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Toronto: “12 Years a Slave” is the “Schindler’s List” of the Black Experience

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The raves for Steve McQueen’s “12 Years a Slave” are completely accurate, I am happy to report. From a book published in 1853, McQueen has made– with screenwriter John Ridley and an amazing cast– the “Schindler’s List” of the black experience.

If you think it took around 30 years to get from “Fiddler on the Roof”– the sentimental account of the Jewish experience– to “Schindler’s List,” then it’s about the same amount of time since “Roots” told the gauzy version of slavery in America.

There is no kindly plantation owner in “12 Years a Slave” who’s coming to save everyone. You get that right away. This is the unvarnished and unflinching story. Yes “Django Unchained” was funny. But this movie offers no escape routes. If you are in a theater, you can look away occasionally, but you can’t retreat to humor for a respite. McQueen and Ridley have just laid the whole bare.

So the story is about Solomon Northrup, a black musician and Free Man in 1841, living in Saratoga, New York. He is successful and respected, has a beautiful wife and children. But he is lured to Washington DC and kidnapped into slavery–a rare story but a true one and Northrup published a memoir in 1853 about what happened to him. And that was seven years before the Civil War.

Chiwetel Ejiofor, long a favorite actor of everyone’s, is Solomon in a performance that will likely win him a Best Actor nomination and maybe a win. Remember this name. You’ve seen him in a lot of movies including a favorite of mine called “Talk to Me” with Don Cheadle. Ejiofor is only 36; I thought he was older because he’s had such a big following. His remarkable work here is going to be the talk of the year.

The other outstanding newcomer here is  Lupita Nyong’o who plays a save girl routinely abused by her masters (Michael Fassbender and Sarah Paulson, each excellent). Lupita is the breakout star of 2013, easily on her way to Best Supporting Actress nominations. (She can’t beat Oprah, but she’ll be in the mix.)

From there the supporting performances are all top notch, from Paul Giamatti to Benedict Cumberbatch, Paul Dano, Scoot McNairy, and a knockout cameo from Alfre Woodard.

The truth of “12 Years a Slave” is going to resonate same as “The Butler,” I think. And if that’s so, the box office will be just as big. This season we’re getting a huge chunk of Black History all at once, which is fascinating, In historical order it’s “12 Years a Slave,” “The Butler,” “Mandela,” and “Fruitvale Station.” For so long– forever, actually– these stores were not told at all or represented in the culture. Now we’re getting a dam breaking, and the results are very exciting. They are all going to be in the Oscar mix too.

PS Brad Pitt’s company, Plan B, is the main producer. Pitt makes an extended cameo, and he’s very good. I can’t imagine anyone at a major studio funding this project without a star of Pitt’s caliber behind it.  Kudos to him and his group.

 

Toronto: Jason Reitman’s “Labor Day” Has a J.D. Salinger Connection

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Since nothing should be without a J.D. Salinger connection: Jason Reitman’s “Labor Day,” which got its press outing this afternoon in Toronto, has one. It’s based on a novel by Joyce Maynard, who had an affair with Salinger when she 18 and he was 53. It’s an infamous story, and one which is included in the new “Salinger” film opening this weekend.

Reitman made the lovely “Juno” and the very pungent “Up in the Air,” two of my favorite films (and maybe yours, too). His last outing was with Charlize Theron in “Young Adult,” an ambitious movie that didn’t quite work because the main character (Theron) was so unlikeable.

“Labor Day” stars Kate Winslet and Josh Brolin with a cameo by James van der Beek. It is not an Oscar movie but it may be a commercial hit. The material is a little unusual for Reitman in that it is tepid and conventional with no real twist or “ah hah!” moment. Pretty much what you think will happen does, and that’s fine.

Reitman directs the hell out of every scene, and the actors are all top notch, especially Gattlin Griffith, the 12 year old who plays Winslet’s son. Basically, it’s a love story between two unlikely types: Winslet is a lost soul divorcee who allows Brolin, an escaped convict, into her home. He’s been in jail for murder, but guess what? He’s a master chef, carpenter, and lover. He plays ball with her kid, and likes kittens. Frankly, who cares if he killed someone or many people! He’s too good to lose.

Brolin spends Labor Day with mom and son, and they plan to run away. It’s 1982, so there are no cell phones or web alerts. Just occasional TV spots that say beware this dangerous man. Meantime, he’s cleaning the gutters and chopping scallions.

Of course the Brolin character has a sad back story, his incarceration is explained. But it’s the stuff of “The Notebook,” and not very convincing to a cynic like yours truly.

In the end “Labor Day” will play like a very intense chick flick. Everyone comes out of it unscathed. But it’s time for Jason Reitman to get back to edgier material.

Exclusive: Ricky Gervais NOT Touring with Coldplay, But Will Do Charity Show With Them

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EXCLUSIVE: On the red carpet at the premiere Thursday night at the Museum of Modern Art of Netflix’s new series “Derek,” written and starring Ricky Gervais, I asked the comedy genius behind “The Office” and “Extras” about reports [in the UK Sun and picked up elsewhere as fact] that he is going to take David Brent and bring his guitar on the road to play with pal Chris Martin of Coldplay on their next tour. (Currently Gervais’ Internet series, “Learn Guitar With David Brent,” is on YouTube.)

“No,” he said. “They’re actually going to play with me at a charity event. But I don’t know if that’s gone out because it’s a secret, so I don’t know where that came from.”

Gervais is a big animal lover who raises money for pet charity groups.

The red carpet was graced mainly by cast members from the hit Netflix prison life drama, “Orange is the New Black,” including Natasha Lyonne, Laverne Cox (Sophia), Dascha Polanco (Dayanara Diaz), a Lea Delaria (Big Boo), Samira Wiley (Poussey), Uzo Aduba (Crazy Eyes), Yael Stone (Lorna) and Matt McGorry (security officer John Bennett).

“Derek,” starring, written, directed and executive produced by the Emmy and Golden Globe award winner, is a very personal project for Gervais. He plays Derek, a gentle 50 year-old man who is an assistant at an old age home. Derek loves his work and the elderly people whose toenails he clips and hands he holds.

“It’s slightly more sincere than my previous work. In fact, it’s more sincere than most comedies,” Gervais told me. “ I’ve always snuck in pathos and drama in my work. You know ‘The Office’ wasn’t out and out comedy. It was about a man having a mid-life crisis.  It was a love story. ‘Extras ‘was about people who were friends. Fame interfered with their friendship,” he said. “The backdrops here is sort of sweeter, has more gravitas.”

The show has generated some controversy in England where critics say the show makes fun of the mentally challenged; Derek is often slack jawed and has facial tics. He may also have autism.

“I don’t think it’s controversial at all,” Gervais said of the show. “I think it’s incredibly sincere and sweet.”

There’s situational comedy, but Gervais is going for tears too. I cried as much as I laughed I told him. “That’s exactly right,” he said. “I think people are surprised about crying at a sitcom. But I don’t think it’s an obvious sitcom. I think it’s a comedy drama, just a very sweet little goofy show about some outsiders, and it’s quirky and very honest.”

As for who inspired Derek, he told me, “I suppose its sort of me, before you become aware,” he said. “He’s quite childlike and innocent and it’s going against all the cynicism. I’ve done like 10 years exploring fame in my work and I wanted to get back to ordinary people.”

The backdrop for the show he said were the people in his own family who were caregivers. “I’ve got years and years of stories from my mum, my sister-in-law, my sister, my niece and nephews now have gone into working in care homes, so I always try to write about what I know and they’ve told me stories I’ve been laughing at and crying at because it’s so sweet. They told me a story once, I can’t, it makes me well up,” he actually choked up a little trying to tell me a story one of his family members had told him. “An old man was sitting with his wife who was dying and he was singing, ‘You Are My Sunshine.’” Beat.  “I might do that in the show. How sweet is that? It’s just, uh!” He looked verklempt and put a hand on his heart.

Finally I asked about the inspiration for Derek’s shlubby caridgan  and his long hair, which he combs  down over his forehead. He sort of resembles Moe of the Three Stooges

“I love it. Yeah. It’s good,” Gervais said. “I’d walk around in sweatpants and a jumper with my hair forward all day if I could. It’s so refreshing.”

Porn Scorn: “Lovelace,” “Canyons” Are Box Office Bombs

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It should have been the summer of porn. There was certainly A LOT of publicity for Paul Schrader’s “The Canyons” and “Lovelace,” directed by Rob Epstein and Jeffrey Friedman. “The Canyons” had Lindsay Lohan and an actual porn actor, James Deen. “Lovelace” had an all star cast with Amanda Seyfried getting very good reviews as the erstwhile porn star who claimed she was forced to make the most famous adult movie of all time, “Deep Throat.”

But summer is over. “The Canyons” made a total of $50,000. “Lovelace” has taken in $354,764. Their 30 day runs in theaters are pretty much over. The rest of the money has to be made through either VOD or DVD. No one wanted to see them.

The makers of “50 Shades of Grey” should keep this in mind. Porn has never gone mainstream, really. It’s a home viewing event. Even under a raincoat, no normal person wants to watch very tawdry stuff with a room full of friends.

And apparently it doesn’t matter how much press the movie gets. Because these two films got hours and hours of time on TV and plenty more web and print press. But even very high recognition didn’t help.

It should be noted that “Shame,” Steve McQueen’s film about Michael Fassbender full frontal and getting it on every which way, made just $3.9 million in the US. It did rake in another $14 mil abroad. But the whole thing turned out to be a terrible shame, and a great Oscar punchline for George Clooney.

Katy Perry Does the Jungle Boogie in New “Roar” Video

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Katy Perry is ramping up for her new album. Today she launched the video for her new number 1 song “Roar.” Lions and tigers and bears! Katy goes all jungle boogie in this very well produced, not in the least provocative short film. Lady Gaga, the ball is in your court!

Exclusive: Star Wars Casting Call Goes Out in New York for 3 Main Roles

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“Untitled Studio Feature” is the way it’s billed today in casting sheets. But “Star Wars,” Episoede 7, is looking for three principal actors in New York. The giveaway: the director is J.J. Abrams and the studio is Disney. This is who they’re looking for:

[YOUNG MAN] Early 20s. Handsome, but not necessarily heroic. He is witty and smart. Physically fit.
[MAN] Late 20s. Physically fit, handsome and confident.
[YOUNG WOMAN] Late teens. Physically fit, raw energy, independent and with a great sense of humor.

In June a similar casting call went out in Los Angeles for these three, a little differently worded, plus a few others. It read like this:

Late-teen female, independent, good sense of humour, fit.

Young twenty-something male, witty and smart, fit but not traditionally good looking.

A late twentysomething male, fit, handsome and confident.

Seventy-something male, with strong opinions and tough demeanour. Also doesn’ t need to be particularly fit.

A second young female, also late teens, tough, smart and fit.

Forty something male, fit, military type.

Thirtysomething male, intellectual. Apparently doesn’t need to be fit.

So one can assume that Abrams found some of these people. It does sound like these are the progeny of Luke Skywalker (and someone), of Princess Leia and Han Solo.

Stay tuned…

Special Oscars Go to: Angela Lansbury, Angelina Jolie, Steve Martin, Piero Tosi

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The Academy of Motion Picture Arts & Sciences has announced the Governors Awards, aka Special Oscars for Lifetime achievement or humanitarian acts. They are a little surprising but the Governors knew what they wanted. The least surprising is Angelina Jolie for the Jean Hersholt Award. Jolie is relatively young, but she’s shlepped all over the world and into dangerous places on humanitarian missions. She definitely deserves something. Plus her battle with cancer was a watershed moment because it opened a discussion worldwide.

The special Oscars go to Angela Lansbury, Steve Martin, and Italian director Piero Tosi. Lansbury is really a Broadway and TV icon. Her movie career, with “The Manchurian Candidate,” is good, but it’s not really a Hollywood legend. Anyway, everyone loves Angela Lansbury.

Steve Martin? He’s made a lot of good movies, he’s very funny, and has a great art collection. His selection is out of left field, but maybe he’s representing all the “Saturday Night Live” people. His best film work was in “Grand Canyon,” I thought. And he writes terrific pieces for The New Yorker.

Tosi is a famous Italian costume designer who’s worked with many key directors. He has two Oscar nominations. His first film was in 1952.

What happened to Doris Day? I don’t know if they asked again and she turned it down again. But I know from being on committees there’s a lot of politicking. In the end, the four awardees are all very talented, and certainly deserve the honor.

Award Winning Screenwriter’s Son Shows How Beverly Hills Kids Are Raised (See Video)

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Paul Attanasio is the very gifted screenwriter of “Quiz Show” and television series such as “House” and ‘Homicide: Life on the Streets.” Attanasio has a law degree from Harvard, as well as an undergrad degree. He and his wife have three kids. One of them, John, got into a fender bender with a Mercedes in the last week or so. It was posted to LiveLeak and other sites by the victim. One look at this kid and you know everything about why you mustn’t raise kids in or near the world of Hollywood. This kid’s watched too many of his dad’s scripts, including “Donnie Brasco.”

Rock & Roll Hall of Fame: Nirvana is Eligible, But Sting and Bon Jovi Are Still Waiting

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We await, as we do annually, the ballot from the Rock & Roll Hall of Fame for new inductees. So many have been left out over the years that’s it sort of mind blowing. In the here and now, both Sting and the group Bon Jovi stand out as waiting, waiting, waiting. Sting’s solo career is three times as long as his time with The Police. He should be in already. Bon Jovi is exactly what rock and roll is about: great songs, hard work, and perseverance.

This year, eligible for the first time is Nirvana. That should be a slam dunk among Jann Wenner’s nominating committee of friends, employees, and former staff. Melissa Etheridge would be the only other act that anyone could consider seriously in this year’s group unless you want to drag in Phish, Living Colour, or Kylie Minogue. No? Didn’t think so.

And then there is the long long list of acts who’ve been snubbed. Where do we begin? Carly Simon. Chicago. Hall & Oates. Linda Ronstadt. The Moody Blues. Billy Preston. Cat Stevens. Mary Wells. Todd Rundgren. And of course, Chubby Checker. And: Bruce Springsteen’s E Street Band, which didn’t make it the year Bruce was inducted. Shameful.

There’s more: how about Tina Turner? Roxy Music? Lou Reed? Steve Miller? There are also dozens of R&B acts who’ve been ignored. And several producers, from the late Phil Ramone to Richard Perry and so on.

The Rock Hall has been severely devalued in the last few years. Surely its meaning is not as heralded as it once was. But it would be nice, before the whole thing implodes, to tidy up and make sure the next inductees are ones who really deserve it.

Broadway: Michelle Williams, Alan Cumming in All-Star “Cabaret” Revival

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Circle April 24, 2014: Alan Cumming is returning to Broadway in “Cabaret” directed by Sam Mendes and choreographed by Rob Marshall. His Sally will be movie star Michele Williams, so good in “My Week with Marilyn” and “Blue Valentine” and even “Dawson’s Creek.” Cummings, Mendes, and Marshall all did this 15 years ago in the same spot, the Roundabout Theater in Studio 54. Adding Williams is the coup de grace. Best Revival of a Musical? It will be hard to beat. You know that Liza Minnelli and Joel Grey will be front and center on opening night. All the technical people from 1998 are returning, too, including William Ivey Long doing costumes.

Alan Cumming said in a press release: “I first played the Emcee in London 20 years ago, and then again five years later on Broadway.  I was in a totally different place in my life on both those occasions, and I am certainly a different man today.  But one thing hasn’t changed: There are still people in this world who want to oppress and destroy us for being different, and Cabaret is both a celebration of diversity and a reminder of the dangers of complacency.  It couldn’t be more relevant and I couldn’t be more excited to be a part of it.”

My own PS: this past season the long knives were out for Hollywood types who came to Broadway. Kids, Michelle Williams is serious. She’s very, very talented a lovely person. I hope she gets a fair shake.