Friday, December 19, 2025
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Franco-Rogen Movie “The Interview”: Kim Jung Un Revealed as Katy Perry Fan

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Sony finally unveiled “The Interview” last night. It opens Friday, when real reviews will run. But I got to see it, mostly out of curiosity. Could this movie be causing North Korea to hack into Sony’s computers, wreck their phone lines and steal their emails? It doesn’t seem possible. If you ask me– and no one has– it’s an inside job. But it’s great publicity for “The Interview.”

The Seth Rogen- James Franco vehicle is a hoot, of course. It’s very silly and totally improbably. The premise is that Kim Jung Un watches Franco’s syndicated celebrity show on satellite and loves it. He wants Franco’s insipid Ted Baxter like character to interview in North Korea. So off goes Dave Skylark (Franco) with his producer Aaron Rapaport (Rogen). Ultimately they come in contact with a beautiful CIA agent (Lizzy Caplan, from “Masters of Sex,” who’s just great) and nutty Kim Jung Un himself (Randall Park).

The movie is hilarious and coarse, of course. But it’s Franco’s best and least pretentious work in a long time. Dave Skylark is vain, daffy, uneducated, and totally unprepared. But he dresses impeccably. At least once he changes the pronunciation of Rapaport by silencing the ‘t’ as if it were French. He’s a slicker, smarter version of Will Ferrell’s Anchorman.

“The Interview” is also a kind of kitschy buddy movie, as if Cosby and Hope were in a MAD magazine send up of their movies in which there’s a slight suggestion of a gay relationship. But Aaron gets involved with a beautiful Korean TV producer. And Skylark flirts with the CIA agent.

The Korean stuff is tame, I think. There are some standard off putting jokes, like about cooking dogs. But there’s also a nasty Jewish joke to even it out. Mainly, “The Interview” is just a good refreshing laugh, short and to the point. It all gets wrapped up in a nice package but I won’t tell you how it ends. Suffice to say, Kim Jung Un turns out to be a huge Katy Perry fan.

Amazing Orson Welles Doc Opens Today in New York: A Controversial Genius’ Story

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“Magician: The Astonishing Life and Work of Orson Welles” opens today and this weekend around the country. Chuck Workman, better known for his own astonishing archival projects, made the film about genius Welles because- -he had to, that’s all. Chuck, if you don’t know, edits all the clip packages for the Oscars, edits the Academy Awards show, and makes his own films. He’s the Citizen Kane of clips. (I don’t know what that means but it sounds good.)

“Magician,” like “Red Army” and a few others, didn’t make the Oscar shortlist this year. But it’s more than well-worth seeing. Welles died in the mid-80s. He seemed old then and seems old now. He’s mythic. That’s why it’s surprising to know his daughter, Chris Welles, is 76 and has lived in downtown Manhattan for 40 years. Welles had three girls, each with a different wife. His second daughter, by Hollywood icon Rita Hayworth, died a few years ago. His other living daughter, Beatrice, I gather lives in Europe and is not happy about “Magician.” (She couldn’t control it. That’s what makes it a documentary.)

But she should be. There’s nothing derogatory about her mother. Workman simply tells Welles’ story. The director was 26 and new to Hollywood when he made his first film, “Citizen Kane.” Imagine that his first film is considered the greatest cinematic achievement of all time. Now what? Welles battled excesses, battled himself, and the studios for the rest of his life.

The fact is, he was a genius, outsized and well beyond anything we have today. “Magician” is kind of a must-see for anyone interested in film. It’s incredibly entertaining, and fills in some major blanks — this is stuff than can’t be found on Wikipedia.

Pop: Mary J. Blige Is the Only R&B Act in the Top 30 Albums; Taylor Swift Keeps Selling

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If you’re my age you remember the days when Stevie, Aretha, Smokey, Al Green, Santana, Marvin Gaye, Earth Wind & Fire, The O’Jays all ruled the charts.

Today, after two or more decades of throwaway, disposable rap, the only R&B artist in the top 30 albums is Mary J. Blige with her excellent “London Sessions.”

The only other black artist is Darius Rucker, who’s considered “country” or “pop” and has a Christmas album. Beyonce is at number 32. A couple more black artists are scattered at the bottom of the top 50.

Of Mary J’s 50,000 copies sold in her debut week, only 2,000 are streamed. That’s interesting. Because of Taylor Swift’s 272,000 copies sold last week, fifty thousand were streamed. Are only white people using Spotify?

What the heck is going on? If anyone knows, I’d like to hear it. (Comments must be clean and not derogatory.)

PS Last year Jay Z skipped the chart entirely, and gave his album away to Samsung.

 

SAG Nominees: Imitation, Boyhood, Birdman, Theory, Budapest Hotel– Snubs All Black Movie Actors

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SAG Awards nominees for Best Cast/Ensemble often indicate nominees for the Oscar Best Picture. This year they are The Imitation Game, Boyhood, Birdman, Theory of Everything, and the Grand Budapest Hotel. Biggest snub was “Selma,” which didn’t start screening until late, and “Into the Woods,” which SAG audiences loved. They will each be Best Picture nominees anyway.

Some surprises among the actresses. Naomi Watts in St Vincent is very nice. Jennifer Aniston for Cake–I didn’t think it was possible, but good for her. Nothing for Emily Blunt or anyone else in Into the Woods except Meryl Streep. Rosamund Pike in Gone Girl also a stretch.

And no Gugu Mbatha Raw or David Oyelowo.

Indeed, it’s an all white SAG this year in the movie categories. Black actors only rated on TV. “Selma” has a 100% on RottenTomatoes.

Read this too: http://www.showbiz411.com/2014/12/02/national-board-of-review-disgraceful-omission-of-martin-luther-king-in-favor-of-lego

Here’s the full list:
Outstanding Performance by a Male Actor in a Leading Role
STEVE CARELL / John du Pont – “FOXCATCHER” (Sony Pictures Classics)
BENEDICT CUMBERBATCH / Alan Turing – “THE IMITATION GAME” (The Weinstein Company)
JAKE GYLLENHAAL / Louis Bloom – “NIGHTCRAWLER” (Open Road Films)
MICHAEL KEATON / Riggan – “BIRDMAN” (Fox Searchlight Pictures)
EDDIE REDMAYNE / Stephen Hawking – “THE THEORY OF EVERYTHING” (Focus Features)

Outstanding Performance by a Female Actor in a Leading Role
JENNIFER ANISTON / Claire Bennett – “CAKE” (Cinelou Films)
FELICITY JONES / Jane Hawking – “THE THEORY OF EVERYTHING” (Focus Features)
JULIANNE MOORE / Alice Howland-Jones – “STILL ALICE” (Sony Pictures Classics)
ROSAMUND PIKE / Amy Dunne – “GONE GIRL” (20th Century Fox)
REESE WITHERSPOON / Cheryl Strayed – “WILD” (Fox Searchlight Pictures)

Outstanding Performance by a Male Actor in a Supporting Role
ROBERT DUVALL / Joseph Palmer – “THE JUDGE” (Warner Bros. Pictures)
ETHAN HAWKE / Mason, Sr. – “BOYHOOD” (IFC Films)
EDWARD NORTON / Mike – “BIRDMAN” (Fox Searchlight Pictures)
MARK RUFFALO / Dave Schultz – “FOXCATCHER” (Sony Pictures Classics)
J.K. SIMMONS / Fletcher – “WHIPLASH” (Sony Pictures Classics)

Outstanding Performance by a Female Actor in a Supporting Role
PATRICIA ARQUETTE / Olivia – “BOYHOOD” (IFC Films)
KEIRA KNIGHTLEY / Joan Clarke – “THE IMITATION GAME” (The Weinstein Company)
EMMA STONE / Sam – “BIRDMAN” (Fox Searchlight Pictures)
MERYL STREEP / The Witch – “INTO THE WOODS” (Walt Disney Studios Motion Pictures)
NAOMI WATTS / Daka – “ST. VINCENT” (The Weinstein Company)

Outstanding Performance by a Cast in a Motion Picture
BIRDMAN (Fox Searchlight Pictures)
ZACH GALIFIANAKIS / Jake
MICHAEL KEATON / Riggan
EDWARD NORTON / Mike
ANDREA RISEBOROUGH / Laura
AMY RYAN / Sylvia
EMMA STONE / Sam
NAOMI WATTS / Lesley

BOYHOOD (IFC Films)
PATRICIA ARQUETTE / Olivia
ELLAR COLTRANE / Mason
ETHAN HAWKE / Mason, Sr.
LORELEI LINKLATER / Samantha

THE GRAND BUDAPEST HOTEL (Fox Searchlight Pictures)
F. MURRAY ABRAHAM / Mr. Moustafa
MATHIEU AMALRIC / Serge X.
ADRIEN BRODY / Dmitri
WILLEM DAFOE / Jopling
RALPH FIENNES / M. Gustave
JEFF GOLDBLUM / Dep. Kovacs
HARVEY KEITEL / Ludwig
JUDE LAW / Young Writer
BILL MURRAY / M. Ivan
EDWARD NORTON / Henckels
TONY REVOLORI / Zero
SAOIRSE RONAN / Agatha
JASON SCHWARTZMAN / M. Jean
LÉA SEYDOUX / Clotilde
TILDA SWINTON / Madame D
TOM WILKINSON / Author
OWEN WILSON / M. Chuck

THE IMITATION GAME (The Weinstein Company)
MATTHEW BEARD / Peter Hilton
BENEDICT CUMBERBATCH / Alan Turing
CHARLES DANCE / Commander Denniston
MATTHEW GOODE / Hugh Alexander
RORY KINNEAR / Nock
KEIRA KNIGHTLEY / Joan Clarke
ALLEN LEECH / John Cairncross
MARK STRONG / Stewart Menzies

THE THEORY OF EVERYTHING (Focus Features)
CHARLIE COX / Jonathan Hellyer Jones
FELICITY JONES / Jane Hawking
SIMON McBURNEY / Frank Hawking
EDDIE REDMAYNE / Stephen Hawking
DAVID THEWLIS / Dennis Sciama
EMILY WATSON / Beryl Wilde

TELEVISION PROGRAMS

Outstanding Performance by a Male Actor in a Television Movie or Miniseries
ADRIEN BRODY / Harry Houdini – “HOUDINI” (History)
BENEDICT CUMBERBATCH / Sherlock Holmes – “SHERLOCK: HIS LAST VOW” (PBS)
RICHARD JENKINS / Henry Kitteridge – “OLIVE KITTERIDGE” (HBO)
MARK RUFFALO / Ned Weeks – “THE NORMAL HEART” (HBO)
BILLY BOB THORNTON / Lorne Malvo – “FARGO” (FX)

Outstanding Performance by a Female Actor in a Television Movie or Miniseries
ELLEN BURSTYN / Olivia Foxworth – “FLOWERS IN THE ATTIC” (Lifetime)
MAGGIE GYLLENHAAL / Nessa Stein – “THE HONORABLE WOMAN” (Sundance TV)
FRANCES McDORMAND / Olive Kitteridge – “OLIVE KITTERIDGE” (HBO)
JULIA ROBERTS / Dr. Emma Brookner – “THE NORMAL HEART” (HBO)
CICELY TYSON / Carrie Watts – “THE TRIP TO BOUNTIFUL” (Lifetime)

Outstanding Performance by a Male Actor in a Drama Series
STEVE BUSCEMI / Enoch “Nucky” Thompson – “BOARDWALK EMPIRE” (HBO)
PETER DINKLAGE / Tyrion Lannister – “GAME OF THRONES” (HBO)
WOODY HARRELSON / Martin Hart – “TRUE DETECTIVE” (HBO)
MATTHEW McCONAUGHEY / Rust Cohle – “TRUE DETECTIVE” (HBO)
KEVIN SPACEY / Francis Underwood – “HOUSE OF CARDS” (Netflix)

Outstanding Performance by a Female Actor in a Drama Series (6 nominees)
CLAIRE DANES / Carrie Mathison – “HOMELAND” (Showtime)
VIOLA DAVIS / Annalise Keating – “HOW TO GET AWAY WITH MURDER” (ABC)
JULIANNA MARGULIES / Alicia Florrick – “THE GOOD WIFE” (CBS)
TATIANA MASLANY / Sarah/Coxima/Alison/Rachel/ – “ORPHAN BLACK” (BBC America)
Helena/Tony/Jennifer and Various Others
MAGGIE SMITH / Violet, Dowager Countess of Grantham – “DOWNTON ABBEY” (PBS)
ROBIN WRIGHT / Claire Underwood – “HOUSE OF CARDS” (Netflix)

Outstanding Performance by a Male Actor in a Comedy Series
TY BURRELL / Phil Dunphy – “MODERN FAMILY ” (ABC)
LOUIS C.K. / Louie – “LOUIE” (FX)
WILLIAM H. MACY / Frank Gallagher – “SHAMELESS” (Showtime)
JIM PARSONS / Sheldon Cooper – “THE BIG BANG THEORY” (CBS)
ERIC STONESTREET / Cameron Tucker – “MODERN FAMILY” (ABC)

Outstanding Performance by a Female Actor in a Comedy Series
UZO ADUBA / Suzanne “Crazy Eyes” Warren – “ORANGE IS THE NEW BLACK” (Netflix)
JULIE BOWEN / Claire Dunphy – “MODERN FAMILY” (ABC)
EDIE FALCO / Jackie Peyton – “NURSE JACKIE” (Showtime)
JULIA LOUIS-DREYFUS / Vice President Selina Meyer – “VEEP” (HBO)
AMY POEHLER / Leslie Knope – “PARKS AND RECREATION” (NBC)

Outstanding Performance by an Ensemble in a Drama Series
BOARDWALK EMPIRE (HBO)
STEVE BUSCEMI / Enoch “Nucky” Thompson
PAUL CALDERON / Arquimedes
NICHOLAS CALHOUN / Sean
LOUIS CANCELMI / Mike D’Angelo
JOHN ELLISON CONLEE / Commodore
MICHAEL COUNTRYMAN / Frank Wilson
STEPHEN GRAHAM / Al Capone
DOMENICK LOMBARDOZZI / Ralph Capone
NOLAN LYONS / Enoch Thompson (young)
KELLY MACDONALD / Margaret Thompson
BORIS McGIVER / Sheriff Smith Johnson
VINCENT PIAZZA / Charlie “Lucky” Luciano
PAUL SPARKS / Mickey Doyle
TRAVIS TOPE / Joe Hardy
SHEA WHIGHAM / Eli Thompson
ANATOL YUSEF / Meyer Lansky
MICHAEL ZEGEN / Benny Siegel

DOWNTON ABBEY (PBS)
HUGH BONNEVILLE / Robert, Earl of Grantham
LAURA CARMICHAEL / Lady Edith Crawley
JIM CARTER / Mr. Carson
BRENDAN COYLE / Mr. Bates
MICHELLE DOCKERY / Lady Mary Crawley
KEVIN DOYLE / Mr. Molesley
JOANNE FROGGATT / Anna Bates
LILY JAMES / Lady Rose
ROBERT JAMES-COLLIER / Thomas Barrow
ALLEN LEECH / Tom Branson
PHYLLIS LOGAN / Mrs. Hughes
ELIZABETH McGOVERN / Cora, Countess of Grantham
SOPHIE McSHERA / Daisy
MATT MILNE / Alfred
LESLEY NICOL / Mrs. Patmore
DAVID ROBB / Dr. Clarkson
MAGGIE SMITH / Violet, Dowager Countess of Grantham
ED SPELEERS / Jimmy Kent
CARA THEOBOLD / Ivy
PENELOPE WILTON / Isobel Crawley

GAME OF THRONES (HBO)
JOSEF ALTIN / Pyp
JACOB ANDERSON / Grey Worm
JOHN BRADLEY / Samwell Tarly
DOMINIC CARTER / Janos Slynt
GWENDOLINE CHRISTIE / Brienne of Tarth
EMILIA CLARKE / Daenerys Targaryen
NIKOLAJ COSTER-WALDAU / Jaime Lannister
BEN CROMPTON / Dolorous Edd
CHARLES DANCE / Tywin Lannister
PETER DINKLAGE / Tyrion Lannister
NATALIE DORMER / Margaery Tyrell
NATHALIE EMMANUEL / Missandei
IAIN GLEN / Ser Jorah Mormont
JULIAN GLOVER / Pycelle
KIT HARINGTON / Jon Snow
LENA HEADEY / Cersei Lannister
CONLETH HILL / Varys
RORY McCANN / Sandor “The Hound” Clegane
IAN McELHINNEY / Ser Barristan Selmy
PEDRO PASCAL / Oberyn Martell
DANIEL PORTMAN / Podrick Payne
MARK STANLEY / Grenn
SOPHIE TURNER / Sansa Stark
MAISIE WILLIAMS / Arya Stark

HOMELAND (Showtime)
NUMAN ACAR / Hassan Haqqani
NAZANIN BONIADI / Fara Sherazi
CLAIRE DANES / Carrie Mathison
RUPERT FRIEND / Peter Quinn
RAZA JAFFREY / Aasar Khan
NIMRAT KAUR / Tasneem Qureishi
TRACY LETTS / Sen. Andrew Lockhart
MARK MOSES / Dennis Boyd
MICHAEL O’KEEFE / John Redmond
MANDY PATINKIN / Saul Berenson
LAILA ROBINS / Martha Boyd
MAURY STERLING / Max

HOUSE OF CARDS (Netflix)
MAHERSHALA ALI / Remy Danton
JAYNE ATKINSON / Catherine Durant
RACHEL BROSNAHAN / Rachel Posner
DEREK CECIL / Seth Grayson
NATHAN DARROW / Edward Meechum
MICHEL GILL / President Walker
JOANNA GOING / Tricia Walker
SAKINA JAFFREY / Linda Vasquez
MICHAEL KELLY / Doug Stamper
MOZHAN MARNÒ / Ayla Sayyad
GERALD McRANEY / Raymond Tusk
MOLLY PARKER / Jackie Sharp
JIMMI SIMPSON / Gavin Orsay
KEVIN SPACEY / Francis Underwood
ROBIN WRIGHT / Claire Underwood

Outstanding Performance by an Ensemble in a Comedy Series
THE BIG BANG THEORY (CBS)
MAYIM BIALIK / Amy Farrah Fowler
KALEY CUOCO-SWEETING / Penny
JOHNNY GALECKI / Leonard Hofstadter
SIMON HELBERG / Howard Wolowitz
KUNAL NAYYAR / Rajesh Koothrappali
JIM PARSONS / Sheldon Cooper
MELISSA RAUCH / Bernadette Rostenkowski-Wolowitz

BROOKLYN NINE-NINE (FOX)
STEPHANIE BEATRIZ / Det. Rosa Diaz
DIRK BLOCKER / Hitchcock
ANDRE BRAUGHER / Capt. Ray Holt
TERRY CREWS / Sgt. Terry Jeffords
MELISSA FUMERO / Det. Amy Santiago
JOE LO TRUGLIO / Det. Charles Boyle
JOEL McKINNON MILLER / Scully
CHELSEA PERETTI / Gina Linetti
ANDY SAMBERG / Det. Jake Peralta

MODERN FAMILY (ABC)
AUBREY ANDERSON EMMONS / Lily Tucker-Pritchett
JULIE BOWEN / Claire Dunphy
TY BURRELL / Phil Dunphy
JESSE TYLER FERGUSON / Mitchell Pritchett
NOLAN GOULD / Luke Dunphy
SARAH HYLAND / Haley Dunphy
ED O’NEILL / Jay Pritchett
RICO RODRIGUEZ / Manny Delgado
ERIC STONESTREET / Cameron Tucker
SOFIA VERGARA / Gloria Delgado-Pritchett
ARIEL WINTER / Alex Dunphy

ORANGE IS THE NEW BLACK (Netflix)
UZO ADUBA / Suzanne “Crazy Eyes” Warren
JASON BIGGS / Larry Bloom
DANIELLE BROOKS / Tasha “Taystee” Jefferson
LAVERNE COX / Sophia Burset
JACKIE CRUZ / Flaca
CATHERINE CURTIN / Wanda Bell
LEA DELARIA / Carrie “Big Boo” Black
BETH FOWLER / Sister Ingalls
YVETTE FREEMAN / Irma
GERMAR TERRELL GARDNER / Charles Ford
KIMIKO GLENN / Brook Soso
ANNIE GOLDEN / Norma Romano
DIANE GUERRERO / Maritza Ramos
MICHAEL J. HARNEY / Ofc. Sam Healy
VICKY JEUDY / Janae Watson
JULIE LAKE / Angie Rice
LAUREN LAPKUS / Susan Fischer
SELENIS LEYVA / Gloria Mendoza
NATASHA LYONNE / Nicky Nichols
TARYN MANNING / Tiffany “Pennsatucky” Doggett
JOEL MARSH GARLAND / Scott O’Neill
MATT McGORRY / Ofc. John Bennett
ADRIENNE C. MOORE / Black Cindy
KATE MULGREW / Galina “Red” Reznikov
EMMA MYLES / Leanne Taylor
JESSICA PIMENTEL / Maria Ruiz
DASCHA POLANCO / Dayanara Diaz
ALYSIA REINER / Natalie “Fig” Figueroa
JUDITH ROBERTS / Taslitz
ELIZABETH RODRIGUEZ / Aleida Diaz
BARBARA ROSENBLAT / Miss Rosa
NICK SANDOW / Joe Caputo
ABIGAIL SAVAGE / Gina
TAYLOR SCHILLING / Piper Chapman
CONSTANCE SHULMAN / Yoga Jones
DALE SOULES / Frieda
YAEL STONE / Lorna Morello
LORRAINE TOUSSAINT / Yvonne “Vee” Parker
LIN TUCCI / Anita DeMarco
SAMIRA WILEY / Poussey Washington

VEEP (HBO)
SUFE BRADSHAW / Sue Wilson
ANNA CHLUMSKY / Amy Brookheimer
GARY COLE / Kent Davidson
KEVIN DUNN / Ben Cafferty
TONY HALE / Gary Walsh
JULIA LOUIS-DREYFUS / Vice President Selina Meyer
REID SCOTT / Dan Egan
TIMOTHY SIMONS / Jonah Ryan
MATT WALSH / Mike McLintock

 

Sting Makes A Sensational ‘Debut’ on Broadway in His “Last Ship” Musical

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Tuesday night marked Sting’s debut in his own Broadway musical, “The Last Ship.” He was on Broadway over twenty years ago in a failed production of “The Threepenny Opera.” So coming into “The Last Ship” took guts and it also showed time heals all wounds. In his first performance, the composer of what is invariably the best new score on Broadway in some time, acquitted himself beautifully.

He’s taking over not the lead, but the part Jimmy Nail plays as the foreman of the Wallsend shipyard that’s being shut down. When Sting first appeared on a set of stairs and looked down at the audience, I really thought his thought balloon was “Holy cow, what did I agree to?” But a few minutes in and he settled down, loosening up and belting his own songs with his strong, trademark voice. In short order Sting did the impossible: he blended in and stood out.

“The Last Ship” is a bewilderment. The music and staging are phenomenal, the cast is top notch. Everyone who sees it loves it. But a marketing misstep early on may have turned off female ticket buyers. The show seemed like it was just about ships, and men in peacoats. FALSE. It’s a romantic triangle with gorgeous melodies and many women in the cast who give award winning performances. It’s also about fathers and sons and legacies. And “The Last Ship” is also a fairy tale in many regards. It’s not meant to be realistic.

Next Tuesday the cast CD comes out. One listen will explain all to potential ticket buyers. It’s just hit after hit. Besides Sting’s well known songs like “All This Time” and “When We Dance,” all the new songs classics in the making. You can’t stop humming them or singing them. They’re that good.

Sting will be in the show until January 9th. Then Jimmy Nail comes back. Either way you can’t lose. “The Last Ship” has to sail through the spring, when it will pick up momentum in Tony Awards season. And the nice thing, parents can go with teens 12 and up.

As for Sting, after a weekend at the Kennedy Center, he sailed through his first show and got the right laughs, too. No mistakes, no one fell off a ladder or missed a cue. Good stuff. We’ll keep checking in.

Jail Time: Leo DiCaprio’s BFF Gets Out Early, Madoff’s Secretary is Going In

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Helly Nahmad is out of the clinker. Leonardo DiCaprio’s best friend– and his second friend to go to federal prison– is out and about. The New York Observer reports that Helly got out early. He only served five months of a one year-and-a-day sentence, is now in a Bronx half way house. He may come and go to work, and soon will be free to resume his high flying life.

Benjamin Brafman represented him, the same guy who got Diddy/Sean Combs out of his famous shoot-em-up deal years ago. If you’re ever in trouble and can post Brafman’s retainer, he’s the guy. Art dealer Helly participated in a worldwide gambling scheme. He used $1.5 million of his dad’s money to do it. And yet, the Nahmad Gallery is booming award at Madison and 76th. They had a big set up at Art Basel, and even bigger one in Paris at FIAC.

Anyway, jail is so boring. By New Year’s we’ll see Helly in pix from St. Bart’s. Justice!…

Meantime, Annette Bongiorno, Bernie Madoff’s assistant, is going to jail for six years. The judge said she knew exactly what was going on, or looked away so Madoff could get away with his crimes. The six year sentence is short, but so is Bongiorno. The judge said he was being lenient because Bongiorno’s height could get her into trouble in jail. Keep that in mind, all short people, when you’re thinking of breaking federal laws!

Meantime, innocent people with no money go to prison for years. They either die there or are saved by the Innocence Project. Then they get out of jail and die. That is life.

Joaquin Phoenix vs. Kelly Ripa: Morning Interview is a Classic as Joaquin Denies Doing Yoga and Fudges on Engagement

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The clip isn’t up yet but when it is look for a classic two segment verbal arm wrestle between Kelly Ripa and Joaquin Phoenix. West coasters, don’t miss this. Kelly is one tough cookie, and she did her best to host Joaquin, one of the most difficult interview subjects in the world.

Ripa gamely tried to find out if Phoenix is really engaged to his yoga instructor. But he fudged that answer. So she asked if he does yoga. He had to admit that he doesn’t. Knowing Joaquin he made the whole thing up to some poor interviewer just to take the piss, as the Brits say. He was pulling someone’s leg.

Joaquin also parried with Ripa on other subjects. Michael Strahan actually got up and hugged him at one point. Kelly said she thought Joaquin’s character in “Inherent Vice” was on an acid trip, which the actor denied. Kelly, like everyone else in the world, has no idea what this movie is about. Mostly Joaquin asked when the commercial break was coming. Sue Patricola must have been in green room, popping Xanax or having a Cosmo. The Joaquin Phoenix Show is in town, baby.

“Downton Abbey” Cast Says American Fans are Much More Enthuastic Than Brits

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There’s nothing like trying to get a public commitment for money out of a producer in front of a crowd of fans. That’s what happened last night at the Hudson Theater when the “Downton Abbey” cast took the stage for a Q&A following the screening of 40 minutes from episode 1 of the new season.

A fan asked that since there are American characters in the show, wasn’t it time they came to New York for a visit? Producer Gareth Neame quite agreed. He said it would only cost $10 million, and maybe PBS could help them out. The rabid audience, mostly composed of well dressed women, began cheering as if they were at a Beatles concert. Neame must have gotten a couple of discouraging looks from the PBS execs who were in the room because he said, “Am I in trouble?” Indeed.

Later Hugh Bonneville, who plays clueless Robert, Earl of Grantham, told me after the Q&A: “I’m sure if PBS found $200 million to bring our budget here that would be great,” he laughed. “I think we can safely say it’s a British show with American sensibilities and we’ll keep it in Britain.”

Natalie Morales was supposed to moderate the Q&A, but she was suddenly unavailable. So Jenna Bush Hager , the cheerful if ill prepared daughter of George W. and Laura Bush, substituted. Cast members Hugh Bonneville, Laura Carmichael (Lady Edith), Robert James-Collier (Thomas), Phyllis Logan (Mrs. Hughes), Lesley Nicol (Mrs. Patmore), executive producer Gareth Neame and historical advisor Alastair Bruce got the grilling.

Bush-Hager introduced the cast gushing about what a big fan of the show her mother, Laura Bush is. “My mom heard I got the screeners and asked, ‘When can I get it?’ I said, “Sorry, maybe for Christmas but for now it’s all mine,” Jenna said.

Before the Q&A the audience was treated to most of the first episode of season five, and we learned a lot but can’t divulge it. Suffice to say, Lady Mary discusses premarital sex with Anna, Lady Edith pines for her child, and Maggie Smith’s Violet starts a social chess game with Penelope Wilton’s Mrs. Crawley.

One thing we learned: the cast feels American fans are much more enthusiastic than the Brits in showing their love for the show. “Here people constantly tell you much they love,” said the dashing James-Collier. “In the UK they’ll cross the street to tell you what they don’t like.”

Afterwards audience members in the orchestra mingled with the “Downton Abbey” actors, who posed for endless selfies and acted not the least bit aristocratic or aloof.

I asked Phyllis Logan, who plays dowdy Mrs. Hughes and couldn’t look anything less like her in a glitzy gold top and sexy short skirt, her hair long and loose, — a key question: if she ever got jealous of the other actresses like Michelle Dockery who get to wear gorgeous outfits?

“I don’t really,” she told me. “I’m happy to have two outfits and maybe a third one to go out with because they’re changing their clothes constantly,” she told me of the upstairs contingent. “They have to go to dress fitting every other weak. I have two outfits that’s it.” She added, “Some of the pieces are so delicate and complex. They have to dress you and stitch you into them and stuff. No I’m happy with my two outfits,” she laughed.

Hugh Bonneville told me, “You saw a nice taste of episode one of season five. It sets up all the characters and the adventures ahead and I think you’ve got a great season ahead of you.” I told him I felt a little sorry for his character, Robert, the clueless Lord of the Manor. He seems so out of step for the future. “I don’t think anybody should feel too sorry for Robert. He always bounces back. He may be a little displaced at the moment and there’s some trouble over the horizon in the gorgeous form of Richard E. Grant but one would like to think that the ship finally corrects its steering.”

Does he have plans to see Kate and William while they’re in Manhattan? Don’t all these aristocrats hang out together? He answered just like a diplomatic Earl: “No. Strangely, I left them off my guest list off of tonight’s party. This is their first visit to New York as I understand and they’re having a few days here and they’re having a great time and it’s wonderful,” he said. “They’re the real deal and we’re just this humble shadow of things but we’re having a great time visiting as well.”

As a parting gift, guests received “Downtown Abbey” coasters and packets of English breakfast tea.

photo c2014 Showbiz411

Paul McCartney Releases New Single on 34th Anniversary of John Lennon Murder

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Paul McCartney has a new song, written for a video game. It’s released today. Tonight is the 34th anniversary of John Lennon’s murder at the hands of repugnant mental case Mark David Chapman.

The song is called “Hope for the Future.” Not a great song, but always good to hear Paul’s voice.

And here’s John:
RIP

Broadway Press Agent Bans WSJ Critic Who Admits to Leaving Shows at Intermission

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A few days ago Wall Street Journal theater critic wrote in a column that she often ‘Bolted” from shows she didn’t like during intermission. Hello!?  Is she insane? When I think of all the shows I hated and saw through. Joanne– How about Coram Boy? Or On a Clear Day? The shows she skipped were all great, too– and that’s what doesn’t make sense. It’s Only a Play, Pippin, The Last Ship, Kinky Boots–I think the Wall  Street Journal should re-review those shows ASAP.

Now Rick Miramontez, the great press agent, has banned Joanne Kaufman from his shows. This is what he wrote today on his blog:

 

 

Dear Editor:

Those of us who happen to love theater and happen to live in New York City are lucky enough to have access to the greatest stage scene in the world. I have been representing plays and musicals for more than three decades, and in my role as press agent I have handed out tens-of-thousands of free tickets to members of the media. While the general public plunks down hard-earned money for the pleasure and privilege of witnessing the world’s greatest stage talents flaunt their craft on Broadway, members of the press corps are traditionally given pairs of “press tickets,” gratis. The face value that any given production gives away to the media during designated press performances around the time of its opening is somewhere in the vicinity of $200,000. The hope, of course, is that those free tickets will yield coverage, and that coverage will convince the general public to plunk down said hard-earned money. But there is no agreement, tacit or otherwise, between the productions I represent and the members of the media I invite that coverage will be forthcoming. There is, however, a tacit agreement that these works will be considered, thoughtfully and seriously, in their entirety by those who accept the tickets.

So when your columnist, Joanne Kaufman, penned her piece entitled “Confessions of a Broadway Bolter,” in which she boasts about the sheer number of times she skips out of the theater at intermission (trying, she tells us, not to get “spotted and caught out by the press agent who provided me with the tickets in the first place”) I couldn’t help but feel a bit like a chump for having accommodated the woman so many times over the years. Certainly every audience member, paid or comped, has the right to form whatever opinions they might about any production they see, but I don’t think it’s too much to expect those who attend on press tickets stay for the duration. Would a fine art writer only peer at half a canvas before deciding she’s bored and it’s time to move on? Does a music reporter think he can make an informed decision on an album if he only listens to a couple of tracks? Why would we accept such sheer laziness from our theatrical press?

“Joltin’ Joanne” Kaufman makes it sound like an unbearable hardship to have to sit through the entirety of a Broadway show. As the overwhelming majority of her colleagues manage to sit through (and often rave about) the very shows she bolts from, I have to think that this is less a reflection of the quality of the works and simply indicative of a woman who loathes the art form. It seems to me that a theater reporter who hates theater would be well served to find another beat.

Well, let me be the first of what I hope will be many press agents to unburden Joltin’ Joanne from her hardship. She will never be invited to another show by my office. If she deems a show of ours worthy enough for her (fleeting) attention, she is more than welcome to call us to arrange tickets – but she had better have a credit card handy.

Sincerely,

Rick Miramontez

President, O&M Co.