Friday, December 19, 2025
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George Clooney Gets Married Without Brad Pitt or Angelina Jolie, Sandra Bullock as Guests

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You may have heard: George Clooney got married today in Venice. He married beautiful lawyer Amal Alamuddin, and congratulations to them both.

The star studded wedding seems not to have included Brad Pitt and Angelina Jolie. Tabloids insisted all summer that Brad would be best man. That honor likely went to either George’s dad, Nick, or best friend Grant Heslov. Also MIA was producer Jerry Weintraub and some of the other “Ocean’s” movie cast mates as well as Sandra Bullock. Maybe they’ll turn up later in photos.

Brad and Angelina are filming “By the Sea” in nearby Malta, an island off the coast of Italy. Pitt has appeared in four movies with Clooney. Sandra Bullock, Clooney’s acting partner in “Gravity,” is shooting a film in the U.S.

Guests ranged from real Clooney friends like actor Richard Kind and Matt Damon to business associates like CAA agent Bryan Lourd, Anna Wintour of Vogue magazine and Stefano Tonchi of W Magazine.

Celebrities included Bono, Bill Murray, John Krasinski and Emily Blunt, and Cindy Crawford and husband Rande Gerber. Will Bono sing at the reception? I just hope he makes a toast and someone records it. No one gives a speech like Bono.

“Gone Girl” Cast Parties Behind Bodyguards At New York Film Festival Opening

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“Gone Girl”? Gone event. The New York Film Festival opening at the newish Tavern on the Green was pretty much of a bust last night. For the first time in the fest’s history, the cast and crew of the opening night night partied in a private room while the rest of the invitees were locked out. Security guards blocked the entrances to the VIP event and no one at the main party ever saw Ben Affleck, the cast, or director David Fincher.

The joke, of course, was that lots of A list people who expected to mix and mingle with the “Gone Girl” gang were stuck outside — and literally outside. That’s because the new Tavern on the Green has much less indoor space than the old one thanks to the removal of the famed Crystal Room. Tavern has been reduced in size and glamor quite remarkably. It’s like someone snuffed out all of its joie de vivre. What a shame.

Meantime, many of the movie execs, press, New York Film Fest guests and so on debated the whole issue of “the book vs. the movie” as Gillian Flynn’s novel has so many fans. They were busy explaining the “Gone Girl” story to those of us who were underwhelmed by Fincher’s often over the top take on what is being described as a manifesto about marriage.

“This will be a tough sell,” declared one veteran actor. “It’s not a slam dunk at the box office.” The set up of “Gone Girl”: Nick Dunne (Ben Affleck) comes home to find his wife (Rosamund Pike) is missing. It looks like there’s been a scuffle at their lovely suburban home. Nick looks around but he doesn’t try to call his wife’s cell phone, or call her friends, or her family. He just calls the police, they arrive, and look around. An orange cat follows them around.

The investigation Amy’s disappearance could make the film “Chasing Amy,” an early Affleck film. Eventually it’s concluded, or decided, that Amy must be dead. Nick doesn’t shed any tears because he’s been having an affair with a 20 year old college girl. Also, his twin sister didn’t like Amy. They bring in her parents; her father is played by Miles Drentell from “thirtysomething.”

There’s a plot twist, of course. I can’t give it away. If you’ve read the book, you know what I mean. And then things go way over the top. There’s a lot of mustache twirling. Some of the acting, like Neil Patrick Harris’s, gets very “General Hospital.” And then there’s a shocking act of violence that requires buckets of Max Factor blood.

I disagree with the veteran actor. “Gone Girl,” like “The Fault in our Stars,” should be a $100 million movie thanks to the book’s huge readership. The first two weekends should be big. Oscar buzz? I’m not sure. But “Gone Girl” seems like it’s perfect for the Golden Globes.

Jeremy Renner Wears a Wedding Ring, Says His “Bourne” Is on Hold

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Photo c2014Showbiz411
EXCLUSIVE Jeremy Renner wore a silver ring on his finger at the press conference for his new political thriller, “Kill the Messenger,” which opens Oct. 10. The next day he announced to ABC News that he married the mother of his new baby girl.

Questions of a personal nature are discouraged by publicists at these dos and the ring didn’t look like a traditional wedding ring.

Talk was all about the movie at the Ritz Carlton Hotel, where Renner discussed the best role he’s had since Kathryn Bigelow’s “Hurt Locker.” Renner sats as real-life controversial investigative journalist Gary Webb, whose 1990’s articles for the San Jose Mercury News documented the C.I.A.’s link to Central American cocaine smugglers. The peddled drugs funded contra rebels in Nicaragua and also devastated LA’s black ghettos. First celebrated for his groundbreaking articles, the reporter was later discredited and dragged through the mud by competing and media giants the New York Times, Washington Post and especially the L.A. Times. (Soon his story was soon overshadowed by the goings on with Bill Clinton and Monica Lewinsky.)

At the press event, Renner, who is also a producer of the film, talked to journalists for 30 minutes. As serious as he was, he also showed he has a sense of humor about fame and the negative offshoots, like the nude photographs circulating of him on the Internet.

I asked Renner if I could take his photograph.

“Yes, you need a picture?” he asked me. Everyone giggled.” Those on the Internet are much better than the one you’re gonna take,” Renner told me. “Just sayin.”

Back to the film, which is based on Webb’s 1998 book, “Dark Alliance,” in which Webb defended his articles, and the 2004 biography of Webb by Nick Schou, which gives the movie’s title. The film, which is sympathetic to Webb, should help reinstate his reputation and embarrass the appropriate people.

Although there’s an embargo on reviews before the film opens Oct. 10, I will say only that though it’s based on a story that happened several decades ago, it feels timely and fresh in light of how whistleblowers are vilified and the current administration has limited press access. The film is so powerful and exciting that by the film’s coda, which reminds us Web died after he shot himself in the head twice, I was so stunned by this largely forgotten story that it took me five minutes before I could get out of my seat.

Renner, who grew up in Modesto, California, seventy miles from where Webb filed his reports, explained why he was so passionate about the project.

“I got a really great script by Peter Landesman and then discovering it was a true story made it important to bring it to the big screen, so Mike (Cuesta), now ok, we can really consider actually doing this and the more I researched, the more I studied, the more I realized, wait a second, this all happened like seventy miles from where I grew up and I know nothing about it,” he said. “Some of the downstream sort of effects, what he uncovered, and thought that, you know, it’s something I had to do. Not wanted to do but had to do.”

The actor said he little contact with Webb’s family, who shared home videos of their father/husband going about doing mundane things. “It’s not my place to dig up old feelings or new feelings or fresh feelings. I didn’t want to do that so that I can go play him in a movie. It’s not my place, so out of respect for the family, I hid from them, if you will.”

He met them later. “It was amazing! It was lovely. It was awkward. It was cathartic. It was beautiful. It was encouraging. They were gracious and loving and I still talk to them and can’t wait to see them again at the premiere. They were very happy with the way the movie turned out.”

Asked about upcoming projects, Renner mentioned hot films in the pipeline.
He told reporters “The Bourne Legacy” sequel seems to be on hold now that Justin Lin will direct the first two episodes of “True Detective” later this fall.

Paul Greengrass and Matt Damon “are thinking of getting it going again, which is awesome because I think that leads to maybe us doing one together in the future, which would be my hope.”

For the past three weeks he’s been shooting the Tom Cruise starrer, “Mission Impossible: 5,” where he reprises his role as William Brandt. The action picked up in Morocco he said, and they will continue shooting in London.

“We have four and ½ months to go and we’re doing a lot of writing as we go and, yeah, there’s some good set pieces and seems to be some good twists and turns. We’ve got a great cast. Alec Baldwin is amazing. And again some more good bad guys there. It’s going to be cool. We’ve got the boys back together, Ving Rhames, Simon Pegg, and Tom, myself, it’s cool. Alec Baldwin is tremendous.”

“The American Hustler” actor also hinted to what was ahead for his character Hawkeye in the upcoming “Avengers: Age of Ultron.”

“It was fun to finally kind of discover who Clint Barton is a little bit and got some good secrets revealed and I think what was great about the first Avengers is exponentially expressed in this one. The action to making fun of itself and there’s a lot more time spent with the Avengers together versus being separated in the first one. We’ve got some great new goodies and some good baddies.”

Renner said he’d like the Avengers to cross paths with the Marvel characters from “Guardians of he Galaxy.”

> “I think it would be awesome. I think of course that’s the hopes of the puppeteers behind Marvel but we’ll see.”

>> As for television, which he doesn’t much watch, Renner said he’s open to doing a “True Detective” like project, which doesn’t tie him up for more than a season.

Meanwhile he’s contemplating his next movie as a producer and has a project in mind but has to line up a director and wait until there’s a window of time he’s free, especially from obligations to Marvel.

As for his success, which the 43-year-old actor said was completely unexpected, he noted, “As each day goes along, rolls along, it feels right and when it doesn’t feel right then I go do something else.”

“It also feels right and it feels good to be sitting here and talking about a movie versus like having to not talk about a movie like Avengers, where you can’t say anything.”

Promoting the first Avengers he said was frustrating. “Oh God, I wanted to kill myself. I was a major spoiler cause I couldn’t talk about that, that I was a bad guy,” he said. “I’m like, God, all I could say is, yeah, I shoot a bow and arrow. I had to put my head down and stopped talking and let Scarlet Johansson do the rest. It was so frustrating, so it’s nice to actually sit and talk about a movie and there’s something to talk about and have a discussion about. I can do roundtables all day, especially with journalists talking about a movie about journalism and media. It’s great.”

It’s a Shonda! ABC’s Viola Davis Drama from “Scandal” Producer Beats CBS NFL in Total Viewers

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It’s Shonda Rhimes’ world and we just live in it. Last night, ABC scored the most viewers of the night with three back to back shows from Rhimes: “Grey’s Anatomy” had 9.80 million viewers, “Scandal” had 11.9 million and the new “How to Get Away with Murder” had 14 million. If they were all different people, that would be 26 million viewers.

“Murder” brings the great Viola Davis to TV. This is the equivalent of having Meryl Streep or Cate Blanchett lead a series. Meanwhile, Kerry Washington is still rocking “Scandal.” One of them had better win Best Actress in a Drama at the Golden Globes this January, or we’re going to have some real things to talk about.

“Murder” had more total viewers than Thursday Night Football on CBS– two million more viewers in fact. In the key demo, “Murder” also did a 3.8, which ain’t bad. Football did a 4.5.

Joan Rivers: Watch 7 Never Before Seen Outtakes from a PBS Documentary

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Here are 7 never before seen outtakes of interviews with Joan Rivers from a PBS documentary made in 2006 for “American Masters”:

This Saturday’s Central Park Charity Concert: Global Poverty Still Has Not Filed Financial Report for Last Year’s Show, And 2012 Was in the Red

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It’s time for the Global Poverty rock concert in Central Park this weekend. Jay Z, No Doubt, Carrie Underwood and a bunch of stars are headlining on Saturday. But what is it for? Who are these people? And where does the money go?

I’ve asked Global Poverty for their Form 990 for 2013, but they’ve so far evaded me. Jane Atkinson, head of PR, will only say they’ve filed an extension with the IRS and the report isn’t due until November. So if you give them money this year, be aware they still have no paperwork for last year.

All we have still is the report for 2012, which shows a deficit of $1.356 million.

The 2012 report also claims over $2.5 million listed for unspecified, miscellaneous expenses.

We learn some salient points from the 2012 report: four directors of Global Poverty loaned them a total of $230,000 to put on the Stevie Wonder-Alicia Keys- John Mayer- Kings of Leon concert. It’s unclear if the loans were repaid.

Three Global Poverty execs–CEO Hugh Evans, COO Simon Moss and Operations Manager Wei Soo claimed salaries of $77,000 apiece.

There is no mention of a man named Bradden Young, advertised as Executive Producer of the Central Park concerts and other Global Poverty shows. In fact, Global Poverty has never said a word about 39 year old Young’s untimely death this summer. He died at home in Washington DC on July 4th. The medical examiner concluded it was from “acute alcohol intoxication” and by accident. Very little else is known, and no formal announcement has been issued by Global Poverty.

Despite revenue of $7.5 million in 2012, Global Poverty still came up short. Their expenses totaled $8.9 million. They finished 2012 in the red– $1.356 million in the minus column.

It should be noted that in 2012, $850,000 of that revenue came from a Beverly Hills woman named Malia Andelin, a “close friend” of Sumner Redstone who used to be a flight attendant on his private plane. In 2011, Andelin donated $1.5 million. She must have been a great stewardess.

And of the revenue, none of it went to grants or helping other charities. I’m not sure if people are aware that GPP is an “advocacy group.” It goes around the world telling people that poverty and hunger exist. It doesn’t give its money to the poor or hungry. That’s legal, but maybe misunderstood.

“We’re an advocacy group. We got $1.3 billion last year in commitments from other groups and corporations,” Hugh Evans told me in 2012, before the 2012 report was made available.

Phil Spector’s Victim, Lana Clarkson, Still Speaks from the Grave

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Lana Clarkson was murdered by Phil Spector on February 3, 2003. A few hours later I wrote this piece on Foxnews.com. Lana had a website that clearly showed a lot of love, and a good sense of humor. The website is still up at www.lanaclarkson.com. Today, reports came out that Spector, a talented but terrible person, wasn’t doing well in jail. Here’s the original story, which was widely linked to back in 2003:

from February 4, 2003:
The woman found shot dead in producer Phil Spector’s entryway was a minor TV actress with a long list of credits and knockout beauty. She was a six-foot blonde with a sense of humor and pretty decent idea of how show business worked.

How do we know? Well, forty-year-old Lana Clarkson is speaking from the grave. She has a Web site with a message board on which she was vocally active every few days. The police and tabloid newspapers will be combing over the site to try and figure out what happened to her and how she knew Spector. Her story is one typical of so many beautiful women in Hollywood who have the looks but not the talent to make it as a full-time actress.

Instead, Clarkson seemingly created a career by appearing in B-movies galore. Some of them have unfortunate titles, like Deathstalker. There will no doubt be a rush to see if she participated in any X-rated ventures.

One theory, raised on her message board, is that she may have met Spector at the House of Blues on Sunset Boulevard, the upscale music hall co-owned by Dan Aykroyd. Spector was a frequent visitor there. Clarkson began working there as a waitress, according to her site, just recently.

Clarkson has dozens of credits, dating back 10 to 15 years. More recently, she had her own production company, Living Doll Productions, and she was trying to start her own projects. Her current credits included working as a presenter at comic book conventions and at Glamourcon, a convention where pin-up girls and former Playboy playmates sign autographs for guys.

Nevertheless, from her own posted messages on her Web site, Clarkson was no dumb blonde. She routinely answered questions from her fans, and did so with aplomb. She admired Marilyn Monroe, for example, “this is not to imply that I wish to live the sort of lonely and narcotics-shrouded existence she did. What I love about her is her essence, her work and her commitment to it. She was an ACTRESS with a capital ‘A’!” she wrote in one posting, and concluded: “I have been blessed to work in an extremely difficult industry, but in my opinion have not even begun to reach my full potential. I have been pounding my head against a plexiglas ceiling trying to break through to a completely different level for a while now. God willing, this is the year it will happen. Keep your eye out for a new quality of work from Ms. Clarkson!”

In another posting, Clarkson described her long haul as a ‘C’ level actress: “I’ve always been fortunate to make a living as an actress. However, I have done other jobs to supplement my taste for producing, writing and directing. I’ve worked as a standup comic, a model, a producer, a travel agent, done trade shows, worked for a jewelry company and teach image enhancement workshops for the corporate world. I also occasionally teach acting.”

She did not care to share her personal life with her fans however. “Thanks for stopping by. I am dating, but don’t feel comfortable sharing that part of my life,” she wrote to one fan. “I prefer to keep my love life private!” She then adds eerily: “As far as past relationships, there have been some great loves (some of them famous), but you’ll have to read about them in my book. That won’t be completed for a couple of years yet.”

Spector’s Wall of Sound Comes Crashing Down

Today, you’re going to be reading everywhere about the strange world of record producer Phil Spector. A musical genius and the inventor of what is now known as “the wall of sound,” Spector also has a trigger temper. He was famous for shooting off guns.

Now he may have gone too far. But O.J. Simpson/Christian Brando defense attorney Robert Shapiro is a close pal of Spector’s and is there to handle the case.

Spector is considered a hermit and recluse, rarely working since his brush with the Beatles (Let It Be) and George Harrison (All Things Must Pass) in 1970. He helped John Lennon a year later on Imagine and in 1975 on his Rock ‘n’ Roll album. One source who was there during those sessions told me yesterday, “John was mostly disgusted by Phil and his guns. There’s a famous story of how he shot a hole in the roof of the recording studio. John couldn’t take it, which is why he didn’t want to work with him.”

Since then, he’s worked on an album by the Ramones that was released, and one by Celine Dion that wasn’t. Recently, he produced tracks for the British group Starsailor. And he’s done some recording for Depeche Mode.

But mostly, it’s the stories about Phil shooting at people, into the air, etc., that you read about. Those are his old anecdotes that made him seem eccentric. They’re not so funny now.

Just a couple of weeks ago, Paul McCartney and Ringo Starr announced they were going to release a Spector-less Let It Be, restoring the album to McCartney’s original vision. Maybe this upset him.

Then there were the lawsuits. Both Darlene Love and Phil’s ex, Ronnie Bennett Spector, sued him for millions. They claimed that he’d never paid royalties on their hit records such as “Be My Baby” and “Then He Kissed Me.” He’d only remunerated them for the sessions. Love’s case stood after she won; Ronnie’s was overturned by an appeals court. Ronnie Spector, according to my sources, is in a constant financial dilemma because of Phil.

Spector’s personal life is as much of a mystery as he is. He had five children by my count: a pair of twins he adopted with Ronnie, another pair he had biologically and a biological daughter. The latter three were with Janis Savala.

“He prohibited her friends from calling her because Phil didn’t want her speaking with ‘outsiders’ who presumably were aghast that she would marry him,” said Mark Ribowsky, the author of He’s a Rebel (Cooper Square Press), a good Spector biography. “In time she lost almost all outside contact.”

Of the remaining children, one is a recovering drug addict. One of the original twins is dead. Another son, Gary, is supposedly on good terms with Spector and is even a collector of his records. Spector’s daughter, Nicole, lives in New York.

As for the women in his life, here things get cloudy. Recently, Spector “dated” Nancy Sinatra. Friends say they were together around the time of father Frank’s funeral. Currently, Nancy is in Nashville recording a new album with her old friend Lee Hazelwood.

Besides being a record producer, Spector was also the inspiration for the main character in the cult film, The Idolmaker, starring the late Ray Sharkey.

And while Spector is not the most social guy, he does throw a post-show cocktail party every year after the Rock and Roll Hall of Fame dinner in New York. All kinds of musicians and stars turn up. I’ve been to it, and talked to Phil. He told me on March 8, 2000, that he would never give Celine Dion her tracks back because he didn’t like them.

What happened, I asked him? “Very simple,” he said. “We did them, but her husband was jealous. He didn’t like losing control of the decisions. So they have them.” We will probably never hear them, which is a shame, since lush orchestration suits Celine’s odd voice.

Isn’t this almost what happened 35 years ago when Phil recorded Tina Turner and banned Ike from the control room during the sessions for “River Deep Mountain High?”

“I talk to Ike all the time,” Spector said. “He’s always callin’ me up. We’re friends!”

Second question: What about The Beatles’ Let It Be, which Spector produced over McCartney’s objections back in 1970? “Paul apologized to me for all the bad things he said,” Phil replied at the time. “He was only against it because John Lennon liked it so much.”

Spector went on to work with Lennon on several projects, including his Rock ‘n’ Roll album, which featured their re-worked version of Ben E. King’s “Stand By Me.”

“You know what? That was a takeoff on Rimsky-Korsakov,” he said, humming out the basic structure. “I thought we were going to get sued!”

(Probably not, since the Russian composer died in 1908.)

If all of that isn’t enough, one more thing. Yesterday, Feb. 3, was the 44th anniversary of the Day the Music Died — the airplane crash that killed Buddy Holly, Ritchie Valens and the Big Bopper.

Music: Bob Geldof Says “Isis Will Be Defeated”; Bebe Buell Goes Country

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Sir Bob Geldof is bringing the Boomtown Rats to New York and Boston this weekend for two rare performances. The rocker and humanitarian has been wrapped up in social issues and sad ones at home (the recent tragic loss of his daughter Peaches). The Rats date back to 1980 with clever, catchy hits like “I Don’t Like Mondays” and “Looking for Number 1.”

Of course, our conversation yesterday turned quickly to politics and the current bleak situation with terrorism. “Isis will be defeated and must be defeated,” Geldof said. “But I imagine it will be the forces in the middle East [that will end it]. Neither the Sunni or Shiite powers want these headbangers running around in their territory. Nothing is as simple as the news reels make us feel. So we have a lot of anxiety.”

Geldof, by the way, is not interested in the launch of the iPhone 6 or any other smart phone. He’s the proud owner, he says, of the Nokia 6210, a cell phone from the Neanderthal age. “I just want a machine that has a big signal. It takes texts, that’s all I want. I don’t want any of your stupid fuckin’ photographs. It has a black and white screen. I just want to make the call, get the text, that’s it. It is the AK47 of the mobile telephony world. It never gives up.”

Geldof is happy to get back to performing his old hits– a bit of a relief. “Being on stage is intuitive and instinctive. It’s so much more relaxing and cathartic than doing politics or business. You get all the crap out of your head. And you’re responding to the power of this massive band behind you. Afterwards, you’re tired but you’re nimble. It’s cleansing.”

The Boomtown Rats are in NY on Friday at Terminal 5 and in Boston on Sunday at the Royale…

BEBE GOES COUNTRY…Loving “Hello Music City” the new single from Bebe Buell, who’s moved down to Nashville with musician husband Jim Wallerstein and is taking the town by storm…. Produced by Jon Tiven with the top talent from music’s capital…

this is how to buy it, and the bluesy flip side “Secret Sister”:

Oscars: Barry Levinson’s “The Humbling” with Al Pacino Will Get Millennium Push

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EXCLUSIVE I am told that Millennium Pictures is going to release Barry Levinson’s terrific film “The Humbling” in time for a big Oscar push this fall. Sources say Millennium, which had thought of selling the rights, has wisely decided to make a run for it. Al Pacino turns in an absolutely wonderful Oscar-sized performance and Greta Gerwig is incredibly charming in a supporting role in Levinson’s adaptation of the Philip Roth novel.

Audiences in Venice and Toronto loved the film, a comedy very much in the tone of Levinson’s great “Wag the Dog” and “Rain Man.” At the first Toronto screening, the audience couldn’t get enough– and they did get all the humor Levinson and Pacino injected into Roth’s saga of a washed up cranky actor who flees to the country. Broadway star (“Venus in Fur”)  Nina Arianda has a pivotal secondary role and she’s spot on loony, too.

So what will happen? Millennium will power up and do a great marketing and PR plan, put on a huge Oscar push and “The Humbling” should do very well. If Pacino wants it, he will entertain the Academy voters and they will be delighted. His performance is par excellence. And the movie is funny and smart– and quirky– a delight because it’s completely original. Now get a good Oscar campaign together and let’s see it happen.

Barbra Streisand Has the Biggest Album Debut of Her Career with 200K in Sales, Only Artist to Score Number 1s in Six Decades

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Go figure. Barbra Streisand and Marty Ehrlichman must be bathing in Dom Perignon tonight. “Partners” debuts at number 1 on the album charts with just under 200,000 copies sold. It’s Barbra’s biggest debut ever, beating her 2009 album “Love is the Answer” which sold 180,000. Wow. If
“Partners” hits the sweet spot and sells through Christmas, Streisand may go platinum.

“Partners” exceeded all expectations. Over at Hits, they had it at 170-180K. Who knew? Bubbeleh!

As I wrote the other day, Streisand is now the only artist ever to have number 1 albums in six decades. And all on the same label– Columbia.

Considering the album got so-so reviews, something really went right here. Jimmy Fallon was a big part of it, but a lot had to do with Streisand’s duet picks– Lionel Richie, Billy Joel, Josh Groban, Michael Buble– and timing is everything. People are sick of pre-fabricated music. Streisand is the real thing.

What does this mean for Tony Bennett and Lady Gaga? Good things. Their “Cheek to Cheek” came out yesterday and is already number 1 on amazon and in the top 5 on iTunes. With the right push, it should follow Streisand. Aretha Franklin will come right after Tony and Stefani, and do the same thing. We’re in a pocket where fans want the genuine artifact. Let it rip!