Saturday, December 20, 2025
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Soap Opera: Firm that Killed All My Children, One Life to Live, Files Bankruptcy

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It was only a matter of time. Prospect Park, the company that licensed then killed “All My Children” and “One Life to Live,” has filed for bankruptcy protection.

This is the company run by Jeff Kwatinetz and Rich Frank. The bankruptcy doesn’t affect Kwatinetz’s music management business or his ongoing lawsuit with ABC over the soaps.

But it does speak to the fact that Kwatinetz really never had the resources to launch “All My Children” or “One Life to Live” on line in 2013. He managed to get through one season before throwing in the towel and blaming ABC for his problems.

In short order Prospect Park built an expensive studio, hired hundreds of people ran up bills in Connecticut, alienated the unions and made a mess of things.

Kwatinetz’s past issues with Britney Spears, Kelly Clarkson, Mike Ovitz and The Firm are well documented.

Just as a reminder: Kwatinetz himself is suing Prospect Park, claiming that a non compete clause in his contract is invalid. This would suggest that he’s trying to leave the company he co-founded. His partners say he can’t start a similar company if he does leave.

And that, my friends, is a soap opera.

 

“How I Met Your Mother” Mini-Spoilers Re Last Episode and No Deaths

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I’m not a big follower of “How I Met Your Mother.” I do know the end is near, and that there’s been a lot speculation that the Mother (Cristin Milioti) was dead all along, a la “Lost.”

Ridiculous. Milioti says so today in a posted video interview. But also, really, who would end an 8 season romantic comedy in syndication with that bummer? No one.

I ran into Josh Radnor and Milioti at the Independent Spirit Awards back on March 1st. They had just shot their final episode the night before.

“There were a lot of tears,” said Milioti, who comes from a great Broadway run in “Once” with Steve Kazee. She also appears in “The Wolf of Wall Street.”

“It was emotional,” Radnor, who’s directed two very good indie films, said.

So what about the last scene? It must have been a wedding, no? “No,” Radnor said, shaking his head. “The show jumps around in time. The end is not anyone’s wedding.”

That’s all I can add to this conversation. Except to say the idea of Greta Gerwig starring in “How I Met Your Dad” this fall is very intriguing. The show will be shot in New York. If it’s sophisticated and cool, if Noah Baumbach writes any of the scripts, “HIMYD” could be Gerwig’s “Mary Tyler Moore” show. #Hoping…

Oscar Boom: Idina Menzel Broadway Musical “If Then” Has $900K Week — Before It Even Starts

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Wow! “If/Then,” a Broadway musical sold $909,000 worth of tickets last week in its first week of previews– seven performances altogether. Why? The show’s star is Idina Menzel, who appeared on the Oscars last Sunday singing her hit song “Let it Go” from the movie “Frozen.” The song won Best Song, too.

The result is that “If/Then” — which is so far an unknown entity– did better than “Once” and “Phantom of the Opera” in the next seven days.

It didn’t hurt that Menzel became an overnight sensation not just for singing on the Oscars– but for John Travolta botching her name and calling her “Adele Dazeem.” That meme took off like wildfire, and caused a social network uproar.

No one knows much about “If/Then,” from the  creators of “Next to Normal.” It co-stars Anthony Rapp. A few weeks ago the cast debuted a couple of songs from the show at the Cutting Room and it seemed promising, but not overwhelmingly unusual. The show is about relationships. The music is kind of soft rock.

But Menzel is on fire. (Taye Diggs, please note all this.) A local star because of “Wicked,” Menzel has been going at this for a long time. “Let it Go” made her into a phenom. But last week’s box office must have the “If/Then” producers dancing in their offices.

Just to give you an idea: in the same week, the new musical of “The Bridges of Madison County” did $476– half the “If/Then” take.

Previews of “If/Then” continue Tuesday tonight. And it’s pretty much sold out.

Cat Stevens Still “Undecided” About Coming to Rock and Roll Hall of Fame Show

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The clock is ticking. But Cat Stevens– actually now Yusuf Islam– is still “undecided” about coming to his Rock and Roll Hall of Fame show induction next month. I’m told by a close friend that he still doesn’t know if he’ll make the trip from England.

Of course, everyone is crossing their fingers that he will come and pick up his trophy. When he was Cat Stevens, Islam was incredibly popular and influential. His many hits are played on the radio all the time, from “Morning Has Broken” to “Peace Train.”

As Islam, he’s also made some excellent records– even if they’re not has widely distributed as in the past. Check out his latest album “Roadsinger” on www.yusufislam.com

The Rock Hall is also probably anxious to get Islam on their show. They already have problems with Nirvana, KISS, and Linda Ronstadt not performing at the Barclays Center show. Without Islam, they’ll be down to Hall & Oates, Peter Gabriel, and the E Street Band.

Justin Bieber in Deposition: “I Was Detrimental to My Own Career”

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This is the wise guy asshat celebrity invented by Scooter Braun and idolized by teens all over the world. Justin Bieber in a deposition shows exactly who he is and why his career is over. He is smarmy, obnoxious, and disrespectful. He’s also borderline illiterate. When asked if Usher was helpful to his career, Bieber looks at the camera and says, “I was detrimental to my own career.” One of his lawyers corrects him, and says “instrumental.” TMZ obtained the video deposition, no doubt thanks to someone on the inside who realized this was better than winning the case.

Neil Young Will Unveil His “iPod Killer” Pono Tomorrow, for $399

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Neil Young sang, “Rust never sleeps” and true enough, he’s never allowed himself to stop dreaming. Tomorrow he’s unveiling his possible iPod killer, called Pono, at the SouthbySouthwest festival in Austin, Texas. The MP3 player will cost $399, and comes with a website called Ponomusic.com for buying music a la iTunes.

A press release went out this morning with links to Ponomusic and to Kickstarter for ordering the product. Unfortunately, the links don’t go anywhere– that’s a bad sign. The link to Neilyoung.com brings you to an editorial by Young about pollution in Shanghai.

Also, the press release came not from Pono but from Young’s label, Warner Music Group. It’s unclear what involvement the company has or if its owner, Len Blavatnik, is an investor. The idea of Pono, with a 128 GB capacity and potential for expansion, is to bring high end audio to portable music players. (Of course, you’re still not really going to get that using earbuds or Beats headphones. But that’s another story.)

Frustrated music fans and audiophiles will wait and see what happens next. The iPod (I’ve got a refurbished one) has a miserable sound. The company that I used to like for its sound, Creative Labs, gave up. So Pono piques our interest. But from the pictures already the shape of the thing– a triangle– looks worrisome.

Oprah’s First Lindsay Lohan Episode: Who’s Paying for All This?

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The first episode of Oprah Winfrey’s Lindsay Lohan documentary series? A little dull. I sympathize with Lindsay. She’s out of rehab. She looks good. She’s trying to get her life in order. But she’s also living in the Gramercy Hotel, she has a driver, a sober coach, and an assistant who used to assist Steven Tyler. Who’s paying for all this? She’s also looking at really expensive apartments in Soho. Again, where is the money coming from? Does anyone have any idea? I sure don’t.

Lindsay spent all last summer in ritzy Malibu rehab. It was free, because Cliffside wanted the press. They even ran ads during Lindsay’s show tonight. Some rehabs were offering to pay Lindsay to stay with them, in addition to free services. The offers were around $10,000 a month. But Lohan can run through money with the best of them.

Now Lindsay is out. The first few minutes are interesting– she’s on the apartment hunt. But the show drags and drags. At the end of the hour she’s still dealing with the apartment, yelling at the broker. The assistant, Matt, is running around moving her hotel room because Lindsay says she can’t stay in the same room anymore.

From the previews, Lindsay starts yelling at Matt. She’s also wearing an oxygen mask in an ambulance. Maybe the story picks up. But as much as I like Lindsay and root for her, you have to wonder if we’re ever going to see the financial mechanism here.  If it’s Mr. Pink, or Vikram Chatwal, I hope they’re show up soon too.

EXCLUSIVE Sarah Silverman Will Make Dramatic Debut in “I Smile Back” About Addicted Housewife

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EXCLUSIVE Sarah Silverman, the hilariously foul mouthed comedian, will make her dramatic debut as the star of a film adaption of Amy Koppelman’s much praised novel “I Smile Back.”

The film’s main character, Laney Brooks, a Short Hills, New Jersey suburban housewife is addicted to sex, drugs, and drink. She’s mordantly funny but has a dark, dark inner life. And this is after rehab.

Koppelman and Paige Dylan, wife of Wallflowers leader Jakob Dylan, wrote the script based on Koppelman’s novel. In the cast: Josh Charles plays Sarah’s husband and  Thomas Sadoski from “The Newsroom”  plays Silverman’s lover. Chris Sarandon and Terry Kinney are also cast.

Koppelman’s screenwriter husband Brian Koppelman and his partner David Levien are said to be producing along with Michael Harrop and Richard Arlook. Adam Salky is the director.

Silverman has had small parts in lots of movies, and TV shows. This would be quite a milestone in her career. “It’s a labor of love production,” says a source, “Sarah is really turning in amazing work.” The movie has been shooting for about a week around New York.

The source adds: “Amy wasn’t even thinking of writing a script until she heard Sarah doing on an interview on Howard Stern a couple of years ago. She called her up and said, I’m writing this for you. The two of them worked together on the script.”

Golden Globes Ex-Prez Mocks Suicide of HFPA Member: “Reinforced My Belief that Anyone Who Tries to Harm Me Comes to An Untimely End”

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Former Golden Globes president Phil Berk, still with the Hollywood Foreign Press after decades, has just published a book that shows all the petty bickering and backstabbing, the focus on money, and the lack of interest in anything other than celebrity and power– certainly not movies– that make the Golden Globes such a joke.

In the book, called “With Signs and Wonders,” Berk mocks most actors who aren’t still superstars or working regularly. He mentions Globes scandals but makes no comment about them.

His worst and most telling bit comes when he describes hearing about the suicide of fellow HFPA member Nick Douglas: “I was awoken by a call from John Hiscock informing me that a member, Nick Douglas, had committed suicide. I was in shock not just because Nick had taken his life but because he had once sent me an anonymous hate letter, and thus his death reinforced my belief that anyone who tries to harm me comes to an untimely end.”

Berk reiterates his theory after describing a scandal in which he was accused of grabbing the buttocks of actor Brendan Fraser during one of the Golden Globe members’ arduous (for the actors) get togethers with stars:

“Since that incident I have not been in the same room with Brendan Fraser, and ever since his career has been in decline. There’s that theory of mine again.”

Berk, a former school teacher for the Los Angeles suburbs, doesn’t say much about his qualifications for being a member of the Hollywood Foreign Press or even running it. If he loves film, he never says so. But he doesn’t like TV, that’s for sure. He goes on to malign several actors:

“Even though I’d always been a snob about movies as opposed to television  — you may have noticed I’ve never once mentioned a Golden Globe TV winner  — (overseas) newspapers and magazines had become far more interested in stories about TV personalities than movie stars; theatre attendance had dropped off, but there was an insatiable appetite for American TV. So I spent most of the year interviewing the likes of Mr.T. of The A-Team, Dan Travanti of Hill Street Blues, Eileen Brennan of Private Benjamin, Tyne Daly of Cagney and Lacey, Robert Blake of Baretta, Jamie Farr of M* A* S* H, Erin Grey of Silver Spoons, Joe Penny of Riptide, Philip Michael Thomas of Miami Vice, Donna Mills of Knots Landing, and Morgan Fairchild of Flamingo Road. Whatever happened to them?”

Nice huh? He makes the same swipes later at “Flashdance” singer Irene Cara, and actor Jason Patric.

And Berk reveals exactly what it takes to get a Golden Globe nomination. It has nothing to do with merit. To wit: “Nicole Kidman but not her costar Dustin Hoffman did an interview for Billy Bathgate, and it paid off. She was nominated; he was not.”

And what about all the tales of lavish travel for the 80 or so members who are still mobile? How about this? “We traveled to London for Harry Potter and Woody Allen (two different set visits) and to Rome for HBO’s Rome. My wife accompanied me on both trips. In London we were staying at the Dorchester where I requested my usual room. Keith Iddins the manager had other ideas insisting Ruth and I move to a different room. I was not happy about this until we were led into the sumptuous Suri Seri suite he had reserved for us. Three bedrooms, three living rooms, everything laid on; it was elegance beyond belief fit for a king.”

Is he the president of a film critics group or the Shah of Iran?

Berk’s book is worth reading if only for the incredible detail from a man full of hubris. He is vicious to his enemies, and — in crowing about successes within the HFPA– reveals way too much about members’ friendships with the studio execs whose movies they are supposed to be objective about. A crazy read, but incredibly informative!

 

 

Big Studio Flops “Winter’s Tale” and “Endless Love” Wrap Sad Theater Runs

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Yikes. I didn’t realize “Winter’s Tale” was almost completely pulled on Thursday from distribution in the U.S. As far as I can tell, Akiva Goldsman’s allegedly $60 million flop is playing in 56 theaters in the whole country– including Canadian venues. Otherwise, it’s completely vanished from theaters everywhere else.

“Winter’s Tale” has made, through last Thursday, $12.9 million. Warner Bros. says it cost $60 million but that doesn’t seem possible. Thanks to numbers that came out in an MPAA press release just as the movie opened, “Winter’s Tale” is on the record for spending almost $60 million in New York state alone. Adding in above the line costs, promotion, below the line costs like special effects, plus prints, promotion and expenses, $100 million is not a far off estimate.

Of course, Warner Bros. is doing very well right now with “Gravity” and “The LEGO Movie,” not to mention “300: Rise of an Empire.”

“Winter’s Tale” is a failure on the level of “Jack the Giant Slayer” or Kevin Costner’s “The Postman” years ago. Usually even the biggest duds make it through a four week window in theaters. “Winter’s Tale” was released on February 14th. For it only to last until March 6th– ouch!

Meantime, “Endless Love,” the other Valentine’s Day release turkey, will have the ignominious distinction of being a bigger flop than its 1981 predecessor as it backs out of theaters next week. With just about $23 million in the till, the new “Endless Love” will fall short of the original’s $31 million– and that number isn’t adjusted for inflation. Universal had hits with “Ride Along” and “Lone Survivor,” so this episode will not be spoken about again in public.