Friday, December 19, 2025
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Pop: Drake– Bar Mitzvah Boy with Memphis R&B Roots–Hits Number 1 Big Time

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Drake is numero uno this afternoon. He sold 658,179  copies of his “Nothing was the Same” album and came in on top of the charts like crazy. He completely out sold number 2, Kings of Leon. Their “Mechanical Bull” motivated only 115,088 fans to plunk down some dough. Old pals Cher and Elton John followed in the top 5. But aside from Drake it was a pretty sad week saleswise for everyone. Sting came in at number 11 with  “The Last Ship,” and that’s pretty good considering it’s an album tied to a Broadway show.

Who is Drake? He’s always fighting with either Chris Brown or that Bieber kid. His real name is Aubrey Drake Graham. Are you ready for this? His mother is Jewish and he was Bar Mitzvahed. His father is black, and the father’s uncles are Larry Graham (of Graham Central Station and Sly Stone fame) and Memphis legend Teenie Hodges. Wow. The parents divorced and Drake grew up between Toronto and Memphis. Good genes. Good for him.

Anyway. Lots of good music. Drake is now the prime suspect in the hunt for Album of the Year and R&B nominations at the Grammys.

The song starts at 2:45

Daniel Radcliffe Makes Radical Moves Away from “Harry Potter”

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Well, we finally saw the artfully made “Kill Your Darlings” last night at its New York premiere. Daniel Radcliffe continues his grand crusade to move away from “Harry Potter.” In this one, he makes out with Dane DeHaan while playing the famed late gay poet Allen Ginsburg. He also gets fellated by a female coed while making eyes with DeHaan, who plays Lucien Carr.

“Kill Your Darlings” recalls the true story of how Carr murdered his gay lover, played by “Dexter” star Michael C.Hall, then asked Jack Kerouac (an excellent Jack Houston) to help him get rid of the switchblade in question. The fourth part of this group is William S. Burroughs, in a spot on performance by Ben Foster.

Yes, it all happened in 1943, in New York, when ‘downtown’ was considered ‘for queers’ only, and these boys were making a mockery uptown of Columbia University. Of course, Kerouac, Burroughs, and Ginsberg all went on to become quite famous. Carr spent a short time in jail, married three times, and two children. One of them is Caleb Carr, author of “The Alienist,” a movie no one’s been able to make.

Last night’s premiere at the Paris Theater– and then the new downtown Tao in the Maritime Hotel– brought out a few interesting types. Jason Ritter, shooting a midseason TV series in Brookly, stopped by. Famed publisher Nan Talese and husband Gay, the esteemed writer, caught the screening. James Marsden and Patrick Wilson also attended.

This is what I can tell you: everyone in this film is young and thin. I hated all of them.

Seriously: Daniel Radcliffe remains the same great “kid.” Everyone loves him. He’s serious about his work. Dane DeHaan is The Next Big Thing. He’s the new Leo. He’s off to shoot a movie playing James Dean alongside Robert Pattinson. Then he plays Harry Osborn in the second “Spider Man” movie of this series. If James Franco isn’t careful, DeHaan will next play a hiker who loses his leg while trapped in the Andes. Then he’ll start writing novels and going back to school.

PS I wish Michael C. Hall had been at the premiere. “Kill Your Darlings” is first step to movies now. And there’s an irony since “Dexter” killed all those people. It’s Hall who gets it in “Kill.” Poetic justice for real!

 

Tom Hanks Skypes The Real Captain Phillips into Star-Studded L.A. Premiere

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What do you do when the subject of your movie has to go back to work in the real world? Tom Hanks and Sony Skyped in the real Richard Phillips for last night’s L.A. premiere of  “Captain Phillips” at the Academy. The VIP crowd–including Michael Mann, Lou Diamond Phillips, Stephen Merchant who came with John Krasinski, Harry Hamlin, Avatar Editor Stephen Rivkin and numerous Hollywood insiders, agents etc–loved it. The talk floating at the screening is that this film will be a major contender for the award season. Tom Hanks could easily garner his third Oscar for his searing portrayal of Captain Phillips.

Director Paul Greengrass introduced the film and said that, “It was physically pretty arduous out there on the ocean. But it also was an absolute pleasure. ” Greengrass went on to thank “our fearless leader Scott Rudin, Producers Michael DeLuca and Dana Brunetti, screenwriter Billy Ray, casting director Francine Maisler and another talented newcomer who I think might have a future in this business, Tom Hanks.”

Tom explained that “the real Captain Phillips can’t be here, he’s going back out to sea but through the wonders of Skype, here he is.” A huge screen then showed Captain Phillips who quipped, “You guys look awfully small.” Greengrass said to Phillips: “We hope we told the story of what you went through well,” Phillips replied. “You did a great job Paul.” The Captain joked: “Tom, well he did a good job.” Tom, ever the comedian, then tried to arrange the Skype camera so Captain Phillips could see the film to no avail.

At the reception after, I spoke with Barkhad Abdi, the Somalia native who, in his first role, goes head to head with Hanks as the Captain of the Somali Pirates. He’s just spectacular. He told us, “I grew up in Somalia. I came here to Minneapolis, when I was 15. They were auditioning at a gym by my home. I never acted before. Tom was the best, hardworking and humble.” I told him he might get a nomination out of this. Is he going to stay in acting? Barkhad replied, “Well it seems that I’m pretty good at it, so I want to.”

I also spoke to Faysal Ahmed, who plays the psychotic Somali pirate. Faysal, whose parents are from Somalia, but he was raised in Yemen till he was 14 then also moved to Minneapolis. Faysal told me, “I accidentally hit Tom when we were doing a scene in the lifeboat. It was such a small space, Tom was sitting, I’m a big guy and it was a mistake. I grazed him really on the face, but still. I felt horrible. Tom was so cool about it. He went over to me and told me to move past it, that he was fine and it was no big deal. That’s how cool Tom was the entire time to the cast and crew.”

When I told Greengrass the film was unrelenting in its thrill aspect–his expertise–he told me, “That was my intent. It was a tough, tough shoot-but everyone handled it so well.” Altogether, Greengrass filmed for 60 hours on the high seas. Not easy.

One of the unexpected highlights was chatting with the incomparable opera singer Renee Fleming who with her manager, Untitled’s powerhouse Dannielle Thomas. Lovely Renee told me she loved the film and was out in LA for movie and television meetings. She’s also planning to see the Los Angeles Opera’s production of Carmen with Chairman Of The Board no less. She also told us she’d be in LA in the spring to do Adnre Previn’s opera of “A Streetcar Named Desire.” We here in LA can’t wait for that!”

“Breaking Bad”: Badfinger “Baby Blue” Goes Top 20 in iTunes

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Holy moley, as they say. Badfinger‘s lost classic of an album, “Straight Up,” is back on the charts. Thanks to the “Breaking Bad” finale use of “Baby Blue,” the album and the single are hits. On the Beatles’ Apple Records. “Baby Blue” is number 10 on amazon.com and number 13 on iTunes this morning.

The album is at 94 and 99, respectively. For people who buy the album and have never  heard it before, you can only imagine what they’re thinking. “Straight Up,” produced by George Harrison and Todd Rundgren, is a mini masterpiece. It contains the still fresh sounding masterwork single, “Day After Day.”

I know everyone is crazy for Vince Gilligan because of the TV show, but I have to thank him for this. It’s been 41 years since “Straight Up” came out and it sounds better than ever.

Entertainment Weekly found Joey Molland, the only living member of the group, right after “Breaking Bad” aired. He had no idea the show was using the record but sounds pleased. He has a new CD of his own coming out in November.

“Baby Blue” was written by Pete Ham, who took his life after a long bout of depression. As a lot of fans have written in, Badfinger was plagued not by drugs but by bad management. They had long court battles, were ripped off, and it eventually all took a toll.

PS It was Peter Asher at Apple who discovered Badfinger. When he does his entertaining one man show, Peter brings along a Badfinger replica band. They play “Day After Day.” Now they may add “Baby Blue.” Peter always had great ears– he also discovered James Taylor.

 

 

Katy Perry Sends 2 More Hits to Top of the Charts, Miley’s New Album Disappoints

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And now, the beginning of a new music year: Katy Perry released two new tracks from her forthcoming Prism album last night. They immediately went into the top 10 on iTunes. “Walking on Air” went right to number 1, with “Roar” holding strong at number 2. Another new track, “Dark Horse,” jumped to number 9. “Prism” isn’t released until October 22nd. But it does seem Perry’s people have followed the Taylor Swift pattern from one year ago.

“Dark Horse” didn’t do much for me. But “Walking on Air” is a strong track, again creating “the sound of triumph,” as I told you weeks ago about “Roar.” Perry’s production team is very smart. They showcase her strong, strong voice. And they write songs that are upbeat anthems. Katy Perry is no Joni Mitchell or Carly Simon. There’s no time for introspection. She is “Walking on Sunshine” 24/7, lest her teen followers feel let down. It would be so interesting to hear her sing real songs with a real producer. But I doubt that will happen any time soon. In the meantime, it’s all good.

Miley Cyrus’s “Bangerz” album is streaming on iTunes. It’s not very interesting. I really liked “We Can’t Stop.” But the rest of “Bangerz” feels tired, hackneyed, anonymous. You can only push the naked thing so far. At some point there have to be records. Miley has ‘duets’ with Britney Spears and with Nelly. Right away, you sort of feel manager Larry Rudolph used her to push other clients. And not very hip ones. (I liked Nelly’s “Suit” album, don’t get me wrong. But it was a long time ago.)

Streaming the whole album now may be a mistake. It might have been better as a surprise. “Bangerz” goes on sale Oct. 8th. One thing: a couple of times you can hear her actual ‘country’ style voice come through. That’s her natural style. And that’s where Miley should be headed as she gets older. She’s forcing this “female rebel” thing.

Grammy Deadline Is Here: Some Albums of the Year for 2014

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Tonight as the government shuts down, so does arrive the Grammy deadline. Albums are eligible for the 2014 Grammy Awards if they were released between October 1, 2012 and today. The pickings are slim but still pretty decent all the same. It’s always interesting to see who pushed hard to make the date and who didn’t.

Those who released albums last fall after the deadline for 2013 included Alicia Keys with “Girl on Fire” and Van Morrison with “Born to Sing: No Plan B.” Will the Grammy committees remember them or will they fall into an abyss? The Van Morrison album is one of the best of his long, illustrious career.

So what will the committee have to choose from? First of all, there’s Justin Timberlake‘s Complete 20/20 Project, JT released part 2 today to make the deadline (albums are usually released on Tuesdays). He’s in, no matter what, and at this point will probably win Album of the Year from the sheer momentum.

What else?

There will be a big push for Bruno Mars‘s “Unorthodox Jukebox,” released in December 2012. It was unorthodox because the lead single was a rip off of The Police. Even now, a year later, it’s an embarrassment frankly.

Also from last year: Macklemore and Ryan Lewis‘s “The Heist.” It was released on October 9, 2012, although many of its pieces had already come out. They are no England Dan and John Ford Coley, that’s all I can say on the subject.

Another given is Robin Thicke‘s “Blurred Lines” album. The song remains ubiquitous. We’ll see what happens. Same for Daft Punk and “Get Lucky,” although the single really belongs in the Dance Music category.

Best album? Elton John‘s “The Diving Board” could be a surprise in a lot of categories. T Bone Burnett produced, with great songs by Elton and Bernie Taupin. Elton John has never won a Grammy for Best Album despite a catalog of beloved collections from “Goodbye Yellow Brick Road” to “Madman Across the Water” and about a dozen more. “The Diving Board” seems like a natural. It’s just magnificent.

Jay Z‘s “Magna Carta Holy Grail” if for nothing but the main title sung by Justin Timberlake. The Grammys will very JT and JZ on January 26th. Trust me.

What about “Yeezus”? It’s hard to imagine, but maybe just to appease Kanye. It’s not his best work.

David Bowie’s “The Next Day” was a total triumph, with lots of memorable songs and beautiful production. A total return to form and a sales success as well.  Rod Stewart‘s “Time” album was also excellent and got no promotion or marketing.

Elvis Costello‘s “Wise Up Ghost” with the Roots– a moody, beautiful collection with Elvis at his lyrical best.

There’s also Sting‘s “The Last Ship” which will go into traditional pop and should win handily.

What about women? Taylor Swift‘s “Red” will come back to bite us– it was released in October 2012. You know she’s looking at Album of the Year. Emeli Sande‘s wonderful “Our Version of Events” album was officially released in February 2012. There was a re-release in October 2012, but I don’t think that will work. Katy Perry had just a single, “Roar,” which will get Best Record and maybe Best Song. Lady Gaga has the “Applause” single. Sara Barielles had “Brave.” But other than those and Alicia Keys it was a light year of the ladies.

What were your favorites during the Grammy eligibility year?

Bono, U2 Preparing First New Album Since 2009 for Spring 2014 (Exclusive)

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Really? Will it be five years since U2 released a new album? That’s indeed the story. I can tell you that Bono, Edge, Adam Clayton and Larry Mullen Jr. are planning a new album for early spring 2014. And it will be the first since “No Line on the Horizon,” a so-so effort (sorry) compared to the group’s many thrilling and classic recordings.

“No Line” was released in 2009. Bono was on David Letterman last week and said that everyone basically had to be patient and wait for a great album. But I am told that the album is pretty much in place and that work has commenced on art, videos, and other related items. When U2 comes with a release now, it has to have all its ducks in order.

What was the group doing all this time? Well, they made zillions touring. And of course there was “Spider Man: Turn off the Dark.”

U2 will be welcomed back by the music industry with parades and fireworks.

“Breaking Bad” Series Finale Scores Whopping 10.3 Mil Viewers

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The broadcast networks wanted to know where everyone was last night. Well, they were watching “Breaking Bad” on AMC on cable. The series finale was up 300% from the last “Breaking Bad” season finale in the key demo. The total viewing number was 10.3 million. At the same time– 9pm– 1.9 million people were watching the return of “Homeland” on Showtime.

This means that aside from football games, “Breaking Bad” had the most number of actual viewers than the totals for the night on CBS, ABC, and Fox. NBC won the night with 15.9 million people watching the NFL.

Of course, it was a one time thing. AMC could only wish “Breaking Bad” had more episodes. Now they will return to shows like “The Walking Dead” and wait for seven episodes of  “Mad Men” each in 2014 and 2015. But this was a phenomenon that built week after week.

Who could have imagined that Dr. Tim Watley–actor Bryan Cranston– would go from being a a dentist who becomes Jewish for the jokes to Malcolm’s nutty father to an insane meth dealer dying of cancer? Only in America.

Kings of Leon May Get Garrett Hedlund for New Video

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Exclusive: Garrett Hedlund, star of “On the Road,” tells me he may appear in the next Kings of Leon video. He says that he and Caleb Followill are old friends and they’ve discussed it. “Kings of Leon usually don’t have actors or other people in their videos, but Caleb and I talked about it. It may happen,” Hedlund told me last night at the Coen Brothers concert. Hedlund is shooting a film now with “Inside Llewyn Davis” star Oscar Isaac. He’s still bemoaning the poor release of “On the Road,” a movie that was so anticipated but then seemed to vanish. I think in time Walter Salles’s take on Jack Kerouac will become a cult classic on video… Kings of Leon’s new album, “Mechanical Bull,” hits the album charts tomorrow in the top 5…

An Oscar for Oscar? Coen Brothers Star is Just One Breakout from This Weekend

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Oscar Isaac has suffered a lot of indignities in his short career. He was one of the few bright spots in Madonna’s “W.E.” A great movie in which he starred, called “Bilabo,” was never actually released and had to be put on YouTube in pieces. “Agora,” in which he also acquitted himself well, also fell by the wayside. He was one of many talented actors no one could see because of the poor lighting in “Che.” But intrepid manager Jason Spire knew Isaac’s secret weapon: he was a damn good musician. Now Oscar is the star of the Coens’ “Inside Llewyn Davis.” And he’s going to get an Oscar nomination.

All of that was pretty clear from this weekend. The movie screened Saturday night at the New York Film Festival to raves. And then on Sunday night came the live concert at Town Hall in New York. Amidst a sea of professional musicians, Oscar Isaac emerged as the night’s big star. He was almost its most gracious. As he strapped on a guitar last night, Isaac was the only singer of the evening to marvel at all the talent around him. Then he knocked the audience out with four performances. If he does just a little of this for Academy voters, he’s in. The public will get to see him on Showtime’s special about the concert on December 13th.

Just a note that Oscar could easily have a hit single with Bob Dylan’s very early traditional “Dink’s Song” also known as “Fare Thee Well.” He sings it in the movie as Llewyn Davis and sang it last night. He’s going to be doing it a lot this winter, by request.

Meantime, last night’s audience was filled with stars, from Julianne Moore and Bart Freundlich (with their kids) to Paul Rudd, Zooey Deschanel, Nina Arianda, Chris Rock (who came just to the after party at the Bowery Hotel), Jesse Eisenberg, “Moneyball” director Bennett Miller and even a very low key Liam Hemsworth. CBS’s Les Moonves and Julie Chen entertained David Geffen. Joel Coen’s Oscar winning wife Frances McDormand showed up with some pals. Neither Joel nor Ethan Coen nor McDormand participated in the show.

And the breakout music stars– they included Lake Street Dive and the Punch Brothers, the Avett Brothers, Gillian Welch, and Rhiannon Giddens. Rhiannon needs to wear her red dress and no more pigtails. She is one step away from being a star. At the after party at the Bowery Hotel, Rhiannon got into an impromptu jam session with Joan Baez and members of the other groups. They were just spectacular. What a relief last night to hear real musicians. No Auto Tune, sampling, or lip synching. No artifice. Just the real deal. Four stars!