Friday, December 19, 2025
Home Blog Page 1539

Grammy Dilemma: Who Opens the Show? Taylor Swift or Broadway Hit “Hamilton”?

0

There are days when you really want to be Ken Ehrlich and days when you think, so glad I’m not him.

Ehrlich, producer of the Grammy Awards, has a dilemma. He’s already announced that the Broadway mega hit “Hamilton,” would open the Grammys at 5pm Pacific, 8pm Eastern, live, on stage in New York, with their big opening number.

What a brilliant idea, right? “Hamilton” is nominated for best live show and it’s going to win the Tony Awards, which are also on CBS this June, so perfect.

Now hitsdailydouble.com is reporting that Taylor Swift will open the Grammy broadcast. She’s got a bunch of nominations and is likely to win Album of the Year at least. At least. Aside from Adele, Taylor’s “1989” was the huge success story of 2015.

They can’t both be opening the show unless Taylor is flying to New York and playing Alexander Hamilton’s cousin or something.

So what to do? Who will win this tug of war? After all, “Hamilton” starts at 8. They’re bringing in an invited audience for the evening. Are they going to hang around and not start their show– it’s long, by the way, at almost three hours–until the Grammys are ready? Hamilton and Aaron Burr won’t be dueling until midnight!

Everyone should have these problems! I’m rooting for Ken. Anyway, Taylor should be waited for a little bit, no?

Baby What a Big Surprise: Peter Cetera Won’t Join Chicago for Rock Hall Induction

0

Peter Cetera will not be joining former Chicago bandmates for their induction into the Rock and Roll Hall of Fame. He’s posted on his blog that it’s all too much for him. Well, you know what, he doesn’t really know what time it is, does he? It’s way past time for this kind of petty crap. So good night and good luck.

PS Chicago was better when we didn’t know who he was, back when the horn arrangements were the big deal. The albums from the 80s, which he touts on Wikipedia, are dreadful. So he’s better off staying home frankly, and reliving his halcyon days with Amy Grant.

Here’s his statement. “Hard to say I’m sorry” indeed:

February 8, 2016

I just sent this to the RnR hall of fame people. This is the the short high road nice version of what I really wanted to say. I’ll post that response at the appropriate time. Ciao,

Hello Alex and Joel!
Unfortunately, this scenario doesn’t work for me. I know we all did our best to make it happen, but I guess it’s just not meant to be.
Personally, I’m frustrated and tired of dealing with this and it’s time to move on. I have a life with two beautiful daughters and a solo career and its time to get back and give them all the full attention they deserve.
Thanks for all your help and consideration! Have a great show and please send any individual award I receive to the contact you have for me.
All the best, Peter Cetera

Here’s the real Chicago:

Terrence Malick’s “Knight of Cups” Screens In Santa Barbara to Scathing Reviews, Indifference, Sleep

0

Terrence Malick was once a genius. “Days of Heaven” and “Badlands” were works of art. He was indulged, however, by people with money who thought backing him would be cool.

The result is “Knight of Cups,” the latest in a series of sleep inducing farces, Emperor’s new clothes scenarios. This started with Tree of Life, then To the Wonder. They are films with almost no dialogue, no plot or story, beautiful pictures, movie stars who’ve been convinced their participation will make them arty. In t his one it’s Cate Blanchett, Christian Bale, Natalie Portman, Brian Dennehy, Freida Pinto, and so on.

On Twitter there are several messages of sleep and boredom. To wit:

Ain’t it Cool News wrote: “This film is garbage. I’d say it is pretentious garbage, but I don’t even think it rises to that level. People are calling it “experimental,” but let’s get real. It is not really an experiment when you do the same thing over and over. This movie is just Christian Bale walking around in random scenes, instead of Ben Affleck. You didn’t have a script when you made it. You didn’t even tell Christian Bale what the movie was about. That’s just asshole behavior right there — to think you are so good that you don’t need to make your movie about anything.”

Malick, of course, didn’t go to the Santa Barbara screening. No one other than his inner circle and the actors have seen him in years. We used to care about this. Now, not so much. I can’t see “Knight of Cups” unless I am ready for bed, by the way. I slept through To the Wonder twice.

“Knight of Cups” has already opened and closed in several countries. It opens in the US March 4th. I’d go see it right away before it’s put on planes to help insomniac passengers.

The “Training Day” TV Series Will Be Opposite of Movie: Denzel Washington Character Is Now White

0

All the 40 to 55 year old black actors who thought they might get a chance to play Denzel Washington’s Oscar winning character from “Training Day” on TV: put your guns down. The TV series will be the opposite of the movie.

The scene chewing older cop with his own set of rules is now white. Get ready for any number of white actors to polish up their Emmy speeches.

In the new version, Frank Rourke is the “wolf, a rogue cop, and a man who lives by the law of the jungle.” His protege is Kyle Craig, a young naive black trainee who will try and take Frank down. That would be the Ethan Hawke part from the movie.

Speaking of Hawke, he may play his own role from the movie as a recurring character. Right now, that character– Jake Hoyt– is deputy chief of police 15 years after the “Training Day” movie (2001). But it’s unclear if Hawke would play that part.

I’m surprised they reversed the leads for the TV series, especially since Antoine Fuqua is directing again. Frank would have been one of the few– maybe the only– juicy lead role for a black adult actor on TV. Another opportunity lost. Blair Underwood, it coulda been you.

Super Bowl Bounce Sends Coldplay Records Soaring into iTunes Top 20, Despite Online Snarking

0

Ha ha. I get such a kick out of Twitter snarks. Mashable is one among sites today writing nasty stuff about Coldplay’s performance on the Super Bowl.

Well, Chris Martin and co. are getting the last laugh. The Super Bowl performance has sent three of their single into the iTunes top 10, several more scattered throughout. Also, all of their albums are in resurgence, with the latest hitting number 2 this morning.

I guess no one liked them. LOL. Coldplay got the biggest bounce of all the acts on last’s night show. Nothing has happened for Beyonce since “Formation” isn’t actually available. It may be on Tidal, but her free giveaway didn’t really materialize. (Tidal has trouble fulfilling orders.)

“Uptown Funk,” which Bruno Mars and Mark Ronson performed, is back to number 13. It was number 1 months ago.

Listen to Elton John’s Great New Rocker “England and America”

0

My favorite track on the new Elton John album is called “England and America.” It’s a totally original melody, the rocking drives straight forward, and Elton’s vocal is especially good. His new album “Wonderful Crazy Night” is just out. The label is pushing a couple of other tracks, but this is the best one, I think. I also like the title track and “Looking Up.” But this is a single. If only there were a radio station to play it on.

Jane Fonda: Bernie Sanders “Good at Pointing Out Problems,” Hillary “Can solve ’em”

0

Jane Fonda on Bernie and Hillary: “I think he’s great. He’s very, very good at pointing out the problems and Hillary can solve ‘em.”

Fonda told us this at last night’s inaugural comedy fundraiser which she hosted for the ERA Coalition and the Fund for Women’s Equality. It was appropriately entitled “A Night of Comedy With Jane Fonda.”

Just moments earlier Fonda blasted Donald Trump telling the scrum of journalists that Trump was “fanning the flames of peoples’ anxieties” and that his views were “racist.” He was “dangerous,” she said. “Even if he doesn’t make it, which I don’t think he will, all those young Muslims now, it will drive them closer to the terrorists.”

As you would expect, it was a heavy pro-Hillary crowd, featuring feminist icon Gloria Steinem. Other notables included Rosie O’Donnell, Christine Lahti and Cynthia Nixon. Politicos included Elizabeth Holtzman, Carolyn B. Maloney, Jessica Neuwirth and Teresa Younger, along with Sarah Jones, Marcy Syms, Agunda Okeyo and Maria Vullo.

I asked Steinem, who looked fantastic in her trademark chunky Native American belt, to clarify remarks she made on “Real Time With Bill Maher” about young women who supported Bernie Sanders,’ in which she suggested it was because “boys” supported him. Her comments unleashed a firestorm on Social Media and she seemed determined not to get in that quagmire again. “I learned not to comment in the world of twitter, so it’s on Facebook,” she told me. She did say of Sanders’ appeal, “I think that Bernie is saying the message of occupy, so he’s stating the problem very clearly, which is a good thing. And Hillary is stating the solution very clearly, which is a good thing and hopefully I’m sure in the future they will end up together.”

Steinem told me she didn’t watch the New Hampshire Republican debate. “I was on the redeye coming back from Los Angeles,” she said. As for her take on the Republican campaign, she said dolefully, “I’m sorry to say that they’re not Republicans. Those of us who remember the real Republican Party, which supported the Equal Right Amendment before the Democrats,” she said. “Goldwater and others were pro-choice. These are extremists who’ve taken over the Republican Party, and it’s very dangerous to have one of our two great parties in the hands of extremists.”

Rosie O’Donnell who is usually talkative and gracious on the red carpet posed for photographs, but a publicist said she would not be doing interviews. Later she would go on to perform a ten minute comedy set focusing on the travails of raising four teenagers. “My son told me he’s writing a book, ‘Life With Mom, Not So Rosy,” she cracked. She said she adopted a baby to remind herself she really likes kids. She ended her set with a serious discussion of the signs of a heart attack, which she noted took more female lives than all other diseases combined. O’Donnell said she had had a 100 percent blockage. Most people who have this “die before they hit the floor,” she said. What O’Donnell didn’t discuss was Donald Trump or the political campaign.

Steinem managed to get in a few zingers about Trump in her introduction to Jane Fonda. She said it was challenging to find humor when Trump was in the political landscape. “It’s hard to surpass,” she said. “I hope that there will soon be a group of rich people to explain that he’s disgracing the name of rich people,” said Steinem. “He’s not really a successful businessman, he is a successful con artist and somebody has figured out that if he had just taken the $200 million that he had inherited from his father and invested it, he would now have more money” so after going bankrupt he wouldn’t have had to “stick everybody else with his debt.”

On a positive note, Steinem praised Fonda and thanked her for hosting the evening. “When she said yes it was magic,” Steinem said. “She is so smart and brave and creative and kind. And she is always, always there. She has been punished for being right about Vietnam, and it was so wrong,” she said. Nobody could be a “better friend, a better sister, a more talented woman and a more courageous woman than Jane Fonda.”

Fonda would go on to be a nimble and gracious host as she introduced stand up comics who included Judah Friedlander (30 Rock), Sarah Jones, Sasheer Zamata (Saturday Night Live), Michelle Buteau (Key and Peele), Gina Brillon (White Guy Talk Show) and Wyatt Cenac (The Daily Show).

Fonda conceded she was late to feminism. “I couldn’t be an embodied feminist where it was in my blood and my bones until I left behind my inauthentic relationships with men, (with) my father, my husbands, my lovers. How can one be an embodied feminist if behind closed doors you’re leaving the authentic part of yourself behind in order to please, to be a good girl?” she asked. “For me everything changed in 2000, I was 62 years old. I am a quintessential late bloomer. I had become a single person pretty much for the first time in four decades.”

photo c2016 Showbiz411 by Paula Schwartz

Super Bowl: Lady Gaga Sublime, Beyonce Steals Half time Show, CBS Sells Ads to Scientology

0

The Super Bowl is really the World Series of the Super Bowl, or something. It’s like the annual referendum of everything American.

So apart from the game, which was boring enough to contain a whole episode of “Downton Abbey,” this is what we learned:

Lady Gaga cannot go back to ArtPop. She has become a great singer. Tony Bennett has ruined everything for her. Between his album, her singing “The Sound of Music” on the Oscars, and the Star Spangled Banner tonight, she is finished. She’s transcended her own fame. What a wonderful performance.

Beyonce stole the half time show. She also announced her worldwide Formation tour. She is clearly not pregnant. It’s unclear if “Formation” is a first single from an album, or the new song on a Greatest Hits package. Whichever, she’s back.

Bruno Mars and Mark Ronson were terrific. “Uptown Funk” was perfection. Not that Coldplay wasn’t lively and didn’t give their all. But they don’t really have the hits. It’s mostly “Clocks” and “Viva La Vida.” Chris Martin is very good at jumping.

CBS announced mid show the end of “The Good Wife.” So weird. TV writer Joe Adalian guessed it in a Tweet. Maybe he knew. I think he was just prescient. Everyone from “The Good Wife” will do well going forward. But Alan Cumming had better get an Emmy in September. Christine Baranski, I think, still has Oscar potential.

The commercials? I didn’t think they were too special. We learned that the new Bourne movie is called “Jason Bourne” instead of “The Bourne” something. I really liked Amy Schumer and Seth Rogen.

The worst: why does CBS take money from Scientology for commercials? They are a religious cult, the subject of an Emmy award winning documentary that chronicles their ills. Is it a Paramount-Viacom-CBS-Tom Cruise thing? I hope not. What a mistake for the Tiffany network.

NFL’s Roger Goodell 6th Highest Paid CEO in US– More than Disney, Aetna, GE, Time Warner

0

I’m re-running this story from last May. The next report on the NFL Foundation won’t come out til this spring. They’re very clever making sure it’s always in the off season:

NFL Chief Roger Goodell only made $35 million in 2013, just revealed in the group’s Form 990 filing posted to GuideStar. The NFL is a tax free not for profit foundation, although last week Goodell announced that was coming to an end. The non profit status was the only way the NFL had any transparency.

Goodell would be the 6th highest paid CEO in the US in 2013 if you go by the Wall Street Journal’s rankings. He made more than the heads of Disney, Time Warner, Aetna, and General Electric.

The $35 million may seem like a decrease. It’s not. In 2011, Goodell earned $29.5 million. In 2012, the compensation jumped to $44 million including bonuses. Now we know that in the year when domestic violence and deflated footballs diverted attention, Goodell was still raking it in last year.

It’s notable that the NFL keeps a litigation settlement reserve of $438,500,000. They claim total assets of $727 million. But that’s not net assets. Somehow, with clever accounting, the NFL says they’re $741 million in the hole. They’re definitely using an abacus to come up with those numbers.

The NFL no longer lists all the salaries of their top executives. But they do note that they loaned $2 million to one exec, and $500,000 to another.

The NFL– now this is the trade organization, not the individual teams, had a total of $308 million in total expenses. Legal fees were around $18 million. Research and development– you can only imagine– was just under $10 million.

We have to enjoy this news while we can. Only more year before Goodell and the NFL disappear into the dark of night.

“Revenant” Wins Best Director for Innaritu, But “Spotlight” Remains Best Pic Favorite

0

Last night, Alejandro Gonzalez Innaritu won his second DGA Award in a row, for “The Revenant.” Last year, he levitated Michael Keaton and made a whole movie look like one long shot. This year, he went into the woods, where no one wants to go, and shot a magnificent looking movie in which Leonardo DiCaprio bears up.

But Best Picture? “The Revenant” is basically a revenge movie. On the other hand, Tom McCarthy’s “Spotlight” has the Big Idea, the social issue, and one that is still resonating. The Critics Choice Awards agreed, and SAG gave “Spotlight” Best Ensemble.

My guess at this point? “Spotlight” gets the Oscar for Best Picture and Best Screenplay. “The Revenant” takes Best Director and Best Actor (Leonardo DiCaprio). That’s a good split, everyone gets something.

Innaritu’s next movie should be an adaptation of John Irving’s “Setting Free the Bears.” It’s too obvious.

Brie Larson looks on track for Best Actress. I hope it’s a good thing for her. Jennifer Lawrence seems to have turned around the bad luck best actresses have had in the past. She’s working and getting more nods. Since her win in 1998, Gwyneth Paltrow hasn’t had one nomination. Ditto Helen Hunt, Nicole Kidman, Marion Cotillard, Halle Berry, and Natalie Portman.

Supporting actor should go to Mark Rylance, because he’s the best actor in the world. But Sylvester Stallone will win, and rightly so, for a beautiful performance as Rocky in “Creed.” Rylance will be back.

Supporting actress is the hardest. Kate Winslet — I just re-watched “Steve Jobs.” She’s superb. Jennifer Jason Leigh- hilarious and sad in “Hateful Eight.” But she has a Best Actress statue in her future. Soon. Rooney Mara– if “Carol” had caught on a bit more, she might have had it. I think it’s Winslet. And who doesn’t want to see Leo and Kate reunited from “Titanic” 18 years later? It’s a Hollywood ending.