Saturday, December 20, 2025
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Lady Gaga PR Push Pays Off: Jeff Koons Sculpture Sets Auction Record for Living Artist

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Art pop indeed! Months and months of press by association with Lady Gaga has paid off. Last night artist Jeff Koons set an auction record at Christie’s. His “Balloon Dog (Orange)” was sold for $58.4 million ($62.6 million including fees.) The price smashed Koons’s previous auction high of $33 million. Not only that, it beat the auction house’s set price of $55 million. And it ended Gerhard Richter’s big sales record from last spring.

The Koons sale was the largest ever for a living artist.

Art auctions are emotional, especially when the numbers are so dizzyingly high and the room is full of crackle and pop. Peter Brandt was the owner of the Koons. There are five others, each in different colors, owned by the likes of disgraced financier Steven A. Cohen, Christie’s owner Francois Pinault, Dakis Joannou, who’s a Greek industrialist, and Los Angeles billionaire Eli Broad.

What’s all the fuss about Koons? The new owner and the bidders involved may not be one of Lady Gaga’s little monsters. But they know the value of press. And for months the pop star has touted Koons as an equal. He designed her album cover, and sculptures for her performances. Teens around the world know his name more than Picasso or Matisse.

There’s no doubt, too, that Gaga benefits from all of this. Presumably the newly minted 27 year old multi millionaire owns some Koons pieces. Their value has just skyrocketed. Koons was a great investment for Gaga.

Judi Dench is M, Steve Coogan is Double-Oh-2: See the New Philomena Video

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Thank god there’s some fun this Oscar season. “Philomena” with an R rating? F that. Leave it to Harvey Weinstein and crew to come up with something fun and ingenious. Frankly if they just Skype Judi Dench into the ratings board meeting, they’ll win. Who could say ‘no’ to her?

Lady Gaga Biggest Sales Problem: No Hit Single to Drive Album Sales

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Will sales of Lady Gaga’s new “ArtPop” album exceed this week’s Eminem debut of around 750,ooo? It’s unlikely. Gaga has a big problem. While “ArtPop” is number 1 right now, it has no hit single.  What’s driving the Eminem album is his hit “The Monster” with Rihanna. It’s number 1 following the path of Katy Perry’s “Roar” which is still high on the charts.

But the highest charting single so far from “ArtPop” is “Applause” at 13 on iTunes. Her R Kelly duet, “Do What U Want,” is further down at 23. This suggests that while Lady Gaga certainly has devoted fans, she’s not reaching beyond them with a big breakout song.  And that’s where her album sales may break off.

Gaga is getting help again from Amazon. The massive retailer is selling the MP3 download for “ArtPop”, clean or dirty, for just $5.99. That’s three to four dollars lower than most other albums. Arcade Fire’s new “Reflektor” album MP3 for $11.99. Miley Cyrus’s “Bangerz” album is selling for $3.99.

Of course, Amazon.com deep discounts most MP3 downloads. Their audience typically buys physical CDs. On Amazon, the actual CDs are often offered with a free MP3 download.

That’s because the real downloading goes on at iTunes, Amazon’s competitor.  Amazon’s audience skews older, so their exposure isn’t a question. For example, they’re selling the explicit (lots of the f word) version of Eminem’s new album for just $3.99.

In 2010, Amazon got into trouble for selling Lady Gaga’s “Born this Way” for just 99 cents. A rule went into place immediately that only albums selling for $3.49 or more would be counted in the weekly charts by SoundScan.

 

Shock: Justin Timberlake Will Perform on AMA’s, Takes Himself Off 2014 Grammys?

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Quel surprise! Justin Timberlake has agreed to perform on the American Music Awards November 24th on ABC. This means, if tradition is observed, Timberlake will not be asked to perform on the Grammy Awards come January 26, 2014. Under famed producer Pierre Cossette the rule was that an appearance on the AMAs meant no Grammy airtime. I can’t imagine that Ken Ehrlich would change the rule now.

This is particularly interesting since Timberlake’s “20/20” albums were expected to the stuff of many Grammy nominations. The combined two “20/20” albums were the bestselling CDs of 2013. Timberlake is definitely a would be contender for the albums and for the singles “Mirrors” and “Suit and Tie,” as well as his duet with Jay Z called “Holy Grail.”

The Grammys have always considered the AMA’s the lesser prize, a Golden Globe versus their Oscar. The AMA’s are not run by the Recording Academy but are just a function of Dick Clark Productions like the ridiculous People’s Choice Awards and the Globes.

Until today’s announcement, this year’s AMAs were already featuring artists that likely be wouldn’t be involved in the Grammys, like Macklemore & Lewis, Miley Cyrus and Ke$ha. If Justin Bieber had an eligible record, he’d be there too.

In a way, this means Timberlake cedes the Grammy stage to Robin Thicke. Other likely Grammy performers could be Eminem and Rihanna, Katy Perry, Elton John, Paul McCartney, and so on.

The AMAs are also claiming Lady Gaga and One Direction. This may disqualify them from Grammy appearances as well.

Ehrlich and NARAS may feel that Timberlake was played out from his 20 minute VMAs performance in August and his big showing on this past year’s Grammys. Frankly, I’m surprised. The backstage politics in these things is crazy. Now the Grammys go on the hunt for a centerpiece performer who can produce ratings.

Stay tuned…

 

Lady Gaga: Will ArtPop Benefit from Flying Dresses, Drug Confessions, Jeff Koons?

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ArtPOP is here. Or ARTPOP. However you capitalize it, can Lady Gaga capitalize on all the noise surrounding it? Yesterday she introduced the world’s first flying dress. In the last few weeks she’s been naked, played different characters, and admitted she became addicted to drugs and alcohol during her hip surgery recovery. She’s also dragged contemporary artists Jeff Koons and Marina Abramovic into the mix.

And now it’s time for ArtPop. The album is released officially today, and it’s already number 1 on iTunes, of course.

Along the way Gaga has essentially dumped the manager who made her number 1, Troy Carter. She’s out on her own. If ArtPOP sinks or swims, it will all be Gaga’s vision.

She already has to overcome the huge debut of Eminem’s new album, which will the charts tomorrow with between 700 and 750K albums sold. Can Gaga beat that number? It’s unclear what will happen. She hasn’t had the out of the box hit Eminem had with “The Monster.” (And isn’t ironic that Gaga’s fans are “little monsters”?) In the Eminem hit, Rihanna sings that she’s made friends with the Monster under her bed. Is that monster Lady Gaga?

I’ll say this: Gaga has a great great voice. Just watching her on the live stream last night of her Brooklyn concert is elucidating. Her voice is full of power and melody. I can’t wait for her duet album with Tony Bennett. When you watch the live stream, you’ll see it’s all her. Unlike most pop stars right now, there does’t seem to be a lot of augmentation.

Now if she can just get a real hit single to drive that album. Let’s see what happens this week.

http://www.vevo.com/lady-gaga-artRave

“Thor” No Bore: $86.1 Mil US, $327Mil Worldwide–Could Loki Get His Own Movie?

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“Thor: The Dark World” didn’t hit that $90mil mark in the US this weekend, but its take was good enough. The hammer swinger took in $86.1 million here, and now has a worldwide total of $327 million. Ray Subers of boxofficemojo.com thinks that Marvel fans flocked to “Thor 2” as a kind of sequel to “The Avengers.” He may have a point. But it also did $15 mil more than the first “Thor” from two years ago.

The main point, I guess, is that Marvel has all its movies working on all fronts– The X Men and Wolverine series, Spider Man, Iron Man, Captain America, and The Avengers. They are all cross referenced through the studios that release them, too. The unexpected “Easter eggs” and flash forward teasers also make the movies must-see right away. You literally have to sit through all of “Thor 2” and some of its credits to get future info. That’s cool.

Of course one element of “The Dark World” popularity–besides Chris Hemsworth and Sir Anthony Hopkins–is Brit thespian Tom Hiddleston as Loki. Now the drum beats begin for a solo Loki movie and story. Is this possible? I don’t think so. (Sorry!) Loki is a snarky villain. It would be fairly difficult for him to carry a whole movie on his own. He certainly can’t be turned into a hero. So a new hero would have to emerge. And then the whole formula would be turned inside out.

For the same reason Catwoman’s movie was a misfire, Loki’s would be too. But let him wander through the Marvel universe, causing trouble wherever he goes. He’d be welcome anywhere. But The Joker and the Riddler didn’t get movies in the DC world, and plenty of other villains have been very happy to remain troublemakers where they’re needed.

“Big Fish,” Third Broadway Bust of Season, Will Close Next Month

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Broadway: The truly bad musical of the movie “Big Fish” will close on December 29th after 34 previews and 98 performances. How “Big Fish” made it this far is a mystery– as is how it will last six more weeks. Based on Tim Burton’s movie, “Big Fish” is one of those jaw dropping disasters you feel bad for. But everything about it was misguided and made no sense.

The worst part was the score by Andrew Lippa. There isn’t decent song. Didn’t anyone realize this before they went forward? None of the songs have choruses! Lippa should really not be allowed back to Broadway unless he can demonstrate an ability to write a song that might play on radio– any radio.

Two weeks ago “Big Fish” played at 68.9% capacity and took in just $647,165. This past week’s figures will be published tomorrow. They must be even worse.

“Big Fish” is the third new Broadway show to shut down quickly. “First Date,” a pedestrian musical, and “A Time to Kill,” a play based on John Grisham’s bestseller, preceded it in death.

What’s next? If it weren’t in a subscription theater, “The Snow Geese” would be shot by a hunter. The better-reviewed “Winslow Boy” also is struggling. By the looks of things, “Mamma Mia” may mercifully be near the end of its long run. Its own Waterloo may be January.

But Broadway is not all bad news. After Midnight (a must see) is doing very well, Betrayal is a huge hit, and the Beckett and Shakespeare plays are thriving.

One last word on “Big Fish”: Norbert Leo Butz can do no wrong. He should be the star of a USA Network show by now. Network TV has to give him, Steve Kazee and a few other Broadway stars their national breaks already.

 

 

“Mary Poppins” Songwriter: Classic Movie’s Author Was “Bananas,” Working with Her “Torturous”

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Sean Penn joined his good pal Emma Thompson for a one of kind night of singing Awards seasons’ event around the Disney Oscar Contender, ‘Saving Mr. Banks’ at the Polo Lounge in the famed Beverly Hills Hotel.  ‘Banks’ tells the story of the turbulent relationship between Walt Disney (himself played by Tom Hanks, who could find himself with a Best Supporting Actor nod) and, P.L. Travers (Emma Thompson, a shoo-in Best Actress nominee).

Travers wrote ‘Mary Poppins,’ one of the most beloved characters in literary lore. Travers and Disney’s complicated back and forth history is woven in with the extraordinary talented Sherman brothers, who composed the music for that score and so much more including ‘The Jungle Book,’ ‘Chitty Chitty Bang Bang’ and many other classics.

‘Banks,’ had its AFI premiere at the Chinese Theater the night before, where nearly 50 years ago ‘Poppins’ debuted.  This night however, belong to he ageless graceful and debonair 85-year old Richard M. Sherman, who along with his late brother Robert, composed these legendary songs and led a sing-along, regaling the crowd as well with his remembrances of those magical and tough times.

Sherman admitted to the crowd that those two weeks spent with Travers were ‘torturous.’  He continued, ‘we were falling apart from this woman.  She was driving us completely bananas.’

What was heavenly however, was hearing him sing, along with the grateful crowd, songs the duo composed such as the pop hits they first wrote for Annette Funicello, ‘Tall Paul,’ songs from The Parent Trap‘s Lets Get Together,’ for Hayley Mills, songs from ‘The Jungle Book,’ and more.  Sherman then went on to sing ‘It’s A Small World,’ by noting that, “People either want to kiss us or kill us for this song.”

That didn’t stop Penn; he was singing that one with Gusto.

Sherman then went on to the Poppins classics including, ‘Supercalifragilisticexpialidocious,’ ‘Chim Chim Cheree,’ and the song that Sherman said “deep in my heart,” ‘Lets Go Fly A Kite. ‘  Emma Thompson, besides being the classiest lady around, sings beautifully and was joined by her fellow cast mates Jason Schwartzman, Bradley Whitford, B. J. Novak and director John Lee Hancock in singing some of the songs alongside Sherman.

The evening was superbly organized by Peggy Siegal and Disney’s Michelle Sewell, whom Disney CEO Alan Horn especially went out of his way to thank.  Besides Penn, Mickey Rooney, Jacqueline Bisset, (sitting beside Sean at the table with Emma,) Carl Reiner, Jane Seymour, Mary Kay Place and Natassja Kinski were the celebs making an appearance, as well as Academy voters.

Horn also mentioned that, “50 years ago, P.L Travers, stayed at this hotel.   She went down the red carpet to her car and then went to work at Disney Studios.”  Sherman told me that Travers indeed was the toughest person he ever worked with.” He added, “It does seem surreal that it’s 50 years later.”

Penn, as he was leaving, turned around and told me that ‘it was a beautiful night, what’s not to love?”  You got that right Sean.

George Clooney, Producer, Brings “August: Osage County” to AFI

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The last time we saw John Wells’s “August: Osage Count” was at the Toronto Film Festival. It looked pretty good, and received a massive standing ovation. But it’s been tweaked since then for its American Film Institute opening.

Last night, George Clooney–who produced “AOC” with partner Grant Heslov, was very funny when he quipped about seeing the excellent adaptation over and over. “I haven’t seen it in two weeks, I’m not sure if it’s changed or not.”

Director John Wells, who cast George in the TV series “ER,'” which launched his career, told me:  “George is really very supportive. He’s just happy he didn’t have to act in it. He likes producing and over our 22 year friendship, we’ve developed a real shorthand.”

Clooney, Heslov and Wells weren’t alone at the Chinese Theater screening. “AOC” cast members Chris Cooper, Juliette Lewis, Dermot Mulroney, and Julianne Nicholson. Missing–but soon to seen when the film rolls out in December– Meryl Streep and Julia Roberts.

Cooper told me what attracted him to the script by playwright Tracey Letts. Cooper explained, “This kind of writing is what got me into acting in the first place. Essentially ‘August’ is a great and intense study in human behavior. Tracy’s (writer Tracy Letts) writing reminds me of Tennessee Williams, Edward Albee, Arthur Miller, that kind of playwriting. He’s up there with them.”

What’s up next for Chris? “I honestly don’t know. Reading a lot of material. Tracy is a lot to live up to for anybody.”

I asked Chris how about Clooney as a producer. “He came to the set often. He put us all at ease. He’s a real cheerleader…you just want to give him your best effort.”

Juliette Lewis chimed in with, “George is hands on. Grant too. And they’re both funny and cute. What’s not to like?”

Clooney, meanwhile, was going back to see the movie again. Many stars just do the red carpet and leave without sitting through the screening again. But he was going to watch it after seeing it numerous times.

And just keep this in mind: “AOC” could figure greatly in the Oscar race for Picture, Director, Actress (Streep), Screenplay and supporting actors. Streep is stunning in it and Margo Martindale could be a dark horse nominee. Chris Cooper, with his usual subtlety, quietly commands attention in his scenes with Benedict Cumberbatch. Just sayin’….

“August: Osage County,” is set to be released on December 25th.

 

photo courtesy of Getty Images.

“Thor: The Dark World” Opens to $141 Mil Worldwide

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“Thor: The Dark World” opened to $31.6 mil in the US Friday night and is headed to a possible $90 mil weekend. Disney/Marvel should be very pleased. The worldwide take all in is now $141 mil. And that’s just in a couple of days. By Sunday, Thor’s hammer will have reaped a lot of rewards. It’s a good thing that Loki {er, wait, sounds of writer being dragged off…)