Sunday, April 14, 2024

Broadway: Disney’s “Aladdin” Is A Surprise Throwback Hit


Well, I am surprised. Even though I laughed out loud at the 1992 animated “Aladdin” with Robin Williams, I didn’t think I wanted to see it as a Disney-fied musical. I was wrong. “Aladdin” — directed by Casey Nicholaw (“Book of Mormon”) is the best Disney live musicalĀ  since “Beauty and the Beast.” It’s alternately charming and spicy, with plenty for kids and a lot for adults. Plus it has an amazing score by Alan Menken with the late Howard Ashman and Tim Rice. They use all of the songs that were in the animated film plus a bunch that weren’t included.

And there’s a nicer surprise in the form of James Monroe Iglehart, who plays the Genie (Robin Williams’ part from the movie) like Luther Vandross in Las Vegas. Last seen on Broadway in “Memphis,” Iglehart is absolutely superb in every way. Of course, this big man puts fear into the audience right away as he tap dances (learned for this show), and swirls around the stage effortlessly. I thought he might induce a heart attack. But he is the motor that enlivens “Aladdin” and he’s on his way to a Best Featured Performer at the Tonys, etc.

When the Genie performs “Friend Like Me” late in the first act, the audience cannot help but be on its feet. Yes, I know opening night is full of friends and family. But I think this happen every time. It’s an old fashioned Broadway show stopper. And you don’t want to Aladdin and the Princess’s magic carpet ride. It’s a little bit of theater magic. Even the most jaded adults around me were asking “How do they do that?” while the actors sang “A Whole New World.”

The rest of the cast is also enchanting, starting with Adam Jacobs as Aladdin, and on through several excellent character actors–Brian Gonzalez, Jonathan Freeman (playing Jafar live after playing him in the 1992 movie), and Don Darryl Rivera. Then there’s Aladdin’s trio of pals, who nearly stop the show with their own clever number in Act 2–Jonathan Schwartz, Brandon O’Neill, and again Brian Gonzalez.

A special added treat: the Sultan is played by veteran actor Clifton Davis, whose real claim to writing the great Jackson 5-Gloria Gaynor hit “Never Can Say Goodbye.”

And yes, the audience ate it up, including Sting and Trudie Styler, Tina Fey with husband and daughter, Al Roker and Deborah Roberts with their two kids. I happened to be sitting across the aisle from Broadway legends Joel Grey and Harvey Fierstein and I can tell you they loved “Aladdin”– Harvey was sitting behind Joel and kept hitting him as they cracked up.

That’s because “Aladdin” is very much a real musical, with songs you can sing, an overture, wonderful costumes and sets, and energetic, pleasing performances. It’s not just for kids, adults will dig it. It’s refreshing after months of darkness.

So throw “Aladdin” into the Tony pool along with “Beautiful,” “Bullets over Broadway,” “Rocky,” and maybe “If/Then” and definitely “A Gentleman’s Guide to Murder.” A good season after all.

Roger Friedman
Roger Friedman
Roger Friedman began his Showbiz411 column in April 2009 after 10 years with Fox News, where he created the Fox411 column. His movie reviews are carried by Rotten Tomatoes, and he is a member of both the movie and TV branches of the Critics Choice Awards. His articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. He is also the writer and co-producer of "Only the Strong Survive," a selection of the Cannes, Sundance, and Telluride Film festivals, directed by DA Pennebaker and Chris Hegedus.

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