,what are you going to call it, ‘The Lucky Bastard’? I also have a Broadway show I’m writing, a couple of screenplays out there we’re getting financing for that I will direct, and looking forward to directing some TV projects as well as some commercials.”

Showbiz411: You’ve worked with both President Clinton and President Obama.  Not bad for a boy from Rockland County!

Phil:  I’m proud to have written jokes for both of them.  I directed President Clinton in the White House Correspondents Dinner video called, “The Final Days,” which you can find online. Presidents Clinton and Obama are both brilliant and charming, and understand comedy in a way that many actors don’t.  I would even go so far to say that their sense of humor is part of what makes them so popular, as it is with most people.   I think that you marry who you’re going to marry based on having a similar sense of humor.  I owe everything to my wife Monica Horan, including this award.

Showbiz411: What are some of your favorite comedy shows out there?

Phil: I love Stephen Colbert, he’s the genius of the medium.  I also like Billy Eichner, from ‘Billy On The Street.’  ‘Girls’ and ‘Enlightened’ I think are the best sitcoms on TV right now.  I’m also very fond of ‘Mindy,’ and her ‘Project.’

Showbiz411: This upcoming award so proves that you are a major force in comedy in Hollywood.

Phil:  If that’s true, I promise to use my powers for good!

Oscars: Robin Roberts Will Co-Host Pre-Show, Plus More Stars Added

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This is really great news: Robin Roberts of “Good Morning America” will co-host ABC’s Oscar preshow on February 24th. Roberts has been recuperating from a bone marrow transplant. But she’s returning to “GMA” shortly. And now the Oscars have announced, and she has on Twitter, that Roberts will play some role on the show before the Academy Awards. Roberts says on Twitter that she can’t wait to co-host with Lara Spencer, Entertainment Weekly’s Jess Cagle, and actress Kristen Chenoweth. She will be a very welcome presence.

Meantime, Best Actress nominees Jennifer Lawrence (who I still think will and should win for “Silver Linings”) and the phenomenal Jessica Chastain have been added to the show as presenters. Also added: Ben Affleck, whose film, “Argo,” is nominated for Best Picture.

 

Candice Bergen Bringing Her Memoir “Knock Wood” to the Big Screen

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Exclusive: Great news. One of my favorite books, and a bestseller, is coming to the big screen. Candice Bergen has decided to produce her 1984 memoir, “Knock Wood,” at long last. The Emmy winning legendary actress won rave reviews for the memoir when it was published, for its humor and frankness about growing up in Hollywood as the daughter of famed ventriloquist Edgar Bergen.

I’m told that there’s an offer out to an A lister, and he’ll have to learn ventriloquism. That means (I’m sorry): no dummy.

“Knock Wood” weaves a wonderful story of a Hollywood childhood that really was like a fantasy come true. Young Candice thought her father’s equally famed puppet, Charlie McCarthy, was her brother until she got a rude awakening one day and realized that as much as Edgar doted on Charlie, he wasn’t human.It also follows Bergen into her adulthood, through her start in classic movies like “The Group” and “Carnal Knowledge”– groundbreakers–and Hollywood in the late 60s.

Screenwriter Barbara Turner (“Hemingway and Gellhorn,” “The Company”) is adapting the book, and she’ll produce along with Bergen and James Trezza, with whom Turner partnered on the Oscar nominated “Pollock.” Turner, mother of actress Jennifer Jason Leigh, is nominated for a Writers Guild Award this weekend for “Hemingway and Gellhorn.”

Lady Gaga Forced to Cancel Rest of Tour: Needs Hip Surgery Similar to A Rod

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Lady Gaga has been sidelined.

Here’s the release: “Live Nation Global Touring has confirmed that the remainder of the Lady Gaga Born This Way Ball performances have been cancelled.
After additional tests this morning to review the severity of the issue, it has been determined that Lady Gaga has a labral tear of the right hip. She will need surgery to repair the problem, followed by strict down time to recover. This unfortunately, will force her to cancel the tour, so she can heal.”

The labral tear of the hip is similar to what Alex Rodriguez, A Rod, of the Yankees, had this past winter. He had surgery in December and is expected to be playing when the baseball season starts April 1st.

Gaga– Stefani Germanotta–can work on her ARTPop album, which is due in November, and her duets album with Tony Bennett. Knowing how he loves performing, this is probably worse news for her than than for her rabid fans. Get well, Lady Gaga!

Oscars: Can Ben Affleck Win on A Write in Vote for Best Director? (Not Really)

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UPDATE It’s been suggested before, but I am hearing it more and more: Academy voters with paper ballots may be writing in Ben Affleck’s name as Best Director. It’s a crazy scenario already. “Argo” is a favorite for Best Picture. But its director, Ben Affleck, isn’t on the ballot. Neither, of course, is Kathryn Bigelow, Quentin Tarantino, or Tom Hooper for their Best Picture nominated films. This may have something to do with the electronic voting in the first round this year. Now many who didn’t want to deal with computers have switched back to a paper ballot. And one way to cure the Affleck dilemma is just to write his name in.

One problem: write in votes have been banned since 1936. So don’t throw away your Best Director vote.

This has been an odd season for Oscar voting, something we’ll get into when it’s all over. I watched both “Argo” and “Lincoln” on the plane back to New York the night before last. “Argo” is superb filmmaking. It’s an exciting film. And boy, that last twenty minutes or so — the whole sequence of getting the six Embassy workers out– is exciting. The cutting back and forth to the film lot in Hollywood, the phone ringing and no one there to pick it up–it’s great.

And still, watching “Lincoln” again is very instructive. I love that movie. And not just the main players, who are all very good. But the levels and levels of casting, from Hal Holbrook and James Spader to Michael Stuhlbarg and Walt Goggins. Even the little subplot going on between Sally Field and Gloria Reuben makes you take notice of them. “Lincoln” really boasts a rich array of performances, and a screenplay by Tony Kushner that just gets better and better.

Still, I come back to “Silver Linings Playbook.” The script is very subtly constructed, which is why it just won the BAFTA award. And the interplay between Jennifer Lawrence and Robert DeNiro in the key scene–in which Tiffany enumerates her relationship to the Eagles winning and losing–should win each of those actors Oscars. It’s absolutely a classic.

What a year for films–the best I think in more than a dozen years. Oscar ballots are due back to the Academy next Tuesday, February 19th.

 

New “Die Hard” Flick Rates a Zero, Gets One Star from Fox-Owned NY Post

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UPDATE Thursday 12AM– Now 46 negative reviews on Rotten Tomatoes, five not negative. Rating is up to a robust 10%.

From Wednesday: “A Good Day to Die Hard” must be really, really bad. So far eight of eight reviewers on Rotten Tomatoes has given it a zero. And one of those reviewers was Lou Lumenick in the Murdoch-owned New York Post. “Die Hard” is a Fox franchise, also owned by Murdoch. But the Post says “Good Day” is “dead on arrival.” Lumenick adds: “There’s evidence of panicked last-minute editing on this film, which at 97 minutes is by far the shortest in a series whose previous installments each clocked in at more than two hours. But trust me, this one still moves so slowly that it feels like it’s longer than two hours.”

The other seven negative reviews on Rotten Tomatoes include Tony Scott in the New York Times and a blogger named Brian Tallerico who says: “A complete waste of time on every level. Loud, obnoxious, boring, cartoonish, morally reprehensible, and just plain stupid.” Wow. “Good Day” opens tomorrow, Valentine’s Day, for some reason.

PS The original director of the “Die Hard” series, John McTiernan, was unavailable this time. He’s serving a year long prison sentence connected to the Anthony Pellicano scandal. Seems like they should have waited to make this “Die Hard” until he was out.

Tommy Mottola: “If You Want to Get Married at St. Patrick’s Cathedral, Be Prepared to Write A Check”

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Some years ago, I wrote a story — probably on Foxnews.com–about how Tommy Mottola got married to singer Thalia in St. Patrick’s Cathedral. Because he had converted to Judaism for his first marriage, and because Mariah Carey wouldn’t give him an annulment, Mottola was in a bind. To married in the Catholic Church, he needed a “get” from wife number 1, and an annulment from wife no. 2. Neither was forthcoming. So he went to Cardinal Egan at St. Patrick’s, listened to him play the piano, and wrote him a check for $500,000 for an album advance– that’s right, an album. Check amazon.com. We have never heard “Cardinal Egan Plays the Best of Elton John and Rachmaninoff.”

Now, reading Esquire, I see that Mottola tells the writer of his new book, “Hitmaker,” an important lesson: “If you want to get married at St. Patrick’s Cathedral, be prepared to write a check.” http://www.esquire.com/features/what-ive-learned/tommy-mottola-interview-15033392?click=main_sr

“Hitmaker” is part fact and part fiction. I’m assuming some of it is fact. It’s a good read, anyway, as reimagined by writer Cal Fussman (the Esquire guy). The beginning part is good because it’s about growing up, Mottola’s family, his early days. It’s nostalgic and poetic. The whole early part of his career, managing Hall & Oates, getting his name in “Cherchez La Femme,” was all interesting and well told. Is it true? I’m sure there are people with other perspectives.

“Hitmaker”–which was given out for free at a Grammy party by the truckload–is a good read. It’s also a gauzy version of everything that happened during Mottola’s rein as Mariah Carey’s husband and the head of Sony Music. Call it historical fiction. I don’t know how many people are interested in either version– Tommy’s or the real one–and this may be the only one ever to be published.

Suffice to say that the real stories from Sony about Mottola, Mariah, Donnie Ienner–Tommy’s right hand man, etc– would really be hair-raising. When one Mottola exec met with another record company head about a possible job, the man was dragged out of the Black Rock building on 52nd St. by security guards, with no notice. And that’s just the beginning.

Mottola’s was a rein of terror.

So there’s one anecdote in the book that sort of says it all. I’m surprised it’s included, but maybe Mottola thinks it’s funny. It’s on page 145, and it’s a recollection by another right hand man, Jeb Brien. Mottola was unhappy with the “prick of a manager” who ran the group Split Enz, named Nathan Brenner. Brenner had had a fight with Mottola’s best pal and partner in his management company, Randy Hoffman. They ran into Brenner at a Grammy party; he was wearing a blue brocade tuxedo. Mottola told Hoffman, “This will be your payback.” He went to the bartender and had him mix up a concoction of stain producing items–red wine, whipped cream. blueberries, etc. And he dumped it on Brenner.

This page is omitted on purpose from the amazon.com search version:

“Hey Nathan,” Tommy said, “How you doin’?” Brenner gave him a what-the-fuck-do-you want-look. Tommy said: “This is compliments of Randy Hoffman.” Then he tipped the glass over Brenner’s head and emptied the entire contents all over him. Brenner was freaked. He didn’t know what to do. “And another thing,” Tommy told him. “You are hereby banned from entering the United States. You are never allowed to come back into this country unless I say you can.”

Flashback: http://www.foxnews.com/story/0,2933,838,00.html#second

 

 

Bill Clinton Will Present Barbra Streisand With Lincoln Center Film Award

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Bill Clinton, former president of the United States, is really enjoying his Hollywood connections this year. He presented Steven Spielberg’s “Lincoln” at the Golden Globes in January. Now he’s going to do something nice for pal Barbra Streisand. Clinton will present Streisand with the prestigious Chaplin Award when she’s honored by the Film Society of Lincoln Center on April 22nd. That’s hot stuff, and a big deal for Lincoln Center. I don’t know who to congratulate–Barbra, Bill, or Chaplin. With Clinton in attendance, you can expect a bevy of Streisand-related stars to show up, from Robert Redford to Ryan O’Neal and hopefully, Lauren Bacall.