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Review: Sarah Jessica Parker, Blythe Danner Sizzle in Off Broadway Play about “The Madoffs”

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Bernie and Ruth Madoff probably never imagined they’d become the stuff of celebrity drama. First Woody Allen reinvented them for “Blue Jasmine” with Alec Baldwin and Cate Blanchett as their alter egos. Now Blythe Danner is playing Ruth and Sarah Jessica Parker is a kind of Madoff son turned into a daughter off Broadway in “The Commons of Pensacola” which opened last night at Manhattan Theater Club’s smallish City Center Stage 1.

In the audience: SJP’s proud husband, Matthew Broderick; Danner’s son Jake Paltrow (who arrived from JFK after flying home from Dublin) with photographer wife Taryn Simon; writer Kenneth Lonergan, actor Frederick Weller (married to one of the play’s excellent actors, Ali Marsh), as well as “Game of Thrones” star Peter Dinklage, CAA partner Kevin Huvane, and WOR Radio star Joan Hamburg with daughter Lizzie, plus playwright A.R. (Pete) Gurney, the legendary Liz Smith who took a night out with Emmy winning producer Linda Yellen.

Plus: one our old pals, the great Treat Williams, who’s back in New York and told me: “I want to do plays.” Hello, producers! And two major directors: Joe Mantello and Walter Bobbie.

“The Commons of Pensacola” is a first time ever produced play by Amanda Peet, the actress, who’s no slouch. She’s appeared memorably in “Something’s Gotta Give” and “The Whole Nine Yards,” and in lots of TV shows and even a couple of Neil LaBute plays. So if you add her plus SJP and Blythe Danner you see why MTC’s star director Lynn Meadow directed this production, Santo Loquasto did the sets, and Jason Lyons did the lighting. Santo Loquasto doesn’t usually do sets for first time playwrights.

Something’s gotta give: Under Meadow’s superb direction, Parker and Danner, and the whole cast plays like a Bach chamber group. I don’t think Meadow (who’s won tons of awards) gets enough credit for how she handles these ensemble productions. Last season it was Jessica Hecht (who was in the audience tonight) and Judith Light in “The Assembled Parties.” Meadow knows how to do it and it’s not simple. She just makes it look that way.

The cast is really marvelous. Danner and Parker were on stage together in 1995 in the comedy “Sylvia.” You’ll want to see them now. They crackle with chemistry as mother and daughter. Carrie Bradshaw is long gone from the room; Parker is dead on as Becca, the morally conflicted daughter who’s been ruined by her Madoff father’s crime. Danner is delicious as the Ruth Madoff-ish Judy, who’s been sent to live in a condo in Pensacola, Florida with (almost none) of her former possessions or resources. Did she know what hee husband was doing to his clients? Danner told me “no” at dinner afterwards, but watch Judy and decide for yourself.

“The Commons of Pensacola” isn’t perfect. If it didn’t have all this Hollywood hoopla around it, the play might have gotten its start at Hartford Rep and a couple of other out of town percolators. A lot of the scenes don’t feel “finished,” a common problem these days for new plays that run short (this one’s 88 minutes) and have no intermission. They’re like penultimate drafts. Still, all the ingredients are so good, you can dismiss the infelicities just to see the entirety of the production in an intimate setting.

ARTPOP Poops Out: Lady Gaga Album Already Falls to Number 8

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ARTPOP has pooped out. The Lady Gaga album has already fallen from number 1 to number 8 on iTunes. Its reign at the top of the charts lasted for a split second. By Monday, when the weekly numbers are counted, “ARTPOP” may beat Madonna’s last album for the distinction falling farthest from number 1 ever. Madonna’s MDNA fell almost 85% in its second week after release in 2012.

The biggest problem with ARTPOP is no hit single. I’ve been writing about this for a couple of weeks and now I see Business Week picked up on the theme today. Gaga needs a breakout hit from that album. She currently has no song in the top 10.

“Applause” has done alright, but they are still searching for something. If only Gaga would listen to marketing people, or get a manager (or ask Troy Carter to come back). There are still a few choices on the album. But hubris may be the problem.

Brace yourselves, monsters. Monday may not be a good day in Gagaland.

No asked my advice, but this is a hit:

“X Factor” Hobbled Again in Ratings by Every Show in its Time Period

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Last night between 8 and 10pm people watched a lot of TV. But the show they watched the least was “The X Factor.” Simon Cowell’s dying on the vine contest finished last in total number of viewers in that time period. From “Criminal Minds” to “Survivor” to “Modern Family,” the evening was a blood bath for “The X Factor.” The show grabbed 5.5 million viewers. “Criminal Minds” by contrast: 12.29 million. “The X Factor” was ranked 7th for the period between 8 and 10pm, losing to shows I’ve never even heard of. (“Back in the Game”?) If tonight proves historically accurate, the “X Factor” numbers will be down again. Thursday shows are always a fall off from Wednesday. “American Idol” had better be looking at this. They’re next.

Monty Python Announces Reunion Plans: July 1, 2014 in London (Our Scoop: 100 Shows Worldwide All Together)

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Monty Python will begin its reunion tour on July 1, 2014. I am told by sources that will be just the beginning. The kick off will be at the O2 Arena which is run by AEG Live. I had been told yesterday that AEG had discussed a big tour with the company. It does seem the group is waiting to see response to this announcement before putting up more dates.

The group says they will play Europe and America. So my scoop about the 100 shows is certainly coming clearer.

Top ticket price is 95 sterling ($152 US). The show will comprise mostly “greatest hits.” Eric Idle is directing the show. There will be lots of Terry Gilliam’s famous animation pieces.

Terry Gilliam: “There will be medical teams standing by.”

 

Exclusive: Monty Python Considering 100 Date World Tour for Comeback

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UPDATE Wednesday night, 10PM EST: When the members of Monty Python hold a press conference Thursday in London, they will likely just say they’re re-grouping. No definite plans will be announced. But I am told they are seriously considering a 100 date world tour. They are talking to a major producer of such shows right now. Can six men over 70 years old pull it off? These guys can, and they will. After all, we never expected the Spanish Inquisition.

EARLIER: Thursday noon, London time, and 7am New York time, there will be a big announcement from the members of the Monty Python comedy troupe. As leaked on Monday, the group will be getting back together and performing on stage for the first time since 1998.

As I reported exclusively on Monday, the Pythons are now managed by Queen mastermind Jim Beach. He put Queen in the West End as a musical. Monty Python will likely hit the West End and Broadway and then TV.

So why are they returning after years of separate projects, enmity, and unhappiness? Money, money, money.

The Pythons lost a huge lawsuit last July brought by the producer of their movie “Monty Python and the Holy Grail.” His claim was that he was the ‘seventh Python’ and should get an equal cut of royalties from the musical “Spamlot” which was based on that movie.

Not only did Mark Forstater win his cut– $500,000 or more– but the Pythons spent a bundle defending the case. Their legal fees were said to be astronomical.

Sources say that Pythons Eric Idle and Michael Palin are well fixed. But John Cleese has suffered financial setbacks from many divorce settlements. And Terry Gilliam, a brilliant filmmaker, has lacked a hit in recent years.

Whatever the Pythons announce tomorrow morning, expect it to have an expensive ticket. Like the Rolling Stones, the Pythons are “of an age.” They’re not going to a lot of shows with lots of skits and costumes. At their age, we’ll be happy for whatever they do.

Gravity: See the Flipside Video of Sandra Bullock’s Call to Earth

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Here’s the companion piece video to “Gravity” made by Jonas Cuaron, son of director Alfonso. It’s called “Aningaaq” and could be nominated as a short film at the Oscars. Maybe there’s a whole reverse movie from “Gravity” where you see everything else that was going on while Sandra Bullock and George Clooney are in space.

Jay Z Foundation Stingy Scholarship Fund Selling $1000 T Shirts At Barneys

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Jay Z’s Shawn Carter Scholarship Foundation was a little stingy last year about giving scholarships to students. The Foundation took in $968,300 in donations in 2011-12. But it gave away only 141,357 in scholarships. The Foundation even lost money according to its Form 990 tax filing on its sole charity event. They finished $175,629 in the red from their Carnival at Pier 54. The tax filing doesn’t give details of where revenue came from or where it went.

t shirt with python epdsMaybe to give the Foundation a little push, Carter has curated a holiday sale that starts today at Barney’s. Through January 4th the store is donating 100% of proceeds from the sale of items Jay Z has picked out especially for his fans. They include two watches (one is $34,000, the other only $18k), $3,000 leather boxing shorts,  and a $700 cashmere ski mask perfect for bank robberies in Gstaad this winter.

There are also Balmain T Shirts for a thousand dollars apiece. They are made from a rare material called Cotton. And they have either lambskin or python epaulets. (Not epithets. That was just poor people cursing in the background.)

Now let’s just hope Barney’s doesn’t arrest anyone if they try to buy this stuff!

Wait, really? Python epaulets? Yes, indeed.

Antonio Banderas at “Black Nativity” Party: “You Know, I Sing!”

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Monday night at the legendary Apollo Theater: dozens of singers, musicians, and actors poured into Apollo for the premiere of Kasi Lemmons’ “Black Nativity,” a big warm-hearted gospel holiday musical. Stars Forest Whitaker, Angela Bassett, Tyrese Gibson and Jennifer Hudson were there as well as rocker Sting and wife Trudie Styler (who produced the film for Fox Searchlight with partner Celine Rattray), Melanie Griffith and Antonio Banderas, Bassett’s Tony Award winning husband Courtney B. Vance, director Lemmons and her actor-director husband Vondie Curtis-Hall.

Whew!

Then over to Marcus Samuelsson’s Red Rooster for the most delicious fried chicken and other Southern fixings. But the best part of the night was the teen gospel choir brought by the eminent Harlem teacher and playwright Vy Higginsen. They sang in the downstairs VIP room, where Antonio Banderas– in town to get an award– jumped up from his seat and tried to join the group. “You know I sing,” said the Tony winning Broadway star of “Nine,” and the film of “Evita.” Yes, we know.

Meanwhile Sting hung out with with Griffith–they are old friends dating back to their classic film “Stormy Monday” (rent it if you can). Griffith looks like a million bucks. She told me she’s very excited about daughter Dakota Johnson’s career jump in “50 Shades of Grey.” Dakota is the third generation of actors in that family, of course. Grandma is famed Hitchcock actress Tippi Hedren.

Styler, just finished performing in “The Seagull” downtown to raves, clapped along to the gospel group between Whitaker and his rockin’ wife Keisha. Because they were trapped against the wall by a big table, stylist Philip Bloch offered waiter services so everyone could get the famous Red Rooster Mac and Cheese.

PS Look for the first ever movie performance by Grace Gibson in “Black Nativity.” She’s the daughter of the stunning actress Lynn Whitfield, who came with her daughter.

Spielberg, Katzenberg Each Donate $10 Mil to Motion Picture Academy

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Steven Spielberg and Jeffrey Katzenberg have each donated $10 million to the Motion Picture Academy. The Academy has now raised half of the $300 million needed to build a new museum — much needed especially for archival purposes. Just a PS: these guys really have set new records for charitable giving in Hollywood. They, and David Geffen, gave $30 mil each last year to the Motion Picture Fund. Bravo!

Here’s the release:

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences received separate $10 million gifts from Jeffrey Katzenberg and Steven Spielberg for the Academy Museum of Motion Pictures. In recognition of these gifts, the two main galleries on the lobby floor of the Academy Museum will be named for Katzenberg and Spielberg – The Marilyn and Jeffrey Katzenberg Gallery and The Spielberg Family Gallery.

“Steven and Jeffrey share a passion for moviemaking and philanthropy,” said Academy Museum Campaign Chair Bob Iger. “With these incredibly generous gifts, they are combining the two, moving us closer to our goal of building a museum to preserve the history of motion pictures and inspire the next generation of filmmakers.” The Academy launched the Museum’s $300 million capital campaign in 2012 and has already secured more than half of the campaign’s goal in commitments. The campaign is co-chaired by Annette Bening and Tom Hanks.

“I am so pleased to join with Jeffrey to help build this museum to celebrate, educate, and preserve the arts and sciences of motion pictures,” said Spielberg. “Having our family name on the lobby floor is a deeply personal way to say how much motion pictures and the Academy have meant to all our lives.”

“Both Steven and I recognize that film’s global impact deserves a museum that reflects its unequaled heritage and serves as a beacon for the future of what we love,” added Katzenberg. “Marilyn and I appreciate this opportunity to be part of such a significant project.”

Academy President Cheryl Boone Isaacs commented, “Steven and Jeffrey have elevated the art of filmmaking to new heights and have created some of the most beloved films of all time. They continue to be champions of our industry. Having them join us as we build the Academy Museum is an incredible honor. We are so grateful for their support and partnership.”
The lobby of the Academy Museum will be a lively open space that will invite the public to engage in the life of the Museum. The Marilyn and Jeffrey Katzenberg Gallery and The Spielberg Family Gallery will be the only gallery spaces on the lobby level and will showcase exhibitions that will explore the past, present, and future of moviemaking.

“We are building the world’s premier movie museum, and I cannot imagine doing this without the support of two of our industry’s most inspiring leaders,” said Academy CEO Dawn Hudson. “Their gifts will create the first galleries our visitors experience when entering the Museum.”

Designed by architects Renzo Piano and Zoltan Pali, the Academy Museum will be located next to the Los Angeles County Museum of Art (LACMA) in the historic Wilshire May Company building. Slated to open in early 2017, the Academy Museum will contain nearly 300,000 square feet of state-of-the-art galleries, exhibition spaces, theaters, screening rooms, education centers, and special event spaces.

Lady Gaga ARTPOP Comes in At Number 1 with 260K Copies Sold

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Well, it’s not the edge of glory, but it’s all we’ve got. Lady Gaga’s “ARTPOP” album came in at number 1 with 260,000 copies sold according to hitdailydouble.com. It’s a far cry from her “Born this Way” album but really, nothing is like it used to be in this world. Is it? ARTPOP needs to catch a big hit single on the radio and then it will move.

So far, “Applause” has been okay but not huge. The R Kelly duet “Do What U Want With My Body” actually gets better with every play, but I’m not sure that’s the one. Interscope is trying out “Gypsy.” I think “Manicure” or the title track might do it. Singles are tricky. “Edge of Glory” was not popular when the album came out, then it took off.

Gaga had a lot of songs for ARTPOP including a duet with Cher which she didn’t use. Ironic since Cher’s done so well with her new album. Maybe there will be an ARTPOP 1.2 with added songs.

Interscope does NOT lose $25 million as some idiot blogger wrote last week. And when Gaga hits the road for an ARTPOP tour, millions will pour in. With this album,  however, Lady Gaga, has fallen to Earth with a thud.