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Phil Spector’s Victim, Lana Clarkson, Still Speaks from the Grave

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Lana Clarkson was murdered by Phil Spector on February 3, 2003. A few hours later I wrote this piece on Foxnews.com. Lana had a website that clearly showed a lot of love, and a good sense of humor. The website is still up at www.lanaclarkson.com. Today, reports came out that Spector, a talented but terrible person, wasn’t doing well in jail. Here’s the original story, which was widely linked to back in 2003:

from February 4, 2003:
The woman found shot dead in producer Phil Spector’s entryway was a minor TV actress with a long list of credits and knockout beauty. She was a six-foot blonde with a sense of humor and pretty decent idea of how show business worked.

How do we know? Well, forty-year-old Lana Clarkson is speaking from the grave. She has a Web site with a message board on which she was vocally active every few days. The police and tabloid newspapers will be combing over the site to try and figure out what happened to her and how she knew Spector. Her story is one typical of so many beautiful women in Hollywood who have the looks but not the talent to make it as a full-time actress.

Instead, Clarkson seemingly created a career by appearing in B-movies galore. Some of them have unfortunate titles, like Deathstalker. There will no doubt be a rush to see if she participated in any X-rated ventures.

One theory, raised on her message board, is that she may have met Spector at the House of Blues on Sunset Boulevard, the upscale music hall co-owned by Dan Aykroyd. Spector was a frequent visitor there. Clarkson began working there as a waitress, according to her site, just recently.

Clarkson has dozens of credits, dating back 10 to 15 years. More recently, she had her own production company, Living Doll Productions, and she was trying to start her own projects. Her current credits included working as a presenter at comic book conventions and at Glamourcon, a convention where pin-up girls and former Playboy playmates sign autographs for guys.

Nevertheless, from her own posted messages on her Web site, Clarkson was no dumb blonde. She routinely answered questions from her fans, and did so with aplomb. She admired Marilyn Monroe, for example, “this is not to imply that I wish to live the sort of lonely and narcotics-shrouded existence she did. What I love about her is her essence, her work and her commitment to it. She was an ACTRESS with a capital ‘A’!” she wrote in one posting, and concluded: “I have been blessed to work in an extremely difficult industry, but in my opinion have not even begun to reach my full potential. I have been pounding my head against a plexiglas ceiling trying to break through to a completely different level for a while now. God willing, this is the year it will happen. Keep your eye out for a new quality of work from Ms. Clarkson!”

In another posting, Clarkson described her long haul as a ‘C’ level actress: “I’ve always been fortunate to make a living as an actress. However, I have done other jobs to supplement my taste for producing, writing and directing. I’ve worked as a standup comic, a model, a producer, a travel agent, done trade shows, worked for a jewelry company and teach image enhancement workshops for the corporate world. I also occasionally teach acting.”

She did not care to share her personal life with her fans however. “Thanks for stopping by. I am dating, but don’t feel comfortable sharing that part of my life,” she wrote to one fan. “I prefer to keep my love life private!” She then adds eerily: “As far as past relationships, there have been some great loves (some of them famous), but you’ll have to read about them in my book. That won’t be completed for a couple of years yet.”

Spector’s Wall of Sound Comes Crashing Down

Today, you’re going to be reading everywhere about the strange world of record producer Phil Spector. A musical genius and the inventor of what is now known as “the wall of sound,” Spector also has a trigger temper. He was famous for shooting off guns.

Now he may have gone too far. But O.J. Simpson/Christian Brando defense attorney Robert Shapiro is a close pal of Spector’s and is there to handle the case.

Spector is considered a hermit and recluse, rarely working since his brush with the Beatles (Let It Be) and George Harrison (All Things Must Pass) in 1970. He helped John Lennon a year later on Imagine and in 1975 on his Rock ‘n’ Roll album. One source who was there during those sessions told me yesterday, “John was mostly disgusted by Phil and his guns. There’s a famous story of how he shot a hole in the roof of the recording studio. John couldn’t take it, which is why he didn’t want to work with him.”

Since then, he’s worked on an album by the Ramones that was released, and one by Celine Dion that wasn’t. Recently, he produced tracks for the British group Starsailor. And he’s done some recording for Depeche Mode.

But mostly, it’s the stories about Phil shooting at people, into the air, etc., that you read about. Those are his old anecdotes that made him seem eccentric. They’re not so funny now.

Just a couple of weeks ago, Paul McCartney and Ringo Starr announced they were going to release a Spector-less Let It Be, restoring the album to McCartney’s original vision. Maybe this upset him.

Then there were the lawsuits. Both Darlene Love and Phil’s ex, Ronnie Bennett Spector, sued him for millions. They claimed that he’d never paid royalties on their hit records such as “Be My Baby” and “Then He Kissed Me.” He’d only remunerated them for the sessions. Love’s case stood after she won; Ronnie’s was overturned by an appeals court. Ronnie Spector, according to my sources, is in a constant financial dilemma because of Phil.

Spector’s personal life is as much of a mystery as he is. He had five children by my count: a pair of twins he adopted with Ronnie, another pair he had biologically and a biological daughter. The latter three were with Janis Savala.

“He prohibited her friends from calling her because Phil didn’t want her speaking with ‘outsiders’ who presumably were aghast that she would marry him,” said Mark Ribowsky, the author of He’s a Rebel (Cooper Square Press), a good Spector biography. “In time she lost almost all outside contact.”

Of the remaining children, one is a recovering drug addict. One of the original twins is dead. Another son, Gary, is supposedly on good terms with Spector and is even a collector of his records. Spector’s daughter, Nicole, lives in New York.

As for the women in his life, here things get cloudy. Recently, Spector “dated” Nancy Sinatra. Friends say they were together around the time of father Frank’s funeral. Currently, Nancy is in Nashville recording a new album with her old friend Lee Hazelwood.

Besides being a record producer, Spector was also the inspiration for the main character in the cult film, The Idolmaker, starring the late Ray Sharkey.

And while Spector is not the most social guy, he does throw a post-show cocktail party every year after the Rock and Roll Hall of Fame dinner in New York. All kinds of musicians and stars turn up. I’ve been to it, and talked to Phil. He told me on March 8, 2000, that he would never give Celine Dion her tracks back because he didn’t like them.

What happened, I asked him? “Very simple,” he said. “We did them, but her husband was jealous. He didn’t like losing control of the decisions. So they have them.” We will probably never hear them, which is a shame, since lush orchestration suits Celine’s odd voice.

Isn’t this almost what happened 35 years ago when Phil recorded Tina Turner and banned Ike from the control room during the sessions for “River Deep Mountain High?”

“I talk to Ike all the time,” Spector said. “He’s always callin’ me up. We’re friends!”

Second question: What about The Beatles’ Let It Be, which Spector produced over McCartney’s objections back in 1970? “Paul apologized to me for all the bad things he said,” Phil replied at the time. “He was only against it because John Lennon liked it so much.”

Spector went on to work with Lennon on several projects, including his Rock ‘n’ Roll album, which featured their re-worked version of Ben E. King’s “Stand By Me.”

“You know what? That was a takeoff on Rimsky-Korsakov,” he said, humming out the basic structure. “I thought we were going to get sued!”

(Probably not, since the Russian composer died in 1908.)

If all of that isn’t enough, one more thing. Yesterday, Feb. 3, was the 44th anniversary of the Day the Music Died — the airplane crash that killed Buddy Holly, Ritchie Valens and the Big Bopper.

Music: Bob Geldof Says “Isis Will Be Defeated”; Bebe Buell Goes Country

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Sir Bob Geldof is bringing the Boomtown Rats to New York and Boston this weekend for two rare performances. The rocker and humanitarian has been wrapped up in social issues and sad ones at home (the recent tragic loss of his daughter Peaches). The Rats date back to 1980 with clever, catchy hits like “I Don’t Like Mondays” and “Looking for Number 1.”

Of course, our conversation yesterday turned quickly to politics and the current bleak situation with terrorism. “Isis will be defeated and must be defeated,” Geldof said. “But I imagine it will be the forces in the middle East [that will end it]. Neither the Sunni or Shiite powers want these headbangers running around in their territory. Nothing is as simple as the news reels make us feel. So we have a lot of anxiety.”

Geldof, by the way, is not interested in the launch of the iPhone 6 or any other smart phone. He’s the proud owner, he says, of the Nokia 6210, a cell phone from the Neanderthal age. “I just want a machine that has a big signal. It takes texts, that’s all I want. I don’t want any of your stupid fuckin’ photographs. It has a black and white screen. I just want to make the call, get the text, that’s it. It is the AK47 of the mobile telephony world. It never gives up.”

Geldof is happy to get back to performing his old hits– a bit of a relief. “Being on stage is intuitive and instinctive. It’s so much more relaxing and cathartic than doing politics or business. You get all the crap out of your head. And you’re responding to the power of this massive band behind you. Afterwards, you’re tired but you’re nimble. It’s cleansing.”

The Boomtown Rats are in NY on Friday at Terminal 5 and in Boston on Sunday at the Royale…

BEBE GOES COUNTRY…Loving “Hello Music City” the new single from Bebe Buell, who’s moved down to Nashville with musician husband Jim Wallerstein and is taking the town by storm…. Produced by Jon Tiven with the top talent from music’s capital…

this is how to buy it, and the bluesy flip side “Secret Sister”:

Oscars: Barry Levinson’s “The Humbling” with Al Pacino Will Get Millennium Push

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EXCLUSIVE I am told that Millennium Pictures is going to release Barry Levinson’s terrific film “The Humbling” in time for a big Oscar push this fall. Sources say Millennium, which had thought of selling the rights, has wisely decided to make a run for it. Al Pacino turns in an absolutely wonderful Oscar-sized performance and Greta Gerwig is incredibly charming in a supporting role in Levinson’s adaptation of the Philip Roth novel.

Audiences in Venice and Toronto loved the film, a comedy very much in the tone of Levinson’s great “Wag the Dog” and “Rain Man.” At the first Toronto screening, the audience couldn’t get enough– and they did get all the humor Levinson and Pacino injected into Roth’s saga of a washed up cranky actor who flees to the country. Broadway star (“Venus in Fur”)  Nina Arianda has a pivotal secondary role and she’s spot on loony, too.

So what will happen? Millennium will power up and do a great marketing and PR plan, put on a huge Oscar push and “The Humbling” should do very well. If Pacino wants it, he will entertain the Academy voters and they will be delighted. His performance is par excellence. And the movie is funny and smart– and quirky– a delight because it’s completely original. Now get a good Oscar campaign together and let’s see it happen.

Barbra Streisand Has the Biggest Album Debut of Her Career with 200K in Sales, Only Artist to Score Number 1s in Six Decades

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Go figure. Barbra Streisand and Marty Ehrlichman must be bathing in Dom Perignon tonight. “Partners” debuts at number 1 on the album charts with just under 200,000 copies sold. It’s Barbra’s biggest debut ever, beating her 2009 album “Love is the Answer” which sold 180,000. Wow. If
“Partners” hits the sweet spot and sells through Christmas, Streisand may go platinum.

“Partners” exceeded all expectations. Over at Hits, they had it at 170-180K. Who knew? Bubbeleh!

As I wrote the other day, Streisand is now the only artist ever to have number 1 albums in six decades. And all on the same label– Columbia.

Considering the album got so-so reviews, something really went right here. Jimmy Fallon was a big part of it, but a lot had to do with Streisand’s duet picks– Lionel Richie, Billy Joel, Josh Groban, Michael Buble– and timing is everything. People are sick of pre-fabricated music. Streisand is the real thing.

What does this mean for Tony Bennett and Lady Gaga? Good things. Their “Cheek to Cheek” came out yesterday and is already number 1 on amazon and in the top 5 on iTunes. With the right push, it should follow Streisand. Aretha Franklin will come right after Tony and Stefani, and do the same thing. We’re in a pocket where fans want the genuine artifact. Let it rip!

Bob Dylan is the MusiCares Person of the Year 2015

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UPDATE Confirmed performers include Beck, the Black Keys, Norah Jones, Tom Jones, Los Lobos, John Mellencamp, Willie Nelson, Bonnie Raitt, Eddie Vedder, Jack White, John Doe, Neil Young and Crosby, Stills & Nash. No Jakob Dylan or Wallflowers, btw.

Don Was is musical director.

EARLIER MusiCares has found an honoree and he’s a great choice: Bob Dylan. It’s about time, too. Dylan is 10 time Grammy winner and poet laureate of a generation. He’s also a genius. His very cover-able catalog includes “Blowin’ in the Wind,” “Mr. Tambourine Man,” “Lay Lady Lay,” “The Mighty Quinn,” “Forever Young,” “Tangled Up in Blue,” “Shelter from the Storm,” “Make You Feel My Love,” and dozens of others. Let’s hope the concert organizers get some of the people who had hits with Dylan songs to come in and do ’em, including Garth Brooks and Joan Baez, as well as Robbie Robertson from The Band. Stevie Wonder had a major hit with “Blowin’ in the Wind” by the way. Rod Stewart had one with “Forever Young.” The MusiCares Person of the Year dinner is in February 2015.

Barry Manilow Halloween Surprise: “I Sing with Dead People” Duets with the Deceased

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Oh my god. Hilarious. Barry Manilow has recorded an album of duets with dead people. They are all dead. Dead, dead, dead. And he’s releasing it a few days before Halloween on October 27th.

After all, Barbra Streisand and Tony Bennett have duets albums. Why not Barry? Of course, Barbra did resurrect Elvis for her album. Now it’s Barry’s turn to be the crypt keeper.

And what a group! Judy Garland, Marilyn Monroe and Jimmy Durante he got from one of those Hollywood Boulevard souvenir shops. Whitney Houston? Why not Michael Jackson? (Probably couldn’t get permission.) Barry’s also got Andy Williams, Louis Armstrong, “Mama” Cass Elliot, Sammy Davis Jr., Dusty Springfield, John Denver, and Frankie Lymon.

also check out http://www.showbiz411.com/2014/09/23/radio-serious-court-ruling-against-sirius-xm-over-playing-but-not-paying-for-pre-1972-music

“My Dream Duet” is the name of the album. Barry didn’t dream of singing with people who were alive– and breathing. No, it was a visit to the cemetery that turned him on.

One thing you can say about this– Barry won’t have to fight with the duet singers over interpretation.

Here’s the track list. Disappointed– no “Monster Mash.”

The Song’s Gotta Come from the Heart,” with Jimmy Durante
“Goody Goody,” with Frankie Lymon
“Dream a Little Dream of Me,” with Mama Cass
“I Believe In You and Me,” with Whitney Houston
“Sunshine on My Shoulders,” with John Denver
“Zing! Went the Strings of My Heart,” with Judy Garland
“Moon River,” with Andy Williams
“The Look of Love,” with Dusty Springfield
“The Candyman,” with Sammy Davis, Jr.
“I Wanna Be Loved by You,” with Marilyn Monroe
“What a Wonderful World”/”What a Wonderful Life,” with Louis Armstrong

Tony Bennett-Lady Gaga Album Will Give “Born this Way” Singer Tony’s Career Longevity

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Cheek to Cheek is here! Already getting great notices in the UK, where it came out yesterday, the Tony Bennett- Lady Gaga project is a winner for both singers and for us. More importantly, as I told you when the pair taped their PBS special (airing next month), Gaga turns out to a fabulous jazz singer with a rich, textured voice.

Indeed, even though Gaga sings perfectly well on her own rock songs, this form seems like it’s her metier. Jazz standards give her a chance for more emotional readings, whether comic or dramatic. There’s so much personality in her voice that suddenly she feels like the natural progression from Bette Midler than begins with Barbra Streisand. She’s their heir. Who’da thunk it?

Tony, of course, just keeps going. At 88, I guess he’s a tribute to bad living followed by a clean life. When you think that Tony Bennett sort of wandered around for about 20 years and then was rediscovered– well, thank goodness. His phrasing, reading, and intelligence are impeccable. You can tell that he’s mentored Gaga, too. She is damn lucky.

There are 11 duets on the album, and a pair of solos for each singer. Gaga excels on “Lush Life” by herself. Bennett takes a new crack at “Sophisticated Lady,” and “Don’t Wait Too Long,” both of which he’s done before. Let’s face it, he’s sung every standard over the last 60 plus years. But Tony never fails to bring new colors to songs each time he tries them.

You know, Tony labored under the shadow of Frank Sinatra for years. But since Sinatra’s death, we’ve had this extraordinary Bennett Renaissance that no one could have expected. Compare “Cheek to Cheek” to Sinatra’s late – career duets albums. Ol’ Blue Eyes couldn’t have pulled this off at 68, let alone 88. (He died at age 82.)

As for Gaga, this turn of events guarantees that she will be with us forever. Unlike Madonna, Gaga has about ten career possibilities. She’ll be able to do anything she wants, especially Broadway, when her fan base ages out. Movie musicals? Why not? We are stuck with her, but in a good way. If she takes care of that voice, Lady Gaga will be getting a Kennedy Center honor and lots of other things 30 and 40 years from now.

Congrats to Tony’s sons, Danny– his manager, and Dae–his producer on “Cheek to Cheek.” They nailed this thing.

Cinema 101: “Raiders of the Lost Ark” in Black & White, Taught by Steven Soderbergh

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Steven Soderbergh is so enamored of Steven Spielberg that he’s teaching it now on his blog. The Oscar winning director of “Traffic” has put “Raiders of the Lost Ark” into black and white, and added a new soundtrack. This is all so he can show how well the movie is composed in the first place.

“I want you to watch this movie and think only about staging, how the shots are built and laid out, what the rules of movement are, what the cutting patterns are. See if you can reproduce the thought process that resulted in these choices by asking yourself: why was each shot—whether short or long—held for that exact length of time and placed in that order?”
See more at: http://extension765.com/sdr/18-raiders#sthash.FrERvfo1.dpuf

Denzel Washington Skips Movie Premiere Party, Misses Pals Like Ethan Hawke, Spike Lee

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Denzel Washington is over it. He skipped the premiere after party for his own movie, “The Equalizer,” last night at the Stone Rose Lounge. It was like deja vu all over again: he did the exact same thing for “Flight,” same venue, a couple of years ago. Oh well. He had a better invitation, I guess.

So Denzel missed pals like Ethan Hawke, Spike Lee, “Sopranos” star Aida Turturro, Benjamin Walker, “Equalizer” director Antoine Fuqua, the director’s wife Lela Rochon, “Les Miz” star and Tony winner Nikki James, “Equalizer” producer Steve Tisch, members of the Tisch family, and cast members from the movie like Haley Bennett.

Denzel, everyone praised your performance at the party. Ethan Hawke compared you to John Wayne. Just like at the “Flight” party, everyone wanted to say something nice to you. But you weren’t there. Where were you?

“The Equalizer” has little to do with the old TV series. It was shot in Boston, although I don’t know why since you see nothing of the city. Also, the Boston accents are either nil or kinda bad. David Harbour, an excellent actor, tries it and gets it, almost.

The movie’s main villain, played by Martin Csokas, looks oddly like Kevin Spacey, and even sounds like him sometimes. The rest of the cast is hard to follow, but Melissa Leo and Bill Pullman show up in the middle and kind of help explain what’s going on. They could be spun off into their own film.

Denzel does share the name Robert McCall from the TV show. He’s been working at a Home Depot type place, placidly selling sheet rock, until one day a girl he knows slightly from a diner is beaten up her pimp. That’s when Robert decides to kill a lot of people, violently, leaving a trail of bodies and gore. This is because he’s really a good guy who’s righting wrongs against the weak.

The movie is moody and dark, shot like it’s “The Dark Knight.” Some of it is ridiculous, and obvious. It is also humorless to the point of exasperation. But this is a pop corn pleaser, and I suspect “The Equalizer” will be a big hit. Also the use of a Home Depot-style set gives Denzel a chance to avenge himself using nail guns and other interesting hardware store weapons.

There are some Sony product plugs: Denzel has a Vaio computer, which is plausible only because I still have one. But everyone has a Sony cellphone, and that’s a little absurd. Kudos to Fuqua for use of Gladys Knight and the Pips’ “Midnight Train to Georgia” and for reference to the Pips with a video clip.

Theme from the old show by Stewart Copeland, of the Police:

Radio Rocked: Serious Court Ruling Against Sirius XM Over Playing But Not Paying for Pre-1972 Music

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EXCLUSIVE This may be a lightning strike for all time: the Central District Court of California has ruled against Sirius XM and for Flo & Eddie, aka The Turtles, over not paying for playing pre-1972 music on the satellite radio station.

Sirius up til now has not paid royalties for any music prior to 1972, claiming that it was exempt by law. This means for the Turtles, for example, that every time “Happy Together” or “Elenore” were heard on a Sirius channel, it was free.

And this pertains just about to every track heard on Sirius that was a hit before February 1972, from Elvis to the Beatles to most of Motown, etc. Everything.

Judge Philip Guitierrez has done something that was unthinkable, and is certain to cause tidal waves through the radio and music industries today.

This may be the line from the judge’s decree that echoes all over the place: “On undisputed facts, Sirius XM publicly performs Flo & Eddie’s sound recordings without authorization to do so…At minimum, Flo & Eddie was injured by Sirius XM’s conduct in the form of foregone licensing or royalty payments that Sirius XM should have paid
before publicly performing Flo & Eddie’s recordings.”

When lawyers get hold of this, the consequences could be enormous. This ruling could apply to all of the pre-1972 recordings for which Sirius has no authorization. Like, all of them. If you’re a fan of the 50s, 60s, or 70s stations, or Soul Town, there may be a problem soon enough. “The Court found that such public performance constitutes a violation of Cal. Civ. Code § 980(a)(2).”

The kicker: “There was wrongful disposition of that property right every time Sirius XM publicly performed the recordings without Flo & Eddie’s permission, in violation of California copyright law.”

“Sirius XM’s unauthorized performances alone establish conversion damages in the form of license fees that Sirius XM should have paid Flo & Eddie in order to publicly perform its recordings.”

What will happen, and how will this affect Sirius–as well as other digital broadcasters not paying pre-1972 royalties? Plenty. It will depend on who owns the master recordings–and this is something that has been a point of contention for artists like Prince (who is not pre-1972). Record labels that own the masters to hit recordings may be lobbied by artists who are not paid by Sirius, et al to take a stand.

So hold on, Sirius, because they’re coming.