Thursday, December 18, 2025
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Sundance Premieres Include Ewan McGregor as Jesus, Plus Scientology, Viola Davis, And A New Noah Baumbach

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Park City is going to be brimming with hollow eyed  Scientologists trying to get into see Alex Gibney’s “Going Clear.” Sundance will be like a zombie movie. Cool. What happens when they get wet? Lots of good stuff here.

 

PREMIERES
A showcase of world premieres of some of the most highly anticipated narrative films of the coming year.

Brooklyn / United Kingdom (Director: John Crowley, Screenwriter: Nick Hornby, based on the book by Colm Tóibín) — 1950s Ireland: Eilis must confront a terrible dilemma — a heartbreaking choice between two men and two countries, between duty and true love. Cast: Saoirse Ronan, Domhnall Gleeson, Emory Cohen, Julie Walters, Jim Broadbent.

Digging for Fire / U.S.A. (Director: Joe Swanberg, Screenwriters: Jake Johnson, Joe Swanberg) — The discovery of a bone and a gun sends a husband and wife on separate adventures over the course of a weekend. Cast: Jake Johnson, Rosemarie Dewitt, Orlando Bloom, Brie Larson, Sam Rockwell, Anna Kendrick.

Don Verdean / U.S.A. (Director: Jared Hess, Screenwriters: Jared Hess, Jerusha Hess) — Biblical archaeologist Don Verdean is hired by a local church pastor to find faith-promoting relics in the Holy Land. But after a fruitless expedition he is forced to get creative in this comedy of faith and fraud. Cast: Sam Rockwell, Jemaine Clement, Amy Ryan, Danny McBride, Leslie Bibb, Will Forte.

End of the Tour / U.S.A. (Director: James Ponsoldt, Screenwriter: Donald Margulies) — This story of the five-day 1996 interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace explores the tenuous yet intense relationship that develops between journalist and subject. The two men bob and weave, sharing laughs and also concealing and revealing their hidden vulnerabilities. Cast: Jesse Eisenberg, Jason Segel, Anna Chlumsky, Joan Cusack, Mamie Gummer, Ron Livingston.

Experimenter / U.S.A. (Director and screenwriter: Michael Almereyda) — Experimenter is based on the true story of famed social psychologist Stanley Milgram, who in 1961 conducted a series of radical behavior experiments that tested ordinary humans’ willingness to obey authority by using electric shock. We follow Milgram from meeting his wife through his controversial experiments that sparked public outcry. Cast: Peter Sarsgaard, Winona Ryder, Jim Gaffigan, Kellan Lutz, Taryn Manning, John Leguizamo.

Grandma / U.S.A. (Director and screenwriter: Paul Weitz) — Self-described misanthrope Elle Reid has her protective bubble burst when her 18-year-old granddaughter, Sage, shows up needing help. The two of them go on a day-long journey that causes Elle to come to terms with her past and Sage to confront her future. Cast: Lily Tomlin, Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox, Sam Elliott.

I Am Michael / U.S.A. (Director: Justin Kelly, Screenwriters: Justin Kelly, Stacey Miller) — The controversial true story of a gay activist who rejects his homosexuality and becomes a Christian pastor. Cast: James Franco, Zachary Quinto, Emma Roberts.

I’ll See You in My Dreams / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch) — A sudden loss disrupts Carol’s orderly life, propelling her into the dating world for the first time in 20 years. Finally living in the present tense, she finds herself swept up in not one, but two unexpected relationships that challenge her assumptions about what it means to grow old. Cast: Blythe Danner, Martin Starr, Sam Elliott, Malin Akerman, June Squibb, Rhea Perlman.

Last Days in the Desert / U.S.A. (Director and screenwriter: Rodrigo Garcia) — Ewan McGregor is Jesus — and the Devil — in an imagined chapter from his 40 days of fasting and praying in the desert. On his way out of the wilderness, Jesus struggles with the Devil over the fate of a family in crisis, setting himself up for a dramatic test. Cast: Ewan McGregor, Ciarán Hinds, Ayelet Zurer, Tye Sheridan.

Lila & Eve / U.S.A. (Director: Charles Stone III, Screenwriter: Patrick Gilfillan) — Lila, a grief-stricken mother reeling from her son’s murder, attends a support group where she meets Eve, who urges her to take matters into her own hands to track down her son’s killers. They soon embark on a journey of revenge, but also recovery. Cast: Viola Davis, Jennifer Lopez, Shea Whigham, Julius Tennon, Ron Caldwell, Aml Ameen.

Mississippi Grind / U.S.A. (Directors and screenwriters: Ryan Fleck, Anna Boden) — Gerry is a talented poker player whose habit is getting the best of him. He convinces younger player Curtis to join him on a road trip, and they begin gambling their way towards a high-stakes game in New Orleans. During their journey, true motivations are revealed, and the two bond. Cast: Ryan Reynolds, Ben Mendelsohn, Sienna Miller, Analeigh Tipton, Alfre Woodard, Robin Weigert.

Mistress America / U.S.A. (Director: Noah Baumbach, Screenwriters: Noah Baumbach, Greta Gerwig) — Tracy, a lonely college freshman in New York, is rescued from her solitude by her soon-to-be stepsister Brooke, an adventurous gal about town who entangles her in alluringly mad schemes. Mistress America is a comedy about dream-chasing, score-settling, makeshift families, and cat-stealing. Cast: Greta Gerwig, Lola Kirke.

Seoul Searching / U.S.A., Korea (Director and screenwriter: Benson Lee) — Seoul Searching is a comedy set in the ’80s about a group of foreign-born Korean teenagers who meet at a Seoul summer camp to learn what it means to be Korean. The three boys, from the U.S., Mexico, and Germany, then meet three girls who rock their world. Cast: Justin Chon, Jessika Van, In-pyo Cha, Teo Yoo, Esteban Ahn, Byul Kang.

Sleeping With Other People / U.S.A. (Director and screenwriter: Leslye Headland) — Jake and Lainey impulsively lose their virginity to each other in college. When their paths cross twelve years later in NYC, they realize they both have become serial cheaters. Bonding over their chronic infidelity, they form a platonic friendship to support each other in their quests for healthy romantic relationships. Cast: Jason Sudeikis, Alison Brie, Adam Scott, Amanda Peet, Jason Mantzoukas, Natasha Lyonne.

Ten Thousand Saints / U.S.A. (Directors: Robert Pulcini, Shari Springer Berman, Screenwriters: Shari Springer Berman, Robert Pulcini) — Based on the acclaimed novel, Ten Thousand Saints follows three lost kids and their equally lost parents as they come of age in New York’s East Village in the era of CBGB, yuppies, and the tinderbox of gentrification that exploded into the Tompkins Square Park Riot of 1988. Cast: Ethan Hawke, Asa Butterfield, Emily Mortimer, Julianne Nicholson, Hailee Steinfeld, Emile Hirsch.

Zipper / U.S.A. (Director: Mora Stephens, Screenwriters: Mora Stephens, Joel Viertel) — Sam Ellis is a man on the rise — a hot-shot federal prosecutor on the cusp of a bright political future. But what was meant to be a one-time experience with an escort turns into a growing addiction — a new demon threatening to destroy his life, family, and career. Cast: Patrick Wilson, Lena Headey, Richar Dreyfuss, Ray Winstone, John Cho, Dianna Agron.

DOCUMENTARY PREMIERES
Renowned filmmakers and films about far-reaching subjects comprise this section highlighting our ongoing commitment to documentaries. Each is a world premiere.

Beaver Trilogy Part IV / U.S.A. (Director: Brad Besser) — A chance meeting in a parking lot in 1979 between filmmaker Trent Harris and a young man from Beaver, Utah, inspired the creation of an underground film that is now known as Beaver Trilogy. But the film itself is only part of the story.

The Black Panthers: Vanguard of the Revolution / U.S.A. (Director: Stanley Nelson) — This feature-length documentary tells of the rise and fall of the Black Panther Party, one of the 20th century’s most alluring and controversial organizations that captivated the world’s attention for nearly 50 years.

DRUNK STONED BRILLIANT DEAD: The Story of the National Lampoon / U.S.A. (Director: Douglas Tirola) — Three Harvard graduates start the first national humor magazine for adults, launching the careers of some of Hollywood’s most legendary talent. But success and excess among its brilliant and subversive contributors begins to challenge its existence.

Fresh Dressed / U.S.A. (Director: Sacha Jenkins) — The history of hip-hop fashion from its birth in the South Bronx to its rise as a billion-dollar global industry, Fresh Dressed is supported by rich archival materials, in-depth interviews with individuals crucial to the evolution, and the outsiders who study and admire them.

Going Clear: Scientology and the Prison of Belief / U.S.A. (Director: Alex Gibney) — Going Clear intimately profiles eight former members of the Church of Scientology, shining a light on how they attract true believers and the things they do in the name of religion.

In Football We Trust / U.S.A. (Directors: Tony Vainuku, Erika Cohn) — Four young Polynesian football players struggle to overcome gang violence and poverty as they enter the high-stakes world of recruiting, competitive athletics and family pressures.

The Hunting Ground / U.S.A. (Director: Kirby Dick) — From the makers of The Invisible War comes a startling exposé of rape crimes on U.S. campuses, their institutional cover-ups, and brutal social toll. Weaving together verite footage and first-person testimonies, the film follows survivors as they pursue their education and justice — despite harsh retaliation, harassment, and pushback.

Kurt Cobain: Montage of Heck / U.S.A. (Director and screenwriter: Brett Morgen) — Kurt Cobain, lead singer, guitarist, and songwriter of Nirvana, remains an icon 20 years after his death. Kurt Cobain: Montage of Heck is a raw and visceral journey through Cobain’s life and his career with Nirvana through the lens of his home movies, recordings, artwork, photography, and journals.

The Mask You Live In / U.S.A. (Director: Jennifer Siebel Newsom) — Is there a “boy crisis” in America? Is our male population suffering due to our emphasis on power, dominance, and aggression? The Mask You Live In explores how our narrow definition of masculinity is harming our boys, men, and society at large and unveils what we can do about it.

Most Likely to Succeed / U.S.A. (Director: Greg Whiteley) — Our current education system is attempting to teach and test skills, that even when mastered, leaves graduates woefully unprepared for the 21st century. This feature-length documentary examines what sort of educational environment is most likely to prepare students for a world changing exponentially.

Prophet’s Prey / U.S.A. (Director: Amy Berg) — When Warren Jeffs rose to prophet of the Fundamentalist Church of Jesus Christ of Latter Day Saints, he bridged the gap between sister wives and ecclesiastically justified rape, befuddling the moral compass of his entire congregation.

Tig / U.S.A. (Directors: Kristina Goolsby, Ashley York, Screenwriter: Jennifer Arnold) — This documentary explores comedian Tig Notaro’s extraordinary journey as her life unfolds in grand and unexpected ways, all while she is battling a life-threatening illness and falling in love.

What Happened, Miss Simone? / U.S.A. (Director: Liz Garbus) — Classically trained pianist, dive-bar chanteuse, black power icon, and legendary recording artist Nina Simone lived a life of brutal honesty, musical genius, and tortured melancholy. This astonishing epic interweaves never-before-heard recordings and rare footage, creating an unforgettable portrait of one of our least understood, most beloved artists. DAY ONE FILM

SPECIAL EVENTS
One-of-a-kind moments highlighting new independent works that add to the unique Festival experience. An evolving section, this year includes episodic work, short films and live performance.

Animals. / U.S.A. (Directors and screenwriters: Phil Matarese, Mike Luciano) — Animals. is an independently produced animated series that focuses on the downtrodden creatures native to Earth’s least habitable environment: New York City. Whether it’s lovelorn rats, gender-questioning pigeons, or aging bed bugs in the midst of a mid-life crisis, the awkward small talk, moral ambiguity, and existential woes of non-human urbanites prove startlingly similar to our own. Cast: Phil Matarese, Mike Luciano, Mark Duplass, Katie Aselton, Nick Kroll, Rob Corddry. World Premiere. FOLLOWED BY A CONVERSATION with the creative team of Animals.: Mark Duplass, Phil Matarese and Mike Luciano. They will discuss how their unique project came to light as well as the changing landscape of episodic storytelling in the digital era.

The Jinx: The Life and Deaths of Robert Durst / U.S.A. (Director: Andrew Jarecki, Screenwriters: Andrew Jarecki, Marc Smerling, Zac Stuart-Pontier) — Robert Durst, scion of New York’s billionaire real estate family, has been accused of three murders but never convicted. Brilliant, reclusive, and the subject of relentless media scrutiny, he’s never spoken publicly–until now. During interviews with Andrew Jarecki, Durst reveals secrets that have baffled authorities for 30 years. Cast: Robert Durst, Andrew Jarecki, Marc Smerling, Zac Stuart-Pontier, Dick DeGuerin, Cody Cazalas. World Premiere

Misery Loves Comedy / U.S.A. (Director: Kevin Pollak, Screenwriters: Kevin Pollak, John Varhous) — Do you have to be miserable to be funny? Children cry, “Hey, look at me,” but who turns that into a profession? Over 50 funny people, like Tom Hanks, Larry David, Jimmy Fallon, Judd Apatow, and Amy Schumer share pain-filled insights from a life in pursuit of laughter. Cast: Tom Hanks, Larry David, Amy Schumer, Jimmy Fallon, Judd Apatow, Jim Gaffigan. World Premiere

The Sundance Institute Short Film Challenge — An international shorts program designed to spark global conversation highlighting human ingenuity and imaginative solutions real people are creating to overcome challenges like extreme hunger and poverty. Filmmakers include Sundance Institute alumni Gael Garcia Bernal, Heidi Ewing, Rachel Grady, Diego Luna, Marialy Rivas, and six storytellers from around the world. Presented with the Bill & Melinda Gates Foundation.

The Way of the Rain / U.S.A. (Creative Director: Sibylle Szaggars Redford, Collaborators: Will Calhoun, Dave Eggar, Chuck Palmer, Desmond Richardson, Ron Saint Germain, Steve Cohen, Floyd Thomas McBee III) — A live multidisciplinary performance art inspired by the annual monsoon rains that sustain life on the fragile high desert plateaus of the southwest. Conceived by environmental artist Sibylle Szaggars Redford and world-renowned artistic collaborators, this unique work comes to life through paintings, music, dance, film, light and spoken word. Special Guest Appearances: Sussan Deyhim, Marc Roberge, Complexions Contemporary Ballet, Robert Redford. LIVE PERFORMANCE

American Film Institute Best 10 Films: Boyhood, Imitation, Whiplash, Foxcatcher– No Theory

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AFI Top 10: Does not include “Theory of Everything.” That’s a surprise, but I can see it. The movie falls apart. The performances are more than the film. No “Most Violent Year”– even though the National Board of Idiots picked it. I think this is a very good list, and good work on the part of the AFI. If this group of 10 went to the Oscars, I’d be happy.

American Sniper

Birdman

Boyhood

Foxcatcher

The Imitation Game

Interstellar

Into the Woods

Nightcrawler

Selma

Unbroken

Whiplash

AFI Top 10 TV shows:

more surprising is that 8 of them are on cable or other media. Only “How to Get Away with Murder” is on ABC. “Jane the Virgin” is on the barely existent CW Network.  No “House of Cards” or “Good Wife” or “Downton Abbey” (oh wait, that’s British).

The Americans

Fargo

Game of Thrones

How to Get Away with Murderr

Jane the Virgin

The Knick

Man Men

Orange is the New Black

Silicon Valley

Transparent

Spielberg, Gaga, Streep, Hanks, Usher: Backstage at Possibly the ‘Last’ Kennedy Center Honors

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Stephen Colbert may have been prophetic last night as emcee of the Kennedy Center honors. Was this the last show of its kind? Possibly, as producer George Stevens Jr. was shabbily ousted after 37 years of producing the classiest TV show this side of the Tony Awards.

Colbert opined: “This is the only awards show that doesn’t have Taylor Swift. Tay-tay-don’t play play here.”

Who knows? Maybe next year the Kennedy Center will drop its salute to accomplished musicians, actors, dancers, and comedians to something like “People Under 25  with Good Marketing Campaigns.”

When I was invited to Stevens’ annual brunch at the Mandarin Oriental Hotel I didn’t know it would be his last one. No one did. This classy exclusive affair was just like the rest of the weekend including events I didn’t go to– including  a State Department dinner and a cocktail reception at the White House.

And then there was show night, with an array of stars and performers that was quite dizzying. For Al Green, Stevens lined up Jennifer Hudson, Usher, Earth Wind & Fire, and superstar legend soul singers Sam Moore (of Sam & Dave) and Mavis Staples (of the Staples Singers). The latter duo absolutely threw the audience into a funk frenzy with their rendition of “Take Me to The River.”

When Moore, 79, did a spin on stage as if it were 1966, the place went wild. Hudson and Usher may have also learned something last night– if they sang properly written classics, they’d have more hits. Singing “Simply Beautiful” and “Let’s Stay Together,” respectively, these younger pop stars got ovations. And their voices were showcased, for a change.

Spielberg and wife Kate Capshaw were just a few of the A list guests I ran into during the night. Even though to you latis Kristofferson has very bad short term memory loss, he’s still absolutely charming. “I know you,” he said, and we reminisced. I told him, “I’m going to talk  to you later about Janis Joplin. You remember her, don’t you?” I asked. He smiled widely. “If I do, I’m not telling you!” he said, and laughed.

Opera great sat right behind Meryl Streep– fifth row, on the aisle. They’re like the Mount Rushmore of the arts.

I asked Tom Hanks- – after his coronation, what next? “Self loathing and dread sets in,” he quipped.

Sting’s Big Kennedy Center Surprise: “The Last Ship” Cast Buses Down to DC After Sunday Matinee

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What do you want to do at the end of a long week performing in a Broadway musical, finishing the 8th show on Sunday matinee at 6pm? Why not hop on a bus and drive like lightning to Washington DC to appear on stage at the Kennedy Center?

That’s what the entire cast of “The Last Ship” did yesterday. All of them including all the principals came off the Sunday matinee and got down to DC to surprise Sting at his Kennedy Center honors show. They just made it, too, arriving in time to close the show in a rousing rendition of Sting’s Police hit “Message in A Bottle” led by Bruno Mars, Bruce Springsteen, Herbie Hancock, Esperanza Spaulding and Lady Gaga– each of whom had performed a Sting song as part of the celebration.

Indeed, Bruno Mars– whose own hit “Locked out of  Heaven” sounds suspiciously like the whole Police catalog rolled into one single– had just done a super medley of “So Lonely” and “Roxanne” as a sort of good-natured payback in recognition of his appropriation.

Sting really got the royal treatment at last night’s show. His toast was given by none other than Meryl Streep, America’s unofficial cultural royalty and previous Kennedy Center inductee. She gave a rousing speech endorsing “The Last Ship” and recalling a love scene she’d had with Sting years ago in the movie “Plenty.”

“That was hard work,” she joked.

Five of Sting’s six kids were at the show (the 6th is in college), as well as two little grandchildren and beautiful wife Trudie Styler. Almost the entire proceedings were a surprise to the 63 year old rocker, including watching President Obama mouth the words to “Roxanne” while Bruno Mars sang it.

“This is a long way to come for a fellow from Wallsend,” Sting said to me at one point, referring to his hometown in Newcastle, England, the setting for “The Last Ship.” He begins appearing in the show starting tomorrow night for 4 weeks.

Kennedy Center Honors Uproar as Beloved Producer George Stevens Jr. Is Ousted After 37 Years

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The Kennedy Center Honors aren’t really known for scandals. But last night during the taping of this year’s edition–honoring Sting, Tom Hanks, Lily Tomlin, Patricia McBride and Al Green– we got a doozy. Speaking to the audience at the beginning of the second act following intermission, famed producer George Stevens Jr. sent out a shockwave. He announced that after 37 years he’d been ousted by the new management. This was his final show. It was a complete surprise to almost all of his staff and to everyone in the audience.

Stevens is a beloved figure in Hollywood and Washington. Last year he received a Lifetime Achievement Academy Award. He is the original and only producer of the Kennedy Center Honors, a show that’s won many Emmy Awards and has stood out as a last beacon of light for the arts and culture as show business has become eroded by fake awards shows and the like. His son, Michael, who has produced the show with him for years, was expected to take over one day soon.

But it’s not to be. And the situation is not only a shock this morning at the Kennedy Center but all over Washington. I am told that Stevens has been negotiating quietly with Kennedy Center president David Rubenstein, who run the Carlyle Group, the largest hedge fund maybe in the world. Sources say Rubenstein just wanted to “clean house” and bring in his own producer who would make the KCH glitzier, “more like the Grammy Awards.” Stevens, I am told, has been given two weeks to clear out of his offices. There is also an issue over a royalty on the show as Stevens created it. Sources say Rubenstein is even fighting that.

The irony of course is that last night’s show, which will be broadcast on CBS on December 30th, was one of the best if maybe not the best. It was packed with stars, lots of showstopping classic musical highlights, and the usual impeccable production. After the show I ran into Rubenstein at the post- dinner, where he was busy going from table to table doing spin on what had just happened. He told me he had no idea that Stevens was going to make his announcement — which was tearful and emotional– the way he did. I asked Rubenstein why he was replacing Stevens and who would be his successor. He responded just that “it was time” and he’d be talking to new producers. But people I spoke to suggested that he already had a replacement.

More to come…

 

Kennedy Center Honors: Springsteen Toasts Sting, Surprise Performers Gather in DC

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The annual Kennedy Center honors are underway in Washington DC where Sting, Lily Tomlin, Tom Hanks, Al Green and Patricia McBride will be celebrated tonight in a big ceremony and concert. Last night, the five honorees received their awards and medals of honor at an ultra exclusive dinner at the State Department, hosted by opera legend Jessye Norman. Bruce Springsteen evidently gave a spectacular speech about long time friend Sting. Kennedy Center Honors impresario George Stevens Jr toasted Hanks. Green received his kudos from legendary Soul Man Sam Moore. Lily Tomlin was saluted by Bill Irwin. There were also remarks by Kennedy Center honchos David Rubenstein and Deborah Rutter.

Meantime, using social media to break the unofficial surprise, Lady Gaga and Bruno Mars let it out that they’d be at the show tonight. Springsteen (with wife Patti Scialfa) and Moore have been seen around the Mandarin Oriental Hotel, the show’s headquarters. There are rumors about Jennifer Hudson as well as Earth, Wind and Fire performing. Melanie Griffith is also said to be in DC. She co-starred with Sting in “Stormy Monday,” a lost gem of a film circa 1980s. Jane Fonda was spotted around the hotel, too. She would be there for Lily Tomlin, her “9 to 5” co-star.

The Kennedy Center Honors airs December 30th on CBS.

Box Office: “St. Vincent,” Bill Murray Stealth Comedy, Crosses $40 Mil Line

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Well, well. Yes, “Mockingjay” is number 1 again. Who cares? The big news is that “St. Vincent” will cross the $40 million line this weekend. Bill Murray’s beautiful performance leads a big cast including Melissa McCarthy and Naomi Watts, through a very likeable, smart comedy.

When we saw this in Toronto, I had plenty of predictions of Murray for an Oscar, etc. Snark bloggers (‘the pajama people,” a friend of mine calls them) tried to wreck it. But “St. Vincent” is very appealing, and obviously audiences love it. I don’t see why Theodore Melfi’s sweet, sweet film won’t get a Golden Globe in comedy/musical. It’s also right on the for SAG Best Ensemble.

Don’t count Bill Murray out either. Right now the Oscar race for Best Actor is volatile. The two Brits– Benedict Cumberbatch and Eddie Redmayne– are in. David Oyelowo has to be third, for “Selma.” Fourth place could be Steve Carell, so good in “Foxcatcher.” And then? Michael Keaton? Maybe. Bradley Cooper is exceptional in “American Sniper.” And then there’s Murray. He has a lot of good will, and box office numbers on his side.

Elaine Kaufman Has Been Gone Four Years, Her Customers Still Wander New York

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I should have written about this three days ago, but it’s been a crazy week. Elaine Kaufman died on December 3, 2010. Four years have passed, and her friends, who were her family, have wandered like a lost tribe ever since. Elaine’s restaurant closed the following May thanks to the bad management and inattention of the woman who inherited it all. Since then the building was sold, and I’m told now it’s being flipped again. Millions have been made by other, and Elaine is gone. It’s a tragedy. And the people who really were the survivors know the real story.

Every night around 11 pm , as evening soirees wind down, I say the same thing out loud: “Let’s go to Elaine’s.” It’s said with a sigh, and I know about a dozen other people who think the same thing. Elaine didn’t come in to the restaurant until around 9pm, and when she was well and in her hey day she stayed until closing around 2am. Elaine’s was designed as a late night spot where actors and writers and police chiefs and mobsters could come in after their adventures were over and share stories.

Elaine’s was not digital. One of the big moments most nights was getting “the paper” before it was printed– whether it was the Times, Post, or News. Someone would always have an early copy, a Xerox of the front page before it hit the stands. Smart phones didn’t exist. Maybe someone would struggle to find information on one of those dark blue early Blackberrys. But really, everything was about “the paper” and maybe the 10pm news on Channel 5. What was going to happen tomorrow? We knew it in Elaine’s before anyone else did.

And the going at 11pm. You went because Elaine was there. You had no idea who else would be there. Just Elaine, sitting along the front row of tables. When you got there she was already in the middle of something great. You’d greet her, bowing down, a peck on the cheek and her usual greeting– “Where have you been?” which was not an inquiry about your health but a warning that she knew you’d eaten somewhere else two nights ago and some one had seen it and reported it back.

“Well, there was a dinner at _________ and we had to go,” I’d say. “Yeah, yeah,” said Elaine, rolling her eyes. “And now you’re back.” Because we always came back, and we were so happy to see her. “Listen,” she’d say, “DabneyColeman/Alan King/Jackie Collins/Marisa Berenson/Peter Maas”– one of them– “is back there. Go say hello.”

Her eyes, very wide and accentuated by those big round tortoise shell glasses, showed her excitement, and she was already gesturing– her right arm swung from the elbow backwards as if to say Go, go go. And you’d be plopped down with Bobby Zarem entertaining this week’s movie star, or Neil Travis regaling us with his scoop of the day, or Catherine Deneuve or Michael Caine or Phil Spector (don’t ask). And say these words: “Elaine told me to come over here.” A chair was made open immediately. And down you’d sit.

Anyway, Elaine, on Thanksgiving we had a bottle of Chateau Simard in your honor and a toast. We have no place to go at 11pm except home, which is so boring and you would hate it. Sometimes we go to Bar Centrale after theater and see a few people. But no restaurateur would ever really allow the shenanigans of jumping from table to table, coming and going, no reservations, staying for hours, total anarchy. Only you. And we miss you. A lot.

See Cher, with Her Original Face, Make Her Acting Debut at Robert Altman Festival

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Robert Altman, one of the top tier great American film director and auteurs, is now having a massive retrospective at the Museum of Modern Art. It kicked off last night with his 1982 adaptation of “Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean.” Altman directed the play on Broadway nefore filming with with Sandy Dennis and Karen Black in main roles. He added then newcomers Cher and Kathy Bates. The festival goes on through January with loads of Altman gold from “MASH” to “The Player,” “Short Cuts,” “The Long Goodbye,” “McCabe and Mrs. Miller,” “A Wedding,” all the films plus all the shorts and Altman’s TV work on shows like “Bonanza” and “Combat!”

On December 19th, MoMA will show “Nashville,” Altman’s masterwork, after a book signing with his widow, the amazing Kathryn Reed Altman. She’s signing a new book made just for this show and I can’t wait to buy a copy. In January MoMA will finish up with Ron Mann’s excellent documentary, called “Altman,” which Epix broadcast last summer.

Last night was like old home week for Altman regulars starting with actor Keith Carradine, star of “Nashville,” as well as the equally amazing Lee Grant, record producer Russ Titelman, photographer Carol Friedman, Sony Pictures’ Michael Barker and famed agent/manager Johnnie Planco.

Watching “Jimmy Dean” was like a master class. It’s not among the Altman “A” pictures. But it’s really stunning to see how he moves the camera, works with light and darkness, and fades back and forth from past to present and back.  You also see how he takes this sort of dreamy story and reworks it so it becomes at one point all-engrossing.

Karen Black and Sandy Dennis turn in two of their finest performances. And Cher is remarkable– here she is with her original face and teeth. She’s sensational– real and right in the moment.  She went from there to “Silkwood,” “Mask.,” and “Moonstruck” and an Oscar. Altman saw what she had in her.

If you want to find me from December 17th to the end of the year, check MoMA’s schedule.

Grammy Mistakes: No Gaga ARTPOP, Aretha, Bruce, JHUD, Mariah — and Haim Was a New Artist Last Year

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Ever since I can remember–and that’s a long time now– the Grammys have been a head scratcher. They omit stuff that should be there, they include nominations for things you’ve never heard of. The wrong people win all the time. The really good music outlasts things that are celebrated on Grammy night. You may love Outkast, but that album and single were the end of a short career. “Hey Ya” sounds like a novelty song now. Does anyone listen to that album?

Today’s Grammys snubbed Aretha Franklin’s “Divas” album and her great recording of “Rolling in the Deep.” They also skipped Bruce Springsteen’s “High Hopes” and Jennifer Hudson’s “JHUD” album. (Jennifer got a single nom for a duet with R Kelly.) They also just completely dissed Mariah Carey’s “Elusive Chanteuse” album which got very good reviews. Of course, the great Leon Russell album released last April was ignored. I’m sure there were more– Leonard Cohen, Broken Bells, and two albums from Prince, plus Tom Petty. And no Lady Gaga “ARTPOP”.

As well, a female group called Haim is up for Best New Artist.  Their official album was released on September 30, 2013. This means they were eligible for last February’s award, not this one. Also, they’ve been around for a while. They are not New artists.

No worries: Miss Aretha will receive a special Billboard Icon award next Friday, December 12th. It’s the first time they’ve given it. And of course, Aretha has 18 Grammy awards already.