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Cannes Jewelry Heist: “We Have Insurance and it’s Great Publicity”

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This year’s Cannes Film Festival–from which I have now escaped–has been full of jewelry heists. And they are much publicized. First Chopard announced they’d lost a million dollars worth of baubles from a safe in a off the path hotel. Then De Grisogono, not to be left out, said they’d had a $2.6 million necklace stolen from them.

Are these people serious?

First of all, twice I asked Chopard’s much loved chief, Caroline Scheufle, if there had been any news of the jewels since the theft — in which a safe was allegedly cut of out of a hotel room and removed in whole–had occurred earlier in the week.

She said, each time: “We have plenty of insurance. It’s great publicity. It’s no big deal.”

And that’s true. A million dollars to Chopard is walking around money. And Caroline did say, “Everyone knows Chopard now.”

But then: De Griosogno, run by Caroline’s ex husband Fawaz Gruosi, had their theft on Wednesday night during their big soiree at the Eden Roc in the Hotel du Cap. Both Sharon Stone and Leonardo DiCaprio were in attendance. Somehow, with locks, alarms and security teams, someone knocked off a $2.6 mil diamond necklace.

What’s going on here? Chopard – the jewelry company that rules Cannes– may have felt that they were being overshadowed. Tiffany and Co, came in as a sponsor of all things Great Gatsby for opening night. They’d never done that before. The Chopard response to the burglary was bizarre enough to get Croisette tongues wagging. Cannes Film Festival is all about p.r. and hype.

And De Grisogono? Schuefle married Gruosi in 1985. In 1993 he started De Grisogono. Shortly after establishing that brand, the couple divorced. They are now rivals on the Croisette for attention, although Chopard is much better known. It’s not a shock that De Grisogono jumped on the burglary bandwagon.

Will these crimes ever be solved? Doubtful. Cannes has always been subject to crime. A few years ago, producer Graham King was burgled at the Hotel du Cap. It happens. Thieves follow drivers and expensive cars from the airport to hotels, and size them up.

Coming Home: Bruce Dern Film Gets 10 Minute-Plus Standing O in Cannes

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Bruce Dern’s long and complicated career in Hollywood got new wind and a major boost Thursday night in Cannes. Dern’s starring role in Alexander Payne’s “Nebraska” received a 10 minute or more standing ovation at its black tie premiere, with hoots, hollers, stomping and clapping. Unlike The Great Gatsby, “Nebraska” had a rare Cannes premiere– where they stop the credits and turn up the lights because the audience is going crazy.

Payne–director of “The Descendants,” “Sideways,” and “About Schmidt: among others–has made a unique drama of genuine Americana, a gem of a film in black and white that explores many serious themes but has just enough off beat laughs to lighten the mood.

Like all of Payne’s films, this is a road trip movie.  Dern’s Woody Grant maybe has onset dementia. He is a lifelong fucntioning alcoholic, still married to the same woman and father to two adult sons (Will Forte and Bob Odenkirk). He receives a scam letter from a contest company congratulating him on winning a million dollars. The result is a trip from Billings Montana to Omaha Nebraska– which Forte (from Saturday Night Live and McGruber) indulges to mollify his dad.

The movie becomes a meditation on fathers and sons, parents and adult children, reunited families, and the culture of the bleak mid west. There are times when it’s slow, but that may be because of the cadences of the speakers, and the look of the film. The screenplay is by Bob Nelson, and it’s his first feature after some work in television. He’s from South Dakota and this may autobiographical. (Who knows? There are no press notes.)

Some casting highlights: Rance Howard, father of director Ron Howard, plays Woody’s brother and has a substantial role. But June Squibb is a standout as Woody’s wife. She played Jack Nicholson’s wife in “About Schmidt.” Here Payne, with Nelson, gives her much more to do and she shines. Stacy Keach is Woody’s lifelong rival and local bully.

Kudos to Forte and Odenkirk. Forte is a surprise. But he and Dern are perfectly cast as father and son. Their scenes are sublime. Paramount Vantage is releasing “Nebraska,” obviously for Oscars. I hope they take care of it. This is a gentle little film that needs a lot of nurturing. But it’s also going to touch a lot of people and really hit home. Payne really knows how to make these films. My hat is off to him.

Dern’s famous actress daughter Laura was his date last night. (Her mother is Diane Ladd.) Dern has a robust CV: his peak was “Coming Home” in 1978. He played Tom Buchanan in the 1974 “Great Gatsby,” and had a great run in through the 70s. I always thought they should have made a movie of “Rabbit Run” with him. He’s 77 years old, and this is going to be the big moment of his career. Nice.

Who Will Play Stephen Hawking? Movie of Life Underway

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Exclusive: Genius physicist and Albert Einstein of our day, Stephen Hawking is best known for publishing “A Brief History of Time.” Now his life and theories are going to be put on the big screen for everyone a la “A Beautiful Mind.” I am told that James Marsh, who made “Man on Wire” and many other fine films, is scheduled to direct a film called “The Theory of Everything.” It will comprise Hawking’s life and teachings. The title is from his 2007 book of the same name that comprised four lectures. The word is that casting has begun and the producers– Eric Fellner and Tim Bevan– are looking for the  2013 version of Daniel Day Lewis. Hawking is only wheelchair free for the first ten pages of the script. After that, his physical life will be portrayed as he is today. There’s an Oscar in there for whoever plays him. Of course, as always, Robert Downey Jr. comes to mind.

Cannes: Best Actor Narrows but Redford Won’t Be Part of It

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With the Cannes Film Festival winding down over the next couple of days, the field for Best Actor is narrowing own. There’s relative newcomer Oscar Isaac, who stars in the Coens’ “Inside Llewyn Davis.” And French favorite Matthieu Amalric has two movies here– “Jimmy P’ and “Venus in Fur.”

But Best Actor looks like it’s coming down to two Hollywood stars who are now veterans and Oscar winners from the past: Michael Douglas, and Bruce Dern. Douglas is the favorite for Behind the Candelabra, all about Liberace. Dern stars in Alexander Payne’s “Nebraska.”

Robert Redford says almost no words in “All Is Lost,” where he’s adrift at sea. And he’s not eligible for any prizes because the movie is not in competition.

Of course another Hollywood old timer rolls into town today, too. Jerry Lewis stars in “Max Rose.” Lewis hasn’t starred in a movie since– well, a long time ago. But the French love him. Lewis’s trip to Cannes is marred however by a letter from his long time French publicist, Yanou Collart. The famed flack severed ties with Lewis this week because she says he wouldn’t pay her. Collart was responsible for bringing Lewis to Cannes, and helped with his Lifetime Achievement Award at the Oscars a few years back.

As for the three way race, Douglas has the edge. Dern’s film debuts tonight. We’ll see what happens next…

 

Robert Redford Silent Movie Surprise Hit of Cannes

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The surprise hit of Cannes? Robert Redford is so terrific in a “silent” film here that he could easily win the Best Actor award. “All Is Lost” is directed by JC Chandor. There is no dialogue. Redford plays a man who’s been sailing a modest sailboat through what we learn is the Indian Ocean. When the film begins he awakens to find he’s drifted into no man’s land, and his boat has a gaping hole. Water is pouring in.

What takes place next may sound not so interesting. But the film is eloquent, poetic and full of action. The action– plus the stunts, all done by Redford, 76– makes “All Is Lost’ far from boring. It might be the most exciting action film of the year.

I fell in love with this movie this morning as did most reviewers. From the start you know it’s good– and that serious, tragic things are happening to the man played by Redford. He has no name. You just know that he’s a proficient sailor in very good shape, athletic, and quick to come up with solutions. He isn’t “McGyver” though. This is a story of man against relentless nature.

What is his backstory? My guess is that our Man lost his wife, retired and his named his boat after his Virginia Jean. He’s a loner. He may have been a fireman or a cop. He isn’t wealthy. I think he sold his house and bought this boat, but he’s been sailing all his life.

Chandor does a masterful job putting one obstacle after another in front of Redford. I’m sure there’s a lot of skillful editing. But actor and director work together to make magic. It’s a total surpise. For weeks everyone thought this would be “Cast Away” without Wilson the soccer ball. Instead, it’s a meditation and an instruction in living. Redford is superb, and is headed possibly to a Best Actor nomination (if not win) from many awards groups including the Academy. Chandor deserves many kudos.

UPDATE: The movie and Redford got enormous cheers and lots of applause. a real 10 minute standing ovation in the Palais last night. Leonardo DiCaprio’s mother, sitting behind me, loved it. The party afterward, on a moored for rent boat in the marina, was kind of a bust– no food and the usual rude publicists. But that didn’t detract from the movie’s success.

 

 

“The View”: Hasselbeck Will Make Exit Announcement in June

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Exclusive: in case you were wondering changes at “The View” are not over. Joy Behar is leaving, Barbara Walters will retire in a year. But more is afoot. As I told you months ago, Elisabeth Hasselbeck is still leaving. “She will make her announcement in June,” says a source. The show will be reruns in August, and return after Labor Day with two new cohosts.

As I also reported Brooke Shields is still desired by the show. Brooke told me recently that she had not been offered a contract yet. But sources say it’s likely. Also, “they’re looking at Jenny McCarthy,” says a source. Each would be excellent choices to join Whoopi and Sherri and Barbara in her final year.

So stay tuned…

Cannes: No Retirement for Soderbergh, Who Will Make Cable Series

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Exclusive: Oscar winner Steven Soderbergh is not retiring from filmmaking. He had said he would a while back. But really he’s going into TV. Soderbergh has done so well for HBO with “Behind the Candelabra” that I am told there is an announcement forthcoming about a new TV series.

Soderbergh will likely get a deal similar to Aaron Sorkin and Martin Scorsese, who make “The Newsroom” and “Boardwalk Empire” for HBO. That will keep Soderbergh busy until he wants to return to feature films.

Before I knew all this, I ran into him after the “Candelabra” premiere. I asked about the retirement. He said, “When Matt Damon saw the [huge] reaction tonight, he said to me, You’re done, aren’t you? And really, I thought yes, because that’s the best you can do.”

But earlier in the day, Soderbergh– whose credits include “Erin Brockovich,” “Sex Lies and Video Tape,” “The Informant,” “Contagion,” “Traffic” and so on–had not been able to confirm a retirement. His wife, Jules Asner, just said “Nyah,” when I mentioned it. Said the lovely Jules: “Everyone needs a break.”

 

 

 

 

 

 

Cannes: My Dinner with Roman Polanski on a Yacht in the Middle of the Mediterranean

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Serendipity strikes: while the black tie audience was cheering and clapping for Michael Douglas and Matt Damon in Steven Soderbergh’s “Behind the Candelabra,” I accepted a last minute dinner invite from the legendary Peggy Siegal: come to the St. Nicolas yacht, floating a mile and a half out in the Mediterranean, and meet Roman Polanski at an intimate dinner.

What would you do?

Despite Polanski’s infamous personal scandal that has plagued him, I have admired him as a filmmaker for as long as I can remember. From “Rosemary’s Baby” to “Chinatown” to “Tess” to “The Pianist” to “The Ghost Writer,” he has been one of the towering directors of modern film. As a journalist, I have very few people left whom I’d like to meet and talk to- Polanski is it. So I accepted, and off we went on a tender–a small boat that seats ten people–for the half hour ride into the dark blue water.

Jeff Berg, Polanski’s long time agent and great friend, hosted the party for his new and already very successful Resolution Agency. There would be dinner for 60, followed by a larger party for 120.

Our dinner group included Adrien Brody, who won the Oscar for Best Actor in “The Pianist,” two time Oscar winner Christoph Waltz, and several movie execs including Michael Barker of Sony Pictures Classics and Patrick Wachsburger of Lions Gate.

The boat, the St Nicolas, is two hundred and thirty feet long, delivered in 2007. It has an elevator, a gym, lots of bedrooms, and plenty of room for dining. The appointments are very elegant, all dark wood, understated. A young couple from Europe and Russia own it.

So we made the journey, because it would seem like the only way to meet Polanski. It’s not like you’re going to find him in club or restaurant. The trip by tender took so long that someone joked that we were in international waters.

But there he was: he looked just like Roman Polanski. His hair is gray. As we know from him acting, he is not a tall man. But you can’t miss him. During the dinner, he was so happy to see Brody he took pictures of him with his iPhone. And vice versa. I asked Adrien when he’d seen his director last, and he replied: “Not that long ago. I like to see him when I get to Paris.”

Polanski has two films this year in Cannes: his film of the play “Venus in Fur,” and “Weekend of a Champion,” a documentary about race car driver Jackie Stewart. He told me he had made the doc over 40 years ago, and then it just went into oblivion. The people who had the negative called and said they were going to throw it out. “So I said, no, let me have it. I remade the whole thing. And we’ll see it tomorrow,” Polanski said.

We talked about how he made suburban Germany look like Martha’s Vineyard in “The Ghost Writer.” I listened while he told Waltz– who was in his “Carnage” last year– and Berg and Peggy and me–about his turn running the Cannes jury many years ago. The thing about film festivals, he said, was that “you have to watch the films they choose, not the ones you want to see.”

We did not talk about anything other than films. And that was just fine. It’s the same in James Toback’s new doc “Seduced and Abandoned.” The other stuff is talked out. Let’s not squander a genius among us. We left the St. Nicolas as the post-dinner guests began to arrive. We’ll see Polanski tonight, again, at the premiere of “Weekend of a Champion.” And the conversation continues.

 

Michael Douglas Chokes Up at “Candelabra” Press Conference

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There was a  lot of joking around today at the Cannes press conference for “Behind the Candelabra.” Michael Douglas, Matt Damon, and Steven Soderbergh, plus producer Jerry Weintraub and screenwriter Richard LaGravenese were a lively bunch. It was clear they were happy with the overhwhelming positive reaction to their movie about Liberace and his lover, Scott Thorson.

But there was a moment that stopped the frivolity.p That’s when Douglas started speaking about how he became involved in the project. Recalling hos Soderbergh had first mentioned Liberace to him when they were making “Traffic” years ago, Dougals suddenly choked up and had to check himself. “I’m sorry,” he said, “this was right when I was getting sick,” he said of his successful battle with throat cancer. “And these guys waited for me.”

Douglas has not had an easy time of it. He’s been sick, his actress wife Catherine Zeta Jones has courageously dealt with being bi polar, his eldest son is in prison until 2018 on drug charges. But Michael Douglas is a survivor. Not only could he win a Best Actor prize in Cannes for “Candelabra” but he’s got a major commercial hit coming out this fall called “Last Vegas.” It’s an adult version of “Hangover” with Robert DeNiro and Kevin Kline, and said to be “huge.”

Meantime, Matt Damon–who’s also topnotch in “Candelabra”– just among his best work ever– laughed that now that he’s in bed with Douglas on screen he can share stories with Glenn Close, Demi Moore, and Sharon Stone among others. “We can get together,” Damon laughed.

 

Michael Douglas and Matt Damon Sex it Up in Hit about Liberace

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Michael Douglas and Matt Damon, not to mention Rob Lowe, are sensational in Behind the Candelabra. Steven Soderbergh’s terrific film premieres in Cannes tonight and plays on HBO on Sunday night. It’s so good it should be a theatrical release. Hilarious to see Douglas, a notorious ladies man, sexing it up with equally straight Damon. But they are just great. Damon plays Scott Thorson, Liberace’s lover, Douglas is the flamboyant pianist who hid his gay life and died of AIDS. The sets and costumes are sumptuous, make up is wondrous. Rob Lowe is a scene stealer as the mens’ plastic surgeon. Hollywood legend Debbie Reynolds scores as Liberace’s mother. Jerry Weintraub produced, Richard LaGravenese wrote the script. Everyone will get Emmy awards, trust me.